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The N8 ribbon microphone was designed to be the most open sounding ribbon microphone ever made. The N8 is the perfect ribbon mic for drum overhead or room mics, strings, orchestras and much more. AEA have employed a similar design philosophy as the famous R88 ribbon mic allowing the N8 to achieve amazing transparency when capturing sound with a superior transient response making this mic the perfect addition to your studio collection. \u003cbr\u003e\u003cbr\u003eAEA’s NUVO Series Stereo Kit enables serious musicians and engineers to rapidly set up and accurately record in stereo on a single stand. The NUVO Stereo Kit consists of two matched N8s, and comes with all of the accessories necessary to easily configure the figure-eight microphones in Blumlein and near-coincident. Similar to the AEA's Stereo R88, the N8 was designed to capture the natural tonality of an instrument with the least amount of coloration possible. 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The AEA N8 was designed to be the most open sounding ribbon microphone ever made. The N 22 is the perfect ribbon mic for drum overhead or room mics, strings, orchestras and much more. 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Wes Dooley, a specialist in ribbon mics of all kinds, has now restored the 44 type microphone to its rightful position in the studio. After tracking down the engineers who designed and built the original RCA 44, AEA acquired ribbon material, made the tooling and custom machined all the parts necessary to build the original RCA 44 B\/BX design to its original specifications, just as it was in the 1930s. After years of painstaking work, AEA has again begun production of the most important ribbon mic of all time: the AEA R44C.\u003c\/p\u003e\n\u003cp\u003eRCA 44 ribbon microphones have remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B\/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. As collectors began to buy up the supply of RCA 44's through the 90's, the availability of this wonderful ribbon mic to the studio was greatly endangered.\u003c\/p\u003e\n\u003cp\u003eThe 44 was RCA's best microphone from the 1930s into the '50s. Is AEA's R44 that good? Both listeners and measurements say that the R44 is better and AEA has been listening to both users and ex-RCA engineers for over 25 years. They start by using only ribbon material originally manufactured for RCA. 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This microphone is perfect for many applications like brass, jazz vocals classic rock and much more. With use of the 44 ribbon designed by RCA this mic produces rich sound and character to your records. 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Its higher output and immunity to impedance-loading offer more flexibility in the choice of preamps, and avoid noise problems in low signal level applications. Touring musicians who are looking for consistent and risk-free performance in a wide range of venues and recording setups will find a trusty companion in the R84A microphone.\u003c\/p\u003e\n\u003cp\u003eThe R84A remedies most of the limitations of passive ribbon microphones, whether in a remote recording situation with long cable runs, a classical music application, or simply for the wish to combine the ribbon sound with a low-gain vintage preamp. The signal strength and flexibility of active JFET electronics combined with the luxurious warmth of a Big Ribbon™ all wrapped up in an affordable package is what sets this microphone apart. 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The rpq3 from AEA features high-output, high-impedance, low-noise gain and EQ is designed to optimise, and bring the best out of your microphones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo channels with 85dB of sweet, quiet, and mouthwatering JFET gain\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHigh-frequency CurveShaper™ EQ and low-frequency proximity control\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e68k ohm high-impedance circuitry providing better overall transients, frequency response, and higher output sensitivity\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePost-Mic and Pre-EQ Inserts for convenient routing options\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSwitchable phantom-power and polarity invert\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eENHANCE YOUR RIBBONS\u003c\/strong\u003e\u003cbr\u003eThe AEA RPQ3 Ribbon Preamp and EQ provide two channels of high-output, high-impedance, and low-noise gain with a rich and natural sound that brings out the full potential of your microphones.\u003c\/p\u003e\n\u003cp\u003eSpecifically designed for ribbon microphones, the RPQ3 excels at drawing out the warmth and lush sound that ribbons are uniquely known for.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA GAIN POWERHOUSE\u003c\/strong\u003e\u003cbr\u003eThe RPQ3 is a powerhouse that provides unparalleled high gain with low-noise. With 85db of JFET output, the RPQ3 gives you enough juice to record soft sources without ever having to worry about noise.\u003c\/p\u003e\n\u003cp\u003eThe RPQ3 is the tool of choice for all microphones whenever a true and pristine signal path is desired. Our 3rd generation circuitry is the cleanest and most musical design we've done yet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLESS NOISE THAN OUTER SPACE\u003c\/strong\u003e\u003cbr\u003eWith the RPQ3, you will never consider a source too quiet to record with a ribbon mic ever again. Passive ribbons with low output levels require preamps that supply a high level of output. If the preamp you use doesn’t have enough clean gain, the mic signal may seem too soft or noisy which may be apparent when recording quiet acoustic guitars or strings, especially at a distance or with long cable runs. The RPQ3 eliminates this concern.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCURVESHAPER™ EQ\u003c\/strong\u003e\u003cbr\u003eThe RPQ3’s CurveShaper™ EQ is a powerful tool that gives you the ability to control your microphone right at the start of the signal path. The updated adjustable boost\/cut low and high-frequency controls allow you to tame proximity problems and provide high-frequency extension with slope control.\u003c\/p\u003e\n\u003cp\u003eThe high-frequency filter boost enables you to add presence and air to your source  –perfect for sources like ribbons and 2-busses that often benefit from some extra top-end. The low-frequency control easily removes bass build-up in a fast and unobtrusive way.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHIGH IMPEDANCE MAKES A HUGE DIFFERENCE\u003c\/strong\u003e\u003cbr\u003eThe sound and tonality of dynamic microphones like ribbons and moving-coils are directly affected by the impedance of a preamp. The higher the impedance, the better the sound. The RPQ3 boasts an extra high input impedance of 68K Ohms (phantom power off).\u003c\/p\u003e\n\u003cp\u003ePreamps with an impedance of under 10k ohms will limit the lows, highs, and transients of your passive microphones. The RPQ3’s high impedance will reveal your microphone’s true nature– a thick low-end, open top-end, and articulate transient response that you will need to hear to believe. Both condensers and active microphones also benefit from the RPQ3’s impedance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEXCEPTIONAL PREAMPS\u003c\/strong\u003e\u003cbr\u003eThe worlds best microphones, coupled with AEA’s range of transparent preamps, are the key choice for discerning recordists who want total control over their signal path.\u003c\/p\u003e\n\u003cp\u003eAEA offers the RPQ3, RPQ500, TRP3 and TRP500 microphone preamps, all of which provide clean gain and ultra high impedance to open up the sound of your microphones. All AEA Ribbon Preamps all share the same topology and sound. The differences between each unit come down to extra EQ features and form factor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMax Gain at 1 kHz: 85 dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEIN (Max gain, 22 Hz to 22 KHz, unweighted):\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e130 dBu (typical), 40 Ω source\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e128 dBu (typical), 150 Ω source\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency Response:\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e30 dB gain: (-0.6 dB 10 Hz, -3 dB 160 kHz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e85 dB gain: (-3 dB 10 Hz and 160 kHz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.0018% (1kHz, 22 Hz-22 kHz @30 dB Gain +4 dBu output)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eXLR Output Max Level: +27 dBu into 600 Ω load\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 11.3 kΩ (with Phantom), 68 kΩ (no Phantom)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 50 Ω\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMax Input Signal Level: +20 dBu (minimum gain)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStepped Gain Control: 12-position switch from +7 dB to +65 dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput Trim: Continuously variable from 0 dB to +20 dB\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":43097816891570,"sku":"SAEARPQ3","price":1582.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SAEARPQ3-1.jpg?v=1685974215"},{"product_id":"aea-trp3-ribbon-2-channel-mic-preamplifier","title":"AEA TRP3 - 2-Channel Ribbon Mic Preamplifier","description":"\u003ch2\u003eAEA TRP3 - 2-Channel Ribbon Mic Preamplifier\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAEA TRP3\u003c\/strong\u003e is a 2 channel preamp that offers high-output, high-impedance and low-noise gain, providing a rich natural sound that brings out the full potential of your microphones.\u003c\/p\u003e\n\u003ch3\u003eTRP3 PREAMP OVERVIEW\u003c\/h3\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-channel, high-gain, half-rack mic pre\u003c\/li\u003e\n\u003cli\u003eUltra-high 68KΩ input impedance (phantom power off)\u003c\/li\u003e\n\u003cli\u003e7 to 85 dB of gain\u003c\/li\u003e\n\u003cli\u003e48V phantom and polarity switch\u003c\/li\u003e\n\u003cli\u003eHPF switchable -3dB at 115 Hz or 230 Hz\u003c\/li\u003e\n\u003cli\u003eExternal PSU\u003c\/li\u003e\n\u003cli\u003eOptional rack ears (for one unit) or rack shelf (two units) for mounting purposes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"productAboutTitle\"\u003e\n\u003ch3\u003eENHANCE YOUR RIBBONS\u003c\/h3\u003e\n\u003cdiv class=\"productAboutImage\"\u003eThe AEA TRP3 Ribbon Preamp provides two channels of high-output, high-impedance, and low-noise gain with a rich and natural sound that brings out the full potential of your microphones.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productAboutIntroText\"\u003e\n\u003cbr\u003eSpecifically designed for ribbon microphones, the TRP3 excels at drawing out the warmth and lush sound that ribbons are uniquely known for. Our 3rd generation circuitry is the cleanest and most musical design we've done yet.\u003c\/div\u003e\n\u003cdiv class=\"productAboutIntroText\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"productAboutIntroText\"\u003e\n\u003ch3\u003eSMALL, BUT MIGHTY\u003c\/h3\u003e\n\u003cdiv class=\"columns\"\u003e\n\u003cp\u003eThe TRP3 is a half-rack powerhouse that provides unparalleled high gain with low-noise. With 85db of output, the TRP3 gives you enough juice to record soft sources without ever having to worry about noise.\u003c\/p\u003e\n\u003cp\u003ePassive ribbons and other low-level sources require preamps that supply a high level of output. Without enough clean gain, low-level mic signals can sound too soft or too noisy. This noise can be especially evident when recording quieter instruments (acoustic guitars, strings), recording at a distance or when using long cable runs.\u003c\/p\u003e\n\u003cp\u003eWith the TRP3, you will never consider a source too quiet to record with a ribbon mic ever again.\u003c\/p\u003e\n\u003ch4\u003e A UNIVERSAL POWER SUPPLY\u003c\/h4\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThe TRP3 includes an external switching power supply with a grounded AC plug that keeps hum fields away from the high-gain electronics.\u003c\/p\u003e\n\u003cp\u003eThis power supply allows the TRP3 to be used in any country without any modifications made to the unit.\u003c\/p\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003ch3\u003eRACKING THE TRP3\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThe TRP3 is housed in a portable and lightweight half-rack aluminum chassis that allows you to easily take it to remote gigs, other studios, and on the road. AEA manufactures optional racking gear for convenient use in rackmount furniture.\u003c\/p\u003e\n\u003cp\u003eA single TRP3 can be easily racked with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/aearibbonmics.com\/products\/trp2-rack-ears\"\u003eTRP3 Rack Ears\u003c\/a\u003e. Rack two TRP3s side by side with a\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/aearibbonmics.com\/products\/trp2-rack-shelf\"\u003eTRP3 Rack Shelf\u003c\/a\u003e. These assemblies can be securely installed in any standard rack.\u003c\/p\u003e\n\u003ch3\u003eEXCEPTIONAL PREAMPS\u003c\/h3\u003e\n\u003cp\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003eThe worlds best microphones, coupled with AEA’s range of transparent preamps, are the key choice for discerning recordists who want total control over their signal path\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003eAEA offers the RPQ3, RPQ500, TRP3 and TRP500 microphone preamps, all of which provide clean gain and ultra high impedance to open up the sound of your microphones. All AEA Ribbon Preamps all share the same topology and sound. The differences between each unit come down to extra EQ features and form factor.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003eSpecifications\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eMax Gain at 1 kHz\u003c\/strong\u003e: 85 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eEIN (Max gain, 22 Hz to 22 KHz, unweighted)\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e130 dBu (typical), 40 Ω source\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e128 dBu (typical), 150 Ω source\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003e30 dB gain\u003c\/strong\u003e: (-0.5 dB from \u0026lt;10 Hz to 200 kHz)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003e85 dB gain\u003c\/strong\u003e: (-3 dB 9Hz to \u0026gt;200 kHz)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e: 0.0015% (1 kHz, 22 Hz-22 kHz @30 dB Gain +4 dBu output)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eXLR Output Max Level\u003c\/strong\u003e: +27 dBu into 600 Ω load\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e: 11.3 kΩ (with Phantom), 68 kΩ (no Phantom)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 50 Ω\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eMax Input Signal Level\u003c\/strong\u003e: +20 dBu (minimum gain)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eStepped Gain Control\u003c\/strong\u003e: 12-position switch from +7 dB to +65 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eOutput Trim\u003c\/strong\u003e: Continuously variable from 0 dB to +20 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":43097914343602,"sku":"SAEATRP3","price":1124.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SAEATRP3-4.jpg?v=1685975799"},{"product_id":"aea-44-cx-25le-25th-anniversary-limited-edition-ribbon-microphone","title":"AEA 44-CX-25LE -  25th Anniversary Limited Edition Ribbon Microphone - 1\/44 Special Edition)","description":"\u003ch2\u003eAEA 44-CX-25LE - 25th Anniversary Limited Edition Ribbon Microphone - 1\/44 Special Collectors Edition \u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAEA 44-CX 25LE\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a limited edition museum-quality reproduction of the iconic RCA 44, crafted to celebrate AEA's 25th anniversary. This commemorative edition honours the legacy of the RCA 44BX with its inclusion of a three-position inductor high-pass filter switch and a meticulously colour-matched transformer case, seamlessly merging the timeless sound of the 44BX with the advancements of contemporary components and materials.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSporting a vintage aesthetic akin to the original 44BX, the 44-CX 25LE showcases an umber grey casing, a brushed satin finish, and a bespoke \"meatball\" logo badge in the authentic RCA font, complemented by brown cabling. A nuanced variation in the colour of the grille silk subtly mimics the appearance of an aged microphone, adding to its authentic vintage appeal. The 25LE's standout feature is the ingeniously designed three-position circuit jumper switch located at the base, which enables easy sound customization without the need to open the microphone's case. This innovative addition draws inspiration from the past when broadcasters and musicians often modified their 44BXs with similar switches for more convenient sound adjustments.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMuseum-quality homage to the RCA 44BX\u003c\/li\u003e\n\u003cli\u003eBronze investment-cast yoke, finished in satin nickel\u003c\/li\u003e\n\u003cli\u003eThree-position toggle switch selects between “Music” (no filter\/classic 44 sound), “V1” (HPF), and “V2” (more aggressive HPF)\u003c\/li\u003e\n\u003cli\u003eCustom 1:32 transformer (original AEA R44CX is 1:28)\u003c\/li\u003e\n\u003cli\u003eFull and rich sound; smooth highs and warm lows, with additional signal colouring options\u003c\/li\u003e\n\u003cli\u003eVintage-inspired look with classic brown XLR cable and non-reflective, umber transformer case\u003c\/li\u003e\n\u003cli\u003eLength : 12.2 in\u003c\/li\u003e\n\u003cli\u003eDiameter : 4.6 in\u003c\/li\u003e\n\u003cli\u003eUnit Weight : 7.0lb\u003c\/li\u003e\n\u003cli\u003eTransducer Type : Ribbon \u003c\/li\u003e\n\u003cli\u003ePolar Pattern Bi-Directional\/Figure-Eight\u003c\/li\u003e\n\u003cli\u003eNumber of Microphones : Single Microphone\u003c\/li\u003e\n\u003cli\u003eImpedance : 330 ohms \u003c\/li\u003e\n\u003cli\u003eFrequency Range : 20Hz-20kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity : 5.54 mV\/Pa (-45.1 dBV) into loaded circuit\u003c\/li\u003e\n\u003cli\u003eAnalog or Digital : Analog\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default","offer_id":43662315946162,"sku":"SAEAR44CX25LE","price":4540.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/side5.webp?v=1709660197"},{"product_id":"aea-tdi-active-di-box","title":"AEA TDI Active DI Box","description":"\u003ch2\u003eAEA TDI Active DI Box\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003eAEA TDI\u003c\/strong\u003e\u003cspan\u003e works by using an ultra-low-noise JFET to buffer the high impedance of your instrument-level signal. The JFET then drives a super-clean step-down transformer which balances the signal. There is a THRU jack paralleled to the input jack. The TDI allows for out-standing sonic performance while minimizing distortion, noise interference, and signal degradation from long cable runs. The TDI can handle extremely high input levels without clipping. Its durable steel chassis can withstand the toughest live or studio environments. The Phantom-Powered TDI pairs great with passive instruments like guitars, basses, piezo pickups, etc. Its 20dB pad can also flawlessly handle speaker level signals or active instruments such as synths. 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The near-field\u003cbr\u003eN22 delivers clarity and balance for close-up sources, while the far-field N8 excels at\u003cbr\u003ecapturing the open, natural tonality of entire rooms and ensembles. The only missing\u003cbr\u003epiece? A stand-out mid-field companion.\u003cbr\u003e\u003cbr\u003eEnter the \u003cstrong\u003eAEA N13\u003c\/strong\u003e, an equally sleek active ribbon designed with some distinctly different considerations in mind. At once open and natural, the N13 excels at medium-distance miking applications while demonstrating an impressive transient response. The N13 features a new motor design as well as a thinner, smaller ribbon (1.2 microns, rather than AEA's standard 1.8), making it their first non-Big Ribbon bidirectional mic!\u003cbr\u003e\u003cbr\u003eRelatively bright and sonically distinct from AEA's N22 model, the N13 excels in\u003cbr\u003ecapturing the subtle nuances of strings, acoustic guitars, and percussion. 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A ground-lift switch eliminates any remaining hum or noise that can arise from grounding loops.\u003c\/p\u003e\n\u003cp\u003eThough designed for instrument-level signals generated by passive pickups, the TDI and TDI Duo are perfect for line-level signals from drum machines, samplers, and synths.\u003c\/p\u003e\n\u003cp\u003eThe TDI Duo is built to last with a rugged steel chassis, which is ideal for tours, stage backlines, and years of rigorous studio use.\u003c\/p\u003e\n\u003cp\u003eYou can also combine three TDI Duos with standard 19” rackmount adapters into a six channel 1U DI station.\u003c\/p\u003e\n\u003ch3\u003eAEA TDI Duo Features:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom-powered Stereo DI box with active circuitry\u003c\/li\u003e\n\u003cli\u003eUltra-low-noise JFET buffer drives exceptionally clean Lehle step-down transformer\u003c\/li\u003e\n\u003cli\u003eHigh-fidelity sound quality with mitigation of distortion and noise interference\u003c\/li\u003e\n\u003cli\u003eEnhances signal for long cable runs protecting against degradation\u003c\/li\u003e\n\u003cli\u003eCompact, road-ready design with rugged durability\u003c\/li\u003e\n\u003cli\u003e-20 dB pad for speaker-level signals and active instruments\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default","offer_id":44771921428658,"sku":"SAEATDIDUO","price":415.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/AEA_0006_AEATDIDUOanglenoBG.jpg?v=1727882131"},{"product_id":"aea-n28-mid-field-stereo-ribbon-microphone","title":"AEA N28 Mid-Field Stereo Ribbon Microphone","description":"\u003ch2\u003eAEA N28 Mid-Field Stereo Ribbon Microphone\u003c\/h2\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eHuge Stereo Sound, Half the Size\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe AEA N28 is a compact active stereo ribbon microphone consisting of two matched bidirectional (or figure-of-8) ribbon transducers in a fixed Blumlein configuration. The N28 offers an effortless way to capture natural stereo, providing an authentic representation of a performance in its environment. Distinguishing itself from other AEA Stereo Ribbon Mics, the N28 is compact, manoeuvrable, and easy to use, making it ideal for a wide range of applications without the need for a multi-mic setup. Whether for drum overheads, room ambience, or close-miked stringed instruments, the N28 delivers a phase-coherent, accurate response. Its mid-forward frequency response, tamed proximity effect, and quick transient response make it versatile across various sources. The N28 excels on darker sources and is a practical solution for capturing a stereo image without drawing attention to the mic itself.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eUse with any preamp, on any source\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe N28 operates on standard 48V Phantom Power. This extra gain means you can choose a preamp based on sound, not gain or input impedance. From your desktop USB Interface all the way to boutique preamps, the N28’s active circuitry ensures you will get a good signal from even the quietest sources. With an all-new impedance buffer amp topology and 1:89 Lehle transformer, the N28 does an excellent job at preventing noise interference on longer cable runs or when operating near lighting rigs.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eSmall footprint, big stereo performance\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePacked into a sleek, compact design, the N28 delivers natural, immersive stereo sound without the need for a dual mic setup. Featuring an all-new motor design with 1.13\" long ribbons, the N28 captures every nuance with exceptional clarity and depth, making it ideal for both professional and home recording. Whether you’re in a studio or performing live on stage, the N28 blends seamlessly into any space, offering high-quality stereo audio without drawing attention to the mic itself. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eAEA NUVO Series - Mics for the Modern Musician\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWith increased durability and a small profile, it’s no wonder that a wide range of performers use AEA’s NUVO series microphones on the road and in the studio. 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With an all-new impedance buffer amp topology and 1:89 Lehle transformer, the N28 does an excellent job at preventing noise interference on longer cable runs or when operating near lighting rigs.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eSmall footprint, big stereo performance\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePacked into a sleek, compact design, the N28 delivers natural, immersive stereo sound without the need for a dual mic setup. Featuring an all-new motor design with 1.13\" long ribbons, the N28 captures every nuance with exceptional clarity and depth, making it ideal for both professional and home recording. 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