{"title":"B-Stock","description":"","products":[{"product_id":"aea-ku5a-b-stock","title":"AEA KU5A hypercardioid ribbon microphone - B-Stock","description":"\u003ch2\u003eAEA KU5A - B-stock\u003c\/h2\u003e\n\u003cp\u003eThis B-Stock AEA KU5A is in mint condition and on display in our show room, the KU5A is a ribbon microphone with supercardioid polar pattern that captures pure, direct sound while rejecting room tone from behind, prefect for live lounges and group recordings. This feature prevents excessive monitor and audience bleed when tracking musicians live in one room or on stage. Traditional figure-of-8 ribbons, which distinctly incorporate both direct sound and room sound, rely on sharp nulls to reject unwanted bleed.\u003c\/p\u003e\n\u003cp\u003eThe KU5A’s end-address directionality and tight supercardioid pattern allow for effortless positioning on snare, toms, and other instruments that may be difficult to access. Signal bleed captured by dynamic mics and condensers often sounds harsh and brittle due to top-end frequencies. 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The AEA N8 was designed to be the most open sounding ribbon microphone ever made. The N 22 is the perfect ribbon mic for drum overhead or room mics, strings, orchestras and much more. AEA have employed a similar design philosophy as the famous R88 ribbon mic allowing the N8 to achieve amazing transparency when capturing sound with a superior transient response making this mic the perfect addition to your studio collection.\u003c\/p\u003e\n\u003ch2\u003eAEA NUVO N8 Stereo Kit Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eOpen and natural\u003c\/li\u003e\n\u003cli\u003eDesigned for far-field: overheads, strings, and room mics\u003c\/li\u003e\n\u003cli\u003eUnobtrusive, discreet and video friendly look\u003c\/li\u003e\n\u003cli\u003eThe same Big Ribbon™ as the R44\u003c\/li\u003e\n\u003cli\u003ePhantom powered electronics for optimal performance with any preamp\u003c\/li\u003e\n\u003cli\u003e100% manufactured in Pasadena, CA\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e Storage \/ shipping case, microphone stand clip, custom protective mic sleeve, user manual\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eLimited Warranty:\u003c\/strong\u003e One year parts and labour, shipping not included. 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This R44CE model is the economy version of the R44C ribbon microphone with a one-piece cushion mount, a formed steel yoke with satin nickel finish. This microphone is perfect for many applications like brass, jazz vocals classic rock and much more. With use of the 44 ribbon designed by RCA this mic produces rich sound and character to your records. 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Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist.\u003c\/p\u003e\n\u003cp\u003eDue to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMechanical features\u003c\/strong\u003e\u003cbr\u003eMicrophones designed for use on stage require a particularly robust construction. The KMS 105 therefore has thick-walled metal housings, which also provide effective protection against handling noise.\u003c\/p\u003e\n\u003cp\u003eThe microphone headgrilles are made of hardened steel. 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The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention.\u003c\/p\u003e\n\u003cp\u003eThe TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.\u003c\/p\u003e\n\u003cp\u003eDue to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.\u003c\/p\u003e\n\u003ch3\u003eNeumann TLM 102 MT Studio Set Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLarge-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer)\u003c\/li\u003e\n\u003cli\u003eCompact, characteristic but smaller-scale Neumann design\u003c\/li\u003e\n\u003cli\u003eVery high maximum sound pressure level\u003c\/li\u003e\n\u003cli\u003eSlight presence boost above 6 kHz\u003c\/li\u003e\n\u003cli\u003eTransformerless circuitry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle\u003c\/strong\u003e: Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern\u003c\/strong\u003e: Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range\u003c\/strong\u003e: 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm\u003c\/strong\u003e: 11 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance\u003c\/strong\u003e: 50 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance\u003c\/strong\u003e: 1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1)\u003c\/strong\u003e: 21 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1)\u003c\/strong\u003e: 12 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL):\u003c\/strong\u003e 73 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)\u003c\/strong\u003e: 82 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2):\u003c\/strong\u003e 144 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage\u003c\/strong\u003e: 13 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range, A-weighted1)\u003c\/strong\u003e: 132 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupply voltage (P48, IEC 61938)\u003c\/strong\u003e: 48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption (P48, IEC 61938)\u003c\/strong\u003e: 3.5 mAMatching connector: XLR3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 210 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter\u003c\/strong\u003e: 52 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength\u003c\/strong\u003e: 116 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519704317998,"sku":"SNEUTLM102MTSSBSK","price":437.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/tlm-102-_4__1.jpg?v=1578924689"},{"product_id":"neumann-tlm-102-studio-set-nickel-b-stock","title":"Neumann TLM 102 Microphone Studio Set including shockmount - Nickel- B-Stock","description":"\u003ch2\u003eNeumann TLM 102 Studio Set - Nickel - B-Stock\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNickel Neumann TLM102 Studio Set\u003c\/strong\u003e includes the TLM102 large diaphragm condenser microphone and the EA-4 Elastic Suspension Shockmount. The TLM102 excels on vocals and speech as well as louder instruments including drums, percussion, wind instruments and amps. The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention.\u003c\/p\u003e\n\u003cp\u003eThe TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.\u003c\/p\u003e\n\u003cp\u003eDue to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is a B-Stock item.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eNeumann TLM 102 Studio Set Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLarge-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer)\u003c\/li\u003e\n\u003cli\u003eCompact, characteristic but smaller-scale Neumann design\u003c\/li\u003e\n\u003cli\u003eVery high maximum sound pressure level\u003c\/li\u003e\n\u003cli\u003eSlight presence boost above 6 kHz\u003c\/li\u003e\n\u003cli\u003eTransformerless circuitry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eNeumann TLM102 Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle\u003c\/strong\u003e: Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern\u003c\/strong\u003e: Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range\u003c\/strong\u003e: 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm\u003c\/strong\u003e: 11 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance\u003c\/strong\u003e: 50 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance\u003c\/strong\u003e: 1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1)\u003c\/strong\u003e: 21 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1)\u003c\/strong\u003e: 12 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL):\u003c\/strong\u003e 73 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)\u003c\/strong\u003e: 82 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2):\u003c\/strong\u003e 144 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage\u003c\/strong\u003e: 13 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range, A-weighted1)\u003c\/strong\u003e: 132 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupply voltage (P48, IEC 61938)\u003c\/strong\u003e: 48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption (P48, IEC 61938)\u003c\/strong\u003e: 3.5 mAMatching connector: XLR3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 210 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter\u003c\/strong\u003e: 52 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength\u003c\/strong\u003e: 116 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519704383534,"sku":"SNEUTLM102SSBSK","price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-tlm102-studio-set_1.jpg?v=1578924690"},{"product_id":"neumann-tlm-49-set-large-diaphragm-cardioid-microphone-nickel-inc-suspension-b-stock","title":"Neumann TLM 49 Set Large diaphragm cardioid microphone. 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By combining its retro look with proven Neumann transformerless circuit technology, this microphone ensures low self-noise and the use of high gain levels.\u003c\/p\u003e\n\u003cp\u003eDuring the development phase, the sound was adjusted in extensive practical tests, so as to make the TLM 49 ideal particularly for vocal and speech recording. However, in addition, it is also suitable for instrumental applications in professional production studios and demanding home recordings.\u003c\/p\u003e\n\u003cp\u003eThe large-diaphragm capsule of the TLM 49 provides a cardioid directional characteristic with a tendency toward supercardioid, due to the special capsule construction. Following the example of the M 49, high frequencies are more directional. The capsule diameter is 34 mm. The front of the microphone is indicated by the red Neumann logo on the microphone body. The capsule is oriented so that the microphone is addressed from the front.\u003c\/p\u003e\n\u003cp\u003eThe TLM 49 uses the famous K 47 capsule, which was also used in the M 49 and the U 47. The capsule has a linear frequency response up to the upper mid-range. Above 2 kHz there is a gentle presence boost up to 3 dB. The capsule is enclosed by a large microphone headgrille, which is acoustically very open and is hence neutral with regard to the sound.\u003c\/p\u003e\n\u003cp\u003eThe letters TLM stand for \"transformerless microphone\". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. Noise signals which affect the balanced modulation line are therefore effectively suppressed. The microphone can operate at sound pressure levels of up to 114 dB without distortion, and provides a dynamic range of 102 dB (A-weighted).\u003c\/p\u003e\n\u003ch2\u003eNeumann TLM49 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSound profile optimized for vocal performance\u003c\/li\u003e\n\u003cli\u003ePressure gradient transducer with the large-diaphragm capsule of the legendary U 47\u003c\/li\u003e\n\u003cli\u003eCardiod characteristic\u003c\/li\u003e\n\u003cli\u003eRetro design\u003c\/li\u003e\n\u003cli\u003eTransformerless output circuitry\u003c\/li\u003e\n\u003cli\u003eAcoustically very open wire mesh headgrille\u003c\/li\u003e\n\u003cli\u003eComplete set with elastic suspension\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eNeumann TLM49 Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle:\u003c\/strong\u003e Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 20 Hz ... 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm: \u003c\/strong\u003e13 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance: \u003c\/strong\u003e50 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance: \u003c\/strong\u003e1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1): \u003c\/strong\u003e23 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1):\u003c\/strong\u003e 12 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL): \u003c\/strong\u003e71 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL):\u003c\/strong\u003e 82 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD \u0026lt; 0.5 %2):\u003c\/strong\u003e 110 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD \u0026lt; 5 %2): \u003c\/strong\u003e129 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage for THD \u0026lt; 5%2): \u003c\/strong\u003e-1 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDyn. range of the mic. amplifier \/A-weighted, 0.5 %2)): \u003c\/strong\u003e98 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDyn. range of the mic. amplifier \/A-weighted, 5 %2)): \u003c\/strong\u003e117 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupply voltage (P48, IEC 61938): \u003c\/strong\u003e48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption (P48, IEC 61938): \u003c\/strong\u003e3.2 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connector: \u003c\/strong\u003eXLR 3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003e825 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter: \u003c\/strong\u003e78 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength:\u003c\/strong\u003e 165 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519707594798,"sku":"SNEUTLM49SETBSK","price":1040.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/tlm-49-set-_17.jpg?v=1578924703"},{"product_id":"neumann-tlm67-large-diaphragm-condenser-microphone-b-stock-mint","title":"Neumann TLM67 - Large-diaphragm Condenser Microphone - B-Stock","description":"\u003ch2\u003eNeumann TLM67 - Large-diaphragm Condenser Microphone - B-Stock\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann TLM 67\u003c\/strong\u003e is a transformerless, large diaphragm condenser microphone based on the \"workhorse\" of the 1960s, the legendary U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the special new circuit design closely reproduces the sound characteristics of the classic U 67, without the use of tubes. Similar Neumann circuit technology has already proved very successful in the TLM 49.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis B-Stock item is in mint condition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TLM 67 is extremely versatile. Its three switchable directional characteristics (omnidirectional, cardioid and figure-8), selectable 10 dB pre-attenuation and high-pass filter permit detailed adjustments to be made, depending upon the specific recording situation. The TLM67 comes in a sturdy wooden case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExterior design\u003c\/strong\u003e\u003cbr\u003eThe TLM 67 is a large-diaphragm condenser microphone in the classic Neumann style, with a unique dual-color design. The stylish pearl-gray of the microphone body combined with the classic Neumann nickel lends the microphone a touch of distinctive individuality.\u003c\/p\u003e\n\u003cp\u003eThe legendary, frequently imitated design of the Neumann U 67 was the first to be developed by Neumann employees in collaboration with the famous German designer, Wilhelm Braun-Feldweg. The design of the TLM 67 represents a contemporary development of that of the U 67, transferring its positive impact to the present era. The enhanced exterior design thus links past and future microphone design trends.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003eDue to its extensive control features, the TLM 67 is suitable for a wide range of applications. In addition to its primary role as a vocal microphone for all types of music and spoken voice, in orchestral recordings the TLM 67 can be used as a main microphone and as a spot microphone for individual instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003cbr\u003eThe microphone is addressed from the side on which the Neumann logo is located.\u003c\/p\u003e\n\u003cp\u003eA large wire mesh grille encloses the elastically mounted double diaphragm capsule. The directional characteristics omnidirectional, cardioid or figure-8 can be selected via a switch below the grille. The selected setting is indicated by a symbol shown in a window above the switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003cbr\u003eThe letters \"TLM\" stand for “transformerless microphone”. In the TLM 67, an electronic circuit is used rather than a conventional output transformer. Like a transformer, the circuit ensures good common mode rejection, effectively suppressing interference signals that affect the balanced modulation line. The microphone can operate at sound pressure levels of up to 105 dB without distortion, and has a dynamic range of 94 dB (A-weighted), without the use of the pre-attenuation switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilter and pre-attenuation\u003c\/strong\u003e\u003cbr\u003eThe pre-attenuation switch on the back of the microphone can be used to reduce transmission levels by approx. 10 dB. It should be used only when there is a risk of overloading following devices due to very high sound pressure levels. Use of the switch does not increase the dynamic range of the microphone, but rather shifts it by 10 dB, to higher sound pressure levels. The other switch on the back of the microphone can be used to change the cutoff frequency of the built-in high-pass filter, so as to suppress the effects of impact sound and wind noise, or to compensate for the proximity effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperational reliability\u003c\/strong\u003e\u003cbr\u003eElastic mounting of the capsule supplies protection from the transmission of structure-borne noise. If required, the EA 87 elastic suspension and WS 87 windscreen are available as accessories, for further suppression of structure-borne and wind noise. The PS 15 or PS 20 a popscreen can be used if the microphone is to be addressed at close range.\u003c\/p\u003e\n\u003ch2\u003eNeumann TLM67 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSound characteristics based on the legendary U 67\u003c\/li\u003e\n\u003cli\u003eThree switchable directional characteristics: Omnidirectional, Cardioid \u0026amp; Figure-8\u003c\/li\u003e\n\u003cli\u003eSwitchable high-pass filter and pre-attenuation\u003c\/li\u003e\n\u003cli\u003eTransformerless circuit technology\u003c\/li\u003e\n\u003cli\u003eNew dual-color exterior design\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eApplications\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eExtremely versatile\u003c\/li\u003e\n\u003cli\u003eVocal microphone (soloists and background choir)\u003c\/li\u003e\n\u003cli\u003eBroadcasting, dubbing and voiceovers\u003c\/li\u003e\n\u003cli\u003eOverhead microphone\u003c\/li\u003e\n\u003cli\u003eSpot microphone, and suitable e.g. for strings, especially cello and double bass, as well as piano\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eNeumann TLM67 Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle:\u003c\/strong\u003e Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern: \u003c\/strong\u003eOmni\/cardioid\/figure-8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range: \u003c\/strong\u003e20 Hz ... 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm: \u003c\/strong\u003e10\/18\/9 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance:\u003c\/strong\u003e 50 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance: \u003c\/strong\u003e1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1): \u003c\/strong\u003e29\/24\/30 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1): \u003c\/strong\u003e16\/11\/17 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL):\u003c\/strong\u003e 65\/70\/64 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL): \u003c\/strong\u003e78\/83\/77 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL (tube characteristic) for THD \u0026lt; 0.5 %2): \u003c\/strong\u003e110\/105\/111 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL (tube characteristic) for THD \u0026lt; 5 %2):\u003c\/strong\u003e 130\/125\/131 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage:\u003c\/strong\u003e -1 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDyn. range of the mic. amplifier (A-weighted, 0.5 %2)): \u003c\/strong\u003e94 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDyn. range of the mic. amplifier (A-weighted, 5 %2)): \u003c\/strong\u003e114 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply: \u003c\/strong\u003eP48\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connector: \u003c\/strong\u003eXLR 3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003e490 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter: \u003c\/strong\u003e56 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e200 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519707988014,"sku":"SNEUTLM67BSK","price":1375.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/tlm-67-b-stock.jpg?v=1578924707"},{"product_id":"neumann-u47-fet-re-issue-b-stock","title":"Neumann U 47 FET Re-Issue - B-Stock (Ex Demo)","description":"\u003ch2\u003eNeumann U 47 FET Re-Issue - B-Stock (Ex Demo)\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann U 47 fet Collectors Edition\u003c\/strong\u003e is a new edition of this classic, issued in the year 2014. For this, Neumann has resumed production of this classic mic, according to the original production documents and schematics. It is supplied with a high-quality wooden case with sophisticated special packaging, and an individual certificate with the serial number of the microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is a B-Stock item in mint condition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn terms of technical design, the U 47 fet is a condenser microphone with a cardioid directional characteristic and fet 80 circuit technology. Among other things this technology, also used in the U 87, is characterized particularly by a wide dynamic range. The K 47 double large-diaphragm capsule was already employed in the U 47, the legendary tube-based predecessor of the U 47 fet. The K 47 provides a slight boost in the range above 2 kHz.\u003c\/p\u003e\n\u003cp\u003eIf required, a switchable low-cut filter raises the lower cutoff frequency electronically from 40 Hz to 140 Hz, thus suppressing undesirable low frequencies (such as impact sound and wind noise), or serving to compensate for the proximity effect. Switchable attenuation can reduce transmission levels by 10 dB, facilitating the processing of very high sound pressure levels of up to 147 dB. In addition, to prevent overloading of the connected preamp, the output signal can be reduced by 6 dB via a switch on the bottom of the microphone.\u003c\/p\u003e\n\u003cp\u003eIn order to ensure stable positioning, the microphone is swivel-mounted on an integrated bracket. The bracket stand connector has 5\/8\"-27 internal thread, with an adapter for 1\/2\" and 3\/8\" threads. The microphone cable can be secured at the side of the stand connector, by using the knurled nut to fasten it in the slot (for cable diameters of up to 5 mm). The microphone is available in classic nickel.\u003c\/p\u003e\n\u003ch2\u003eRent the Neumann U47 Fet from our Hire Department\u003c\/h2\u003e\n\u003cp\u003eThe Neumann U47 Fet is available for hire now. What's more, if you decide to buy it after hiring it, we will knock off the hire charges against the cost of the mic.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDaily rate:\u003cstrong\u003e £30.00 \u003c\/strong\u003e(ex. vat)\u003c\/li\u003e\n\u003cli\u003eWeekly rate: \u003cstrong\u003e£90.00\u003c\/strong\u003e (ex. vat)\u003c\/li\u003e\n\u003cli\u003eMonthly rate: \u003cstrong\u003e£300.00\u003c\/strong\u003e (ex. vat)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eContact our Hire Department on \u003cstrong\u003e0151 236 7800\u003c\/strong\u003e or \u003cstrong\u003e\u003ca href=\"mailto:%20hire@studiocare.com\"\u003ehire@studiocare.com\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eNeumann U47 Fet Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle:\u003c\/strong\u003e Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern: \u003c\/strong\u003eCardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 40 Hz - 16 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm: \u003c\/strong\u003e8 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance: \u003c\/strong\u003e150 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1): \u003c\/strong\u003e25 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1): \u003c\/strong\u003e18 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL): \u003c\/strong\u003e69 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL): \u003c\/strong\u003e76 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2): \u003c\/strong\u003e137 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ewith preattenuation: \u003c\/strong\u003e147 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax. output voltage for THD \u0026lt; 0.5 %: \u003c\/strong\u003e-3.3 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Supply (IEC 61938): \u003c\/strong\u003eP48\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption:\u003c\/strong\u003e 0.5 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRequired connector: \u003c\/strong\u003eXLR 3 F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003e710 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter: \u003c\/strong\u003e63 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e160 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519708053550,"sku":"SNEUU47FETBSK","price":2541.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/u47fet-front_1.jpg?v=1578924711"},{"product_id":"neumann-u67-b-stock","title":"Neumann U67 Studio Tube Microphone Set - Re-Issue - B-Stock","description":"\u003ch2\u003eNeumann U67 Studio Tube Microphone Set\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eThis B-Stock re-issue of the Neumann U67 is in excellent condition and has been used in our appointment-only showroom for demonstration. It has been fully inspected by our service engineers and is functioning to spec and sounding fantastic. It is covered by a full manufacturer's warranty.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe U67 is a landmark moment in sound recording. The U67 is one of the most sought after microphones that been out of production for decades. The Neumann U 67 is a universal studio microphone suitable for all applications. Its smooth top-end with a subtle tube shimmer makes the U 67 an outstanding vocal microphone. Due to its essentially linear response in three polar patterns – omni, cardioid, and figure-8 – the U 67 is also a very versatile microphone for all kinds of instruments such as strings, woodwinds, brass, piano, drums, acoustic and electric guitar, bass guitar and upright bass.\u003c\/p\u003e\n\u003cp\u003eIntroduced in 1960, the U 67 was the quintessential studio workhorse throughout the formative years of modern music. Today, more than ever, its inimitably smooth sound continues to be in high demand. Now, for the first time in decades, Neumann’s legendary tube microphone is back in production, built to the original specifications.\u003c\/p\u003e\n\u003cp\u003eOthers have tried to imitate the U 67, but Neumann have referred back to archived documentation and the re-issue is sonically identical to the U 67 made from 1960–1971. It uses the same capsule and electronic design. Key parts, such as the BV 12 output transformer, are meticulously reproduced according to original documentation. EF86 tubes are carefully selected for optimal characteristics and lowest noise in a dedicated measurement facility. The power supply was redesigned to meet today’s strict safety requirements and to accommodate the slightly higher filament current of newer premium grade tubes. The new power supply NU 67 V is fully compatible with older U 67 microphones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReturn of a Legend\u003c\/strong\u003e\u003cbr\u003eIntroduced as the successor to the eminent Neumann U 47, a lesser microphone would have failed. But the U 67 was quickly adopted as the new studio standard, offering many advantages over its predecessor. With three selectable polar patterns and advanced tube circuitry, including low cut and pad switches, the Neumann U 67 was well-equipped for virtually any recording task. It still is: To this day, many top level engineers would choose the U 67 as their \"desert island\" microphone for its extraordinary versatility and unmatched sound quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeumann-Engineering at its Best\u003c\/strong\u003e\u003cbr\u003eThe U 67 was the first microphone equipped with the famous K 67 capsule, which has since become associated with “the Neumann sound” and continues to be used in its successor, the U 87 A. No less important is the U 67’s masterful tube circuit featuring a clever pre-emphasis\/de-emphasis scheme to minimize tube hiss. The U 67 was also the first microphone to address modern recording techniques such as close miking. Its switchable low cut filter compensates for the proximity effect occurring at short recording distances. Using its preattenuation, the U 67 can handle high sound pressure levels of up to 124 dB without distortion (and much more if you don’t mind a bit of \"tube grit\").\u003c\/p\u003e\n\u003cp\u003eAs timeless as its sound and technical design is its outer appearance. 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The 1073DPD also has an ADC insert point, allowing you to make benefit from high-resolution A\/D conversion with any other analogue equipment you have. \u003cspan data-mce-fragment=\"1\"\u003eThis feature allows for the insertion of external analogue processors into the DPD’s signal path by feeding the analogue output into an outboard compressor, then back into the ADC insert to appear digitally to your audio interface.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is a B-Stock item. The unit comes with all original packaging and manufacturer warranty.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor those who don’t already know its legacy, the big, punchy sound of the mic 1073 preamp complements any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve signature makes it the consummate mic pre for recording vocals, guitars, and all acoustic instruments.\u003c\/p\u003e\n\u003cp\u003eWith the 1073DPD, two Neve 1073 mic preamplifiers are complemented by superb Neve-designed analogue-to-digital converters that can capture a performance in any required format. In addition to Neve's famous Class A analogue, outputs are a series of digital options, including all standard PCM sampling rates up to 192kHz, selectable via convenient front-panel controls. A unique feature is the Neve DSD (Direct Stream Digital) output, providing unsurpassed quality beyond PCM technology.\u003c\/p\u003e\n\u003cp\u003eDespite its power, the 1073DPD is remarkably simple to operate. Two rear-panel Mic inputs and Line inputs feed dual Class A gain stages, with adjustable Gain control and selectable 48V available on the Mic inputs. 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Perfect for a variety of stereo micing setups such as piano and drum overheads. Alternatively, with two 1073 preamps in one unit, the DPX makes an excellent choice for multi-micing scenarios such as kick and snare, acoustic guitar and vocals.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis unit is B-Stock and has been used in our showroom. Its in great condition and fully tested and working. It is covered by a full warranty.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 1073DPX provides the same classic tone and thanks to the exclusive Marinair transformers on the microphone input, line input and line output stage. Coupled with the three-band inductor-based EQ, the 1073DPX can process a range of sources with the classic NEVE sound.\u003c\/p\u003e\n\u003cp\u003eThe Class A design 1073 microphone preamplifiers feature three bands of EQ: one fixed high-frequency band, two switchable bands with cut and boost capability, and a high-pass filter. The Neve 1073 mic pre and EQ combination adds warmth and depth to recordings, brings out subtle ambience, maintains spatial positioning, and more effectively captures a precise image. 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This module delivers a classic in a modern and portable 500-series form-factor that professionals expect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is a B-Stock item. The unit comes with all original packaging and manufacturer warranty.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLaunched in 1970, the Neve 1073 module is perhaps the world’s most famous and desirable microphone pre-amp and EQ for recording vocals and instruments of all types. The first choice of countless leading producers and artists, the 1073 delivers the unique Neve sound featured on many of the most famous recordings of the past 40 years. The big, punchy sound of the 1073 classic complements any musical genre, from rock to pop, hip hop to rap, thrash to classical. And now the EQ section of that classic unit is available for your API Lunchbox.\u003cbr\u003e\u003cbr\u003eCrafted in England by Neve engineers, the 1073LB EQ mono EQ module retains the unique sonic characteristics of the original 1073 classic EQ by using the same EQ circuit architecture and matching components, plus it delivers it in a modern and portable form that professional producers and engineers demand. With new features like a signal presence LED and Neve’s clever Audio Processing Insert design, the 1073LB EQ takes your Lunchbox to the next level. Simply install into your Lunchbox rack, connect your line level signals and inject the legendary Neve EQ sound into your audio creations.\u003cbr\u003e\u003cbr\u003eSimply install into an empty slot in your compatible 500-series rack, connect your line level signals and inject the legendary Neve EQ sound into your audio creations. And it’s the perfect pairing for the incredible Neve 1073LB microphone preamp module. The 1073LBEQ module can be inserted between the input and output stages of the 1073LB module, creating a true 1073 classic audio path.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/eu-west-1.protection.sophos.com\/?d=youtu.be\u0026amp;u=aHR0cHM6Ly95b3V0dS5iZS9DbE5IaDlhQk05VQ==\u0026amp;i=NWZjNjczYjAxODMxYzgwZTE4OWRkYTA0\u0026amp;t=MWdNY2FKL1Q0elkxSmp2aEJQalo0WExDZmIzUXJ6enFxNG9IdjNNSWVBTT0=\u0026amp;h=82bea24232814a55b2fef119ca69e2a9\"\u003ehttps:\/\/youtu.be\/ClNHh9aBM9U\u003c\/a\u003e \u003c\/p\u003e\n\u003ch3\u003eNeve 1073LB EQ Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLegendary 3-band EQ design\u003c\/li\u003e\n\u003cli\u003eRotary controls provide accurate adjustment of the 1073 3-band EQ and High Pass filter\u003c\/li\u003e\n\u003cli\u003eSignal presence LED illuminates green from a level of -25dB and red from a level of +24dB\u003c\/li\u003e\n\u003cli\u003eSwitch for EQ IN\/OUT function, with LED indication\u003c\/li\u003e\n\u003cli\u003eElectronically balanced circuits used in Line Input and Line Output stages for standalone module use\u003c\/li\u003e\n\u003cli\u003eAudio Processing Insert design allows the audio to\/from the 1073LBEQ module to be inserted into the audio path of an existing 1073LB module (modules must be fitted in the same 500-series rack)\u003c\/li\u003e\n\u003cli\u003eFully screened module, packaged in Mu-metal case helps eliminate stray electromagnetic fields from 500-series rack PSU or other module types\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eEQ Section: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Pass Filter: \u003c\/strong\u003e18dB per octave slope.Switchable between 50Hz, 80Hz, 160Hz or 300Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Frequency: \u003c\/strong\u003eSmooth ±16dB of fixed frequency shelving at 12kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMid Frequency: \u003c\/strong\u003eSmooth ±18dB of peaking, fixed Q with selectable centre.Frequencies of: 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz or 7.2kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow Frequency:\u003c\/strong\u003e Smooth ±16dB shelving with selectable frequencies: 35Hz, 60Hz, 110Hz or 220Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response (EQ out): \u003c\/strong\u003eTypically ±0.5dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise (EQ out): \u003c\/strong\u003e-86dB 20Hz to 20kHz filter (-80dB with EQ in)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal presence range:\u003c\/strong\u003e -25dB to +23dB (green), +24dB and above (red)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSignal presence indicator\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter selector\u003c\/li\u003e\n\u003cli\u003eHigh Frequency rotary control\u003c\/li\u003e\n\u003cli\u003eMid Frequency Rotary controls\u003c\/li\u003e\n\u003cli\u003eLow Frequency rotary controls\u003c\/li\u003e\n\u003cli\u003eEQ In\/Out button with LED indicator\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 38mm (1½ inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight: \u003c\/strong\u003e132mm (5¼ inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth (excluding front panel controls \u0026amp; rear connector):\u003c\/strong\u003e 145mm (5¾ inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eApprox. Weight: \u003c\/strong\u003e650g (1½ pounds)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eModule requirements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eRack: \u003c\/strong\u003eCompliant LunchboxTM rack with integral PSU and external audio connections\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAvailable Rack slots: \u003c\/strong\u003eSingle LunchboxTM rack slot required for each 1073LBEQ moduleTwo adjacent LunchboxTM rack slots required for each 1073LB\/1073LBEQ module configuration when the modules are used together in Audio Processing Insert mode.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":31519712968750,"sku":"SNEV5001073LBEQB","price":604.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SNEV1073LBEQB.jpg?v=1664274664"},{"product_id":"ams-neve-4081-quad-mic-pre-b-stock","title":"Neve 4081 Quad Mic-Pre - B-Stock - No Manufacturer's Warranty","description":"\u003ch2\u003eNeve 4081 Quad Mic-Pre - B-Stock - No Manufacturer's Warranty\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeve 4081 Quad Mic Preamp\u003c\/strong\u003e builds on the incredible success of the 1081 and 1081R modules and provides both powerful control and legendary Neve sound. Perfect for vocals, ADR and Foley Recording, the 4081's features make it the number one choice for any studio, OB truck or live stage environment. This is a B-Stock unit.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eThis is a B-Stock unit with an expired manufacturer's warranty. Due to AMS Neve's warranty policy, which starts from the day the stock arrives at our warehouse, this unit now has an expired warranty.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"color: rgb(255, 42, 0); text-decoration: underline;\"\u003e\u003cstrong\u003eWe offer a 3-month Studiocare warranty.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEvery function of the 4081 can be controlled directly from the front panel or by remote control using a Mac or PC with Neve Remote Control software. This provides a simple and elegant solution for users of ProTools, Nuendo, Cubase and similar DAW systems. Multiple 4081 units can be linked together to create up to 64 independent channels of Mic Preamps or Line Level inputs – all controlled from a single computer.\u003c\/p\u003e\n\u003cp\u003eAnd now with Version 2.00 software, metering information is displayed within the Remote Mic Control window, which is passed back from the 4081 unit(s) to the Remote Mic Control software running on the computer being used for remote control.\u003c\/p\u003e\n\u003ch2\u003eNeve 4081 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRemote Control of legendary Neve microphone preamp design\u003c\/li\u003e\n\u003cli\u003eFour genuine 1081 Mic preamp channels in a single 9.5” wide unit\u003c\/li\u003e\n\u003cli\u003eTwo units can be linked together to provide 8-channels in a 19” unit with optional 19\" rack-mount kit\u003c\/li\u003e\n\u003cli\u003eRemote control using a Mac or PC with Neve Remote Control software\u003c\/li\u003e\n\u003cli\u003eXLR Mic input can be switched between Mic and electronically balanced Line\u003c\/li\u003e\n\u003cli\u003eSwitchable 48V Phantom power supply\u003c\/li\u003e\n\u003cli\u003eDigital I\/O Option: Firewire\/AES interface with four channels of A\/D conversion to either AES or FireWire and 4 channels of D\/A conversion. 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The unique Ascent circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs. Versatility and superior sound have made the Ascent Preamp\/DI a top-tier choice for engineers around the world and a modern day classic.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is a B-Stock Item. The unit comes with all original packaging and manufacturer warranty.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eHi-Fi Transformerless Mic Input Stage\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003ePhoenix Audio's exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the Ascent delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones—from bold clarity to vintage warmth, and everything in-between. With a very high mic impedance of 10K, it is the perfect companion for ribbon mics and dynamics mic that often need specialist mic pre amps, the Shure SM7B particularly shines.\u003c\/p\u003e\n\u003ch4\u003eLegendary Transformer-Balanced Output Stage\u003c\/h4\u003e\n\u003cp\u003ePhoenix Audio's custom-wound DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendant of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.\u003c\/p\u003e\n\u003ch4\u003eUltra-High Impedance DI Circuit\u003c\/h4\u003e\n\u003cp\u003eThe Ascent mic pre series include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the Ascent's DI.\u003c\/p\u003e\n\u003ch4\u003eEasy and Intuitive In The Studio\u003c\/h4\u003e\n\u003cp\u003eBecause you're working with a clean, robust, electronically-balanced input signal, the Ascent Mic Preamp\/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70db alone) and the -30dB pad against the variable output fader (which provides an additional 10dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the Ascent Mic Preamp\/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePhoenix Audio's unique Class A, transformerless, true-balanced mic input stage\u003c\/li\u003e\n\u003cli\u003ePhoenix Audio's transformer-balanced DSOP-2 Class-A discrete output stage with custom wound DB694 output transformer\u003c\/li\u003e\n\u003cli\u003eWired with PTFE silver plated military grade cable\u003c\/li\u003e\n\u003cli\u003e-15dB input pad \u003c\/li\u003e\n\u003cli\u003eLED Gain Metering\u003c\/li\u003e\n\u003cli\u003ePush buttons: Hi-Pass, Phase Reverse, Switchable 48V phantom power on push-button switch\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter on Push-button Switch (Roll-off -12dB per octave @ 80Hz)\u003c\/li\u003e\n\u003cli\u003ePhase Reverse on Push-Button Switch\u003c\/li\u003e\n\u003cli\u003eMic Pre Gain Range: -30 to -70 in 5dB steps With 10dB more available on the detented ouput fader.\u003c\/li\u003e\n\u003cli\u003eOutput = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz.\u003c\/li\u003e\n\u003cli\u003eFrequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response Class A (DSOP-2) output stage: 20Hz to 20kHz +- 0.5dB, Maximum\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cheader class=\"content-header v3\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003c\/header\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1U half rack space unit\u003c\/strong\u003e: With 240V\/110V mains voltage input selector switch (optional 19\" rack kit)\u003c\/li\u003e\n\u003cli\u003eClass A (DSOP2) Output specs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 20Hz to 20kHz +- 0.5dB, Maximum Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput connections\u003c\/strong\u003e: XLR’s and TRS 1\/4″ Jack on rear\u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, True balanced Mic input stage.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone inputs\u003c\/strong\u003e: XLR’s on Front and Rear Panels\u003c\/li\u003e\n\u003cli\u003e10K mic impedance for high quality performance with all mic particualry ribbons mics \u0026amp; dynamic mics\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransformer-balanced Output on each channel\u003c\/strong\u003e: Driven by the Phoenix Audio Class A DSOP-2 fully discrete output stage, each transformer is custom wound.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIndividual Earth Lift\u003c\/strong\u003e: Push-button Switches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain Range (Mic input)\u003c\/strong\u003e: -30 to -70 in 5dB steps With 10dB more available on the fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain reduction\u003c\/strong\u003e: -15dB push-button pad switch (Mic input only)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Input Impedance DI\u003c\/strong\u003e: Mono 1\/4″ Jack on front panel\u003c\/li\u003e\n\u003cli\u003eGain Meter: LED Metering. 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This Preamp is versatile, useful for everything from clean high-headroom mix buss tone shaping to deep frequency carving to smooth Class-A circuit saturation.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(233, 0, 0);\"\u003e\u003cstrong\u003eThis unit is B-Stock\/Ex-Demo and has been used carefully in our showroom. It still has a full warranty and is in excellent cosmetic condition. Sonically, it is perfect and functioning as it should.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003ch4\u003eA Versatile, Modern Class-A Mic Preamp\/DI\u003c\/h4\u003e\n\u003cp\u003eThe Phoenix DRS Mic Preamp\/DIs take a modern approach to Class-A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class-A design. The unique DRS circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs. Versatility and superior sound have made the DRS Preamp\/DI a top-tier choice for engineers around the world and a modern day classic.\u003c\/p\u003e\n\u003ch4\u003eHi-Fi Transformerless Mic Input Stage\u003c\/h4\u003e\n\u003cp\u003ePhoenix Audio’s exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the DRS delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones—from bold clarity to vintage warmth, and everything in-between.\u003c\/p\u003e\n\u003ch4\u003eLegendary Transformer-Balanced Output Stage\u003c\/h4\u003e\n\u003cp\u003ePhoenix Audio’s custom-wound DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.\u003c\/p\u003e\n\u003ch4\u003eUltra-High Impedance DI Circuit\u003c\/h4\u003e\n\u003cp\u003eThe DRS-1, DRS-2, DRS-8 and DRS1R-500 include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favourite amp. Synths, drum machines, and even laptops can likewise be sweetened by the DRS's DI.\u003c\/p\u003e\n\u003ch4\u003eEasy and Intuitive In The Studio\u003c\/h4\u003e\n\u003cp\u003eBecause you're working with a clean, robust, electronically-balanced input signal, the DRS Mic Preamp\/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70db alone) and the -30dB pad against the variable output fader (which provides an additional 10dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. 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This speaker is a 2-way full range passive loudspeaker featuring a 12\" woofer and 3\" high-frequency compression driver that deliver a natural sound that responds brilliantly to equalisation for unparalleled installation flexibility. The Yamaha IF2112\/64 is ideal for bars, clubs and live music venues and has a variety of mounting options but would be best suited being used as a top paired with a subwoofer in a venue.\u003c\/p\u003e\n\u003cp\u003eThe Yamaha IF2112\/64 features a high performance cabinet made from 16mm thick 11-ply Finland birch with solid glue joints and critical placement of internal bracing for enhanced strength as well as a 14-gauge steel grill that doesn't detract from the sonic performance of the speaker in any way.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003eFor a pair contact us through email, live chat or call us on 0151 707 4545\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e12\" Woofer\u003c\/li\u003e\n\u003cli\u003e60º x 40º (\/95) horn dispersion pattern\u003c\/li\u003e\n\u003cli\u003eHorn can be rotated 90-degrees, allowing vertical or horizontal mounting.\u003c\/li\u003e\n\u003cli\u003eTrapezoidal design eliminates interference in array use.\u003c\/li\u003e\n\u003cli\u003e3\" high-frequency compression driver with 1.4\" exit.\u003c\/li\u003e\n\u003cli\u003eSwitchable between single-amp and bi-amp operation.\u003c\/li\u003e\n\u003cli\u003eFifteen 10 mm-screw (M10) and four 8 mm-screw (M8) suspension points provided for flexible rigging.\u003c\/li\u003e\n\u003cli\u003eDurable white finish that can be painted to match any interior.\u003c\/li\u003e\n\u003cli\u003eOptional matching array frame and U-bracket available.\u003c\/li\u003e\n\u003cli\u003eParallel-wired Neutrik NL4 and barrier strip connectors.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":31541438939182,"sku":"SYAMIF211264WB","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/yamaha-2115-95-white_1.jpg?v=1578927071"},{"product_id":"yamaha-if2112-95-2-way-full-range-white-b-stock","title":"Yamaha IF2112\/95 - 2-way full range White (b stock)","description":"\u003ch2\u003eYamaha IF2112\/95 - 2-Way Full Range White (b stock)\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eYamaha IF2112\/95\u003c\/strong\u003e is a 2-way full range passive loudspeaker featuring a 12\" woofer and 3\" high-frequency compression driver that deliver a natural sound that responds brilliantly to equalization for unparalleled installation flexibility. The Yamaha IF2112\/95 is ideal for bars, clubs and live music venues and has a variety of mounting options but would be best suited being used as a top paired with a sub woofer in a venue.\u003c\/p\u003e\n\u003cp\u003eThe Yamaha IF2112\/95 features a high performance cabinet made from 16mm thick 11-ply Finland birch with solid glue joints and critical placement of internal bracing for enhanced strength as well as a 14-gauge steel grill that doesn't detract from the sonic performance of the speaker in any way.\u003c\/p\u003e\n\u003ch2\u003eYamaha IF2112\/95 Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e12\" Woofer\u003c\/li\u003e\n\u003cli\u003e90º x 50º (\/95) horn dispersion pattern\u003c\/li\u003e\n\u003cli\u003eHorn can be rotated 90-degrees, allowing vertical or horizontal mounting.\u003c\/li\u003e\n\u003cli\u003eTrapezoidal design eliminates interference in array use.\u003c\/li\u003e\n\u003cli\u003e3\" high-frequency compression driver with 1.4\" exit.\u003c\/li\u003e\n\u003cli\u003eSwitchable between single-amp and bi-amp operation.\u003c\/li\u003e\n\u003cli\u003eFifteen 10 mm-screw (M10) and four 8 mm-screw (M8) suspension points provided for flexible rigging.\u003c\/li\u003e\n\u003cli\u003eDurable white finish that can be painted to match any interior.\u003c\/li\u003e\n\u003cli\u003eOptional matching array frame and U-bracket available.\u003c\/li\u003e\n\u003cli\u003eParallel-wired Neutrik NL4 and barrier strip connectors.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":31541439430702,"sku":"SYAMIF211295WAB","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/yamaha-2115-95-white.jpg?v=1578927072"},{"product_id":"yamaha-if2112-asw-2-way-full-range-white-b-stock","title":"Yamaha IF2112\/ASW in White - B-Stock","description":"\u003ch2\u003eYamaha IF2112\/ASW - B-stock\u003c\/h2\u003e\n\u003cp\u003ethis item is new\/old stock. 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In particular, phase characteristics have been kept smooth and consistent throughout the entire series, so you can mix and match speakers to suit any system and venue without ending up with hot and dead spots due to phase interference. 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