{"title":"Black Friday 2026","description":null,"products":[{"product_id":"a-design-atty-passive-stereo-level-controller-line-attenuator","title":"A-Design Atty - Passive Stereo Level Controller\/Line Attenuator","description":"\u003ch2\u003eA-Design Atty - Passive Stereo Level Controller\/Line Attenuator\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eA-Design Atty\u003c\/strong\u003e is a passive two-channel line-level attenuator that has a totally transparent sound. The Atty is suitable for any world-class recording facility and can serve as a cost-effective solution for many issues faced when working with hot output pre-amplifiers, which would normally clip converters or require the use of a Pad which can change sound quality. 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It also has the same frequency settings and inductors that made the Pultec a must-have for accurately capturing and shaping the sound spectrum, especially the bottom end. \u003c\/p\u003e\n\u003cp\u003eThe high band is attenuated at 5k, 10k, 20kHz; bandwidth and boost can be varied mid to high band at 3k, 4k, 5k, 6k, 10k, 12k, 16kHz; and, of course, the low band can be boosted and\/or attenuated at 20Hz, 30Hz, 60Hz, or 100Hz. Boost and attenuation can be adjusted from 0dB to ±10dB.\u003c\/p\u003e\n\u003cp\u003eAlong with the classic EQ circuitry, layout, and exceptionally musical tone of the original Pultec, the EM-EQ2 offers fully balanced, noise-free performance and modern impedance specs, making it easy to integrate it into any environment. 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This unit is outstanding tool for tracking and is most at home on the main mix outputs as you use its dual-mono, three- band equalizer to craft your sound. It's one of a very select few audio tools that enhances sound simply by running signal through it, thanks in part to an ingenious filtering system that passes musical 2nd order tube harmonics while eliminating unwanted noise - just the heating blanket your DAW needs.\u003c\/p\u003e\n\u003cp\u003eIt's also ideal for adding \"air\" to vocals, carefully crafted punch to instruments or just the right texture to an overall mix; plus, a major benefit of its innovative design is the ability to push it as hard as you like - it's nearly impossible to make it sound bad. The HAMMER 2 couldn't be easier to use. Its overall frequency range covers 30Hz to 40kHz. 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With the new MP-2\"A\" model A-Design have added tone switches to each channel of the preamp allowing you to choose from four distinct sounds.\u003c\/p\u003e\n\u003cp\u003eA-Design MP-2A is true tube from it's front end to the back-end with tubes, film capacitors and custom transformers which together deliver a world-class sound with a solid bass response and warm yet airy top end. On the front of the unit is a 1\/4\" DI for high impedance instruments and sources such as guitar, bass, digital keyboards and even drum machines. 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Its gain structure has been painstakingly engineered to avoid the slightest compromise in sound quality. Inspired by the glorious sound of the Ampeg B-15 tube bass amp, REDDI’s 6N1-P tube-driven amplifier feeds signal directly into a hefty custom output transformer by Cinemag – a key component to providing a harmonically rich tone.\u003c\/p\u003e\n\u003cp\u003eREDDI’S extremely wide frequency range (20Hz to 60kHz) prevents in-band phase shift, resulting in outstanding detail and realism. 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This microphone was re-engineered to be more efficient, lighter and less expensive than the R44, resulting in a new microphone with a classic sound. The R84 produces rich and full low-mids, a smooth top end, and has a well-behaved bidirectional pickup pattern. These aspects, combined with the reduced proximity effect, make the R84 incredibly well-suited for both close-up and ambient mic applications in medium-sized rooms. 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Its higher output and immunity to impedance-loading offer more flexibility in the choice of preamps, and avoid noise problems in low signal level applications. Touring musicians who are looking for consistent and risk-free performance in a wide range of venues and recording setups will find a trusty companion in the R84A microphone.\u003c\/p\u003e\n\u003cp\u003eThe R84A remedies most of the limitations of passive ribbon microphones, whether in a remote recording situation with long cable runs, a classical music application, or simply for the wish to combine the ribbon sound with a low-gain vintage preamp. The signal strength and flexibility of active JFET electronics combined with the luxurious warmth of a Big Ribbon™ all wrapped up in an affordable package is what sets this microphone apart. 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AEA's first ribbon mic, classic high-output R44, continues gaining converts with its natural sound, articulate midrange and forgiving nature. Both the AEA R88 and R44 use Large Ribbon Geometry (LRG) architecture with a big, .185 by 2.35 inches by 1.8 micron, pure aluminium low-tension ribbon that delivers effortless bass down to 20 Hz. Both these LRG mics handle high SPL situations well and can handle 168 dB SPL at 1 kHz and above.\u003cbr\u003e\u003cbr\u003eAEA, which has been working with high-performance ribbon mics for over 20 years, also manufactures accessories for stereo and surround recording. Its custom products include high-end studio booms and stands, Decca trees, stereo microphone positioners, MS stereo decoders and solid-state stereo phase monitors. The AEA R88 Mk2 is a new microphone and a classic sound. Pure and true, it is remarkably free of distortion. 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Offering high headroom and a wide variety of inputs and input access ponts, it is ideal for unusual and demanding applications.\u003c\/p\u003e\n\u003cp\u003eImagine a situation where only a few preamps are needed, yet the smallest available console has a proportonally \"small\" mic preamp, making it useless for the demanding application, or conversely, imagine where you need a large number of preamps, and a console of sufficient inputs and quality would be too large to transport or rack mount. The 512C hits the spot with its quality and famous tone. Expand, combine or downsize at any time without trade-ins or product obsolescence. In addition, the 512C's sound and performance exceeds most \"console mic pres\" in every respect.\u003c\/p\u003e\n\u003cp\u003eThe beauty of the entire API 500 Series is its long term flexibility and lasting value when needs change over time. 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At home both in field recording and the studio environment, this \"new-old\" version is a re-issue of the original 560 with improved resolution in the critical area of +4dB. 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The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.\u003c\/p\u003e\n\u003ch2\u003eNeumann TLM103 Studio Set Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLarge diaphragm cardioid microphone\u003c\/li\u003e\n\u003cli\u003ePressure gradient transducer with with one-diaphragm capsule\u003c\/li\u003e\n\u003cli\u003eTransformerless circuitry\u003c\/li\u003e\n\u003cli\u003eExtremely low noise: 7 dB-A\u003c\/li\u003e\n\u003cli\u003eIncludes EA1 shockmount\u003c\/li\u003e\n\u003cli\u003eStraightforward handling for homerecording and professional studios\u003c\/li\u003e\n\u003cli\u003eHigh-quality professional equipment for limited budgets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eNeumann TLM103 Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle: \u003c\/strong\u003ePressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern: \u003c\/strong\u003eCardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range: \u003c\/strong\u003e20 Hz ... 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm:\u003c\/strong\u003e 23 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance: \u003c\/strong\u003e50 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance: \u003c\/strong\u003e1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1):\u003c\/strong\u003e 17.5 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1):\u003c\/strong\u003e 7 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL):\u003c\/strong\u003e 76.5 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL):\u003c\/strong\u003e 87 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2): \u003c\/strong\u003e138 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage:\u003c\/strong\u003e 13 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range of the microphone amplifier (A-weighted):\u003c\/strong\u003e 131 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupply voltage (P48, IEC 61938):\u003c\/strong\u003e 48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption (P48, IEC 61938): \u003c\/strong\u003e3 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connector:\u003c\/strong\u003e XLR3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e approx. 450 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter:\u003c\/strong\u003e 60 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength:\u003c\/strong\u003e 132 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519705104430,"sku":"SNEUTLM103SS","price":815.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-tlm103-studio-set.jpg?v=1578924694"},{"product_id":"neumann-u87-ai-studio-set-includes-shock-mount-nickel","title":"Neumann U87 Ai Studio Set, with shock mount - Nickel","description":"\u003ch2\u003eNeumann U 87 Ai Studio Set - Special Offer\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann U87 Ai Studio Set \u003c\/strong\u003eis one of the worlds best-known microphones and for good reason, this kit includes the large diaphragm, multi-pattern condenser U87 Ai mic with a nickel finish, a wooden box (for the microphone only) and the EA87 nickel elastic suspension shock-mount. known around the globe for its excellent vocal capturing you can find the Neumann U 87 in almost all pro studios and prosumer collections.\u003c\/p\u003e\n\u003cp\u003eThe Neumann U87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Well-known for its warm and well-balanced characteristics - your perfect choice as vocal microphone for all types of music and speech. Its usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone - in studios, for broadcasting, film and television. \u003cbr\u003e\u003cbr\u003eThe U 87 is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eVariable large diaphragm microphone\u003c\/li\u003e\n\u003cli\u003ePressure-gradient transducer with double membrane capsule\u003c\/li\u003e\n\u003cli\u003eThe studio microphone classic\u003c\/li\u003e\n\u003cli\u003eThree directional characteristics: omni, cardioid, figure-8\u003c\/li\u003e\n\u003cli\u003eSwitchable low frequency roll-off\u003c\/li\u003e\n\u003cli\u003eSwitchable 10 dB pre-attenuation\u003c\/li\u003e\n\u003cli\u003eIdeal as main and as support microphone in the most differing recording situations\u003c\/li\u003e\n\u003cli\u003eColour: Nickel\u003c\/li\u003e\n\u003cli\u003eCat. 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It is aimed at project and production rooms that need a truthful, consistent reference without a thicket of DSP room profiles — engineering first, so mix decisions stay confident from first listen through to final bounce.\u003c\/p\u003e\n\u003cp\u003eSold as a matched \u003cstrong\u003epair\u003c\/strong\u003e, each cabinet combines a 170 mm (6.5\") doped natural-fibre bass driver with a 27 mm soft-dome tweeter, driven by low-distortion Class-D amplifiers (LF 100 Wrms \/ HF 65 Wrms). Distinctive D-Fin HF surrounds widen the useful stereo sweet spot and keep high frequencies cleaner off-axis, so you can move at the desk without the top end collapsing.\u003c\/p\u003e\n\u003cp\u003eStudiocare holds UK stock of this Tier 1 monitor for immediate dispatch, with Novuna finance available at checkout and our Liverpool team on hand for setup questions on a high-ticket pair.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eActive 2-way nearfield reference monitors — sold as a pair\u003c\/li\u003e\n\u003cli\u003ePMC ATL™ (Advanced Transmission Line) bass loading for deeper, cleaner low end from a compact cabinet\u003c\/li\u003e\n\u003cli\u003eD-Fin HF surrounds for a wider sweet spot and reduced cabinet-edge HF artefacts\u003c\/li\u003e\n\u003cli\u003eCustom 170 mm (6.5\") doped natural-fibre LF driver and 27 mm soft-dome HF\u003c\/li\u003e\n\u003cli\u003eTwin Class-D amplifiers per cabinet: LF 100 Wrms, HF 65 Wrms\u003c\/li\u003e\n\u003cli\u003eAnalogue 24 dB\/octave crossover — no DSP room-profile maze\u003c\/li\u003e\n\u003cli\u003eBalanced XLR input with rear-panel ±10 dB gain trim\u003c\/li\u003e\n\u003cli\u003eNon-invasive driver protection \/ limiting designed to stay out of the way sonically\u003c\/li\u003e\n\u003cli\u003eIdeal for music production, mixing, writing rooms and compact post suites\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e2 × PMC result6 active studio monitors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eWall brackets (PMC BRKT) and stands are sold separately. 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With controls that are very simply laid out and generally require minimal adjustment, the 5045 is an invaluable tool for churches, stadiums, performance halls, or any venue where feedback is problematic.\u003c\/p\u003e\n\u003cp\u003eThe 5045 shares some traits with conventional “noise gates”, but operates on a different principle. One common aspect is that both reduce the gain during the absence of signal – or more specifically, both begin to attenuate when the level of a signal falls below a certain user-defined threshold. The 5045 senses when someone is speaking or singing into the mic and allows the signal to pass through, and senses when the person has stopped talking or singing and reduces the gain appropriately, which helps reduce the system’s tendency to feed back. Most importantly, the 5045 does not require filtering and digital processing to achieve significant benefits.\u003c\/p\u003e\n\u003ch2\u003eRupert Neve Designs 5045 Features\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eThe Time Constant Control\u003c\/strong\u003e\u003cbr\u003eThe “TIME CONSTANT” control is designed to help prevent choppiness in some situations and stop feedback in other situations. 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Rupert Neve designed the 511 to combine classic sonic's with 500-series value. Incorporating the 517’s powerful preamp, the 5012’s universally useful sweepable high pass filter, and the transformer-saturating power of a variable silk circuit derived from Rupert Neve Designs’ flagship Portico II Channel, the 511 is a Rupert Neve-designed mic pre for the masses.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for 500 Series by Mr. Rupert Neve\u003c\/strong\u003e\u003cbr\u003eRupert Neve: \"While creating functional 500 series modules is relatively simple, designing those modules to equal their non-500 series counterparts with the current, voltage and space restraints is quite challenging. In creating the 511 500-Series Modules, Rupert Neve Design experimented with a number of different transformer and circuit designs to achieve the same presence and sweetness found in the Portico Series of modules. The result of these efforts is that outside of the slightly lowered headroom, the Rupert Neve Design 500 series modules are nearly indistinguishable from standard Portico Series modules, and are perfectly suited for studios of the highest caliber.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Section\u003c\/strong\u003e\u003cbr\u003eInput signals may be derived from Mic or Line sources (make sure 48V is off for line sources!). The input has a 10K Ω non-reactive input resistance that handles a full 22dBu signal without the need for a pad. The pre-amp is a TLA non-reactive design that precludes the loading of microphones with limited driving capability. A primary gain control provides 66dB of gain in 6dB increments for easy recall, with a +\/- 6dB trim for fine adjustment. For condenser microphones and powered DIs, there is +48V phantom power. 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With the 511, the Texture control allows these techniques to be pushed further than previous designs, adding about 10 times the desirable THD of the original silk control at its maximum setting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow Noise, Low Distortion Operation\u003c\/strong\u003e\u003cbr\u003eMuch care was given in designing the 511 to produce as little noise and non-harmonic distortion as possible. Carefully implemented signal paths and Class A operation are a large part of the 511’s sweet, whisper quiet performance. 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Power-wise, the R10 has more than 150% the required current for a 10-space chassis to prevent the power rails from failing under a higher-than-expected load. To help monitor and troubleshoot problematic modules, the R10 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double-shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R10 helps your modules realize their fullest potential.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSolid Steel Construction\u003c\/strong\u003e\u003cbr\u003eThe chassis is comprised of solid steel with sliding nuts to accommodate various manufacturers modules. 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This beautifully designed rack mountable unit provides you with a 3-band EQ, Diode-bridge Compressor and a new dual-tap transformer output stage allowing you to maintain headroom. The Shelford Channel mic preamp would be a great tool for any studio and with its new sleek design it’s will fit in with all your other modern outboard gear.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDirect Input\u003c\/strong\u003e\u003cbr\u003eThe Hi-Z front panel input uses the same discrete class-A FET with transformer topology as the Rupert Neve Designs RNDI, but it utilizes the new RN4012 input transformer directly into the microphone preamp for gain. This design, delivers exceptional clarity to high-Z sources, with a substantial low-end presence and incredibly smooth high frequencies. The DI also includes a passive THRU output to feed a separate amplifier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIC\/DI\/LINE\u003c\/strong\u003e\u003cbr\u003eSwitches between microphone\/direct injection input (button out) or line input (button in).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhase\u003c\/strong\u003e\u003cbr\u003eThis push button switch inverts the polarity of the signal path. It illuminates when engaged. (The symbol “Ø” is often used to denote opposite polarity.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8k\/16k\u003c\/strong\u003e\u003cbr\u003eWith the switch out, the center or corner frequency of the high band is 8 kHz. With the button pressed, the center or corner frequency changes to 16 kHz. Between this switch and the HI PEAK switch, you have 4 different EQ curves to finesse the high frequency content.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatio\u003c\/strong\u003e\u003cbr\u003eSets the “slope” of the compression from 1.5:1 (minimal) to 8:1 (significant). For example if this knob is set for 3:1 then if the signal goes 15 dB over the threshold then it attenuates 10 dB and allows the output to rise 5 dB. In general, low ratios can not damage the music as much as high ratios but high ratios may be more useful to minimize clipping and OL lights in the recorder.\u003c\/p\u003e\n\u003cp\u003eWhen setting the Threshold and Ratio it is useful to use the VU meter. However even more importantly, you should rely on your ears and use the COMP IN button to perform confidence checks.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":31531496996910,"sku":"SRNDSHELFORD","price":2749.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/shelford-channel-white-angle-e1475030385308-1800x414.jpg?v=1578925498"},{"product_id":"api-512v-mic-line-preamp-di-500-series-module","title":"API 512v 500 Series Mic Preamp and DI with Variable Output","description":"\u003ch2\u003eAPI 512V\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAPI 512v\u003c\/strong\u003e is a preamp for \u003cspan\u003emic, line and instrument feeds\u003c\/span\u003e, world famous for its ability to provide a low noise (-129 EIN) and unusually good sounding front end for all types of audio applications. Sonically, it delivers the instantly recognizable API sound at an affordable price, and in the scalable API 500 Series format. Offering an impressive 65 dB of gain, the 512v includes front panel Variable Output control, switchable 3:1 output transformer selection, phantom power, switchable polarity, -20 dB pad, and Mic or Instrument\/Line selector. The front panel Combo-style XLR and 1\/4 inch connector combined with rear panel mic access allows for additional flexibility when installed into an API lunchbox®, API's 10 position 500V vertical rack, or into an API console.\u003cbr\u003e\u003cbr\u003eThe API 512v remains faithful to the circuit designs of API's founder Saul Walker. Artfully combining those circuits with API's proprietary transformers and the incomparable 2520 op-amp, the 512v is a highly musical and rich-sounding analog mic pre, equally at home in commercial recording spaces as it is in smaller home studios. Fully featured and still hand assembled, the 512v exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMic Preamp with 65 dB of gain\u003c\/li\u003e\n\u003cli\u003eVariable Output Level Control\u003c\/li\u003e\n\u003cli\u003e3:1 Output Transformer Tap Selection\u003c\/li\u003e\n\u003cli\u003eFront and Back Panel Mic Input Access\u003c\/li\u003e\n\u003cli\u003eLine\/Instrument Preamp with 45 dB of gain\u003c\/li\u003e\n\u003cli\u003eFront Panel Combo-style XLR + 1\/4 inch Line\/Instrument Input\u003c\/li\u003e\n\u003cli\u003eLED VU meter for Gain Level indication\u003c\/li\u003e\n\u003cli\u003e20 dB pad switch, applies to mic\/line\/instrument\u003c\/li\u003e\n\u003cli\u003e48v Phantom switchable power\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design with 2520 Op Amp\u003c\/li\u003e\n\u003cli\u003eFeatures API's unique Five Year Warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API","offers":[{"title":"Default","offer_id":32018627723310,"sku":"SAPI512V","price":807.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SAPI512V.jpg?v=1722599489"},{"product_id":"api-312-500-series-mic-pre-module","title":"API 312 500 Series Mic Preamp","description":"\u003ch2\u003eAPI 312 - 500-Series Mic Pre Module\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAPI 312\u003c\/strong\u003e is 500 series adaptation of API's original 312 microphone pre-amp. The 312's design is based on Saul Walker’s original designs and includes API’s 2520 op-amp and AP2516 transformer.\u003c\/p\u003e\n\u003cp\u003eThe API-312 is one of API's most sought after and famous mic pre-amps. First introduced in the 1970s, it is well known and respected throughout the recording industry, and is the building block of the modern 3124 rack unit.\u003c\/p\u003e\n\u003cp\u003eBased on API co-founder Saul Walker's original designs, the API 312 Mic Pre combines our 2520 op-amps and proprietary transformers. It delivers the analogue warmth, massive headroom and unmistakable sound for which API is known, in a convenient 500 Series format.\u003c\/p\u003e\n\u003cp\u003eFollowing the success of the hand wired 312 50th Anniversary Edition, this standard production version offers the classic API sound at an affordable price. Like all API products, the 312 is backed by API's unique Five Year Warranty.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAPI's Classic 312 Microphone Pre-amp in a 500 Series module\u003c\/li\u003e\n\u003cli\u003eVintage Style Analogue VU Meter\u003c\/li\u003e\n\u003cli\u003eMaximum 69dB of gain\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design with 2520 Op Amp\u003c\/li\u003e\n\u003cli\u003eProprietary AP2516 Input Transformer\u003c\/li\u003e\n\u003cli\u003e20 dB pad switch\u003c\/li\u003e\n\u003cli\u003e3:1 Output Transformer Tap Selection\u003c\/li\u003e\n\u003cli\u003eSwitchable 48V phantom power\u003c\/li\u003e\n\u003cli\u003ePeak LED\u003c\/li\u003e\n\u003cli\u003eAPI's Five Year Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":32414273896494,"sku":"SAPI312","price":637.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SAPI312.jpg?v=1722598976"},{"product_id":"rupert-neve-designs-rnd-portico-ii-master-buss-processor-black","title":"Rupert Neve Designs Portico II Master Buss Processor (Black)","description":"\u003ch2\u003eRupert Neve Designs RND Portico II - Master Buss Processor - Black\u003c\/h2\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRupert Neve Designs Portico II Master Buss Processor\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e features a comprehensive compressor with blend control, limiter, stereo field editor and texture control designed to enable the user to shape the sound of the master bus no matter what the genre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBased around the high voltage, discrete and class-A signal paths made famous in the 5088 Mixer, the Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. Though originally developed for mastering applications, the MBP has quickly become a favourite of mix engineers, tracking engineers, and even FOH engineers. From mixing bass-heavy EDM to a delicate master of a chamber ensemble, it has something to offer everyone – no matter the use or genre.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePowerful 2-channel compressor\/limiter\/stereo field manipulator\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eFull compression sections for both channels, including attack, release, ratio, and threshold controls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide chain inputs with high-pass filters for both compressors\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeed-back\/Feed-forward controls let you select from modern and vintage compression sounds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eTexture control with 2 Silk modes let you add classic Rupert Neve tone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlend controls allow you to mix dry signal back into your compression, preserving transients while adding\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003epunch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eSimple and highly musical 1-knob limiter with Adaptive Release Technology allows for brick-wall limiting\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ethat doesn't distort or affect levels under the threshold\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eStereo Field Editor section includes independent controls for width and depth as well as the width and\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003edepth EQs, allowing you to dial in the perfect stereo field\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003eMic Pre\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMain Output, no load\u003c\/li\u003e\n\u003cli\u003e–3 dB @ 2 Hz\u003c\/li\u003e\n\u003cli\u003e–3 dB @ 160 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eNoise:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eMeasured at Main Output, unweighted, 22Hz-22kHz,\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eTerminated 150 Ohms.\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eWith gain at unity better than –92 dBu\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eWith gain at 66 dB better than –56 dBu\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eEquivalent Input Noise better than –123 dBu\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eGain:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eUnity to +66dB in 6 dB steps,\u003c\/li\u003e\n\u003cli\u003eTrim continuously adjustable from –6dB to +6dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLine Input:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eTrim continuously adjustable from –6dB to +6dB\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eMaximum Output Level:\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eMaximum output from 20 Hz to 40 kHz is +25 dBu.\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom Power:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e48 Volts DC +\/- 1%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eTotal Harmonic Distortion and Noise:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003e@ 1kHz, +20 dBu output: Better than 0.002%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eAs above, Silk Engaged: Better than 0.2% Second Harmonic\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003e@ 20Hz, +20 dBu out Better than 0.004%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003e@ 20Hz, +20 dBu out Better than 0.020%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eIM Distortion: Better than 0.002%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eSlew rate Better than 4 V\/uS\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eHigh Pass 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also shares the same transformer coupled line preamp and Class A transformer balanced output stage.\u003cbr\u003e\u003cbr\u003eThese facts make the 73EQ JR unique on its class, being able to capture a full transformer based, Class A sound without relying on external preamps.\u003cbr\u003e\u003cbr\u003eThe Equalizer features the same Baxandall type High and Low shelf found in the HA1073, with the addition of a high frequency selector switch. 4 different frequencies are possible instead of the fixed 12Khz one.\u003cbr\u003e\u003cbr\u003eThe mid band is the same exact dual inductor one, thick low and sweet high midrange boosts without becoming muddy or brittle.\u003cbr\u003e\u003cbr\u003eThe line preamp has a range of +6 to -20dB, allowing heavy eq boosts without overloading A\/D converters.\u003cbr\u003e\u003cbr\u003eFinally, special care has been taken with power handling, implementing internal +24v slow turn on regulation (about 20 seconds to reach full voltage). This makes your 73EQ JR independent of the rest of the slots and makes your lunchbox´s PSU happier.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eInput Impedance: 10 Kohms bridging, transformer balanced and floating.\u003c\/li\u003e\n\u003cli\u003eOutput impedance: Less than 75 Ohms, transformer balanced and floating, to drive a 600 ohms load.\u003c\/li\u003e\n\u003cli\u003eMaximum output: Greater than +26dBu into 600 Ohms.\u003c\/li\u003e\n\u003cli\u003eTHD: Less than 0.025% at 1Khz, less than 0.05% at 100Hz\u003c\/li\u003e\n\u003cli\u003eMaximum gain: 6 dB\u003c\/li\u003e\n\u003cli\u003ePower consumption: Less than 85 mA per rail at +-16VDC.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default","offer_id":32701432004654,"sku":"SHER50073EQJR","price":647.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHER50073EQJR-front.jpg?v=1602599917"},{"product_id":"heritage-audio-609a-elite-609a-stero-dual-mono-compressor-limiter","title":"Heritage Audio 609A Elite -  '609A Stero\/Dual Mono Compressor Limiter","description":"\u003ch2\u003eHeritage Audio 609A Elite - '609A Stero\/Dual Mono Compressor Limiter\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHeritage Audio 609A Elite\u003c\/strong\u003e is a modern adaptation on the classic transformer coupled diode bridge compressor\/limiter. The 609A features a fully discrete, class A design with a total of three Carnhill\/St Ives transformers per channel. One of the adaptations made to the design is the inclusion of a fast attack mode for both the compressor and limiter meaning the HA-609A has the flexibility to handle individual tracks, groups and 2-Bus program material. The unit uses switches and rotary knobs of high quality that are stepped, allowing for easy recall and maintaining of the stereo image. \u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input level\u003c\/strong\u003e: Over +22 dBu.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output level\u003c\/strong\u003e: Over +26.5 dBu into 600 ohms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelf-Noise\u003c\/strong\u003e: Less than -75dBu 20Hz-20Khz. -80dBu A-weighted.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N (50Hz- 20Khz)\u003c\/strong\u003e: not engaged, less than 0.07% at +20dBu.\u003c\/li\u003e\n\u003cli\u003eFrequency response, COMPRESS and LIMIT OUT, +- 0.5dB, 15Hz- 30Khz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance\u003c\/strong\u003e: 10Kohms, transformer balanced and floating.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance\u003c\/strong\u003e: Less than 75 ohms, transformer balanced and floating, Class A driven.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompressor characteristics\u003c\/strong\u003e: Threshold from –20 to +20 dBu on a 41-step precision potentiometer. Ratio selectable on a rotary switch, 1.5:1, 2:1, 3:1, 4:1, 6:1. Release selectable on a rotary switch, 100, 400, 800, 1500 mS, A1 and A2 auto release times. A1 corresponds to 50mS on peaks and around 500mS on sustained program. A2 to 50mS on peaks and 1.5 seconds on sustained program.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimiter characteristics\u003c\/strong\u003e: Limit level selectable from 0 to +20 dBu on a 41-step precision potentiometer. Release selectable on a rotary switch, 50, 100, 200, 800 mS, A1 and A2 auto release times. A1 corresponds to 50mS on peaks and around 800mS on sustained program. A2 to 50mS on peaks and 1.5 seconds on sustained program.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":32701434527790,"sku":"SHER609A","price":1204.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHER609A-front2.jpg?v=1602605424"},{"product_id":"heritage-audio-73eq-73-mic-preamp-and-di-with-equaliser","title":"Heritage Audio 73EQ - '73 Mic Preamp and DI with Equaliser","description":"\u003ch2\u003eHeritage Audio 73EQ - '73 Mic Preamp and DI with Equaliser\u003c\/h2\u003e\n\u003cp\u003eThe\u003cstrong\u003e Heritage Audio '73EQ\u003c\/strong\u003e is a 1073 style pre-amp and EQ. \u003cspan data-mce-fragment=\"1\"\u003eThe HA73EQ’s preamp section features gain, output trim, -20db pad, polarity reverse, a high pass filter, and +48v phantom power.  The HA73EQ’s EQ section features a high shelving EQ, midrange EQ, low shelving EQ, a variable high pass filter, and EQ Bypass,.  The HA73EQ comes housed in a rugged 1RU British steel and aluminium chassis and utilizes an external power supply for low noise operation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe HA73EQ Elite employs WIMA 5% capacitors in the EQ section as well as 3 correct vintage type “Vinkor“ pot core inductors so the eq curves are virtually undistinguishable from the handmade equalizers in the HA line. Customers can expect the same sonic quality and feel they have come to appreciate from Heritage Audio.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone input impedance\u003c\/strong\u003e: HI, 1200 Ohm minimum, LO, 300 Ohm minimum. Higher gain positions gradually have greater impedances, optimum for low gain ribbon mics. Input is transformer balanced and floating.\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine input impedance\u003c\/strong\u003e: 10KOhms bridging, transformer balanced and floating.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance\u003c\/strong\u003e: Less than 75 Ohms, transformer balanced and floating, to drive a load of 600 Ohms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output\u003c\/strong\u003e: Greater than +26.5dBu into 600 Ohms (internally terminated)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD\u003c\/strong\u003e: Less than 0.025% at 1Khz, Less than 0.05% at 100Hz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e :20Hz (+0.3dB) to 20Khz (-0.2dB).EQ Off. For EQ ON frequency response please check the features section.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Gain\u003c\/strong\u003e: Slightly greater than 80dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent Input Noise\u003c\/strong\u003e: Less than -125dBu.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput stage noise\u003c\/strong\u003e: Less than -100dBu.\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: Less than 95 mA @48VDC.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default","offer_id":32701434626094,"sku":"SHER73EQ","price":665.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHER73EQ-front.jpg?v=1602676734"},{"product_id":"heritage-audio-73eqx2-elite-dual-73-mic-preamp-and-di-with-equiliser","title":"Heritage Audio 73EQX2 Elite - Dual '73 Mic Preamp and DI with Equaliser","description":"\u003ch2\u003eHeritage Audio 73EQX2 Elite - Dual '73 Mic Preamp and DI with Equaliser\u003c\/h2\u003e\n\u003cp\u003eThe\u003cstrong\u003e Heritage Audio 73EQX2\u003c\/strong\u003e is a dual channel 1073 style pre-amp, DI and equaliser. \u003cspan data-mce-fragment=\"1\"\u003eThe HA73EQX2 Elite employs WIMA 5% capacitors in the EQ section as well as 3 correct vintage type “Vinkor“pot core inductors so the EQ curves are virtually undistinguishable from the handmade equalizers in the HA line. Customers can expect the same sonic quality and feel they have come to appreciate from Heritage Audio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe HA73 EQX2’s preamp section features gain, output trim, -20db pad, polarity reverse, a high pass filter, and +48v phantom power.  The HA73EQX2’s EQ section features a high shelving EQ, midrange EQ, low shelving EQ, a variable high pass filter, and EQ Bypass.  The HA73EQX2 comes housed in a rugged 1RU British steel and aluminium chassis and utilizes an external power supply for low noise operation.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone input impedance\u003c\/strong\u003e: HI, 1200 Ohm minimum, LO, 300 Ohm minimum.\u003c\/li\u003e\n\u003cli\u003eHigher gain positions gradually have greater impedances, optimum for low gain ribbon mics.\u003c\/li\u003e\n\u003cli\u003eInput is transformer balanced and floating.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine input impedance\u003c\/strong\u003e: 10KOhms bridging, transformer balanced and floating.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance\u003c\/strong\u003e: Less than 75 Ohms, transformer balanced and floating, to drive a load of 600 Ohms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output\u003c\/strong\u003e: Greater than +26.5dBu into 600 Ohms (internally terminated).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD\u003c\/strong\u003e: Less than 0.025% at 1Khz, Less than 0.05% at 100Hz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 20Hz (+0.3dB) to 20Khz (-0.2dB). EQ Off. For EQ ON frequency response please check the features section.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Gain\u003c\/strong\u003e: Slightly greater than 80dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent Input Noise\u003c\/strong\u003e: Less than -125dBu.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput stage noise\u003c\/strong\u003e: Less than -100dBu.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: Less than 190 mA @48VDC.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default","offer_id":32701434658862,"sku":"SHER73EQX2","price":1282.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHER73EQX2-front.jpg?v=1602677704"},{"product_id":"heritage-audio-successor-bus-compressor-1u-stereo-compressor","title":"Heritage Audio Successor Bus Compressor -  1U Stereo Compressor","description":"\u003ch2\u003eHeritage Audio Successor Bus Compressor - 1U Stereo Compressor\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHeritage Audio Successor Bus compressor\u003c\/strong\u003e is a stereo compressor based on the vintage diode bridge design. \u003c\/p\u003e\n\u003cp\u003eA fully Carnhill transformer coupled input and output unit, the new Successor is a true stereo diode-bridge based bus compressor with advanced sidechain filtering and built-in parallel processing capabilities, sharing the class A ´73 type output stage that Heritage Audio is famous for.\u003c\/p\u003e\n\u003cp\u003eBased on legendary vintage diode bridge designs, it keeps the sonic character of such units, but the added features make it a new beast on its own and will make your mixes shine in modern production environments. Ultra-fast attack and releases allow for larger than life drum bus compression sounds, while the complex sidechain filter lets you tailor your mix in ways not previously available.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue Stereo\u003c\/strong\u003e operation on single controls with matched gain cells for extremely precise left\/right tracking and nearly zero offset in between channels. Compression tracking works in Oxford mode (highest signal takes over compression opposed to summing left and right channels).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCarnhill based\u003c\/strong\u003e, transformer coupled balanced inputs and outputs for added character and vintage vibe.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e´73 style class\u003c\/strong\u003e A output stages bring the desired ´73 sound to your mix or drum buses.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiode-bridge\u003c\/strong\u003e based compression excels in bringing 2nd order harmonic distortion characteristics and true vintage tone while eliminating nasty odd harmonic content.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUltra-fast attack\u003c\/strong\u003e and release time options never found in vintage designs allows for far more flexible settings, including FET like sounds and volume maximizing without transient artifacts.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComplex sidechain filtering\u003c\/strong\u003e options work with the already common high pass filters, introducing mid band peak type filters and high-frequency compression, allowing bus correction not possible before.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSidechain SEND and RETURN\u003c\/strong\u003e connections allow for external sidechain signals or further external processing of the internal one.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlend control\u003c\/strong\u003e offers built-in parallel compression without any external equipment. Blend ON\/OFF button allows for instant comparison in between WET and DRY signals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStepped controls\u003c\/strong\u003e for easy recall of settings.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":32701438558254,"sku":"SHERSUCC","price":1053.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHERSUCCESSOR.jpg?v=1602756320"},{"product_id":"heritage-audio-ost10-10-slot-500-series-chasis-1","title":"Heritage Audio OST10 V2.0 - 10 Slot 500 Series chasis","description":"\u003ch2\u003eHeritage Audio OST10 - 10 Slot 500 Series chasis\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHeritage Audio OST10\u003c\/strong\u003e is a 10 slot 500 series chassis that can accommodate all 500 series modules including the most demanding class-A and vacuum tube designs. The OST 10 implements Heritage Audio's 'On Slot' technology which ensures the best power distribution per channel in the chassis. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe OST-10 V2.0 enclosure features Heritage Audio’s On Slot Technology, providing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003emaximum protection, filtering, and isolation to each channel. While most 500-series enclosures on the \u003c\/span\u003e\u003cspan\u003emarket have a relatively simple power supply design essentially feeding every channel in parallel, each \u003c\/span\u003e\u003cspan\u003echannel of the OST-10 V2.0 enclosure has its own power supply, individually regulated and isolated from \u003c\/span\u003e\u003cspan\u003ethe rest. This ensures that every 500-series module installed will perform at its peak potential, and that \u003c\/span\u003e\u003cspan\u003eno ‘power hungry’ or even a faulty module will compromise the performance of another. In addition to \u003c\/span\u003e\u003cspan\u003ereducing interference, many 500-series devices actually exhibit lower self-noise and better performance \u003c\/span\u003e\u003cspan\u003ewhen racked in the OST-10 V2.0 enclosure, specially mic preamps.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA new and exciting feature in the V2.0 model is the Link feature, allowing each channel to be linked over to the next at the push of a button (via back panel), no patch cables required!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAs with all Heritage Audio products; the 500 Series OST-10 V2.0 enclosures are built utilizing the most cutting edge methods in manufacturing and design, without ever compromising audio quality or cutting corners — all at the Heritage Audio headquarters in Madrid-Spain.\u003c\/p\u003e\n\u003ch3\u003eThe 500 format is here to stay, be set up for it!\u003c\/h3\u003e\n\u003cp\u003eWith the popularity of 500 Series modules showing no signs of waning, it makes more sense than ever for both professional and home studios alike to have plenty of slots available to house their growing collection of new and old 500 Series modules.\u003c\/p\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"5d9b5921\" class=\"elementor-element elementor-element-5d9b5921 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch3 class=\"elementor-heading-title elementor-size-default\"\u003eDon’t just house your 500 series modules, bring out the best in them!\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"71eba86b\" class=\"elementor-element elementor-element-71eba86b elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-text-editor elementor-clearfix\"\u003e\n\u003cp\u003eWhile a 500 Series enclosure may not seem like the most exciting thing in the studio, you’ve got to have them. It only makes sense to get one that is durable, not overpriced, compatible with any 500 Series module you may have, and most importantly, one that will bring out the cleanest and very best performance in your gear.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith the OST-10 V2.0, you have a perfect solution for housing up to ten 500 Series modules in an enclosure which brings out the best of their sonic potential, in a portable, rugged enclosure that won’t break the bank.\u003c\/p\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"72dc54a\" class=\"elementor-element elementor-element-72dc54a elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch3 class=\"elementor-heading-title elementor-size-default\"\u003eSafer, cleaner, more compatible!\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"dfbcc7f\" class=\"elementor-element elementor-element-dfbcc7f elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-text-editor elementor-clearfix\"\u003e\n\u003cp\u003eMany experienced engineers are aware of certain ‘power hungry’ Class A or vacuum tube based modules which could cause banks of 500 Series modules to ‘brown out’ or not function, or that simply would not work in some standard enclosures.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe OST-10 V2.0 offers the widest range of compatibility with all 500 Series modules, ensuring both that ‘demanding’ modules receive the power they need, and that adjacent modules remain unaffected. Your 500 Series modules have simply never had it so good!\u003c\/p\u003e\n\u003ch3\u003e Specifications \u003cbr\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eOn Slot Technology.\u003c\/li\u003e\n\u003cli\u003eMaximum audio rails current: 1.8 A per rail, or 400 mA per slot, whatever is reached first.\u003c\/li\u003e\n\u003cli\u003eMaximum phantom power current: 140 mA.\u003c\/li\u003e\n\u003cli\u003eOperating voltage: 100-240 V AC.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":32701499277358,"sku":"SHER500OST10","price":490.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHER500OST10-1.jpg?v=1680088385"},{"product_id":"heritage-audio-ost4-4-slot-500-series-chasis","title":"Heritage Audio OST4 - 4 Slot 500 Series chasis","description":"\u003ch2\u003eHeritage Audio OST4 - 4 Slot 500 Series chasis\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHeritage Audio OST4\u003c\/strong\u003e is a four slot chasis for 500 series modules. The rack is capable of housing double width units and also the most demanding Class-A and vacuum tube designs thanks to Heritages Audios 'On Slot' technology. Each channel has its own power supply, each individually regulated and isolated from the rest.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cul\u003e\n\u003cli\u003eOn Slot Technology version v2.0\u003c\/li\u003e\n\u003cli\u003eMaximum audio rails current: 400mA per rail per slot, for a total of 1.6 Amps, 1.8 non continuous.\u003c\/li\u003e\n\u003cli\u003eMaximum phantom power current: 140mA.\u003c\/li\u003e\n\u003cli\u003eOperating voltage: Universal 100-240 VAC.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Heritage Audio","offers":[{"title":"Default","offer_id":32712344698926,"sku":"SHER500OST4","price":262.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHER500OST4-1.jpg?v=1603444942"},{"product_id":"rupert-neve-designs-5254-dual-diode-bridge-compressor-new-product-1","title":"Rupert Neve Designs 5254 Dual Diode Bridge Compressor","description":"\u003ch2\u003eRupert Neve Designs 5254 - Dual Diode Bridge Compressor\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Dual Diode Bridge Compressor\u003c\/strong\u003e is based on the 1970s model, capturing the soul of the coveted compressor whilst providing modern updates including advanced timing controls, lower noise, fully stepped controls, internal parallel processing capabilities and more.\u003c\/p\u003e\n\u003ch4\u003eDiode Bridge Compression\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eThe 5254 is specifically to provide a wide range of colours to impart unique personality and character to your tracks. This diode bridge compressor will impart weight, harmonically rich tonality that will effortlessly bring vocals, electric guitars, bass and drums to the forefront of a mix.\u003c\/p\u003e\n\u003ch4\u003eRupert Neve Designs 5254\u003c\/h4\u003e\n\u003cp\u003eBased on the circuit found on the acclaimed Shelford Channel, the Dual Diode-Bridge Compressor greatly improves on old vintage units without sacrificing the tone. Starting with a substantially lower noise floor, \u003cbr\u003e\u003cbr\u003eFurther upgrades include a full-wave side-chain detection which delivers improved dynamic response as well as an increased range for threshold and ratio controls. All these modern appointments ensure the 5254 can reliably be used as a mixing or mastering compressor.\u003c\/p\u003e\n\u003ch4\u003eImproved timing constants\u003c\/h4\u003e\n\u003cp\u003eThe 5254 replaces traditional attack and release times with a unified Timing control with six selectable settings ranging from Fast to Slow and Auto. In the first two modes, Fast and MF, the compressor will achieve better control of transients clamping down on percussive instruments and fast vocals. The next two settings Med and MS (Medium Slow) will provide a smoother compression letting through the original transients through. The last two settings Slow and Auto provide the smoothest of compression thanks to their use of complex non-linear release times, offering much more transparent operation.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe reason for these time constants rather than separate attack and release control lies in the fact that time constants in diode bridge compression vary slightly depending on different controls such as ratio, threshold, and source material. These dynamic shifts are at the heart of the personality of the Diode Bridge Compressor.\u003cbr\u003e\u003cbr\u003eA Fast mode also increases the speed of each of the six settings providing faster attack and release for each mode, in effect doubling the number of time constants from six to twelve and providing additional tones.\u003cbr\u003e\u003cbr\u003eThe fastest settings will by nature impart far more colouration due to the inherent harmonic content generated by higher peak-to-peak control voltage ripple. Slower settings on the hand will provide reduced harmonic content and sound more transparent.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eParallel Compression\u003c\/h4\u003e\n\u003cp\u003eThe 5254 includes a built-in parallel compression circuit with a simple Blend control. It is particularly useful in such a coloured compression as it is possible to inject smaller amounts of extreme compression to enhance the original signal with additional colour without sacrificing the natural aspect of the original source and keep its dynamic range.\u003c\/p\u003e\n\u003ch4\u003eComplete Control\u003c\/h4\u003e\n\u003cp\u003eThe 5254 offers complete control over the original audio signal, offering the possibilities to affect, ratio, threshold, gain, side-chain insert, side-chain high-pass filter and the ability to link both channels.\u003cbr\u003e\u003cbr\u003eThe Ratio control includes six positions ranging from a subtle 1.5:1 all the way to 8:1 (including 2:1, 3:1, 4:1 and 6:1). The Threshold uses a 31-step control with a threshold level ranging from -25dBu all the way up to +20dBu, while the Gain control adds make-up output gain between -6dB up to +20dB.\u003cbr\u003e\u003cbr\u003eThe 5254 includes a variable Side-Chain HPF (S\/C HPF) with a 12dB\/octave and a frequency range between 20Hz and 250Hz, ensuring the compressor doesn’t respond unnecessarily by the powerful energy produced by low frequencies and lose energy. A Side-chain insert is also provided allowing the user to send the signal to external processing to further sculpt the signal before the compression. This can be used to duck the compressor to an external source or can be used to send the signal to an EQ for further fine-tuning of the compression response.\u003cbr\u003e\u003cbr\u003eA Link switch connects the source voltage to both channels so that if a channel is triggered, both channels react equally. This is particularly useful to maintain a coherent stereo image throughout. In unlinked mode, one channel could be over-affected by a source, ducking the entire channel while the other remains unchanged creating unwanted imbalance.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eXLR Line Input to XLR Line Output (Compressor Bypassed) ZSOURCE= 40 Ω Balanced\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance\u003c\/strong\u003e: 10 kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 40 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Input Level (+4dBu Selected)\u003c\/strong\u003e: +26.7 dBu typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Output Level\u003c\/strong\u003e: +26.7 dBu typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise (22 Hz – 22 kHz BW)\u003c\/strong\u003e: -104 dBu typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response (10 Hz to 120 kHz)\u003c\/strong\u003e: +\/- 0.25 dB typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N @1 kHz @ Maximum Level (22 Hz – 22 kHz BW)\u003c\/strong\u003e: 0.0008% typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCompressor Noise Specifications\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise @ 0dB Make-Up Gain (22 Hz – 22 kHz BW)\u003c\/strong\u003e: -84.5 dBu typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise @ +20dB Make-Up Gain (22 Hz – 22 kHz BW)\u003c\/strong\u003e: -64.5 dBu typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCompressor Timing Specifications\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNote\u003c\/strong\u003e: TIMING measurements represent the full range achievable between 1.5:1 and 8:1 ratio and FAST mode\u003c\/li\u003e\n\u003cli\u003eFAST Attack 250μS – 2 mS \/\/ Release 100mS – 200mS typical\u003c\/li\u003e\n\u003cli\u003eMF (MEDIUM FAST) Attack 1mS – 5mS \/\/ Release 100mS – 200mS typical\u003c\/li\u003e\n\u003cli\u003eMED (MEDIUM) Attack 3mS – 18mS \/\/ Release 350mS – 700mS typical\u003c\/li\u003e\n\u003cli\u003eMS (MEDIUM SLOW) Attack 5mS – 40mS \/\/ Release 600mS – 1S typical\u003c\/li\u003e\n\u003cli\u003eSLOW Attack 10mS – 80 mS \/\/ Release 800mS – 1.5S typical\u003c\/li\u003e\n\u003cli\u003eAUTO Attack 5mS – 40mS \/\/ Release T1 400-900mS, T2 1-2S typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eWEIGHTS \u0026amp; DIMENSIONS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduct Dimensions (W x D x H)\u003c\/strong\u003e: 19” (48.3 cm) x 8.25” (20.9 cm) x 1.65” (4.2 cm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShipping Dimensions (L x W x H)\u003c\/strong\u003e: 24” (61 cm) x 13” (33 cm) x 4” (10.2 cm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShipping Weight\u003c\/strong\u003e: 10 lbs. (4.5 kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default","offer_id":32714269884462,"sku":"SRND5254","price":2165.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SRND5254-front.jpg?v=1603467082"},{"product_id":"heritage-audio-r-a-m-2000-monitor-controller-desktop","title":"Heritage Audio R.A.M. 2000 Monitor Controller - Desktop","description":"\u003ch2\u003eHeritage Audio R.A.M. 2000 Monitor Controller - Desktop\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHeritage Audio R.A.M 2000\u003c\/strong\u003e monitor controller is designed to fit the monitoring needs of project studios, commercial facilities and post production facilities by providing mastering-grade, ultra-low noise, modern design features and 5.1 surround capabilities.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003eRAM System 2000\u003cspan\u003e features generous I\/O, with three pairs of +4dBu balanced analogue inputs and three stereo outputs, an independent pre-fader MIX OUT, independent stereo CUE I\/O, a S\/PDIF coax input, and pro-audio-quality Bluetooth input for easy mobile device integration. The 2000’s two audiophile-grade diamond-buffer-based headphone amplifiers are capable of driving any headphones without noise or coloration. For easy recall of common settings, two user-assignable pre-set levels are provided. For communicating with talent, there’s a built-in Talkback with console-style management. Lastly, Heritage Audio equipped the RAM System 2000 with an independent Subwoofer output that lets you effortlessly share your sub between different speaker pairs.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDesktop-format monitor controller with classic looks\u003c\/li\u003e\n\u003cli\u003eDesigned for the studio that needs enhanced, mastering-grade stereo monitoring capabilities\u003c\/li\u003e\n\u003cli\u003eAll functions on high-quality illuminated engraved buttons\u003c\/li\u003e\n\u003cli\u003e64-step relay ladder attenuation for master level control in 1dB steps\u003c\/li\u003e\n\u003cli\u003e3 pairs of +4dBu balanced analogue inputs (input 3 is configurable for -10dBu unbalanced signals)\u003c\/li\u003e\n\u003cli\u003eIndependent stereo CUE I\/O for cue-mix distribution to artists\u003c\/li\u003e\n\u003cli\u003eS\/PDIF coax input with Burr-Brown 24-bit\/96kHz D\/A conversion\u003c\/li\u003e\n\u003cli\u003ePro-audio-quality Bluetooth input for easy mobile device integration\u003c\/li\u003e\n\u003cli\u003e3 stereo outputs\u003c\/li\u003e\n\u003cli\u003eIndependent MIX output (pre-fader; follows Input)\u003c\/li\u003e\n\u003cli\u003eIndependent Subwoofer output facilitates sub sharing between different speaker pairs\u003c\/li\u003e\n\u003cli\u003eDIM function; MUTE\/SOLO for individual speakers\u003c\/li\u003e\n\u003cli\u003e2 user-assignable pre-set levels for easy recall of common settings\u003c\/li\u003e\n\u003cli\u003eBuilt-in Talkback with console-style management, including Talkback to Cue, Talkback to Mix, and Talkback to All\u003c\/li\u003e\n\u003cli\u003e2 high-level, ultra-high-current, audiophile-grade diamond-buffer-based headphone amplifiers, capable of driving any hi- or lo-Z headphones without coloration or noise\u003c\/li\u003e\n\u003cli\u003eHeadphone source selectable between mix and cue signals\u003c\/li\u003e\n\u003cli\u003eState-of-the-art analogue circuitry for superior transparency and ultra-low noise and distortion\u003c\/li\u003e\n\u003cli\u003eAll gold-plated relay-based switching for every function, including inputs and outputs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default","offer_id":37505535017138,"sku":"SHERRAM2000","price":607.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHERRAM2000-1.jpg?v=1605028342"}],"url":"https:\/\/studiocare.com\/collections\/black-friday-2026.oembed?page=4","provider":"Studiocare","version":"1.0","type":"link"}