{"title":"Bus Compression","description":"","products":[{"product_id":"api-2500-stereo-bus-compressor","title":"API 2500+ Stereo Buss Compressor","description":"\u003ch2\u003eAPI 2500+ Stereo Buss Compressor\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAPI 2500+ Stereo Bus Compressor\u003c\/strong\u003e is a \u003cstrong\u003e\u003c\/strong\u003eversatile bus compressor, famous for its ability to add sonic character and personality. Whether its used on the mix bus, sub groups or on a parallel bus, the feature set of the 2500+ tailors for most needs.\u003cbr\u003e\u003cbr\u003eAmong the many qualities which make the 2500+'s unique is its use of API's patented THRUST® circuit for a chest-hitting, punchy bottom end. Another distinctive feature of the 2500+ is its selectable \"old\" or \"new\" compression, with the old style using the \"feed back\" type of compression found in the API 525, and the new style using the \"feed forward\" type in which the compressor side chain is fed directly from the unit input. Additionally, the output stage of the 2500+ offers an auto-makeup gain button that permits the user to vary the threshold or ratio while automatically maintaining a constant output level.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAPI 2520 Op Amps\u003c\/li\u003e\n\u003cli\u003eExpanded variable threshold between -20dBu to +20dBu\u003c\/li\u003e\n\u003cli\u003eSelectable ratio, attack, and release times\u003c\/li\u003e\n\u003cli\u003ePatented THRUST® filter with 3 settings for frequency dependent side chain control\u003c\/li\u003e\n\u003cli\u003eVariable link between left and right channels\u003c\/li\u003e\n\u003cli\u003eOld \"feed back\" and new \"feed forward\" compression\u003c\/li\u003e\n\u003cli\u003eSoft, Medium, or Hard knee for easy to sharp compression\u003c\/li\u003e\n\u003cli\u003eAuto or manual gain make up\u003c\/li\u003e\n\u003cli\u003e1\/4\" balanced side chain inputs\u003c\/li\u003e\n\u003cli\u003eOutput clips at +32dBu\u003c\/li\u003e\n\u003cli\u003eNew Mix\/Blend circuit\u003c\/li\u003e\n\u003cli\u003e\"Over Threshold\" LED illuminates when input audio crosses the set threshold\u003c\/li\u003e\n\u003cli\u003eStereo analog meters to show input level, output level, and gain reduction\u003c\/li\u003e\n\u003cli\u003eFull hard-wired relay bypass\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eRear Connectors\u003c\/strong\u003e: XLR input, 1\/4\" side chain, XLR output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance\u003c\/strong\u003e: 60K Ohms, Balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 75 Ohms, Transformer coupled, Balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Output Level\u003c\/strong\u003e: +32 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: ±0.5dB 20Hz to 50kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise Ratio\u003c\/strong\u003e: 120 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Consumption\u003c\/strong\u003e: 28.8 Watts\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: 19\" X 1.75\" X 10.5\" deep\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize (Boxed for Shipping)\u003c\/strong\u003e: 23.25\" X 6.5\" X 16\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUnit Weight\u003c\/strong\u003e: 9.4 lbs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShipping Weight\u003c\/strong\u003e: 13.3 lbs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":31445272887342,"sku":"SAPI2500","price":2745.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SAPI2500.jpg?v=1587128950"},{"product_id":"api-529-stereo-compressor-500-series-module","title":"API 529 Stereo Compressor 500-Series Module","description":"\u003ch2\u003eAPI 529\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAPI 529\u003c\/strong\u003e is a 500-Series (2 slot) stereo compressor module that combines the convenience and popularity of the 500 Series format API's compression technology. Carefully designed to deliver a wide range of compression options, the 529 delivers warmth, clarity and punch, whether used for subtle adjustments or heavy compression effects.\u003c\/p\u003e\n\u003cp\u003eBased on the unprecedented success of the 2500, the 529 takes many of the features and controls from API's famous stereo compressor and puts them into the first dual slot 500 series module from API. This stereo compressor features API's patented THRUST® circuitry for a punchy low end, along with an Old\/New switch that lets you choose between classic and modern compression characteristics: Old for vintage-style feedback compression and New for today's more common feed-forward compression. The Auto-makeup Gain button lets you adjust ratio and threshold controls without affecting the output level. Using API's discrete op-amps and transformer technology, the 529 delivers the legendary analog sound of API. The 529 is backed by API's unique 5 year warranty.\u003c\/p\u003e\n\u003ch2\u003eAPI 529 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously variable detented Gain, Threshold, Attack, Ratio and Release controls\u003c\/li\u003e\n\u003cli\u003e10 segment LED meters show Gain Reduction and selectable Input or Output Level\u003c\/li\u003e\n\u003cli\u003eOver Threshold LED\u003c\/li\u003e\n\u003cli\u003ePatented THRUST® Switch for frequency dependent side chain control\u003c\/li\u003e\n\u003cli\u003e3 selectable compressor curve Knee settings\u003c\/li\u003e\n\u003cli\u003eSelectable New or Old switch for feed-forward or feed-back operation\u003c\/li\u003e\n\u003cli\u003eSelectable variable or auto compressor make-up gain\u003c\/li\u003e\n\u003cli\u003eThree way In\/Out including full hard relay bypass\u003c\/li\u003e\n\u003cli\u003eAudio circuit uses 2520 and 2510 Discrete Op Amps with transformer output\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: 3\" X 5.25\" X 7\"\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 2.4 lbs.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":31445274296366,"sku":"SAPI529","price":1857.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SAPI529.jpg?v=1722600809"},{"product_id":"empirical-labs-el8xs-distressor","title":"Empirical Labs EL8XS - Distressor Stereo Pair inc British Mode","description":"\u003ch2\u003eEmpirical Labs EL8XS - Distressor Stereo Pair inc British Mode\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eEmpirical Labs Distressor EL8XS\u003c\/strong\u003e is a factory calibrated and matched pair of EL8X compressors that can be operated in dual mono or as a stereo linked pair using the included patch cable that links both units together.\u003c\/p\u003e\n\u003cp\u003eThe EL8X compressor \/ limiter that has become an industry standard classic since its introduction and has sold over 22,000 units world wide making it one of the best selling compressors of all time. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world. A prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.\u003c\/p\u003e\n\u003cp\u003eBesides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit. This “warmth” or “vintage sound” has become a major issue in the last few decades, as the super clear and linear digital technology does next to nothing to soften “harsh” sounds, nor emphasize the bass frequencies in music sources. Conversely, older analog tape, vinyl records and tube equipment could not be prevented from coloring the sound, often to the frustration of recording engineers. However, many people now realize that this coloring can be extremely pleasant and musical. Digital technology is often referred to as “cold” and “brittle” among other terms (although we prefer “unforgiving”).\u003c\/p\u003e\n\u003cp\u003eAll eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting - a brick wall limiting curve that shines on live drum room mics. Each curve has its own personality and several actually use different circuitry, and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.\u003c\/p\u003e\n\u003cp\u003eAnother large part of the Distressor’s personality and power derive from three modes that color the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors \u0026amp; limiters, and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters – one in the audio path, one in the detector path - are also available to help with low frequencies that can cause pumping and breathing.\u003c\/p\u003e\n\u003cp\u003eThe Distressor EL8-X has an additional two functions in comparison to the original EL8 version. British Mode, and Image Link.\u003c\/p\u003e\n\u003cp\u003eThe concept of British Mode came from an unusual setting on the classic UREI LN1176 limiter. The unit was designed to have only four ratios, each ratio being engaged by selecting one of four buttons. However, as early as 1980 (or before), renegade recording engineers, always on the lookout for something a little more \"over-the-top\", found that you could make all four buttons stay in if you pressed them just right. What resulted was a very aggressive sound that had some elements of the unit’s 20:1 ratio, but with an unusual knee and new envelope shape. Somewhere along the line, someone called it “British Mode”, and the name stuck. The EL8-X has the advantage of being able to selectively apply this aggressive characteristic - not just to the new “British” ratio (1:1) - to any of the ratios, simply by engaging the dedicated “British Mode\" switch.\u003c\/p\u003e\n\u003cp\u003eThe original Distressor stereo link function used a summing and phase detection method, which allowed slight stereo image shifting. Although frequently desirable for its phase correction, and its “thickening” on open room mics and other stereo sources, this approach can sometimes be a problem on stereo program material where the producer\/engineers want to maintain absolute left\/right balance at all times. With the new “Stereo Image Link” option, the EL8-X now has three link options - the original “phase” link, the new Image Link and the combination of the two, phase and image linking - something never before offered on any compressors or limiters.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFreq. response is 2 Hz to 160 kHz in clean audio mode (+0, -3 dB). Response is shaped in distortion modes (Dist 2, Dist 3).\u003c\/li\u003e\n\u003cli\u003eDynamic range 110 dB from max. output to min. output in 1:1 mode. Greater than 100 dB signal to noise in distort 3 mode.\u003c\/li\u003e\n\u003cli\u003eDistortion ranges between .02% and 20% depending on distortion mode and release times set on front panel.\u003c\/li\u003e\n\u003cli\u003eDC coupled output - High quality input caps.\u003c\/li\u003e\n\u003cli\u003eInput impedance is 20K Ohms, Output impedance is \u0026lt; 75 ohms\u003c\/li\u003e\n\u003cli\u003eTime constants - Attack range 50uS - 50mS. Release range .05 sec to 3.5 seconds, normal modes and up to 20 seconds in 10:1 opto mode. Time constants are dependant on ratio.\u003c\/li\u003e\n\u003cli\u003eMetal Chassis - single height 1.75\" high, 10\" deep, 19\" wide.\u003c\/li\u003e\n\u003cli\u003eShipping info - 12.1 lbs mono, 24.2 lbs Stereo pair. 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The combination of hand-wired transformers and gain reduction circuitry produces a sound quality which is often duplicated, yet seldom achieved by any other compressor \/ limiter. Coupled with the unit’s unparalleled ease of use, this inimitable sound quality has made the 33609 a worldwide studio standard for three decades.\u003c\/p\u003e\n\u003cp\u003eThe hallmark 33609 compression sound is very smooth, and extreme settings may be used with the compression or limiting remaining relatively transparent. After several versions of this classic Neve compressor over the years, today's 33609 provides the best of both worlds: original Neve 33609 sound, with enhanced internal and external I\/O switching compared to the original model. The 33609 also utilises a discrete output stage like the original model, for a slightly warmer sound that is preferred by many professionals over previous iterations. Multiple units can be easily linked for multi-channel operation.\u003c\/p\u003e\n\u003cp\u003eThe 33609 features independent sidechains for the compressor and limiter sections, with similarly independent threshold, recovery and attack controls. The compressor features a selection of ratios from 1.5:1 to 6:1 and a gain make-up control that comes before the limiter. Overall gain reduction is indicated on a moving coil meter.\u003c\/p\u003e\n\u003cp\u003eMuch like the classic 1073 and 1081 microphone preamplifiers, the 33609 Stereo Compressor is often cited as a \"desert island\" compressor - one which a healthy sampling of the world’s top engineers and producers would choose above all others.\u003c\/p\u003e\n\u003ch2\u003eNeve 33609 N Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eClassic Stereo Compressor \/ Limiter designed to exacting 1970’s specifications\u003c\/li\u003e\n\u003cli\u003eMade using hand-wired Neve transformers in Burnley, England\u003c\/li\u003e\n\u003cli\u003eClassic 2254 feedback compression circuitry\u003c\/li\u003e\n\u003cli\u003eBrick Wall Limiting\u003c\/li\u003e\n\u003cli\u003eTransparent level control\u003c\/li\u003e\n\u003cli\u003ePerfect for mixing, broadcast, and mastering applications\u003c\/li\u003e\n\u003cli\u003eHard Limit feature for digital recording\u003c\/li\u003e\n\u003cli\u003eLimit in\/out Compress in\/out\u003c\/li\u003e\n\u003cli\u003eDiscrete output stage for slightly warmer sound\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLevels:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e +\/- 0.5dB from 20Hz to 20kHz, measured at 0dBu relative to 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDistortion (80kHz bandwidth):\u003c\/strong\u003e 0.075% maximum (Bypass IN, Compress and Limit OUT, input level at +9dBu, 1kHz)0.2% maximum (Compress IN ratio 6:1, Gain make-up to MAX, Recovery: 800mS, Threshold -18dBu)0.45% maximum (Limit IN, Compress OUT, Recovery 800mS, Input level +22dBu, Threshold -18dBu)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise:\u003c\/strong\u003e -75dBu with input terminated in 600 Ohms, Bypass IN, Compress and Limit OFF; -55dBu with compress IN and gain make-up at maximum (22Hz to 22kHz bandwidth)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLimiter section:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimit Threshold:\u003c\/strong\u003e +4dBu to +15dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimiter Ratio:\u003c\/strong\u003e With input level at 10dBu, then increased to +20dBu, the change in output level should be 0.1dB, +\/-0.1dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimiter Attack Time:\u003c\/strong\u003e Slow 4mS, +\/-1mS, fast 2mS, +\/-1mS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimiter Recovery Time:\u003c\/strong\u003e A1 (auto): 100mS\/2seconds, A2 (auto): 50mS\/5seconds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCompressor section:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompressor Ratio:\u003c\/strong\u003e 1.5:1, 2:1, 3:1, 4:1, 6:1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompressor Attack Time:\u003c\/strong\u003e Slow 6mS +\/-1mS, fast 3mS +\/-1mS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompressor Recovery Time:\u003c\/strong\u003e 100mS, 400mS, 800mS, 1.5S, and Auto 1 (100mS\/2 sec) and Auto 2 (50mS\/5 sec) settings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompressor Gain Make-up:\u003c\/strong\u003e Gain Make-up control provides 0dB to +20dB extra gain in 2dB steps when Compress switched IN.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePower:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePower Consumption: 5.3VA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 482mm (19 inches)\u003c\/li\u003e\n\u003cli\u003eHeight: 88mm (3.46 inches)\u003c\/li\u003e\n\u003cli\u003eDepth: 255mm (10.03 inches)\u003c\/li\u003e\n\u003cli\u003eWeight: 5kg (11lbs)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":31519715852334,"sku":"SNEV33609N","price":2532.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neve-33609n-front_2.jpg?v=1774284572"},{"product_id":"shadow-hills-dual-vandergraph","title":"Shadow Hills Dual Vandergraph - 500-Series Compressor","description":"\u003ch2\u003eShadow Hills Dual Vandergraph\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eShadow Hills Dual Vandergraph\u003c\/strong\u003e is a professional compressor that is a 500 series copy of the Shadow Hills Mastering Compressor and maintains its reputation of unquestionable quality and exceptional performance built into a 500 Series format. It’s inner workings are developed from the discrete gain cells of the Mastering Compressor which are combined with the Optograph’s extremely flexible Sidechain Filter matrix. 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The Mastering Compressor uses the same T4B optical attenuator as the LA2A and LA3A and Class-A hardware. The first position is Nickel, which is Shadow Hills custom version of a famous L. A. custom console. Next is Iron. In this mode the signal goes through an op-amp and into a Class-A output stage then to a Shadow Hills custom Iron transformers, the last transformer position is Steel. These selections allow you to choose between different output transformers that are in effect: clean, coloured, and dirty, respectively.\u003c\/p\u003e\n\u003cp\u003eThe optical section has a hard-wired bypass that completely removes it from the signal path, and the Class-A VCA compressor is also hardwire bi-passable, completely removing it from the chain. It is possible to independently bypass both compression sections and have your signal go through the input transformer and transformer selector only. There is also a hardwire bypass for the entire compressor, effectively a straight wire in and out of the box. So besides being a mastering grade, and highly functional buss compressor, it serves as an excellent tracking compressor.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":31534774779950,"sku":"SSHDMASTCOMP","price":8500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/shadow-hills-mastering-compressor-_3.jpg?v=1578925925"},{"product_id":"smart-research-c2-dual-mono-stereo-compressor","title":"Smart Research C2 Dual Mono\/Stereo Compressor","description":"\u003ch2\u003eSmart Research C2 Stereo Compressor\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eSmart Research C2\u003c\/strong\u003e houses two independant mono compressors, or in stereo mode, the left- hand controls operate both audio channels, with the right-hand controls not used, giving true Stereo operation. The characteristic sound of this unit arises mostly from the fast response at the onset of compression, which when delayed to occur around the mid range attack settings (after 0.3 to 3 milliseconds) results in a window through which transients can still pass.\u003c\/p\u003e\n\u003cp\u003eWhen used accross a mix, or with any dynamic programme, this has the effect of adding 'punch', as the sidechain 'breathes' around these transients, while still controlling overall levels. CRUSH mode has been developed as an extension of this 'musicality', adding to and accentuating the factors involved in producing the character of the unit. CRUSH may sound surprising to those interested in more gentle applications, being capable of exaggerated compression effects, but in conjunction with the fast limit settings also introduced with this unit, it allows the C2 to be used for a much wider range of applications than the C1.\u003c\/p\u003e\n\u003ch2\u003eSmart Research C2 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFast attack and limit settings for protective limiting.\u003c\/li\u003e\n\u003cli\u003eCrush mode gives f.e.t 'overcompression' with tailored frequency response, and higher distortion, for 'huge' dynamic effects.\u003c\/li\u003e\n\u003cli\u003eExternal sidechain inputs, (for ducking etc.)\u003c\/li\u003e\n\u003cli\u003ePower fail bypass for broadcast or live sound.\u003c\/li\u003e\n\u003cli\u003eRatios 1.5:1, 2:1, 3:1, 4:1, 10:1 and Limit.\u003c\/li\u003e\n\u003cli\u003eAttack 0, 0.1, 0.3, 1, 3, 10, and 30 m\/sec.\u003c\/li\u003e\n\u003cli\u003eRelease 0.1, 0.3, 0.6, 1.2, and 2.4 seconds \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSmart Research C2 Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 100v-240v AC selectable, 30 watts.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise floor:\u003c\/strong\u003e Below -104 dBm (flat 20Hz-20Khz).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDistortion: \u003c\/strong\u003eBelow 0.005% (1K\/+4 THD 20Hz-20Khz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrq. Response: \u003c\/strong\u003eWithin 1\/2dB from 20Hz to 100Khz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth in rack: \u003c\/strong\u003e258mm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain input:\u003c\/strong\u003e Balanced, impedance 1K8 per leg.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSidechain i\/p: \u003c\/strong\u003eBalanced, impedance 10K per leg.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput:\u003c\/strong\u003e Discrete transistor. Above +26dBm into 600 ohm load.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThreshold: \u003c\/strong\u003eAdjustable -20 to +20dBm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMake-up gain:\u003c\/strong\u003e Adjustable 0 to +20dBm.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Smart Research","offers":[{"title":"Default Title","offer_id":31538603786286,"sku":"SSMAC2","price":1950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smart-research-c2_2.jpg?v=1578926089"},{"product_id":"ssl-g-comp-stereo-bus-compressor-module-for-500-series-lunchbox-racks","title":"SSL G-Comp Stereo Bus Compressor Module for 500 Series Lunchbox Racks","description":"\u003ch2\u003eSSL G-Comp\u003c\/h2\u003e\n\u003cp\u003eThe\u003cstrong\u003e SSL G-Comp Stereo Bus Compressor Module for 500 Series\u003c\/strong\u003e. The legendary sound of the \u003cstrong\u003eSSL Stereo Bus Compressor\u003c\/strong\u003e has been glueing mixes together for 35+ years. Often imitated but never equaled, the centre section compressor from the 1980's G-Series analogue console is an audio production legend. It is a simple unit with a simple purpose; it makes complete mixes sound bigger, with more power, punch and drive. It brings cohesion and strength to your mix without compromising clarity. To this day it remains a key element of the SSL sound and has featured on countless classic recordings. The availability of the Stereo Bus Compressor in a module for the 500 format makes this essential audio production tool available to users of the popular API 500 format modular rack platform.\u003c\/p\u003e\n\u003ch2\u003eSSL G-comp Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLegendary sonic character of SSL Stereo Bus Compression\u003c\/li\u003e\n\u003cli\u003eSix ratio settings ranging from 1.5:1 to 20:1\u003c\/li\u003e\n\u003cli\u003eFive release settings and Auto Release function\u003c\/li\u003e\n\u003cli\u003eNow includes a High Pass Filter that ranges from 'off' to 185Hz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":31539065618478,"sku":"SSSL500GBUS","price":728.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/G-Comp-500.jpg?v=1676893245"},{"product_id":"manley-variable-mu-stereo-compressor-mastering-version-detented-ms-option","title":"Manley VARIABLE MU Stereo Compressor Mastering Version Detented + MS Option","description":"\u003ch2\u003eManley VARIABLE MU + MS Option\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe \u003cstrong\u003eManley Variable Mu Limiter Compressor\u003c\/strong\u003e is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. \"Mu\" is tube-speak for gain, and Variable Mu is Manley's registered trademark for this limiter compressor. It works by using the \"remote cut-off\" or re-biasing of a vacuum tube to achieve compression.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003eMS modification\u003c\/strong\u003e\u003cspan\u003e opens the door to stereo encoding and decoding as well as exciting image enhancement processing capabilities. For instance, setting to compress only the in-phase information allows the augmentation of the stereo image as the out-of-phase content is left untouched. Or, conversely, if you need a \"more-mono\" mix for broadcast, or vinyl-cutting for instance, you can set it to kill off more of the out-of-phase info which leaves more in-phase material in the final result.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressors in the professional market. Even the side-chain has glowing rectifier bottles. How’s it work? The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"font-weight: 400;\"\u003eSpecifications\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eMaximum gain\u003c\/strong\u003e: 35dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eMax. output\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e+30dBu (26Vrms) 26dB Headroom\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u0026lt;0.1% THD @ 1KHz Noise floor: -85dB typical\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003ePower Consumption (120\/240VAC)\u003c\/strong\u003e: 80 watts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eOperating Mains Voltage changeable with power transformer changeover switch and fuse value change.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eMains Fuse Value for 100~120VAC operation: replace with 1.25A as of 10\/2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eMains Fuse Value for 220~240VAC operation: replace with 0.6A (600mA) as of 10\/2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eMains Fuse Type\u003c\/strong\u003e: MDA or MDL SLO-BLO Time delay 1 1\/4\" x 1\/4\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eMains Voltage Frequency\u003c\/strong\u003e: 50~60Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: 19” x 3 1\/2” x 10” (chassis occupies 2u) Power transformer protrudes 3.5\" out the back of the chassis.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e: 23 lbs.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default","offer_id":32450048163886,"sku":"SMANVARIMUMMS","price":5915.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SMANVARIMUMMS_93db2900-47f4-466c-a9c5-920959ab2f8e.jpg?v=1594117707"},{"product_id":"rupert-neve-designs-rnd-portico-ii-master-buss-processor-black","title":"Rupert Neve Designs RND Portico II - Master Buss Processor - Black","description":"\u003ch2\u003eRupert Neve Designs RND Portico II - Master Buss Processor - Black\u003c\/h2\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRupert Neve Designs Portico II Master Buss Processor\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e features a comprehensive compressor with blend control, limiter, stereo field editor and texture control designed to enable the user to shape the sound of the master bus no matter what the genre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBased around the high voltage, discrete and class-A signal paths made famous in the 5088 Mixer, the Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. Though originally developed for mastering applications, the MBP has quickly become a favourite of mix engineers, tracking engineers, and even FOH engineers. From mixing bass-heavy EDM to a delicate master of a chamber ensemble, it has something to offer everyone – no matter the use or genre.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePowerful 2-channel compressor\/limiter\/stereo field manipulator\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eFull compression sections for both channels, including attack, release, ratio, and threshold controls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide chain inputs with high-pass filters for both compressors\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeed-back\/Feed-forward controls let you select from modern and vintage compression sounds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eTexture control with 2 Silk modes let you add classic Rupert Neve tone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlend controls allow you to mix dry signal back into your compression, preserving transients while adding\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003epunch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eSimple and highly musical 1-knob limiter with Adaptive Release Technology allows for brick-wall limiting\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ethat doesn't distort or affect levels under the threshold\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eStereo Field Editor section includes independent controls for width and depth as well as the width and\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003edepth EQs, allowing you to dial in the perfect stereo field\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003eMic Pre\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMain Output, no load\u003c\/li\u003e\n\u003cli\u003e–3 dB @ 2 Hz\u003c\/li\u003e\n\u003cli\u003e–3 dB @ 160 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eNoise:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eMeasured at Main Output, unweighted, 22Hz-22kHz,\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eTerminated 150 Ohms.\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eWith gain at unity better than –92 dBu\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eWith gain at 66 dB better than –56 dBu\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eEquivalent Input Noise better than –123 dBu\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eGain:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eUnity to +66dB in 6 dB steps,\u003c\/li\u003e\n\u003cli\u003eTrim continuously adjustable from –6dB to +6dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLine Input:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eTrim continuously adjustable from –6dB to +6dB\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eMaximum Output Level:\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eMaximum output from 20 Hz to 40 kHz is +25 dBu.\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom Power:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e48 Volts DC +\/- 1%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eTotal Harmonic Distortion and Noise:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003e@ 1kHz, +20 dBu output: Better than 0.002%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eAs above, Silk Engaged: Better than 0.2% Second Harmonic\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003e@ 20Hz, +20 dBu out Better than 0.004%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003e@ 20Hz, +20 dBu out Better than 0.020%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eIM Distortion: Better than 0.002%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eSlew rate Better than 4 V\/uS\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eHigh Pass Filter:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency: Continuously Variable from 20 Hz to 250Hz\u003c\/li\u003e\n\u003cli\u003eSlope: 12 dB\/Octave Bessel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default","offer_id":32694145908782,"sku":"SRNDMBP","price":3499.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SRNDP2MASTERBUSSB.jpg?v=1602065126"},{"product_id":"heritage-audio-successor-bus-compressor-1u-stereo-compressor","title":"Heritage Audio Successor Bus Compressor -  1U Stereo Compressor","description":"\u003ch2\u003eHeritage Audio Successor Bus Compressor - 1U Stereo Compressor\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHeritage Audio Successor Bus compressor\u003c\/strong\u003e is a stereo compressor based on the vintage diode bridge design. \u003c\/p\u003e\n\u003cp\u003eA fully Carnhill transformer coupled input and output unit, the new Successor is a true stereo diode-bridge based bus compressor with advanced sidechain filtering and built-in parallel processing capabilities, sharing the class A ´73 type output stage that Heritage Audio is famous for.\u003c\/p\u003e\n\u003cp\u003eBased on legendary vintage diode bridge designs, it keeps the sonic character of such units, but the added features make it a new beast on its own and will make your mixes shine in modern production environments. Ultra-fast attack and releases allow for larger than life drum bus compression sounds, while the complex sidechain filter lets you tailor your mix in ways not previously available.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue Stereo\u003c\/strong\u003e operation on single controls with matched gain cells for extremely precise left\/right tracking and nearly zero offset in between channels. Compression tracking works in Oxford mode (highest signal takes over compression opposed to summing left and right channels).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCarnhill based\u003c\/strong\u003e, transformer coupled balanced inputs and outputs for added character and vintage vibe.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e´73 style class\u003c\/strong\u003e A output stages bring the desired ´73 sound to your mix or drum buses.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiode-bridge\u003c\/strong\u003e based compression excels in bringing 2nd order harmonic distortion characteristics and true vintage tone while eliminating nasty odd harmonic content.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUltra-fast attack\u003c\/strong\u003e and release time options never found in vintage designs allows for far more flexible settings, including FET like sounds and volume maximizing without transient artifacts.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComplex sidechain filtering\u003c\/strong\u003e options work with the already common high pass filters, introducing mid band peak type filters and high-frequency compression, allowing bus correction not possible before.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSidechain SEND and RETURN\u003c\/strong\u003e connections allow for external sidechain signals or further external processing of the internal one.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlend control\u003c\/strong\u003e offers built-in parallel compression without any external equipment. Blend ON\/OFF button allows for instant comparison in between WET and DRY signals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStepped controls\u003c\/strong\u003e for easy recall of settings.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":32701438558254,"sku":"SHERSUCC","price":1054.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHERSUCCESSOR.jpg?v=1602756320"},{"product_id":"ssl-the-bus-bus-compressor","title":"SSL THE BUS+ Bus Compressor","description":"\u003ch2\u003eSSL THE BUS+ Bus Compressor\u003c\/h2\u003e\n\u003cp\u003eIf there is a single piece of analogue processing equipment that is synonymous with SSL, it must be the SSL Bus Compressor. From the very first commercially released SSL 4000 B console in 1976 and through many generations of SSL consoles that have followed, the Bus Compressor has always been the stalwart of the console centre section.\u003c\/p\u003e\n\u003cp\u003eFor many of the world’s top engineers and producers, the Bus Compressor continues to be the most relied upon processing tool for making mixes sound bigger and more complete, with drive and energy from adding that legendary SSL glue and punch.  \u003c\/p\u003e\n\u003cp\u003eWith \u003cstrong\u003eTHE BUS+\u003c\/strong\u003e, Solid State Logic have been on a mission to create the ultimate and most versatile incarnation of the Bus Compressor ever. The bedrock of the design remains faithful to the original circuit and using this as the foundation, they’ve built upon it, adding several unique colouration options and advanced processing tools. If you need it to be clean and punchy like the SuperAnalogue\u003csup\u003eTM\u003c\/sup\u003e 9000 Series version, it can be. If you need it to be gritty and grungy like an early 4000E, it can do that also. Or if you need over-the-top, saturated parallel compression for the drums, THE BUS+ has got you covered.\u003c\/p\u003e\n\u003cp\u003eTHE BUS+ circuit design not only utilises high-grade components, such as the 2181 THAT VCAs in the audio path for superior analogue performance, it is also incredibly flexible, offering four modes of operation and 3 distinct compression colouration options that can be combined to perfectly suit the genre you’re working on. 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