{"title":"Dangerous Music","description":"","products":[{"product_id":"dangerous-master-dm06-mastering-console","title":"Dangerous Music Master (DM06) - Mastering Console","description":"\u003ch2\u003eDangerous Music Master (DM06) - Mastering Console\u003c\/h2\u003e\n\u003cp\u003e\u003cspan id=\"docs-internal-guid-71901cbe-fcd4-039b-ee54-054eeef67408\"\u003e\u003cspan\u003eThe \u003cstrong\u003eDangerous Music Master\u003c\/strong\u003e is a mastering console that ties together all of your equipment into an elegant and well adjusted system that delivers clear, accuracy and robust musicality. The Dangerous Music Master provides you with sonics you can rely for decades of daily use. Master features signal routing offering up sophisticated control over gain staging, front-panel switching of three analog inserts, Mid\/Side processing, input\/output monitor level matching, and multiple outputs to reach all the destinations in your mastering suite.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIndividual L-R Input Level Controls\u003c\/strong\u003e – Use these controls to perfectly set the stereo image, delicately compensating for any embedded imbalances in the mix. These controls use stepped attenuators that offer 0.5 dB steps with .01dB of gain-tracking accuracy between channels for perfect stereo imaging at all volumes. The deep craftsmanship of working in analog is gain-staging, and the MASTER’s separate input controls allow you to hit your outboard gear’s sweet spot and compensate at the main stereo output stage feeding your recording A\/D converter, tape machine, or other capture device for optimal sound from your rig.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Monitor Offset\u003c\/strong\u003e – This critical feature allows you to match levels between your processed signal (output) and unprocessed signal (input) so that you can make comparative judgements without misleading volume changes. Once input and output levels are matched, simply use the In\/Out switch to objectively compare your mastering work to the original. Additionally, you can more accurately use a peak-over-average meter array (such as the one found in the Dangerous Music CONVERT-2 mastering D\/A converter) to visually confirm your master’s loudness density. These are all important strategies used by top professionals to delicately manage the creation of a thoroughly professional production master.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThree Front-Panel Switchable Inserts\u003c\/strong\u003e – These stereo inserts tie all of your EQs, compressors, limiters and de-essers together into an elegant, rock-solid mastering rig. The MASTER’s front-panel switches give you functionality previously only available on very expensive, custom-built mastering consoles. And on Insert 2, you get Chris Muth’s ground breaking Mid\/Side processing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn-Board Mid\/Side Processing\u003c\/strong\u003e – Residing on Insert 2, the Mid\/Side processor inside the MASTER is an audiophile-grade sum-and-difference matrix. By “encoding” and then “decoding” the stereo signal, this matrix allows you to obtain separate control over the center and the sides of the stereo mix. A tool employed by deeply experienced mastering engineers to address specific issues in a mix without compromising other aspects of the stereo image, Mid\/Side processing is the most powerful mastering tool available. For example, manage a harsh vocal or a strident snare in the middle of a mix while not affecting the instruments panned to the sides. Or perhaps one needs to tame some widely-panned cymbals while maintaining vocal air and articulation at the center of the mix. Further, on some occasions, mastering engineers might be processing the middle and the sides with completely different processors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWidth Control\u003c\/strong\u003e – This allows you to use the MASTER’s Mid\/Side matrix to control the level of the “sides” of the mix, which changes the perceived stereo width. This is incredibly helpful when deploying any Mid\/Side processing, but even when you’re not engaging outboard gear, the width control allows you to “focus” the stereo image perfectly. Ever come across a song that’s not sitting well among the others on the record? How about mastering a compilation where the width varies greatly? Whether you’re tightening or widening the stereo field, the width control is often exactly the right tool for pulling all the songs together into a coherent record.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThree Outputs \u0026amp; Two Inputs\u003c\/strong\u003e – A dedicated monitor output accompanies two stereo output paths that can be routed to A\/D converters, tape machines, patch bays, or wherever the signal needs to go to get the job done. Many MASTER owners use the dual outputs to make direct A\/B comparisons between different A\/D units, listening for the vibe that best suits that particular record. The two inputs, selectable on the front panel, make it easy to have a D\/A normaled to the first input and the second input wired to a patchbay or tape machine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHOOKING UP WITH THE LIAISON\u003c\/strong\u003e\u003cbr\u003eIf the three insert points aren’t enough to handle a more elaborate mastering rig, you can use the MASTER in conjunction with the powerful Dangerous Music LIAISON to patch in even more analog equipment at the touch of a button. For example, by inserting the LIAISON’s two stereo busses onto two of the MASTER’s insert loops, you’ve expanded from three to seven stereo inserts while simultaneously introducing analog-domain parallel processing, button-enabled signal rerouting, and instant patch recalls. You’ll get the speed and ease of digital-style recall from your analog gear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINVESTING IN THE ANALOG SOUND \u0026amp; WORKFLOW\u003c\/strong\u003e\u003cbr\u003eWhile some engineers are willing to run their mastering processes digitally – or “in the box” as the familiar phrase goes – the top professionals all rely on analog mastering equipment to achieve truly successful final production masters. When you purchase top-shelf analog equipment like the MASTER, you’re making an investment that will last your entire career. Because there’s no operating system, plugins, DAW or computer to become incompatible and, thus, obsolete, your analog gear will never require expensive upgrades. As one of the centerpieces in your mastering studio, the MASTER pulls all of your analog investment pieces together into an elegant “mastering rig” with a workflow and sound quality previously only known to those able to pay tens-of-thousands of dollars for custom mastering consoles.\u003c\/p\u003e\n\u003ch2\u003eDangerous Music Master\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHand built in the USA with the best components possible.\u003c\/li\u003e\n\u003cli\u003eLegendary Chris Muth circuit design with pristine audio quality.\u003c\/li\u003e\n\u003cli\u003eStepped controls throughout.\u003c\/li\u003e\n\u003cli\u003eTransparent and silent operation.\u003c\/li\u003e\n\u003cli\u003eSeamless connection with the Dangerous Liaison.\u003c\/li\u003e\n\u003cli\u003eIntegrated Mid\/Side processing.\u003c\/li\u003e\n\u003cli\u003e2 stereo inputs, 3 stereo outputs (one for monitoring).\u003c\/li\u003e\n\u003cli\u003e3 insert loops.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAll connections are Balanced XLR, +4dBu nominal operating level\u003c\/li\u003e\n\u003cli\u003e2 stereo inputs, 3 stereo outputs (one for monitoring)\u003c\/li\u003e\n\u003cli\u003e3 insert loops\u003c\/li\u003e\n\u003cli\u003e2nd insert capable of MS matrix operation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput and Output controls: \u003c\/strong\u003e+ – 5dB in 0.5dB steps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Monitor Offset: \u003c\/strong\u003e-2 to +8dB in 0.5dB steps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth control: \u003c\/strong\u003e-4 to +6dB in 0.5dB steps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAttenuator accuracy: \u003c\/strong\u003e\u0026gt;0.01dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+Noise in audio band: \u003c\/strong\u003e0.003%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIMD 60Hz + 4kHz 4:1: \u003c\/strong\u003e0.004%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk rejection: \u003c\/strong\u003eBetter than 95dB @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadroom: \u003c\/strong\u003e\u0026gt; +27dBu, +23dBu in the matrix under worst case conditions\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response: \u003c\/strong\u003eBetter than 0.2dB down @ 1Hz and 100kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise floor: \u003c\/strong\u003e\u0026lt; -89dBu total energy in the audio band\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarranty: \u003c\/strong\u003eFree 2 year extended warranty with online registration.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":31480593645614,"sku":"SDAN06MAS","price":4710.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SDAN06MAS-angle.jpg?v=1602260659"},{"product_id":"dangerous-monitor-st-dm08-stereo-monitor-control-system-inc-remote","title":"Dangerous Music Monitor ST (DM08) Stereo Monitor Control System Inc Remote","description":"\u003ch2\u003eDangerous Music Monitor ST\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eDangerous Music Monitor ST\u003c\/strong\u003e is an audiophile-grade designed by the renowned Chris Muth. This 1U 19” unit is a multi-purpose monitor controller for tracking, mixing and mastering that won’t colour your audio in the slightest. The Monitor ST is capable of handling all of your input sources, speaker switching, cue, talkback and headphone needs, all in a beautifully designed package with crystal clarity.\u003c\/p\u003e\n\u003cp\u003eWith its stepped attenuator, five input sources, three speaker outputs, programmable I\/O levels, dedicated subwoofer out and more – all accessed via the elegant remote control – you won’t leave the sweet spot while handling all your studio routing effortlessly. The MONITOR ST is so accurate, clear and flexible that you’ll see its remote atop even the world’s best consoles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST THINGS FIRST – YOU MUST HEAR EVERYTHING\u003c\/strong\u003e\u003cbr\u003eTrue craftsmanship is in the details. If you can’t hear the nuances of what you’re working on, then you simply can’t make informed decisions. Everything from placing a mic, to turning a knob on an EQ, to coaching a singer though a delicate passage depends on being able to hear exactly what’s going on. With the advent of “prosumer” gear, the monitoring path is typically sacrificed to meet a price-point, and even some of the world’s most revered and expensive large-format consoles have less-than-accurate center sections that obscure the sound. To solve these problems, we’ve made zero compromises in the MONITOR ST, employing audiophile-grade components in an unconditionally transparent design. Whether you’re working in a project studio or managing the complex monitor routing in a multi-room studio, the MONITOR ST will provide the most accurate and reliable monitoring available anywhere.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eALL ANALOG VOLUME KNOB \u0026amp; SWITCHING\u003c\/strong\u003e\u003cbr\u003eIf the studio were a car, the volume knob is the steering wheel, your connection to the whole mechanism through which all important feedback is routed. Not all volume controls are created equal – some affect frequency response at different levels, some introduce noise, some rely on tone-snatching digital level controls. the MONITOR ST’s volume control is a relay-actuated stepped analog attenuator made from top-shelf audiophile-grade components, expertly implemented into Chris Muth’s no-compromise analog signal path. From the remote’s elegantly-shaped knob, you’ll get crystal clear sonics with dead-accurate volume level recalls and better than 0.01dB gain tracking between channels. Whether you’re blasting playback through the mains or squinting at your small monitors at whisper volumes, the MONITOR ST will never color your sound or skew your stereo image. And because all the switching within the MONITOR ST is handled by relays, your audio signals are delivered to your speakers unadulterated, removing all the guesswork while tracking, mixing or mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEFFORTLESS AND ELABORATE SIGNAL ROUTING\u003c\/strong\u003e\u003cbr\u003eAs the centerpiece of your studio, the MONITOR ST handles complex routing elegantly. There are four analog inputs, three speaker outputs, plus a stereo subwoofer output with programmable level offset and filter that can be assigned to any of the three speaker pairs (or used for a 4th pair of studio monitors). All of these ins and outs can be custom calibrated with onboard, programmable level offsets that you can recall instantly for different devices and configurations. Need to monitor a -10dBV commercial source like a CD player with levels perfectly matched? No problem. The on-board talkback mic, slate output and the robust 20w\/channel headphone amplifier – which can receive the Main Mix or the Aux In for custom artist mixes – round out all the routing needs for any studio. And the Aux Input can be layered with any of the four main inputs, offering up even more routing solutions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePROGRAMMABLE OFFSETS\u003c\/strong\u003e\u003cbr\u003eMain monitors louder than your near-fields? No problem. Just switch between them and adjust the MONITOR ST’s level offsets in Setup mode until they’re matched, and then store. Now every time you switch between speakers they are matched for apparent loudness. You can do the same with the inputs, and with the Subwoofer Output, getting all of your studio’s gear in perfect balance for seamless monitoring.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eELEGANT AND EFFICIENT REMOTE CONTROL\u003c\/strong\u003e\u003cbr\u003eStay in the sweet spot while managing every signal in your studio. the MONITOR ST’s award-winning design is centered around an ergonomic, intuitive and indestructible remote control that hosts access to all of the MONITOR ST’s features. Connected with a single shielded Cat-5 cable, this remote is equally at home on a desk or the armrest of a big console – wherever your listening sweet spot is. The illuminated switches give you instant visual feedback of all your settings, while the stepped volume knob triggers the audiophile-grade relays in the main unit. Get this remote under your hands to find out why the MONITOR ST has won a TEC Nomination, A Future Music Ace Award and was crowned a Certified Hit by Mix Magazine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAN EXPANDABLE SYSTEM\u003c\/strong\u003e\u003cbr\u003eRequire 5.1, 7.1, 10.2 or greater? Just add the MONITOR SR to your ST system. The SR modules allow you to add as many channels as you need to handle all of your surround monitoring tasks, all with the world-class sound and control that the ST has to offer. And with the Dangerous Music CONVERT-2 you can connect the ST’s remote and control a number of essential switching functions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAWARDS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMix Magazine Certified Hit\u003c\/li\u003e\n\u003cli\u003eFuture Music Ace Awards (winner)\u003c\/li\u003e\n\u003cli\u003eTEC Award (Nominated)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDangerous Music Monitor ST Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHand assembled in the USA.\u003c\/li\u003e\n\u003cli\u003eAudiophile-grade components throughout for crystal clear monitoring.\u003c\/li\u003e\n\u003cli\u003ePristine and powerful 20W\/channel headphone amp.\u003c\/li\u003e\n\u003cli\u003eProgrammable remote tethered by a single Cat 5e shielded cable.\u003c\/li\u003e\n\u003cli\u003eCustomize the five analog inputs, three speaker sets and dedicated subwoofer output.\u003c\/li\u003e\n\u003cli\u003eAssignable stereo subwoofer output includes programmable level trim and filter.\u003c\/li\u003e\n\u003cli\u003eAudiophile-grade analog stepped-attenuator volume control.\u003c\/li\u003e\n\u003cli\u003eAdjust for and store level offsets for different devices.\u003c\/li\u003e\n\u003cli\u003eInput level compensation for -10dBV and +4dBu sources\u003c\/li\u003e\n\u003cli\u003eTalkback system with dual control and dedicated slate output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eGain Tracking Accuracy: better than 0.05dB for 6 channels\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.002 percent\u003c\/li\u003e\n\u003cli\u003eIMD: 0.003 percent\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 1Hz-100kHz -0.1dB\u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection: \u0026gt;96dB\u003c\/li\u003e\n\u003cli\u003eNominal Input Level: +4dBu or -10dBV\u003c\/li\u003e\n\u003cli\u003eCrossover: -3dB @ 57Hz 18dB\/octave modified Butterworth\/Chebyshev\u003c\/li\u003e\n\u003cli\u003eHeadphone amp: 0.002 percent THD+N\u003c\/li\u003e\n\u003cli\u003eHeadroom: +25dBu to main outputs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":31480593678382,"sku":"SDAN08MONST","price":2035.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/Monitor-ST_0002_MONITORST-L-Remote.jpg?v=1677848579"},{"product_id":"dangerous-d-box-8-plus","title":"Dangerous D-Box+ 8 Channel - Monitor Controller, Summing Mixer, D\/A Converter","description":"\u003ch2\u003eDangerous D-Box+\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eDangerous D-Box Plus\u003c\/strong\u003e is a pro 8 Channel monitor controller that features a summing mixer, D\/A converter and is remote controllable via app. Control the D-Box+ from your phone\/tablet, you can send audio to the D-Box+ over bluetooth then use the app to set levels and select outputs. 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This desktop sized controller is an affordable solution for any monitoring situation you may come across, with its no-compromise Chris Muth design strategy that’s made Dangerous monitoring products the worldwide standard among top professionals. Just because you’re on the move with a portable rig or working in a project studio doesn’t mean you should sacrifice a single thing when it comes to monitoring. If anything, these are environments where you need the most accurate monitoring possible, so that absolutely nothing is left to guesswork.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHEAR EVERYTHING, NO MATTER WHERE YOU ARE\u003c\/strong\u003e\u003cbr\u003eYou can’t mix what you can’t hear! With the advent of “prosumer” gear, the monitoring path is typically sacrificed to meet a price-point, allowing what should be true craftsmanship to become guesswork. 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The Selected Line output provides an analog mirror of whatever you’re monitoring in the control room, bypassing the main volume control. Use the Selected Line output to feed an external meter, recording device, club PA system or even for creative re-amping setups. The two onboard reference-grade D\/A converters deliver every last detail of your music, while the robust, crystal clear headphone amplifier and two speaker outputs round out the SOURCE’s incredibly versatile signal paths.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTOGGLE \u0026amp; LATCH FOR ULTIMATE FLEXIBILITY\u003c\/strong\u003e\u003cbr\u003eAny input and speaker outputs can be used individually or simultaneously for all sorts of studio solutions. By switching the input and output sections between “toggle” mode (one at a time) and “latch” mode (simultaneously activated), you can layer sounds and double-up the inputs in creative and very useful ways. For example, set the speaker switches to “latch” and use the second speaker output as a switchable subwoofer out – or perhaps to provide simultaneous live-room monitoring, or to just blast both sets of speakers at once! Set the input switches to “latch” and you can jam along with your portable devices, or otherwise creatively layer multiple input sources. Return to “toggle” mode and easily let the singer hear their own personal headphone mix from an analog input while you engineer the real mix from the USB. Whatever’s needed, wherever you are, the SOURCE will deliver!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMONITOR RIGHT AND NEVER GUESS AGAIN\u003c\/strong\u003e\u003cbr\u003eIt would be hard to overstate the number of recordings that have arrived at the mastering stage with all kinds of noises, flaws and other unintentional problems because the monitoring chain was inadequate. 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The Dangerous Compressor is an audiophile-grade tool that provides powerful compression and limiting without robbing the music of its lifeforce.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRANSPARENTLY BEAUTIFUL\u003c\/strong\u003e\u003cbr\u003eCompressors fall into two basic categories: so-called “color boxes” capable of drastically changing sound, of which there are hundreds available, and the much more difficult to design “transparent units” that control dynamics without introducing obvious sonic artifacts. The Dangerous COMPRESSOR is decidedly in the latter category, delivering crystal clear compression that allows you to easily alter and control dynamics without drastically changing the original sound. But don’t let the word ‘transparency’ trick you into thinking The COMPRESSOR doesn’t sound beautiful – like all Dangerous gear, the low end is big and powerful, the mids maintain texture and detail, and the top-end is open and deeply engaging, even during very active gain reduction. This level of open musicality is unique even among the small field of transparent compressors, putting The COMPRESSOR in a class of its own where sounding transparent and beautiful is no longer a paradox.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBEYOND VERSATILITY\u003c\/strong\u003e\u003cbr\u003eBecause The Dangerous COMPRESSOR is so transparent and simple to operate, it can handle a wide range of tasks often left to automation and eq during tracking, mixing and mastering. Few compressors are as versatile. Tedious vocal level rides can be handed over to The Dangerous COMPRESSOR’s VCA as if it were a trusted assistant intuitively riding a fader. Use the internal sidechain EQ curves to tame a sibilant vocal or to let deep bass punch through untouched, or both simultaneously. Effortlessly peak-limit a master in the analog realm and dispense with your digital limiter using the unique Smart Dynamics feature. Patch an eq into the external side chain for dynamic eq across the midrange, or use the two channels as independent mono units, or in series to achieve ultra-transparent “cascaded compression.” Beyond versatility, The Dangerous COMPRESSOR invites you to creatively solve sonic problems without worrying about unwanted sonic artifacts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA NO COMPROMISE DESIGN WITH UNIQUE FEATURES\u003c\/strong\u003e\u003cbr\u003eHand assembled in the USA, at the heart of The Dangerous COMPRESSOR is a unique and unparalleled audiophile-grade circuit by legendary designer Chris Muth. In typical Dangerous fashion, nothing is sacrificed, and The COMPRESSOR delivers intelligent, innovative, easy-to-use features with unsurpassed sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Detectors\u003c\/strong\u003e – The COMPRESSOR utilizes two totally independent RMS detectors with a nuanced and sophisticated circuit that governs how the left and right channels work together in stereo. This allows The COMPRESSOR to deliver crystal clear and rock solid stereo imaging when processing a full mix, a drum buss, a finished master or any stereo material. What’s more, you can use each channel as an independent mono compressor – great on kick and snare, for example – or you can “cascade” the two channels into each other for ultra-transparent compression with peak limiting – a great technique for automatically riding a vocal, a spiky lead instrument, or anywhere that powerful and transparent control is needed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSmart Dynamics\u003c\/strong\u003e – By engaging “SmartDyn,” you turn on The COMPRESSOR’s unique “dual slope” detector circuits, allowing you to control fast transient peaks without causing average volume levels to drop. This lets you maintain higher average volume levels while avoiding the pumping artifacts commonly incurred when pushing toward the expectations of modern loudness. Smart Dynamics is equally helpful when tracking a dynamic singer or mixing a snappy drum kit, and most users end up leaving the “SmartDyn” button engaged at all times. With its dual detector working in conjunction with Smart Dynamics, The COMPRESSOR’s circuit design is so agile that it seems to possess artificial intelligence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuto Attack \u0026amp; Release\u003c\/strong\u003e – And if it wasn’t already easy enough to get powerful and transparent compression, The COMPRESSOR also includes an automatic attack and release setting that allows you dial in your sound simply using the threshold and make-up gain knobs. If you need more precise settings for attack and release, simply press the “Manual Att\/Rel” button and start tweaking.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn-Board Side Chain Filters\u003c\/strong\u003e – The COMPRESSOR includes two audiophile-grade side-chain EQs that you can turn on and off at the push of a button…no complex patching necessary. Bass Cut turns down low-end below 60Hz, assuring that the detector is not overreacting to low-end content or “breathing” along with the beat. The Sibilance Boost utilizes the BAX EQ’s ultra-linear high-end shelf to push more treble content into the detector, which causes The COMPRESSOR to dynamically attenuate sibilance and other unwanted spikes of high-end like harsh cymbals or erratic acoustic guitar strums – great on vocals during tracking or mixing, or on a whole mix during mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVU and LED Metering\u003c\/strong\u003e – The dual VU meters can show you gain reduction, input or output levels. There is a -6dB offset button so that loud material is always hovering in a usable range, perfect for visually monitoring average levels. What VUs can’t show you are the fast transient leaps past threshold, and that’s where the dual LED meters come in. Together, the VU and LED meters provide two important insights into the nuanced inner workings of The COMPRESSOR in action.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudiophile Components Throughout\u003c\/strong\u003e – Chris Muth’s fastidious designs call for only the highest quality components in areas of the circuit that don’t even pass audio. Detector and control voltage circuits (which lie at the heart of any compressor but are not in the audio path) are often built from substandard components in order to cut costs. However, these detector components have a major impact on how any compressor performs, especially with the high standards we set for achieving the nuanced and intelligent compression you’ll get out of The COMPRESSOR.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMBINE TO TASTE\u003c\/strong\u003e\u003cbr\u003eWhether you’re tracking, mixing or mastering, The Dangerous COMPRESSOR works beautifully with vintage analog gear or patched into today’s cutting-edge digital systems, allowing you to achieve truly modern levels without the undesired artifacts that plague so many modern productions. Combine it with our ultra-transparent BAX EQ for one of the most open EQ\/Compressor combinations possible, perfect for mastering or mixing. Place The Dangerous COMPRESSOR after any “color box” — a console, a vintage tube compressor, a funky EQ, or all three together — and you can dial in the exact dynamics you want without having to rely on the often unruly controls of yesteryear’s gear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE WORLD’S MOST INTELLIGENT ANALOG COMPRESSOR\u003c\/strong\u003e\u003cbr\u003eWith its sophisticated dual detector circuit, unique Smart Dynamics section, automatic attack and release function, unmatched versatility and incredibly transparent, audiophile-grade sound, The COMPRESSOR from Dangerous Music is today’s most intelligent analog compressor. Taking modern loudness seriously while prioritizing clear, open sound, The COMPRESSOR is pioneering a new and innovative approach to modern compression for today’s most discriminating tracking, mixing and mastering engineers.\u003c\/p\u003e\n\u003ch2\u003eDangerous Music Compressor Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eElegant, easy-to-use design with an uncompromising audio circuit by legendary designer Chris Muth.\u003c\/li\u003e\n\u003cli\u003eUnique Smart Dynamics dual-slope detector handles transient peaks without ducking the average level, making modern compression levels easier to achieve and totally transparent.\u003c\/li\u003e\n\u003cli\u003eAuto Attack\/Release – achieve excellent results with just the threshold and makeup gain settings.\u003c\/li\u003e\n\u003cli\u003eTwo audiophile-grade internal sidechain eq settings.\u003c\/li\u003e\n\u003cli\u003eHard and soft knee slope selection.\u003c\/li\u003e\n\u003cli\u003eExternal sidechain routing.\u003c\/li\u003e\n\u003cli\u003eAudiophile-grade VCAs for controlling levels without artifacts.\u003c\/li\u003e\n\u003cli\u003eStepped ratio settings from 1:1 to 20:1.\u003c\/li\u003e\n\u003cli\u003eMultiple meter modes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAwards\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTEC Award (winner)\u003c\/li\u003e\n\u003cli\u003eRockit Award (winner)\u003c\/li\u003e\n\u003cli\u003eResolution Award (nominated)\u003c\/li\u003e\n\u003cli\u003eSound on Sound Awards (nominated)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e +\/-0.25dB from 15Hz to 80kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum level:\u003c\/strong\u003e \u0026gt; +27dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise floor:\u003c\/strong\u003e \u0026lt; -93dBu band limited from 22Hz-22kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e \u0026lt; 0.005%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIMD:\u003c\/strong\u003e \u0026lt; 0.007%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk rejection:\u003c\/strong\u003e \u0026gt; 115dB @1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 20K Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance:\u003c\/strong\u003e 50 Ohms\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReplacement Fuses:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eUSA 500mA fast blow for 120V\u003c\/li\u003e\n\u003cli\u003eEurope 250mA fast blow for 240V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSide Chain Filters: \u003c\/strong\u003eBass cut is 6dB\/octave, -3dB at 60Hz. 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Loaded with innovative and useful features accessed from an intuitive front panel, the CONVERT-2 tops an elite class of dedicated stereo digital-to-analog converters in both sound and ease of use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAN UNRIVALED FEATURE SET\u003c\/strong\u003e\u003cbr\u003eThe Dangerous design philosophy includes a strict demand that our equipment be elegant and easy to use, and the CONVERT-2 exemplifies that philosophy. No menus, no cryptic multi-finger combinations to remember – just clearly labeled single-function buttons and one volume knob. However, the elegance of the CONVERT’s front panel belies its rich feature set, which brings a level of versatility not found in any other DAC.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated Volume Control With Hard-Bypass\u003c\/strong\u003e – If you ever need to bring down the output level of the CONVERT-2, just turn the knob. When fully up, the volume control is bypassed for feeding a dedicated monitor controller (such as our Monitor ST). When engaged, the volume control lets you achieve exact output levels for many applications, a useful one being sending the analog outputs directly to a set of speakers and using the CONVERT-2 as a monitor controller.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstant Input Calibration\u003c\/strong\u003e – With industry-standard reference levels of -14, -16 and -18dBFS, you can recalibrate the CONVERT-2 with the push of a button. While many professional converters are only aligned at the factory, the Convert lets you move flexibly between different reference levels on the fly. Anyone who’s ever fumbled around behind a rack with a “tweeker tool” while a second person watches an external meter knows the special value of our front-panel calibration buttons.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAutomatic Sample Rate Detection\u003c\/strong\u003e – Simply select “Auto” on the front panel and the CONVERT-2 will match its sample rate to the input signal. If you’ve ever started working at the wrong sample rate (we’ve all done it!), you’ll know why this feature can be so important. If you’re swapping among different DAW sessions at different sample rates, the CONVERT will follow your every move.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn The Fly Input Switching\u003c\/strong\u003e – Unique to the CONVERT, you can now swap between multiple digital inputs on the fly from the front panel buttons. No more digging into elaborate menus and system settings just to listen to iTunes, no more rerouting software drivers just to hear a different output. And because the CONVERT can automatically lock to the incoming signal’s sample rate, you don’t need to even think about sample rates as you switch between inputs. Five digital inputs include USB, AES\/SPDIF-1, AES\/SPDIF-2, ADAT and Optical SPDIF (TOSLINK).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB Uplink\u003c\/strong\u003e – With its unique USB Uplink technology, you can route the CONVERT’s AES\/SPDIF-2 signal back up through the USB cable and into your DAW session for printing. Additionally, you can easily switch between monitoring the original digital signal or the Uplinked signal, which means you can add finalizing plugins to your DAW’s return track and quickly flip between the processed and unprocessed stereo signal – especially helpful whether mixing or mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustom Metering\u003c\/strong\u003e – A premium custom crafted digital meter gives you peak-over-average metering, typically found in expensive outboard mastering meters. The meter automatically calibrates to the chosen input reference level, giving you consistent visuals on every project. Our “3-word-over” indicator tells you when three consecutive samples have clipped, meaning you’re a breath away from violating industry standards for CD reproduction and are about to generate clipping distortion that would be audible in any digital file.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse The CONVERT As Your Master Clock\u003c\/strong\u003e – It’s no secret that many digital audio systems are slaved to the best sounding clock in the rack, and The CONVERT’s customized JetPLL ultra-low jitter technology is winning shootouts again and again, sending expensive external clocks into retirement. Simply use the Word Clock output and set the CONVERT into Master mode from the front panel, and all the digital gear in your studio can benefit from The CONVERT’s cutting-edge digital technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor ST Connectivity\u003c\/strong\u003e – Simply connect the CONVERT-2 to your Monitor ST to bring remote control of the CONVERT’s digital input switching to your fingertips right from the ST Remote. By incorporating the CONVERT into your existing Monitor ST rig, you’re seamlessly adding today’s best DAC to your monitoring system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIT’S ALL ABOUT IMPLEMENTATION\u003c\/strong\u003e\u003cbr\u003eWhile in theory most converters should be the same, among those who truly understand this hotly debated and endlessly researched area of audio technology, the mantra is implementation, implementation, implementation. How a converter’s components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan is what sets a converter apart – for better or worse. The Dangerous CONVERT-2 has been developed by a team of experts with deep, up-to-the-minute knowledge of digital and analog converter technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFINE TUNING THE ANALOG SIDE\u003c\/strong\u003e\u003cbr\u003eA legend among mixing and mastering engineers for decades, Chris Muth has designed the analog gear used to mix and master an endless list of hit records and classic reissues. Chris’s powerful, articulate, hi-fi designs dominated the big studios in New York City since the 80s, and via Dangerous his designs have become essential components in the best modern DAW-based mixing and mastering studios. When Dangerous set out to develop a new dedicated stereo DAC, Chris brought his relentless design philosophy and world-renowned sound to the CONVERT’s analog technology. Not only did he develop the audiophile-grade analog audio path, Chris also meticulously fine tuned the low-pass reconstruction filters mandatory to implementing any DAC. These filters lie at the heart of how a converter will perform, and the CONVERT series has the jaws of top pros hitting the floor when they hear the big natural sound and the powerful, ultra-clear low-end.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFECTING THE DIGITAL SIDE\u003c\/strong\u003e\u003cbr\u003eDangerous brought in digital guru Paul Messick to make sure the digital side of the CONVERT-2 would sing in perfect harmony with its finely tuned analog circuit. Paul rigorously refined the CONVERT’s JetPLL ultra-low jitter clocking technology until it surpassed the JET’s stated specs, resulting in the virtual elimination of jitter throughout the audio band and beyond. Gone are the sonic headaches and end-of-day fatigue brought on by long-term exposure to jittery digital audio systems. The CONVERT-2’s superbly implemented digital technology delivers such a natural, open and non-irritating sound that you’ll forget you’re even listening to converted 0s and 1s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDETAILED INFORMATION \u0026amp; DELIGHTFUL INSPIRATION\u003c\/strong\u003e\u003cbr\u003eReaching beyond transparency and accuracy, the sound of the CONVERT-2 is so open and 3-dimensional that many are saying that these are the most beautiful, natural sounding converters they’ve ever heard. Whether your focus is tracking, mixing or mastering, when you choose a dedicated stereo DAC, you’re choosing the unit you’ll trust to make all your sonic judgments, from choosing a mic to deciding how much limiting to use in mastering. You need your DAC to be honest, but you also need it to sound beautiful. With the CONVERT you get the uncanny combination of detailed information and delightful inspiration.\u003c\/p\u003e\n\u003ch2\u003eDangerous Music Convert-2 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-definition stereo reference monitoring\u003c\/li\u003e\n\u003cli\u003eAudiophile-grade mastering front-end playback conversion\u003c\/li\u003e\n\u003cli\u003eUSB port for direct DAW connectivity\u003c\/li\u003e\n\u003cli\u003eFive digital input formats: USB, AES, SPDIF, ADAT, and Toslink (optical SPDIF)\u003c\/li\u003e\n\u003cli\u003eCompatible with Monitor ST\/SR for remote switching\u003c\/li\u003e\n\u003cli\u003eUSB digital pass-through\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDangerous Music Convert-2 Specifications:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannels:\u003c\/strong\u003e 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eD to A:\u003c\/strong\u003e Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Outputs:\u003c\/strong\u003e 2 x XLR\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Inputs:\u003c\/strong\u003e 2 x XLR (AES\/EBU), 2 x Optical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Outputs:\u003c\/strong\u003e 2 x XLR Thru (AES\/EBU)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock Inputs:\u003c\/strong\u003e 1 x Word Clock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock Outputs:\u003c\/strong\u003e 1 x Word Clock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOther I\/O:\u003c\/strong\u003e 1 x USB, 2 x Remote\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise Ratio A-weighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 114dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise Ratio unweighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 113dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range A-weighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 114dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range unweighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 113dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTHD+N:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eTHD+N, 1kHz, unweighted, 20Hz to 20kHz, +4dBu out: \u0026lt; 94.5dB (0.00188%)\u003c\/li\u003e\n\u003cli\u003eTHD+N, 1kHz, unweighted, 20Hz to 20kHz, +22dBu out: \u0026lt; 106.5dB (0.00048%)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency Response @ 96KHz sample rate:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eDC to 20KHz: +0, -0.25dB\u003c\/li\u003e\n\u003cli\u003eDC to 30KHz: +0, -0.5dB\u003c\/li\u003e\n\u003cli\u003eDC to 40KHz: +0, -1.0dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eJitter:\u003c\/strong\u003e 16ps (100Hz to 40KHz), 18ps (100Hz to 1MHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk rejection:\u003c\/strong\u003e \u0026gt; 114dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReplacement Fuses:\u003c\/strong\u003e USA 2 amp slo-blow for 120V Europe 1 amp slo-blow for 240V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e*JetPLL:\u003c\/strong\u003e JET and Jitter Elimination Technology are trademarks of TC Applied Technologies Ltd. JET is patented technology used under sublicense from TC Applied Technologies, and is the intellectual property of Sonopsis Ltd.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":31480598036526,"sku":"SDAN22CONV2","price":2495.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/dangerous-convert-2-front.jpg?v=1578923071"},{"product_id":"dangerous-convert-8-dm23-8-channel-d-a","title":"Dangerous Music Convert-8 (DM23) 8 Channel D\/A","description":"\u003ch2\u003eDangerous Music Convert-8\u003c\/h2\u003e\n\u003cp\u003eThe Dangerous Music CONVERT-8 is a multi channel digital to analogue converter that will give your audio powerful low-end, articulate mids and transcendent highs. The CONVERT 8 will allow you to create the spacious, three-dimensional soundscapes that analog is known for. Compatible with all of today’s digital signals the CONVERT 8 is ready for any mixing or monitoring job from standard stereo and 2.1 to 5.1 and the increasingly popular 7.1 surround format. Recognizing the needs of those who don’t need more analog inputs, the CONVERT-8 brings today’s very best digital-to-analog conversion within reach of any studio.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eInstant Input Calibration\u003c\/strong\u003e – With industry-standard reference levels of -14, -16 and -18dBFS, you can recalibrate the CONVERT-8 with the push of a button. While many professional converters are only aligned at the factory, the Convert lets you move flexibly between different reference levels on the fly. Anyone who’s ever fumbled around behind a rack with a “tweeker tool” while a second person watches an external meter knows the special value of our front-panel calibration buttons, especially when there’s eight channels or more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAutomatic Sample Rate Detection\u003c\/strong\u003e – Simply select “Auto” on the front panel and the CONVERT-8 will match its sample rate to the input signal. If you’ve ever started working at the wrong sample rate (we’ve all done it!), you’ll know why this feature can be so important. If you’re swapping among different DAW sessions at different sample rates, the CONVERT will follow your every move.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn The Fly Input Switching\u003c\/strong\u003e – Unique to the CONVERT series, you can now swap between multiple digital inputs on the fly from the front panel buttons. No more digging into elaborate menus and system settings just to listen to iTunes, no more rerouting software drivers just to hear a different output. And because the CONVERT can automatically lock to the incoming signal’s sample rate, you don’t need to even think about sample rates as you switch between inputs. Four digital inputs include USB, AES\/SPDIF, ADAT and Optical SPDIF (TOSLINK).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssential 8-Channel Metering\u003c\/strong\u003e – Aside from giving you instant visual confirmation of audio signal present across all eight channels, our “3-word-over” indicator tells you when three consecutive samples have clipped, meaning you’re a breath away from violating industry standards for CD reproduction and are about to generate clipping distortion that would be audible in any digital file.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor ST Remote Connectivity\u003c\/strong\u003e – Simply hook up our award-winning Monitor ST\/SR Remote to the rear panel ports and you’ve got best-in-class desktop remote control over the CONVERT’s front panel input selectors. Add the CONVERT-8 to your existing Monitor ST\/SR rig to seamlessly add today’s best DAC to your surround monitoring system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNEXT-GENERATION CONVERTERS\u003c\/strong\u003e\u003cbr\u003eDangerous has been building award-winning, standard-setting converters since 2002 when the Dangerous Monitor’s onboard digital-to-analog converter swiftly became the industry reference. We’ve been asked over the years to build a stand alone DAC, and they’re finally here in the CONVERT series. Eager to embrace the opportunity to develop a new and better DAC, we designed the CONVERT-8 from the ground up, utilizing cutting-edge digital technology coupled to a Chris Muth designed analog circuit that delivers our signature sound: open, articulate and powerful from top to bottom. As a dedicated digital-to-analog converter, The CONVERT-8 has been optimized for the job of delivering stunning sound when mixing, mastering and monitoring while tracking. The CONVERT-8 goes beyond transparency: you won’t just hear everything, you’ll hear it beautifully.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIT’S ALL ABOUT IMPLEMENTATION\u003c\/strong\u003e\u003cbr\u003eWhile in theory most converters should be the same, among those who truly understand this hotly debated and endlessly researched area of audio technology, the mantra is implementation, implementation, implementation. How a converter’s components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan is what sets a converter apart – for better or worse. The Dangerous CONVERT-8 has been developed by a team of experts with deep, up-to-the-minute knowledge of digital and analog converter technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFINE TUNING THE ANALOG SIDE\u003c\/strong\u003e\u003cbr\u003eA legend among mixing and mastering engineers for decades, Chris Muth has designed the analog gear used to mix and master an endless list of hit records and classic reissues. Chris’s powerful, articulate, hi-fi designs dominated the big studios in New York City since the 1980s, and via Dangerous his designs have become essential components in the best modern mixing and mastering DAW-based studios. When we set out to develop a new dedicated stereo D-A converter, Chris brought his relentless design philosophy and world-renowned sound to the CONVERT’s analog technology. Not only did he develop the audiophile-grade analog audio path, Chris also meticulously fine tuned the low-pass reconstruction filters mandatory to implementing any DAC. These filters lie at the heart of how a converter will perform, and the CONVERT series has the jaws of top pros hitting the floor when they hear the big natural sound and the powerful, ultra-clear low-end.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFECTING THE DIGITAL SIDE\u003c\/strong\u003e\u003cbr\u003eDangerous brought in digital guru Paul Messick to make sure the digital side of the CONVERT series would sing in perfect harmony with its finely tuned analog circuit. Paul rigorously refined the CONVERT’s JetPLL ultra-low jitter clocking technology until it surpassed the JET’s stated specs, resulting in the virtual elimination of jitter in the audio-band and beyond. Gone are the sonic headaches and end-of-day fatigue brought on by long-term exposure to jittery digital audio systems. The CONVERT-8’s superbly implemented digital technology delivers such a natural, open and non-irritating sound that you’ll forget you’re even listening to converted 0s and 1s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDETAILED INFORMATION \u0026amp; DELIGHTFUL INSPIRATION\u003c\/strong\u003e\u003cbr\u003eReaching beyond transparency and accuracy, the sound of the CONVERT-8 is so open and 3-dimensional that many are saying that these are the most beautiful, natural sounding converters they’ve ever heard. Whether your focus is tracking, mixing or mastering, when you choose a dedicated DAC, you’re choosing the unit you’ll trust to make all your judgements. You need your DAC to be honest, but you also need it to sound beautiful. With the CONVERT you get the uncanny combination of detailed information and delightful inspiration. Coupled with any of Dangerous analog summing mixers – or with your favorite console – the CONVERT-8 not only assures that you’ll hear the best sound possible, but you’ll be printing that amazing sound into your final prints.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYOUR NEW MASTER CLOCK\u003c\/strong\u003e\u003cbr\u003eIt’s no secret that many digital audio systems are slaved to the best sounding clock in the rack, and The CONVERT’s customized JetPLL ultra-low jitter technology is winning shootouts again and again – subsequently sending expensive external clocks into retirement. Simply use the Word Clock output and set the CONVERT into Master mode from the front panel, and all the digital gear in your studio can benefit from The CONVERT’s cutting-edge Jitter Elimination Technology (JET).\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel:\u003c\/strong\u003e 8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Inputs:\u003c\/strong\u003e 1 x DB-25\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Inputs:\u003c\/strong\u003e 3 x Optical, 1 x DB-25 (In\/Thru)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Outputs:\u003c\/strong\u003e 1 x DB-25 (In\/Thru)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock Inputs:\u003c\/strong\u003e 1 x Word Clock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock Outputs:\u003c\/strong\u003e 1 x Word Clock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOther I\/O:\u003c\/strong\u003e 2 x RJ-45 (Remote), 1 x USB (Type B)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise Ratio A-weighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 114dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise Ratio unweighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 113dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range A-weighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 114dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range unweighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 113dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTHD+N:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eTHD+N, 1kHz, unweighted, 20Hz to 20kHz, +4dBu out: \u0026lt; 94.5dB (0.00188%)\u003c\/li\u003e\n\u003cli\u003eTHD+N, 1kHz, unweighted, 20Hz to 20kHz, +22dBu out: \u0026lt; 106.5dB (0.00048%)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency Response @ 96KHz sample rate:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eDC to 20KHz: +0, -0.25dB\u003c\/li\u003e\n\u003cli\u003eDC to 30KHz: +0, -0.5dB\u003c\/li\u003e\n\u003cli\u003eDC to 40KHz: +0, -1.0dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eJitter:\u003c\/strong\u003e 16ps (100Hz to 40KHz), 18ps (100Hz to 1MHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk rejection:\u003c\/strong\u003e \u0026gt; 114dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReplacement Fuses:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eUSA 2 amp slo-blow for 120V\u003c\/li\u003e\n\u003cli\u003eEurope 1 amp slo-blow for 240V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003e*JetPLL:\u003c\/strong\u003e JET and Jitter Elimination Technology are trademarks of TC Applied Technologies Ltd. JET is patented technology used under sublicense from TC Applied Technologies, and is the intellectual property of Sonopsis Ltd.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":31480598069294,"sku":"SDAN23CONV8","price":2960.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/dangerous-music-convert-8-frontangle.jpg?v=1578923073"},{"product_id":"dangerous-2-bus-dm24-16-channel-analog-summing","title":"Dangerous Music 2-Bus+ (DM24) 16 Channel Analog Summing","description":"\u003ch2\u003eDangerous Music 2-Bus+ (DM24) 16 Channel Analog Summing\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eDangerous Music 2-BUS+\u003c\/strong\u003e is a 16 channel analogue summing mixer with a redesigned analog summing circuit that outshine previous specifications. The Dangerous Music 2-BUS+ provides unsurpassed imaging, dimensionality, punch and headroom. While the 2-BUS+ active summing sounds incredible on its own, it now includes three innovative custom colour circuits that provide an array of flexibly routed tonal options and a mono setting so you can instantly know of any phasing problems.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003eFeatures at a glance\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16 channels of the world’s best active analog summing, that even surpasses the original.\u003c\/li\u003e\n\u003cli\u003eThree distinctive analog colour options: Harmonics, Paralimit and X-Former.\u003c\/li\u003e\n\u003cli\u003eEffortless routing and blending of analog colour circuits via elegant user interface.\u003c\/li\u003e\n\u003cli\u003eSwitchable stereo analog insert for easy outboard gear integration.\u003c\/li\u003e\n\u003cli\u003eMassive sounds, sacrificing no detail.\u003c\/li\u003e\n\u003cli\u003eCrystal clear sonic imaging and three-dimensionality.\u003c\/li\u003e\n\u003cli\u003eEndless headroom for modern digital signal levels.\u003c\/li\u003e\n\u003cli\u003eStepped output gain control for exact recalls.\u003c\/li\u003e\n\u003cli\u003eBoth XLR and D-Sub input connectivity.\u003c\/li\u003e\n\u003cli\u003eAudiophile-grade components throughout.\u003c\/li\u003e\n\u003cli\u003eHand-assembled in the USA.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThree real analogue tone circuits\u003cbr\u003eAdding analogue colourisation to your mix can be hard and easy to do wrong, but the design team at Dangerous has developed three totally original all-analog circuits: Harmonics, Paralimit and X-Former allowing you to create beautiful sounding audio with ease. These circuits are physically built into the 2-BUS+, you get a versatile selection of analog colours while never leaving the analog mixing environment.\u003c\/p\u003e\n\u003cp\u003eHarmonics – Add the euphoric sound of an analog circuit on the edge of distortion to your whole mix or individual channel pairs. Carefully tuned to generate the perfect mixture of odd- and even-order harmonics, this effect runs parallel with the unprocessed signal so you have full control of how much of the altered signal is noticeable in the mix.\u003c\/p\u003e\n\u003cp\u003eParalimit – Inspired by the famous 1176 Limiting Amplifier “all buttons in” trick, you get an infinite ratio setting flooded with analog top-end. With its blend knob and assignment buttons, Paralimit gives you instant parallel compression, in stereo, in the analog domain, on the full mix or on a stereo stem – a flexible set-up that otherwise requires complex patching, careful level matching and significant amounts of analog outboard gear.\u003c\/p\u003e\n\u003cp\u003eX-former – Last but not least are a pair of customised Cinemag transformers with Chris Muth’s unique approach to driving the core. Switch them in for a solid, punchy sound, then turn up the X-Former knob to drive the core of the transformer in a way that’s unique to the 2-BUS+. X-former is designed so that you decide how much of the altered signal is heard putting you in full control.\u003c\/p\u003e\n\u003cp\u003eUnveil your sound with active analog summing\u003cbr\u003eWhen multiple converters share the converting process of getting your sounds from digital into analog, you’ll hear improved articulation and clarity. Once in the analog realm, these individual channels are electronically summed together with an “active analog summing circuit.” Unlike passive summing boxes that require huge amounts of make-up gain to restore the lost audio, or line mixers masquerading as “summing mixers,” the active electronics in the 2-BUS+ result in what Dangerous users describe as “a huge soundstage,” “holographic sound,” and “audible three-dimensionality.”\u003c\/p\u003e\n\u003cp\u003eEmulating impossible\u003cbr\u003eAnalog summing remains impossible to emulate digitally. You may have experienced the frustration of a mix collapsing when relying on a single digital master fader to handle it all. By summing individual stems or subgroups of stems (Tracks) with the 2-BUS+, you get crystal clear sonic imaging and a wide-open soundstage. No matter how many tracks you have, all your recorded audio, software instruments, samplers, effects and plugins will sing with the detail, punch and clarity that only real analog summing can deliver.\u003c\/p\u003e\n\u003cp\u003eMaking the analog investment \u003cbr\u003eWhen you buy analog equipment, you’re making an investment that holds its value for decades. Analog technology is time-tested. It won't need an expensive upgrade, become incompatible with your computer or DAW, or start crashing. No matter what music production system you’re using in ten, fifteen, twenty years, the superior summing capabilities and timeless analog tone processors of the 2-BUS+ will always be a relevant, compatible and valuable piece of equipment in your studio.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Input Level:\u003c\/strong\u003e \u0026gt; +28 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N @+4dBu:\u003c\/strong\u003e 1KHz, unweighted, 22Hz to 22kHz \u0026lt; 0.0048%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N @+22dBu\u003c\/strong\u003e: 1KHz, unweighted, 22Hz to 22kHz \u0026lt; 0.0026%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIMD @ +4dBu:\u003c\/strong\u003e \u0026lt; 0.0038%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIMD @ +22dBu:\u003c\/strong\u003e \u0026lt; 0.0021%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk rejection:\u003c\/strong\u003e \u0026gt; 108dBu @ 1KHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise at Unity Gain:\u003c\/strong\u003e 22Hz to 22KHz: \u0026lt; -86dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise at Nominal Mix Setting:\u003c\/strong\u003e 22Hz to 22KHz: \u0026lt; -91dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e Flat within 0.1dB from 10Hz -50kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 25K Ohms Balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance:\u003c\/strong\u003e 50 Ohms Balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReplacement Fuses:\u003c\/strong\u003e AMERICAS: 90-120VAC 2 Amp Slo-Blo fuse. EUROPE: 200-260VAC 1 Amp Slo-Blo fuse\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":31480598102062,"sku":"SDAN242BUSPLUS","price":2745.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/dangerous-music-2-bus-plus.jpg?v=1578923073"},{"product_id":"dangerous-ad-dm25","title":"Dangerous Music AD + (DM25)","description":"\u003ch2\u003eDangerous Music AD +\u003c\/h2\u003e\n\u003cp\u003eThe\u003cstrong\u003e Dangerous AD+\u003c\/strong\u003e is a professional analog-to-digital converter packed into a single rack space with Dangerous' next-generation conversion for the best result possible. With its simple, elegant, intelligent design you can switch between any two balanced line input sources with the push of a button. With the CONVERT-AD+, just push a button and you’ve got a pair of Hammond transformers wired in series, ready to do that magic that transformers do. Hammond is a Canadian company with over 100 years of transformer design, and our circuit brings out all the bold colours.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSelectable Calibration Level cycles through three calibration levels for compatibility with other devices\u003c\/li\u003e\n\u003cli\u003eToggle between two discrete, selectable stereo inputs with two switchable stereo input paths\u003c\/li\u003e\n\u003cli\u003eClip Guard will turn off the red light LED at your destination (i.e. DAW)\u003c\/li\u003e\n\u003cli\u003ePremium custom crafted digital meter with Normal and Peak Hold modes provides precise visual feedback\u003c\/li\u003e\n\u003cli\u003eZoom view lets you view only the top 10dB of your signal level, for a finer, magnified resolution\u003c\/li\u003e\n\u003cli\u003eWord Clock with three Modes: Internal, External and Master\u003c\/li\u003e\n\u003cli\u003eX-FORMER insert button engages some of Chris Muth’s sonic wizardry via a pair of customised HAMMOND™ transformers\u003c\/li\u003e\n\u003cli\u003eEMPHASIS shelving EQ\/Compressor induces 2nd order harmonic distortion to blend in a bit of mid warmth and sparkle\u003c\/li\u003e\n\u003cli\u003eUSB connection for Mac\/PC\u003c\/li\u003e\n\u003cli\u003eComprehensive I\/O\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":31480598396974,"sku":"SDANADPLUS","price":2595.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/dangerous-ad_-1.1.jpg?v=1578923074"},{"product_id":"dangerous-d-box-8-channel-monitor-controller-summing-mixer-d-a-converter-remote-controllable-via-app-b-stock-ex-demo","title":"Dangerous D-Box+ 8 Channel - Monitor Controller, Summing Mixer, D\/A Converter , Remote controllable via app - B-Stock (Ex-Demo)","description":"\u003ch2\u003eDangerous D-Box+ 8 Channel - Monitor Controller, Summing Mixer, D\/A Converter , Remote controllable via app - B-Stock (Ex-Demo)\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eDangerous D-BOX+\u003c\/strong\u003e is a monitor controller, 8 channel analogue summing mixer and D\/A converter, all controllable via the D-BOX+ app for you IOS, MacOS, Windows or Android device.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is a B-Stock Ex-Demo unit. The unit comes with all original packaging and manufacturer warranty.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Dangerous DBOX+ is a ground-up dramatic redesign of the award-winning controller and summing mixer that provided countless studios the superior sound and versatile control of an analogue mixer, all in just one rack space. The newly designed 8-channel summing mixer and D-A stereo converter provide Dangerous Music’s bold and clear sound, while newly added features like Bluetooth connectivity and an app for remote control of all major functions unleash a cutting edge feature set that puts the D-BOX+ far ahead of the competition. As with all Dangerous Music products, the D-BOX+ is proudly made to exacting audiophile standards in the USA.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUsing the new D-BOX+ Bluetooth app, on any current phone, tablet, or computer, you are no longer bound to your chair when you need control your studio. All major functions of the D-BOX+ show up in the highly intuitive and rock solid program, providing limitless new solutions to age-old studio problems. Want to listen to an artist’s instrument in the live room while switching monitoring sources in their headphones? No problem. Want to give a couch-bound producer control over the talkback mic through their phone? Simple. Want to listen to your mixes from the hallway while still swapping monitors or switching a sub in and out? You got it. If you can dream it up, the D-BOX+ app will deliver.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eFEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNewly upgraded 8-channel analogue summing mixer delivers enormous soundstage and superior sonic impact\u003c\/li\u003e\n\u003cli\u003eFive analogue and digital inputs at your fingertips (analogue stereo, analogue sum, USB, AES\/SPDIF, Bluetooth)\u003c\/li\u003e\n\u003cli\u003eBluetooth wireless audio streaming\u003c\/li\u003e\n\u003cli\u003eFree D-BOX+ app offers remote control of all major functions (volume, dim, talkback, I\/O select, and more)\u003c\/li\u003e\n\u003cli\u003eDedicated app runs on current macOS, Windows, IOS and Android devices and computers\u003c\/li\u003e\n\u003cli\u003eDriverless USB connectivity for macOS; simple USB driver installation for Windows\u003c\/li\u003e\n\u003cli\u003eOn-board talkback mic with push-button activation (on front panel or remotely from app)\u003c\/li\u003e\n\u003cli\u003eDual best-in-class headphone amplifiers with independent source selection and level control (front panel or app)\u003c\/li\u003e\n\u003cli\u003eThree independent speaker outputs (selected from front panel or from app)\u003c\/li\u003e\n\u003cli\u003eProgrammable speaker selector allows for dedicated mono and\/or sub inclusion on all outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications \u003c\/h3\u003e\n\u003ch4\u003eSumming Section\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response Flat within 0.1dB from 10Hz to 50kHz\u003c\/li\u003e\n\u003cli\u003eTHD+N @ +4dBu 0.0019%\u003c\/li\u003e\n\u003cli\u003eIMD 0.0020%\u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection \u0026gt;114dB @ 1kHz\u003c\/li\u003e\n\u003cli\u003eNoise floor @ unity gain 22Hz to 22kHz \u0026lt;-90dBu\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level +27dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eSelected Line inputs\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response Flat within 0.5dB from 10Hz to 50kHz\u003c\/li\u003e\n\u003cli\u003eTHD+N @ +4dBu 0.0027%\u003c\/li\u003e\n\u003cli\u003eIMD 0.0027%\u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection \u0026gt;110dB @ 1kHz\u003c\/li\u003e\n\u003cli\u003eNoise Floor 22Hz to 22kHz \u0026lt;-89dBu\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level +26dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eMonitor Section\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response Flat within 0.5dB from 10Hz to 50kHz\u003c\/li\u003e\n\u003cli\u003eTHD+N @ +4dBu 0.0049%\u003c\/li\u003e\n\u003cli\u003eIMD 0.0090%\u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection \u0026gt;106dB @ 1kHz\u003c\/li\u003e\n\u003cli\u003eVolume off signal rejection \u0026gt;120dB\u003c\/li\u003e\n\u003cli\u003eNoise floor at unity gain 22Hz to 22kHz \u0026lt;-90dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eUSB \u0026amp; AES DACS, Measured @ 96KHz Sample Rate\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response Flat within 0.5dB from 10Hz to 30kHz\u003c\/li\u003e\n\u003cli\u003eTHD+N @ -14dBfs 0.0027%\u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection \u0026gt;115dB @ 1kHz\u003c\/li\u003e\n\u003cli\u003eDynamic Range \u0026gt;106dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eHeadphone Amps\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e4 ohm minimum load per amplifier (6-8 pairs of typical studio dynamic headphones)\u003c\/li\u003e\n\u003cli\u003ePower Output 3 Watts \/ Channel\u003c\/li\u003e\n\u003cli\u003eTHD+N 0.0066%\u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection \u0026gt;100dB\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":32679167098926,"sku":"SDAN11DBOXPBSK","price":2012.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SDAN11DBOXPBSK-1_1.jpg?v=1678878108"},{"product_id":"dangerous-2-bus-xt-analogue-summing-amp","title":"Dangerous 2-Bus XT  Analogue Summing Amp","description":"\u003ch2\u003eDangerous 2-Bus XT Analogue Summing Amp\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eDangerous 2-Bus XT\u003c\/strong\u003e is a re-engineered summing amp that delivers \u003cspan data-mce-fragment=\"1\"\u003eknock down kicks, vocals welded to the centre, spacious sound stage, and an ultra high resolution depth of field that reveals everything.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eLeveraging the unsurpassed six layer board summing circuitry of the 2-BUS+, you’ll feel the legendary headroom alongside two unique custom colour circuits designed by analogue cause célèbre, Chris Muth.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHand built in the USA\u003c\/li\u003e\n\u003cli\u003eActive analogue summing circuits by renowned designer Chris Muth\u003c\/li\u003e\n\u003cli\u003eSuper wide stereo imaging (crosstalk -109dB @ 1kHz) good luck finding crosstalk specs published by other companies\u003c\/li\u003e\n\u003cli\u003eMajor headroom for any DAC (+27 dBu max input level)\u003c\/li\u003e\n\u003cli\u003eEffortless analogue outboard gear integration\u003c\/li\u003e\n\u003cli\u003eFully expandable with 2-BUS+, 2-BUS-XT, and D-BOX+\u003c\/li\u003e\n\u003cli\u003eCompact, single rack space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003eAfter dozens of listening trials, the transformers were specifically chosen to add a tasteful hit of 2nd order harmonics for lower midrange warmth while preserving top-end clarity.. Perfect for adding complexity to sterile tracks that draw the listener in deep.\u003c\/p\u003e\n\u003cp class=\"\"\u003eCoherence elevates the harmonic content of signals progressively by bringing up the detail as the levels are reduced, then allowing you to blend this result with the source mix, parallel compression style. Ride it during the hooks to add excitement and dimensional asymmetry.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAssign none, either or both to channels 15-16 or the mix buss all on true hard wired bypasses and breathe your music’s analogue soul to life.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eUnlike passive summing boxes that require huge amounts of make-up gain to restore the lost audio, or line mixers with volume and pan pot controls masquerading as “summing mixers” the active electronics in the 2-BUS-XT result in what Dangerous users describe as “a huge soundstage,” “holographic sound,” and “audible three-dimensionality.” Panning is wide and precise, reverbs spacious and deep, bass powerful and engaging, treble and mids articulate and interesting. And within all that spacious sound, you get an incredibly focused and strong centre image. When summing in analogue, you’re also allowing multiple converter channels to share the workload, thereby lowering the strain and increasing their efficiency- much like a 16 lane highway vs 2 lanes. Once there, the 2-BUS-XT’s exceptional summing circuits will provide all the headroom plus a vast soundfield, allowing your mixes to truly shine.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eEMULATION IMPOSSIBLE\u003c\/h4\u003e\n\u003cp class=\"\"\u003eMany analogue processors – from delays and reverbs to EQs, compressors and more – have been modelled in the digital realm, but analogue summing remains impossible to emulate digitally. Summing is not designed to “give you the character of a console” as many analogue and digital recreations mistakenly promote, but to give you the sonic benefits and beyond. We’ve all experienced the frustration of a mix collapsing when relying on a single digital master fader to handle it all. The middle gets crowded, panning becomes blurry, reverbs lose dimension, and soon the mix just won’t hit. By summing individual tracks or subgroups of tracks (often called “stems”) with the 2-BUS-XT’s analogue circuits, you get crystal clear sonic imaging and a wide-open soundstage. No matter how high your track count, all your recorded audio, software instruments, samplers, effects and plugins will sing with the detail, punch and clarity that only real analogue summing can deliver. You’ll work faster, use less plug-ins and have fun.\u003c\/p\u003e\n\u003ch4\u003eMAKING THE ANALOG INVESTMENT\u003c\/h4\u003e\n\u003cp class=\"\"\u003eWhen you buy analogue equipment, you’re making an investment that will hold its value for decades. Analog technology is time-tested. It won’t require an expensive upgrade, become incompatible with your computer or DAW, or start crashing. No matter what music production system you’re using in ten, fifteen, twenty years, the superior summing capabilities of the 2-BUS-XT will always be a relevant, compatible and valuable centre-piece in your studio.\u003c\/p\u003e\n\u003ch4\u003ePRIMED FOR EXPANSION\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe 2-BUS-XT is sonically and ergonomically primed by intentional design to increase the reach of your Dangerous System.\u003c\/p\u003e\n\u003cp class=\"\"\u003eMultiple units may be stacked for higher channel counts or team it up with the 2-BUS+ for a total of five different colour circuits or the D-BOX+ to add comprehensive monitor control. From conception, to astute design, to field testing by our Platinum Legacy Crüe, the 2-BUS-XT will breathe your music’s analogue soul to life.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: +- 0.1dB from 20Hz-50kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Harmonic Distortion\u003c\/strong\u003e: 0.004% in audio band\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntermodulation Distortion\u003c\/strong\u003e: 0.004% IMD60 4:1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk @ 1 kHz\u003c\/strong\u003e: -109 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise floor\u003c\/strong\u003e: -82 dBu total energy in audio band\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax level\u003c\/strong\u003e: \u0026gt;+27 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal operating level\u003c\/strong\u003e: +4 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance\u003c\/strong\u003e: 12 kohm balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance\u003c\/strong\u003e: 50 ohms balanced (600 ohm drive capable)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: 25 watts\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default","offer_id":43308452642994,"sku":"SDAN032BUSXT","price":1880.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SDAN032BUSXT-1.jpg?v=1696238762"},{"product_id":"dangerous-music-s-m-limited-edition-20th-anniversary-edition","title":"Dangerous Music S\u0026M Limited Edition 20th Anniversary Edition","description":"\u003ch2\u003eDangerous Music S\u0026amp;M Limited Edition 20th Anniversary Edition\u003c\/h2\u003e\n\u003cdiv class=\"page text-selectable ng-star-inserted\" contenteditable=\"false\" _ngcontent-ng-c1664452276=\"\"\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div p2-16cb5c0a4175-page\"\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eThe \u003cstrong\u003eDangerous Music S\u0026amp;M\u003c\/strong\u003e mid-side processing matrix is revered in the mixing and \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003emastering community. Insert your favourite outboard, split your stereo into Sides and \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eMid get to work. Juice up the overall top end then de-ess that vocal without \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003edestroying the ethereal shimmer on the sides. Take your ‘perfect’ drum sound from a \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003estereo pair of overheads, where the snare is too loud and resolve it in seconds with a \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003elimiter on the Sum channel. Peel back the mung from the bass so it punches hard, \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003ewithout choking the guitars or synths. Deploy it classically or experimentally as a \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003emost potent creation tool.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\u003cstrong\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text001\"\u003eDangerous Music S\u0026amp;M Features:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eMid-side processing circuits designed by Chris Muth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eStepped Side Control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eLimited Supply of 100 units\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eOccupies only 1 RU of space\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eInternal Power Supply\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eHand built in the USA\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\u003cstrong\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text001\"\u003eDangerous Music Sum \u0026amp; Specifications:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eNote: Dangerous Music, Inc. publishes actual measured specifications, not \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003etheoretical numbers derived from data sheets published by chip manufacturers.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003cstrong\u003eFrequency Response: \u003c\/strong\u003eFlat within 0.1dB from 1Hz -100kHz \u0026lt;0.002% \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003cstrong\u003eTHD + NOISE:\u003c\/strong\u003e \u0026lt;0.002%\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003cstrong\u003eIMD60 4:1:\u003c\/strong\u003e \u0026lt;0.002%\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003cstrong\u003eSum and Minus channel separation:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e-78dB\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003cstrong\u003eWidth control accuracy:\u003c\/strong\u003e 0.02dBu\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003cstrong\u003eDynamic Range:\u003c\/strong\u003e 108dB\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eNominal operating \u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003cstrong\u003elevel:\u003c\/strong\u003e +4dBu\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eMaximum Input Level: +23dBu\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eInput Impedance: 25K Ohms \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eBalanced\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eOutput Impedance: 50 Ohms Balanced\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: bold;\"\u003e\u003cstrong\u003e\u003cspan class=\"p3-16cb5c0a4175-span p3-16cb5c0a4175-text001\"\u003eDimensions \u0026amp; Weight:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p3-16cb5c0a4175-span p3-16cb5c0a4175-text001\"\u003eUnboxed dimensions: Depth 34,3 cm, Width 48,3 cm, Height 4,3 cm (1HE)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p3-16cb5c0a4175-span p3-16cb5c0a4175-text001\"\u003eUnboxed weight: 5 kg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p3-16cb5c0a4175-span p3-16cb5c0a4175-text001\"\u003eBoxed dimensions: Depth 45,7 cm, Width 55,9 cm, Height 20,3 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p3-16cb5c0a4175-span p3-16cb5c0a4175-text001\"\u003eShipping weight: 5,5 kg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p3-16cb5c0a4175-span p3-16cb5c0a4175-text001\"\u003eBoxed dimensions double box: Depth 45,7 cm, Width 58,4 cm, Height 40,6 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p3-16cb5c0a4175-span p3-16cb5c0a4175-text001\"\u003eShipping weight: 12 kg\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dangerous Music","offers":[{"title":"Default","offer_id":44202941874354,"sku":"SDANSM","price":1900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Front_e8e39d26-8b34-4e15-bcf6-da6c081e2311.jpg?v=1714575681"},{"product_id":"dangerous-producer-pack-inc-d-box-monitor-controller-summing","title":"Dangerous Producer Pack Inc. D-Box+ Monitor Controller \u0026 Summing","description":"\u003ch2\u003eDangerous Producer Pack Inc. D-Box+ Monitor Controller \u0026amp; Summing, Mastering grade Convert-8 and Convert AD+\u003c\/h2\u003e\n\u003cp data-start=\"675\" data-end=\"951\" class=\"\"\u003eThe \u003cstrong\u003eDangerous Music Producer Pack\u003c\/strong\u003e is built to deliver clarity, depth, and dimension to mixes by leveraging analog summing and mastering-level monitoring. It’s especially popular among hybrid producers who combine in-the-box digital workflows with analog gear to achieve a polished, professional sound.\u003c\/p\u003e\n\u003cp data-start=\"953\" data-end=\"1128\" class=\"\"\u003eIdeal for serious producers and engineers, the Dangerous Music Producer Pack is designed to enhance accuracy, workflow efficiency, and sonic quality in any studio environment.\u003c\/p\u003e\n\u003ch2\u003eDangerous Music Producer Pack Features:\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCONVERT-AD+\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrack and print your summed mixes through two channels of world class A\/D\u003c\/li\u003e\n\u003cli\u003eEmphasis and X-Former circuits for crafting tasteful tonal textures     \u003c\/li\u003e\n\u003cli\u003eClipGuard™ allows character clipping without the digital overs registering in your destination\u003c\/li\u003e\n\u003cli\u003eCustom metering with peak over average and zoom to visualize critical dynamics\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCONVERT-8\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSum into the D-BOX+ using 8 channels of mastering-grade D\/A\u003c\/li\u003e\n\u003cli\u003eBombproof master clocking to stabilize external sources\u003c\/li\u003e\n\u003cli\u003eMeticulously fine tuned low-pass reconstruction filters\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eD-BOX+\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePristine Monitor Path\u003c\/li\u003e\n\u003cli\u003eInstant Source Switching : flip between Spotify, iTunes, ProTools seamlessly\u003c\/li\u003e\n\u003cli\u003eReference Grade D\/A: translate your tracks to sound their best on every system\u003c\/li\u003e\n\u003cli\u003e5 Sources: Bluetooth, USB, AES\/SPDIF, Analog, Sum to connect all your playback\u003c\/li\u003e\n\u003cli\u003e3 Volume Settings: repeatable monitoring, dimming and reference levels\u003c\/li\u003e\n\u003cli\u003eBluetooth Remote\u003cbr\u003eStay in the sweet spot to control your settings\u003c\/li\u003e\n\u003cli\u003eCompatible with iPod, iPad, Android, Tablet, OS X \u0026amp; Windows    \u003c\/li\u003e\n\u003cli\u003eDoubles as your Talkback mic\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":55494778913142,"sku":"SDANPROPACK","price":7845.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Dangerous-Producer-Pack.jpg?v=1744647615"},{"product_id":"dangerous-music-bax-500","title":"Dangerous Music BAX 500 - 500-Series Baxandall Equaliser","description":"\u003ch2\u003eDangerous Music BAX 500 - 500-Series Baxandall Equaliser\u003c\/h2\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003eThe \u003cstrong\u003eDangerous Music BAX500\u003c\/strong\u003e brings the legendary, ultra-musical Baxandall curves of the acclaimed BAX EQ to a single-slot 500-series module with absolutely zero compromise. It’s the ultimate velvet vocal tracking and mixing EQ, with broad shelves that shape several octaves at once, so each small move delivers a big result: vast open top, solid bottom, and a polished, expensive sense of dimension that makes your mix feel finished, not EQ’d. Built for tracking, mixing, and mastering, BAX500 gives you the classic Dangerous BAX tone-shaping workflow in a compact format, with High and Low shelves plus High Cut and Low Cut filters to control the frequency extremes that steal headroom and cloud translation. Use one for monosources or run a pair for stereo buses when you need that audiophilia BAX high-fidelity sweetening on your mix.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eKEY FEATURES \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe BAX500 shelving EQ shapes several octaves at once, so each small move delivers a big result with a vast open top end, grounded bottom, and a polished, expensive sense of dimension.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eHigh Cut and Low Cut filters remove infrasonic rumble and ultrasonic interference flawlessly to open up your headroom, dynamics and translation.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eWide-band shelving for smooth and natural sonics, without phase incoherence and harshness that often plague narrow, surgical EQ moves.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eMusical 12 dB-per-octave filter slopes deliver smooth, organic results that sound natural and pleasant while controlling the frequency extremes.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eGentle ±5 dB gain range crafts simple, musical decisions with small boosts or cuts delivering surprisingly large results.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eRelay-controlled hard-wired bypass completely removes the filters or entire circuit from the signal path for true A\/B comparisons with no buffering or coloration.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eMastering-grade custom components are selected for both performance and sound, delivering stunning imaging, clarity, musicality, and detail.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eDC-coupled signal path avoids transformers and electrolytic capacitors, preserving transparency, low-end clarity, and phase accuracy.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eWho it’s for \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eEngineers who want to shape tone musically during tracking, mixing, or mastering—without pinching the sound or introducing harshness. Those who seek truly audiophile-level, high-fidelity sonics.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eWhy it’s different \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe BAX500 reimagines the common Baxandall circuit, with the purity of design from one of the last great analogue designers. It broadly unlocks the depth, sheen, and gravitas to help you stop mixing and finish it.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eAPPLICATIONS \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003eThe ultimate velvet vocal tracking and mixing EQ\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eCut guitars, bass, kick, synths and instrumentation through it\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eMix bus and stem polishing and sweetening (in pairs)\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eMastering EQ (in pairs)\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eClean up infrasonic rumble before it hits compression or your DAW\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eReduce ultrasonic noise during tracking and mixing\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eAdd air, sheen, and weight without harshness or glare\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eTECH HIGHLIGHTS \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003eBaxandall high and low shelving EQ\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eHigh Cut and Low Cut filters with transparent and musical slopes\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eDC-coupled signal path up to the Low Cut filter\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eRelay-controlled hard-wired bypass\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eMastering-grade custom components\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eHand assembled in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eDangerous Music BAX 500 Specifications:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003eFormat: 500-series module (single-slot)\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eEQ Type: Baxandall high and low shelving EQ\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eShelving Gain Range: ±5 dB\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eShelving Behavior: Broad bandwidth shelves shaping several octaves\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eFilters: High Cut and Low Cut frequency filters\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eFilter Slope: 12 dB per octave\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eBypass: Relay-controlled hard-wired bypass (filters and full circuit)\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eSignal Path: DC-coupled up to the Low Cut filter\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eComponents: Mastering-grade custom components\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eAssembly: Hand assembled in the USA\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eWarranty: 2 years\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":57067694031222,"sku":"SDANBAX500","price":1082.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/0003_DangerousMusicBAX500Front.jpg?v=1768476228"}],"url":"https:\/\/studiocare.com\/collections\/dangerous-music\/headphones_headphone-amplifiers.oembed","provider":"Studiocare","version":"1.0","type":"link"}