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Whether speaking above, below or to either side of the microphone, every word will be reproduced with incredible clarity and intelligibility up to 90 degrees off-axis. 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Optimized for speech, the FlexMic microphones feature a frequency response out to 20kHz and excellent phase response that delivers the highest level of speech intelligibility and articulation.\u003c\/p\u003e\n\u003cp\u003eThe near-perfect polar response of the FlexMics provides incredible coverage and freedom of movement for the speaker. Whether speaking above, below or to either side of the microphone, every word will be reproduced with incredible clarity and intelligibility up to 90 degrees off-axis. This wider coverage also means that a single Earthworks microphones can be used to properly cover more than one speaker. 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Optimized for speech, the FlexMic microphones feature a frequency response out to 40kHz and excellent phase response that delivers the highest level of speech intelligibility and articulation.\u003c\/p\u003e\n\u003cp\u003eThe near-perfect polar response of the FlexMics provides incredible coverage and freedom of movement for the speaker. Whether speaking above, below or to either side of the microphone, every word will be reproduced with incredible clarity and intelligibility up to 90 degrees off-axis. This wider coverage also means that a single Earthworks microphones can be used to properly cover more than one speaker.\u003c\/p\u003e\n\u003cp\u003eThe FlexMic microphones feature a slim yet sturdy 7mm gooseneck that stays put when adjusted, while providing low profile sightlines. 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The Earthworks FlexMic Series podium microphones are designed for permanent installation in podiums and other surfaces for speech applications.\u003c\/p\u003e\n\u003cp\u003eWhether it is a seasoned professional or a public speaking novice stepping up to the microphone, the FlexMic has you covered. Optimized for speech, the FlexMic microphones feature a frequency response out to 20kHz and excellent phase response that delivers the highest level of speech intelligibility and articulation.\u003c\/p\u003e\n\u003cp\u003eThe near-perfect polar response of the FlexMics provides incredible coverage and freedom of movement for the speaker. Whether speaking above, below or to either side of the microphone, every word will be reproduced with incredible clarity and intelligibility up to 90 degrees off-axis. This wider coverage also means that a single Earthworks microphones can be used to properly cover more than one speaker.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eUniform frequency response on or off-axis\u003c\/li\u003e\n\u003cli\u003eWill handle up to 139dB SPL\u003c\/li\u003e\n\u003cli\u003eNo handling noise\u003c\/li\u003e\n\u003cli\u003eHigh rejection of sounds to the rear of the microphone\u003c\/li\u003e\n\u003cli\u003eRFI resistant\u003c\/li\u003e\n\u003cli\u003eIncredible gain before feedback\u003c\/li\u003e\n\u003cli\u003eOrators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Cardioid or Hypercardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: 20mV\/Pa (-34dBV\/Pa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e: 24 – 48V Phantom, 10mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Acoustic Input\u003c\/strong\u003e: 139dB SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: XLR (pin 2+)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 65Ω balanced (between pins 2 \u0026amp; 3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMin Output Load\u003c\/strong\u003e: 600Ω between pins 2 \u0026amp; 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e: 16dB SPL equivalent (A weighted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: .25 lb. 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Optimized for speech and a frequency response of up 40kHz gives this mic an excellent phase response that delivers the highest level of speech intelligibility and articulation.\u003c\/p\u003e\n\u003cp\u003eThe near-perfect polar response of the FlexMics provides incredible coverage and freedom of movement for the speaker. Whether speaking above, below or to either side of the microphone, every word will be reproduced with incredible clarity and intelligibility up to 90 degrees off-axis. This wider coverage also means that a single Earthworks microphones can be used to properly cover more than one speaker.\u003c\/p\u003e\n\u003cp\u003eWith 32dB or rear rejection, the FlexMic delivers more gain before feedback and exceptional isolation from unwanted sound sources. Ideal for civic, corporate, court, government or worship spaces. The FlexMic microphones feature a slim yet sturdy 7mm gooseneck that stays put when adjusted, while providing low profile sightlines. 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Combining a 30kHz hypercardioid microphone, low profile microphone stand and boom as a single freestanding unit, the FW430\/HC delivers a low profile and flexible miking solution for instrument and vocal applications.\u003c\/p\u003e\n\u003cp\u003eIts near-perfect cardioid polar pattern is consistent across all frequencies, which simplifies microphone placement and and ensures more gain before feedback. With 32dB of rear rejection, it is ideal for live performances where there may be bleed from surrounding instruments. Additionally, the FW430\/HC FlexWand’s wide coverage area allows for the use of fewer Earthworks microphones with better coverage and sound quality. With a low noise floor and extended frequency response, the FW430\/HC is ideal for a wide variety of instruments, both in the studio and live on stage.\u003c\/p\u003e\n\u003cp\u003eBeyond its improved audio performance and coverage, the FlexWand is designed with functionality in mind. 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Optimized for speech, the IM microphones feature a frequency response out to 30kHz that delivers the highest level of speech intelligibility and articulation. This means less straining to understand the words being spoken due to poor audio quality, so more time can be spent understanding the message being transmitted.\u003c\/p\u003e\n\u003cp\u003eWhether speaking directly on-axis or to the sides of the microphone, the IM microphone always reproduces the speaker’s voice with incredible clarity and intelligibility. This wider coverage also means that fewer Earthworks microphones are required to properly cover a conference room, cutting down on the number of channels of DSP, cables and other ancillary equipment required for the system. Compatible with all DSP systems that provide 24-48V phantom power, the IM microphones can easily integrate into existing system designs or new installations.\u003c\/p\u003e\n\u003cp\u003eDesigned with aesthetics in mind, the IM microphones feature a slim 0.375“ (9.5mm) gooseneck that allows precise positioning of the microphone for optimal coverage. 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The M50’s audio performance is unparalleled. It has an ultra wide flat frequency response that extends from 3Hz to 50kHz and is flat throughout the entire spectrum. Its omnidirectional polar response exceptionally consistent, providing an even coherent response a the direct and off-axis sections of the microphone capsule.\u003c\/p\u003e\n\u003cp\u003eThe M50 has a 140dB SPL rating without distortion and no handling noise. With temperature compensated electronics, the M50 was built to deliver repeatable results no matter what the environment. Lightning fast impulse response and linear phase response make the M50 ideal for use with high-quality FFT-based real-time audio system measurement software like SMAART™, SIM™, REW™, Electroacoustics Toolbox™, FuzzMeasure™ and others, as well as for use in PA system alignment and loudspeaker design.\u003c\/p\u003e\n\u003cp\u003eEvery M50 is individually hand-tuned and tested and is delivered with its own printed frequency response chart. 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Designed to provide an ultra-flexible miking option, the P30\/C is ideal for a wide range of acoustic and electric instruments, as well as orchestra and choir.\u003c\/p\u003e\n\u003cp\u003eThanks to its flexible gooseneck, the P30\/C provides extra simplicity when trying to find that sweet spot. Instead of having to reposition the whole microphone or mic stand, simply flex the gooseneck to quickly reposition the microphone. Its uniquely designed small microphone head also allows you to get into difficult places, such as under the strings of an acoustic string bass.\u003c\/p\u003e\n\u003cp\u003eThe P30\/C’s near-perfect cardioid polar pattern is consistent across all frequencies, simplifying mic placement, ensuring more gain before feedback and virtually eliminating phasing issues when using multiple microphones. With over 30dB of rear rejection the P30\/C is ideal for live performances or recording environments where there may be bleed from surrounding instruments.\u003c\/p\u003e\n\u003cp\u003eIt handles transients with ease, reproducing every detail no matter how sharp or subtle. 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In both scenarios the PianoMic will capture the piano with incredible detail.\u003c\/p\u003e\n\u003cp\u003eAt the heart of the PianoMic are two random incidence omnidirectional microphones, specifically designed for use inside of a piano, which is a diffuse sound field. This means that sound is coming at the microphones from multiple sources and multiple directions. A random-incidence microphone is designed to be placed within such a diffuse sound field and pick up sounds uniformly, whether they arrive at the front, the sides or the rear of the microphone. 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Although the QTC30 features the smaller response this microphone is designed to delivering detailed and real, audio recording, bringing recordings to life and delivers a truly accurate snapshot of your sound. Its near-perfect omnidirectional polar pattern is uniform across all specified frequencies, letting the microphone capture rich and consistent detail at any position around the capsule.\u003c\/p\u003e\n\u003cp\u003eWith an extended 3Hz – 30kHz ruler-flat frequency response (with no frequencies exaggerated or attenuated) the result is a more accurate representation of the original sound. The QTC30 is time coherent, precisely capturing high and low frequency sounds with no phase errors, which will smear transients and create other time related distortions.\u003c\/p\u003e\n\u003cp\u003eWith an SPL rating of 140dB the QTC30 has plenty of headroom, so there is no need to worry about the microphone distorting. 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Its near-perfect omnidirectional polar pattern is uniform across all specified frequencies, letting the microphone capture rich and consistent detail at any position around the capsule.\u003c\/p\u003e\n\u003cp\u003eWith an extended 3Hz – 30kHz ruler-flat frequency response (with no frequencies exaggerated or attenuated) the result is a more accurate representation of the original sound. The QTC30 is time coherent, precisely capturing high and low frequency sounds with no phase errors, which will smear transients and create other time related distortions.\u003c\/p\u003e\n\u003cp\u003eWith an SPL rating of 140dB the QTC30 has plenty of headroom, so there is no need to worry about the microphone distorting. And there is no proximity effect, you can get the QTC30 as close as you want to the sound source. 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Sonic timbre and frequency response stay uniform across the entire front of the microphone capsule, helping capture the true character of your instrument. Its near-perfect cardioid polar pattern is consistent across all frequencies, simplifying mic placement and ensuring more gain before feedback. With over 30dB of off-axis rejection, the SR30 is ideally suited for capturing audio in highly ambient environments and near monitor speakers.\u003c\/p\u003e\n\u003cp\u003eWith a lighting fast transient response, the SR30 handles sharp attacks with ease, while still capture all of the subtle nuances and softest dynamics of your playing. 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This high-definition microphone features an exceptionally flat 20Hz to 30kHz frequency response, low handling noise, and a uniform cardioid polar pattern.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFamously used by Arctic Monkeys frontman, Alex Turner.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis microphone provides uncoloured rejection of sounds off-axis and yields more gain before feedback than conventional vocal microphones. A Mic clip and bag are included with this microphone. For cleaning and maintenance see provided manual for easy access.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 20Hz - 30kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: 10mV\/Pa (-40dBV\/Pa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhantom Power\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSNR\u003c\/strong\u003e: 79dB (A-weighted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePeak Acoustic Input\u003c\/strong\u003e: 145dB SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: Male XLR\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003ee: 65Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e: 15dB (A-weighted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength\u003c\/strong\u003e: 7.13\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDia. 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Its stainless steel body is expertly sculpted through precision machining yielding an instrument that is beautiful to look at, balanced in the hand and sensibly engineered for life on the road. Protected within its steel exoskeleton is a studio quality small diaphragm cardioid condenser capsule coupled with a Class A amplifier circuit that leverages Earthworks’ patented and proprietary technologies to deliver one of the fastest mics on the planet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Sound of the SR314\u003c\/strong\u003e \u003cbr\u003eAn extended flat frequency response and a focus on fast clean impulse response set the Earthworks SR314 apart. By systematically eliminating the many layers of distortion and noise normally added by each acoustic and electronic component, the Earthworks SR314 doesn’t sound like a traditional microphone - it pulls back the veil to reveal the true voice of the artist.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSimple, Easy and Brilliant\u003c\/strong\u003e\u003cbr\u003eThe SR314 democratizes exceptional live music experiences, making them accessible to everyone. Quicker soundchecks and better monitor and in-ear mixes let artists focus on what matters most - the music. Engineers are unencumbered from the necessities of heavy corrective EQ, compression and de-essing, and constant vigilance against feedback. Audiences experience vocals that sit comfortably and easily in the mix, with every detail and nuance bridging the gap that so often separates live music from recordings.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cspan\u003eFrequency response\u003c\/span\u003e: 20Hz - 30kHz\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003ePolar Pattern\u003c\/span\u003e: Cardioid\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003eSensitivity\u003c\/span\u003e: 10mV\/Pa (-40dBV\/Pa)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003ePhantom Power\u003c\/span\u003e: Yes\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003eSNR\u003c\/span\u003e: 79dB (A-weighted)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003ePeak Acoustic Input\u003c\/span\u003e: 145dB SPL\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003eOutput\u003c\/span\u003e: Male XLR\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003eOutput Impedance\u003c\/span\u003ee: 65Ohms\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003eNoise\u003c\/span\u003e: 15dB (A-weighted)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003eLength\u003c\/span\u003e: 7.13\"\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003eDia. 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For a microphone that delivers uncompromising performance both onstage and in the studio, the SR40\/HC is designed to seamlessly transition from tracking vocals in the studio to miking acoustic guitar onstage and everything in between.\u003c\/p\u003e\n\u003cp\u003eThe SR40\/HC’s near-perfect hypercardioid polar pattern is consistent across all frequencies, simplifying mic placement, ensuring more gain before feedback and virtually eliminating phasing issues when using multiple microphones. This multi-purpose microphone is equally at home miking acoustic guitar, brass, woodwinds, drums, guitar amp, vocals and more.\u003c\/p\u003e\n\u003cp\u003eThe extended frequency response from 20Hz – 40kHz reproduces sound with more depth and accuracy, especially for those instruments that include more high frequency overtones. It handles transients with ease, reproducing every detail no matter how sharp or subtle. Capable of handling sound pressure levels of up to 139dB without distortion, the SR40\/HC can handle nearly any instrument.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eExtended frequency response to 40kHz\u003c\/li\u003e\n\u003cli\u003eMulti-purpose directional microphone\u003c\/li\u003e\n\u003cli\u003eMore gain before feedback than other microphones\u003c\/li\u003e\n\u003cli\u003eLess leakage\u003c\/li\u003e\n\u003cli\u003eTextbook perfect cardioid polar pattern with natural on and off-axis performance\u003c\/li\u003e\n\u003cli\u003eProvides excellent results for both live performance and recording applications\u003c\/li\u003e\n\u003cli\u003eExtreme accuracy in the time domain for faithful reproduction and no smearing or distortion\u003c\/li\u003e\n\u003cli\u003eTransparent sound quality\u003c\/li\u003e\n\u003cli\u003eShorter diaphragm settling time to prevent quieter attacks from being blurred by earlier louder attacks\u003c\/li\u003e\n\u003cli\u003e20Hz – 40kHz frequency response, revealing subtleties in the sound that are non-existent from microphones with less high frequency range, and enabling musical performances to exhibit greater depth and realism\u003c\/li\u003e\n\u003cli\u003eThe exceptional rear rejection performance enables the SR40 to easily isolate instruments in a recording or live performance setting, thus minimizing acoustic bleed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 20Hz to 40kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Hypercardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: 20mV\/Pa (-34dBV\/Pa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e: 24-48V Phantom, 10mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Acoustic Input\u003c\/strong\u003e: 139dB SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: Male XLR-3 balanced (pin 2+)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 65Ω balanced (between pins 2 \u0026amp; 3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMin Output Load\u003c\/strong\u003e: 600Ω between pins 2 \u0026amp; 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e: 16dB SPL equivalent (A weighted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions L x D\u003c\/strong\u003e: 250mm x x 22mm (9.84 x .860 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: .5 lb (225g)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Earthworks","offers":[{"title":"Default Title","offer_id":31481123143726,"sku":"SEARSR40HC","price":832.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/img_8096.jpg?v=1578923466"},{"product_id":"earthworks-tc20-omni","title":"Earthworks TC20 - Omni Microphone for Loud Sources","description":"\u003ch2\u003eEarthworks TC20\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eEarthworks TC20\u003c\/strong\u003e is a professional omnidirectional microphone that's been designed for recording louder sources such as drums, percussion, amplified instruments and loud sound effects. With a whopping SPL rating of 150dB the TC20 has plenty of headroom, so there is no need to worry about distortion, even with the loudest instruments. And there is no proximity effect, so you can get the TC20 as close as you want to the sound source.\u003c\/p\u003e\n\u003cp\u003eWith a 9Hz – 20kHz ruler-flat frequency response, the result is a more accurate representation of the original sound. Its transient response is ultra fast, handling sharp attacks with ease, while still picking up all of the subtle nuances and softest dynamics of your playing. The TC20 is time coherent, precisely capturing high and low frequency sounds with no phase errors, which will smear transients and create other time related distortions.\u003c\/p\u003e\n\u003cp\u003eIts near-perfect omnidirectional polar pattern is uniform across all specified frequencies, letting the microphone capture rich and consistent detail at any position around the capsule.Designed for recording louder sources such as drums, percussion, amplified instruments and loud sound effects.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCost effective general-purpose omni with high frequency response to 20kHz\u003c\/li\u003e\n\u003cli\u003eIdeal for a wide variety of instruments and vocals, including acoustic guitar, string instruments and piano\u003c\/li\u003e\n\u003cli\u003eFor live sound the TC20 can be used for close miking instrument amps, drums or brass\u003c\/li\u003e\n\u003cli\u003eOmnidirectional polar pattern\u003c\/li\u003e\n\u003cli\u003eAccurate and uncolored\u003c\/li\u003e\n\u003cli\u003eEffortlessly handle high sound pressure levels up to 150dB SPL while simultaneously capturing subtle details\u003c\/li\u003e\n\u003cli\u003eFast impulse response and diaphragm settling time\u003c\/li\u003e\n\u003cli\u003eExceptional flat frequency response and are time coherent, so they sound natural and uncolored\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 9Hz to 20kHz ±1\/-3dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Omnidirectional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: 8mV\/Pa (-42dBV\/Pa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e: 24-48V Phantom, 10mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Acoustic Input\u003c\/strong\u003e: 150dB SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: XLR (pin 2+)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 65Ω balanced (between pins 2 \u0026amp; 3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMin Output Load\u003c\/strong\u003e: 600Ω between pins 2 \u0026amp; 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e: 26dB SPL equivalent (A weighted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions L x D\u003c\/strong\u003e: 165mm x 22mm (6.5 x .860 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: .35 lb. 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The SR-3314 also features extreme attenuation of sound sources located beyond 90 degrees with maximum rejection at 180 degrees and has a consistent low frequency response across a wide range of distances, providing articulate detailed bass up close while not getting thin with distance. 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The SR-3314 also features extreme attenuation of sound sources located beyond 90 degrees with maximum rejection at 180 degrees and has a consistent low frequency response across a wide range of distances, providing articulate detailed bass up close while not getting thin with distance. 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All three microphones boast an impressive impulse response that will capture all the impact and detail of the attack. Their fast diaphragm settling time will reproduce low-level detail to provide the full expressiveness of a drummer’s performance, while the mic handles up to 145dB SPL, virtually eliminating overload distortion.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eThe core of your drum sound.\u003c\/h4\u003e\n\u003cp\u003eOverheads and kick are a wide-angle lens capturing the full picture of your drum kit. The vividness, realism and lifelikeness in that picture depend on two factors: the quality of the sounds captured by the individual microphones, and how seamlessly the sounds from those microphones blend together. The three-microphone DK3 kit redefines what’s possible in drum miking.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003ePicture Perfect\u003c\/h4\u003e\n\u003cp\u003eA perfect sonic image of your whole kit from above. 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The ICON Pro delivers pristine sound and off-axis rejection due to the cardioid polar pick-up pattern. This makes the ICON perfect for working in spaces that are less than ideal and noisy.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRecognizing that speed matters for live-streaming and content creation, NAMM named the Earthworks ICON Pro as a finalist for their 2022 TEC Awards. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/eu-west-1.protection.sophos.com?d=youtube.com\u0026amp;u=aHR0cHM6Ly93d3cueW91dHViZS5jb20vd2F0Y2g_dj04ZGc1VElMS3NDYyZ0PTIwNHM=\u0026amp;i=NWZjNjczYjAxODMxYzgwZTE4OWRkYTA0\u0026amp;t=dDJINUdpMDVGS2UwR1djSmljTzZTVFp0VFZWdXp1b3o5a3doemtRWWcrcz0=\u0026amp;h=dfa46cf9e3804bc09de182a5086be738\"\u003ehttps:\/\/www.youtube.com\/watch?v=8dg5TILKsCc\u0026amp;t=204s\u003c\/a\u003e\u003c\/p\u003e\n\u003ch4\u003eFeatures:\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003ePerfect for broadcast-quality speech and voice over recording\u003c\/li\u003e\n\u003cli\u003eIdeal for streaming, podcasting, interviewing, gaming, web conferencing, and content creating\u003c\/li\u003e\n\u003cli\u003eLightning-fast. 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The ETHOS by Earthworks is designed to push warmth and intimacy to portray the charisma of each voice, while providing natural, smooth sibilance that is not fatiguing to the listener. ETHOS is naturally resistant to handling noise and thumps thanks to internal dampening and robust stainless steel construction. The included Triad-Orbit M2-R ball joint mic adaptor allows precise placement and adjustments and is ideally suited to pair with a heavy mic arm or stand for optimal results.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIzotope RX10 Elements Now Included worth £129\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eETHOS is equipped with a windscreen stack that raises the bar for plosive and wind noise protection. 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