{"title":"Ex-Demo Neumann Studio Microphones","description":"","products":[{"product_id":"neumann-km-184-b-stock","title":"Neumann KM 184 Stereo Set - Cardioid Microphones - Nickel - B-Stock","description":"\u003ch2\u003eNeumann KM 184 Stereo Set - Nickel - B-Stock\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KM 184 Stereo Set\u003c\/strong\u003e contains a pair of Nickel finish KM 184 small diaphragm cardioid condenser microphones, two stand mounts, two WNS 100 windscreens and a protective wooden box. This is a B-Stock Ex Showroom product.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KM 184\u003c\/strong\u003e microphone is the successor of the well proven KM 84, which has been used since the seventies worldwide with great success. The slender shape and transmission characteristics described below make the Neumann KM184 especially suitable for a very wide range of tasks in the radio and television sector. It is extremely quiet (16dB A-weighted self-noise), making it excellent for capturing the subtle nuances of acoustic guitar and orchestral perf ormances . \u003c\/p\u003e\n\u003cp\u003eAlthough the KM 184 has the same capsule as the Neumann KM 84, the microphone differs slightly on the 0 frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule's rear opening, and is not due to resonances. Compared to the KM 84 the dynamic range of the KM 184 increased by 21 dB mainly through the reduction of self- noise level to only 25 dB (CCIR) and an increased sound pressure handling capability of up to 138 dB. The microphone operates without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT\/CF recorders. The output of the KM 184, as in all Neumann microphones, is balanced and phantom (48V) powered.\u003c\/p\u003e\n\u003cp\u003eThe KM 184 is a good choice for all users who look for a high- quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. The mechanical construction was simplified for this model, for example, capsule and output stage cannot be separated from each other. For this reason the KM 184 is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.\u003c\/p\u003e\n\u003ch2\u003eNeumann KM184 Stereo Set Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSet includes: \n\u003cul\u003e\n\u003cli\u003e2 x Microphone KM 184(mt) - Nickel\u003c\/li\u003e\n\u003cli\u003e2 x Stand mount swivel SG 21\/17\u003c\/li\u003e\n\u003cli\u003e2 x Windscreen WNS 100\u003c\/li\u003e\n\u003cli\u003eWooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrouble-free operation also with unbalanced equipment (e.g. DAT\/CF recorders)\u003c\/li\u003e\n\u003cli\u003eSet includes windshield and two different microphone clamps\u003c\/li\u003e\n\u003cli\u003eLow Noise - 16dB A-weighted self-noise\u003c\/li\u003e\n\u003cli\u003eVaried Applications\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eAcoustic operating principle:\u003c\/strong\u003e Pressure gradient transducer\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFrequency range Hz:\u003c\/strong\u003e 20 - 20,000\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSensitivity mV\/Pa:\u003c\/strong\u003e 12 (-36.2dBu=+38.4dBv)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRated impedance Ohms:\u003c\/strong\u003e 50\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eEquivalent loudness level due to inherent noise: \u003c\/strong\u003eDIN 45 405 CCIR 468-3 dB: 25, DIN\/IEC 651 dB-A: 16\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eS\/N ratio re 1 Pa at 1 kHz:\u003c\/strong\u003e CCIR dB: 69 (S\/N=94dB - equiv. noise), A-weighted dB-A : 8\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMax. SPL for less than 0.5% THD without pre-attenuation dB:\u003c\/strong\u003e 38\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eTotal dynamic range of the microphone amplifier dB:\u003c\/strong\u003e 122\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePower consumption mA:\u003c\/strong\u003e 2\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eWeight g:\u003c\/strong\u003e 80\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter mm: 22, Length mm 107\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519698059310,"sku":"SNEUKM184STBSK","price":857.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/km-184-_1__1.jpg?v=1746107924"},{"product_id":"neumann-tlm103-studio-set-microphone-incl-ea1-mount-nickel-ex-showroom","title":"Neumann TLM 103 Studio Set Microphone incl. EA1 Mount - Nickel - Ex-Showroom","description":"\u003ch2\u003eNeumann TLM 103 Studio Set - Nickel - Ex-Showroom\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNickel Neumann TLM 103 Studio Set\u003c\/strong\u003e includes the TLM103 large diaphragm condenser microphone and an EA1 suspension mount. The TLM103 features a cardioid response and is perfect for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget. \u003cstrong\u003eEx-Showroom.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBy utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003cbr\u003e\u003c\/strong\u003eDue to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003cbr\u003eThe TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern – used in most recording situations – the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003cbr\u003eThe TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 \/ U 87 microphones.The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. \u003c\/p\u003e\n\u003cp\u003eThe large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects.\u003c\/p\u003e\n\u003cp\u003eTherefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003cbr\u003eWith just 7 dB-A \/ 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB (A-weighted).\u003c\/p\u003e\n\u003cp\u003eThe letters TLM stand for \"transformerless microphone\". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.\u003c\/p\u003e\n\u003ch2\u003eNeumann TLM103 Studio Set Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLarge diaphragm cardioid microphone\u003c\/li\u003e\n\u003cli\u003ePressure gradient transducer with with one-diaphragm capsule\u003c\/li\u003e\n\u003cli\u003eTransformerless circuitry\u003c\/li\u003e\n\u003cli\u003eExtremely low noise: 7 dB-A\u003c\/li\u003e\n\u003cli\u003eIncludes EA1 shockmount\u003c\/li\u003e\n\u003cli\u003eStraightforward handling for homerecording and professional studios\u003c\/li\u003e\n\u003cli\u003eHigh-quality professional equipment for limited budgets\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle: \u003c\/strong\u003ePressure gradient transducer\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern: \u003c\/strong\u003eCardioid\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFrequency range: \u003c\/strong\u003e20 Hz ... 20 kHz\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm:\u003c\/strong\u003e 23 mV\/Pa\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRated impedance: \u003c\/strong\u003e50 ohms\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance: \u003c\/strong\u003e1 kohms\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1):\u003c\/strong\u003e 17.5 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1):\u003c\/strong\u003e 7 dB-A\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL):\u003c\/strong\u003e 76.5 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL):\u003c\/strong\u003e 87 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2): \u003c\/strong\u003e138 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage:\u003c\/strong\u003e 13 dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDynamic range of the microphone amplifier (A-weighted):\u003c\/strong\u003e 131 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSupply voltage (P48, IEC 61938):\u003c\/strong\u003e 48 V ± 4 V\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption (P48, IEC 61938): \u003c\/strong\u003e3 mA\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMatching connector:\u003c\/strong\u003e XLR3F\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e approx. 450 g\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDiameter:\u003c\/strong\u003e 60 mm\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eLength:\u003c\/strong\u003e 132 mm\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519705137198,"sku":"SNEUTLM103SSBSK","price":775.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-tlm103-studio-set_1.jpg?v=1578924704"},{"product_id":"neumann-tlm67-large-diaphragm-condenser-microphone-b-stock-mint","title":"Neumann TLM67 - Large-diaphragm Condenser Microphone - B-Stock","description":"\u003ch2\u003eNeumann TLM67 - Large-diaphragm Condenser Microphone - B-Stock\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann TLM 67\u003c\/strong\u003e is a transformerless, large diaphragm condenser microphone based on the \"workhorse\" of the 1960s, the legendary U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the special new circuit design closely reproduces the sound characteristics of the classic U 67, without the use of tubes. Similar Neumann circuit technology has already proved very successful in the TLM 49.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis B-Stock item is in mint condition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TLM 67 is extremely versatile. Its three switchable directional characteristics (omnidirectional, cardioid and figure-8), selectable 10 dB pre-attenuation and high-pass filter permit detailed adjustments to be made, depending upon the specific recording situation. The TLM67 comes in a sturdy wooden case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExterior design\u003c\/strong\u003e\u003cbr\u003eThe TLM 67 is a large-diaphragm condenser microphone in the classic Neumann style, with a unique dual-color design. The stylish pearl-gray of the microphone body combined with the classic Neumann nickel lends the microphone a touch of distinctive individuality.\u003c\/p\u003e\n\u003cp\u003eThe legendary, frequently imitated design of the Neumann U 67 was the first to be developed by Neumann employees in collaboration with the famous German designer, Wilhelm Braun-Feldweg. The design of the TLM 67 represents a contemporary development of that of the U 67, transferring its positive impact to the present era. The enhanced exterior design thus links past and future microphone design trends.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003eDue to its extensive control features, the TLM 67 is suitable for a wide range of applications. In addition to its primary role as a vocal microphone for all types of music and spoken voice, in orchestral recordings the TLM 67 can be used as a main microphone and as a spot microphone for individual instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003cbr\u003eThe microphone is addressed from the side on which the Neumann logo is located.\u003c\/p\u003e\n\u003cp\u003eA large wire mesh grille encloses the elastically mounted double diaphragm capsule. The directional characteristics omnidirectional, cardioid or figure-8 can be selected via a switch below the grille. The selected setting is indicated by a symbol shown in a window above the switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003cbr\u003eThe letters \"TLM\" stand for “transformerless microphone”. In the TLM 67, an electronic circuit is used rather than a conventional output transformer. Like a transformer, the circuit ensures good common mode rejection, effectively suppressing interference signals that affect the balanced modulation line. The microphone can operate at sound pressure levels of up to 105 dB without distortion, and has a dynamic range of 94 dB (A-weighted), without the use of the pre-attenuation switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilter and pre-attenuation\u003c\/strong\u003e\u003cbr\u003eThe pre-attenuation switch on the back of the microphone can be used to reduce transmission levels by approx. 10 dB. It should be used only when there is a risk of overloading following devices due to very high sound pressure levels. Use of the switch does not increase the dynamic range of the microphone, but rather shifts it by 10 dB, to higher sound pressure levels. The other switch on the back of the microphone can be used to change the cutoff frequency of the built-in high-pass filter, so as to suppress the effects of impact sound and wind noise, or to compensate for the proximity effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperational reliability\u003c\/strong\u003e\u003cbr\u003eElastic mounting of the capsule supplies protection from the transmission of structure-borne noise. If required, the EA 87 elastic suspension and WS 87 windscreen are available as accessories, for further suppression of structure-borne and wind noise. The PS 15 or PS 20 a popscreen can be used if the microphone is to be addressed at close range.\u003c\/p\u003e\n\u003ch2\u003eNeumann TLM67 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSound characteristics based on the legendary U 67\u003c\/li\u003e\n\u003cli\u003eThree switchable directional characteristics: Omnidirectional, Cardioid \u0026amp; Figure-8\u003c\/li\u003e\n\u003cli\u003eSwitchable high-pass filter and pre-attenuation\u003c\/li\u003e\n\u003cli\u003eTransformerless circuit technology\u003c\/li\u003e\n\u003cli\u003eNew dual-color exterior design\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eApplications\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eExtremely versatile\u003c\/li\u003e\n\u003cli\u003eVocal microphone (soloists and background choir)\u003c\/li\u003e\n\u003cli\u003eBroadcasting, dubbing and voiceovers\u003c\/li\u003e\n\u003cli\u003eOverhead microphone\u003c\/li\u003e\n\u003cli\u003eSpot microphone, and suitable e.g. for strings, especially cello and double bass, as well as piano\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eNeumann TLM67 Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle:\u003c\/strong\u003e Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern: \u003c\/strong\u003eOmni\/cardioid\/figure-8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range: \u003c\/strong\u003e20 Hz ... 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm: \u003c\/strong\u003e10\/18\/9 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance:\u003c\/strong\u003e 50 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance: \u003c\/strong\u003e1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1): \u003c\/strong\u003e29\/24\/30 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1): \u003c\/strong\u003e16\/11\/17 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL):\u003c\/strong\u003e 65\/70\/64 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL): \u003c\/strong\u003e78\/83\/77 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL (tube characteristic) for THD \u0026lt; 0.5 %2): \u003c\/strong\u003e110\/105\/111 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL (tube characteristic) for THD \u0026lt; 5 %2):\u003c\/strong\u003e 130\/125\/131 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage:\u003c\/strong\u003e -1 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDyn. range of the mic. amplifier (A-weighted, 0.5 %2)): \u003c\/strong\u003e94 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDyn. range of the mic. amplifier (A-weighted, 5 %2)): \u003c\/strong\u003e114 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply: \u003c\/strong\u003eP48\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connector: \u003c\/strong\u003eXLR 3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003e490 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter: \u003c\/strong\u003e56 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e200 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519707988014,"sku":"SNEUTLM67BSK","price":1375.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/tlm-67-b-stock.jpg?v=1578924707"},{"product_id":"neumann-u47-fet-re-issue-b-stock","title":"Neumann U 47 FET Re-Issue - B-Stock (Ex Demo)","description":"\u003ch2\u003eNeumann U 47 FET Re-Issue - B-Stock (Ex Demo)\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann U 47 fet Collectors Edition\u003c\/strong\u003e is a new edition of this classic, issued in the year 2014. For this, Neumann has resumed production of this classic mic, according to the original production documents and schematics. It is supplied with a high-quality wooden case with sophisticated special packaging, and an individual certificate with the serial number of the microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is a B-Stock item in mint condition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn terms of technical design, the U 47 fet is a condenser microphone with a cardioid directional characteristic and fet 80 circuit technology. Among other things this technology, also used in the U 87, is characterized particularly by a wide dynamic range. The K 47 double large-diaphragm capsule was already employed in the U 47, the legendary tube-based predecessor of the U 47 fet. The K 47 provides a slight boost in the range above 2 kHz.\u003c\/p\u003e\n\u003cp\u003eIf required, a switchable low-cut filter raises the lower cutoff frequency electronically from 40 Hz to 140 Hz, thus suppressing undesirable low frequencies (such as impact sound and wind noise), or serving to compensate for the proximity effect. Switchable attenuation can reduce transmission levels by 10 dB, facilitating the processing of very high sound pressure levels of up to 147 dB. In addition, to prevent overloading of the connected preamp, the output signal can be reduced by 6 dB via a switch on the bottom of the microphone.\u003c\/p\u003e\n\u003cp\u003eIn order to ensure stable positioning, the microphone is swivel-mounted on an integrated bracket. The bracket stand connector has 5\/8\"-27 internal thread, with an adapter for 1\/2\" and 3\/8\" threads. The microphone cable can be secured at the side of the stand connector, by using the knurled nut to fasten it in the slot (for cable diameters of up to 5 mm). The microphone is available in classic nickel.\u003c\/p\u003e\n\u003ch2\u003eRent the Neumann U47 Fet from our Hire Department\u003c\/h2\u003e\n\u003cp\u003eThe Neumann U47 Fet is available for hire now. What's more, if you decide to buy it after hiring it, we will knock off the hire charges against the cost of the mic.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDaily rate:\u003cstrong\u003e £30.00 \u003c\/strong\u003e(ex. vat)\u003c\/li\u003e\n\u003cli\u003eWeekly rate: \u003cstrong\u003e£90.00\u003c\/strong\u003e (ex. vat)\u003c\/li\u003e\n\u003cli\u003eMonthly rate: \u003cstrong\u003e£300.00\u003c\/strong\u003e (ex. vat)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eContact our Hire Department on \u003cstrong\u003e0151 236 7800\u003c\/strong\u003e or \u003cstrong\u003e\u003ca href=\"mailto:%20hire@studiocare.com\"\u003ehire@studiocare.com\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eNeumann U47 Fet Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle:\u003c\/strong\u003e Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern: \u003c\/strong\u003eCardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 40 Hz - 16 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm: \u003c\/strong\u003e8 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance: \u003c\/strong\u003e150 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1): \u003c\/strong\u003e25 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1): \u003c\/strong\u003e18 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL): \u003c\/strong\u003e69 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL): \u003c\/strong\u003e76 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2): \u003c\/strong\u003e137 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ewith preattenuation: \u003c\/strong\u003e147 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax. output voltage for THD \u0026lt; 0.5 %: \u003c\/strong\u003e-3.3 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Supply (IEC 61938): \u003c\/strong\u003eP48\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption:\u003c\/strong\u003e 0.5 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRequired connector: \u003c\/strong\u003eXLR 3 F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003e710 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter: \u003c\/strong\u003e63 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e160 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519708053550,"sku":"SNEUU47FETBSK","price":2541.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/u47fet-front_1.jpg?v=1578924711"},{"product_id":"neumann-u67-b-stock","title":"Neumann U67 Studio Tube Microphone Set - Re-Issue - B-Stock","description":"\u003ch2\u003eNeumann U67 Studio Tube Microphone Set\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eThis B-Stock re-issue of the Neumann U67 is in excellent condition and has been used in our appointment-only showroom for demonstration. It has been fully inspected by our service engineers and is functioning to spec and sounding fantastic. It is covered by a full manufacturer's warranty.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe U67 is a landmark moment in sound recording. The U67 is one of the most sought after microphones that been out of production for decades. The Neumann U 67 is a universal studio microphone suitable for all applications. Its smooth top-end with a subtle tube shimmer makes the U 67 an outstanding vocal microphone. Due to its essentially linear response in three polar patterns – omni, cardioid, and figure-8 – the U 67 is also a very versatile microphone for all kinds of instruments such as strings, woodwinds, brass, piano, drums, acoustic and electric guitar, bass guitar and upright bass.\u003c\/p\u003e\n\u003cp\u003eIntroduced in 1960, the U 67 was the quintessential studio workhorse throughout the formative years of modern music. Today, more than ever, its inimitably smooth sound continues to be in high demand. Now, for the first time in decades, Neumann’s legendary tube microphone is back in production, built to the original specifications.\u003c\/p\u003e\n\u003cp\u003eOthers have tried to imitate the U 67, but Neumann have referred back to archived documentation and the re-issue is sonically identical to the U 67 made from 1960–1971. It uses the same capsule and electronic design. Key parts, such as the BV 12 output transformer, are meticulously reproduced according to original documentation. EF86 tubes are carefully selected for optimal characteristics and lowest noise in a dedicated measurement facility. The power supply was redesigned to meet today’s strict safety requirements and to accommodate the slightly higher filament current of newer premium grade tubes. The new power supply NU 67 V is fully compatible with older U 67 microphones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReturn of a Legend\u003c\/strong\u003e\u003cbr\u003eIntroduced as the successor to the eminent Neumann U 47, a lesser microphone would have failed. But the U 67 was quickly adopted as the new studio standard, offering many advantages over its predecessor. With three selectable polar patterns and advanced tube circuitry, including low cut and pad switches, the Neumann U 67 was well-equipped for virtually any recording task. It still is: To this day, many top level engineers would choose the U 67 as their \"desert island\" microphone for its extraordinary versatility and unmatched sound quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeumann-Engineering at its Best\u003c\/strong\u003e\u003cbr\u003eThe U 67 was the first microphone equipped with the famous K 67 capsule, which has since become associated with “the Neumann sound” and continues to be used in its successor, the U 87 A. No less important is the U 67’s masterful tube circuit featuring a clever pre-emphasis\/de-emphasis scheme to minimize tube hiss. The U 67 was also the first microphone to address modern recording techniques such as close miking. Its switchable low cut filter compensates for the proximity effect occurring at short recording distances. Using its preattenuation, the U 67 can handle high sound pressure levels of up to 124 dB without distortion (and much more if you don’t mind a bit of \"tube grit\").\u003c\/p\u003e\n\u003cp\u003eAs timeless as its sound and technical design is its outer appearance. 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It comes in a wooden box with the EA87 elasticated shock mount. The U 87 is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect.\u003c\/p\u003e\n\u003cp\u003eThe Neumann U87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Well-known for its warm and well balanced characteristics - your perfect choice as vocal microphone for all types of music and speech. 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It used the same large diaphragm capsule as the U 47 and ranks among the most sought-after tube microphones of all time. In 2022 it was reissued by Neumann as the M 49 V Set.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eThis is a B-Stock mic that has been demoed and on display in our showroom. It is in excellent condition, has a full warranty and all the original packaging.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eYes, all the rumours are true: Neumann reissues the \u003cstrong\u003eM 49\u003c\/strong\u003e, one of those iconic microphones that changed the landscape of recording in the 1950 and 1960s and set the reference sound for blues, jazz, pop, and classical music. When you hear masterpieces from legends like Miles Davis, Aretha Franklin, or Barbra Streisand, or today´s top talents like Adele, you hear an M 49 at work. Sound engineers and artists alike keep vintage versions of the M 49 like treasures for a reason. And whoever is lucky enough to still have a historic version could easily sell it for a five-figure sum.\u003cbr\u003e\u003cbr\u003eFor years and years, Neumann's most experienced microphone experts trialled and tested until they came up with a product that even the most respected producers and sound engineers considered to be acoustically identical to the historic version, even in direct AB comparison.\u003cbr\u003e\u003cbr\u003eThe M 49 V production involves a meticulous assembly process by hand, while the availability of key parts like the triode tube is limited. For this reason, the Neumann team can build a very limited number of pieces per month. \u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eNeumann M49V Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eReissue of the legendary M 49 with detail improvements\u003c\/li\u003e\n\u003cli\u003eSuperb vocal microphone for male and female voices\u003c\/li\u003e\n\u003cli\u003eVersatile microphone for all types of instruments\u003c\/li\u003e\n\u003cli\u003eClassic tube circuit with output transformer\u003c\/li\u003e\n\u003cli\u003eContinuously variable polar pattern, remote controlled\u003c\/li\u003e\n\u003cli\u003eMade to original specifications using archived documentation\u003c\/li\u003e\n\u003cli\u003eThe new pattern control unit automatically adapts to mains voltage\u003c\/li\u003e\n\u003cli\u003eHandmade and hand soldered in Germany\u003c\/li\u003e\n\u003cli\u003eHandmade vintage case manufactured in Germany\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43274094739634,"sku":"SNEUM49VBSK","price":5100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/NeumannM49V_1of12.jpg?v=1694081303"},{"product_id":"mws_apo_1_g2_neumann-u47-fet-re-issue-b-stock","title":"Neumann U 47 FET Re-Issue - B-Stock (Ex Demo)","description":"PLEASE DO NOT MODIFY!\u003cbr\u003eIT IS A SERVICE PRODUCT AUTO-GENERATED BY MAGEWORX APO PRODUCT OPTIONS APP.","brand":"Neumann","offers":[{"title":"Default Title #MWS Options 1","offer_id":56499181289846,"sku":"SNEUU47FETBSK","price":2541.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/u47fet-front_1.jpg?v=1578924711"},{"product_id":"neumann-m-147-tube-cardioid-condenser-microphone-ex-demo","title":"Neumann M 147 Tube - Cardioid Condenser Microphone - Ex-Demo","description":"\u003ch2\u003e Neumann M 147 Tube - Ex-Demo\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann M 147\u003c\/strong\u003e Tube brings back the classic sound of Neumann’s famous tube microphones of the 1950s. The M-147 tube is a cardioid microphone using the same large diaphragm capsule as the legendary U 47 but combines it with an innovative tube circuit for lowest noise. Its transformerless output stage ensures superb performance at an attractive price.\u003cbr\u003e\u003cbr\u003eWith digital recording and ultra-clean processing, many engineers find themselves looking for tube microphones to reinstate a more “analogue” sound character. The Neumann M147 is a tube microphone specially designed for 21st century recording chains. Its acoustic design is inspired by the legendary U 47, which revolutionized studio recording in the 1950s with its superior sound quality and is still used daily in top studios around the world. The head amplifier of the M147 combines classic tube circuitry with an advanced solid state output stage for vintage sound with a modern punch.\u003cbr\u003e\u003cbr\u003eThe headgrille of the M 147 is more than a visual statement: It is a slightly more compact version of the iconic U 47 capsule head, partly responsible for its legendary sound. Even more importantly, it shares the same sound transducer, the classic K 47 large diaphragm condenser capsule, known for its exceptional combination of warmth and presence. The capsule signal is amplified by a classic tube circuit using a specially selected subminiature triode. While vintage microphones relied on large and expensive audio transformers for the final impedance conversion, the M 147 uses a state-of-the-art transformerless solid state output stage, which allows for long cable runs up to 300 m without transmission losses and ensures a very direct sound with unrestricted bass response.\u003c\/p\u003e\n\u003ch2\u003eApplications\u003c\/h2\u003e\n\u003cp\u003eThe M 147’s unique sound character with unsurpassed presence and a distinctive midrange focus is ideally suited for vocals, both male and female, as well as speech applications such as voice-over and film dubbing. The M 147 is also an excellent spot mic for any solo instruments. Unlike many other tube microphones, the M 147 can be used for quiet sources, due to its exceptionally low self-noise of only 12 dB-A. Although its max SPL figure of 114 dB appears low, the M 147 works well with louder sources, too, as distortion rises very slowly to 5% THD for 134 dB SPL. This behavior is intentional: The M 147 creates a sense of elevated loudness by means soft saturation – just like in the days of analog recording.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSame K47 capsule design as the legendary Neumann U 47\u003c\/li\u003e\n\u003cli\u003eCardioid pattern\u003c\/li\u003e\n\u003cli\u003eClassic sound with unmatched presence\u003c\/li\u003e\n\u003cli\u003eTube circuit with extremely low self-noise\u003c\/li\u003e\n\u003cli\u003eTransformerless output stage\u003c\/li\u003e\n\u003cli\u003eComes with power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle\u003c\/strong\u003e: Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional Pattern\u003c\/strong\u003e: Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Range\u003c\/strong\u003e: 20 Hz ... 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e at 1 kHz into 1 kohm: 20 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated Impedance\u003c\/strong\u003e: 50 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance\u003c\/strong\u003e: 1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR 1\u003c\/strong\u003e: 24 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted 2\u003c\/strong\u003e: 12 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTypical SPL\u003c\/strong\u003e (tube characteristic) for K\u0026lt;0.5% 3: 114 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTypical SPL\u003c\/strong\u003e (tube characteristic) for K\u0026lt;5% 4: 134 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e, CCIR (re. 94 dB SPL) 5: 70 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e, A-weighted (re. 94 dB SPL) 6: 82 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage\u003c\/strong\u003e: 8 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range\u003c\/strong\u003e of the amplifier, DIN\/IEC 651, for THD \u0026lt; 0.5% 7: 102 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range\u003c\/strong\u003e of the amplifier, DIN\/IEC 651, for THD \u0026lt; 5% 8: 122 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply\u003c\/strong\u003e: N 149 A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connector\u003c\/strong\u003e: Microphone: DIN 8 F, Power Supply: XLR 3 F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 460 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter\u003c\/strong\u003e: 57 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength\u003c\/strong\u003e: 142 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColour\u003c\/strong\u003e: Nickel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCat. No.\u003c\/strong\u003e: 008436\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIn the box\u003c\/strong\u003e:\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eM 147 Tube Microphone\u003c\/li\u003e\n\u003cli\u003eN 149 A Power Supply incl. Power Cable\u003c\/li\u003e\n\u003cli\u003eSG 2 Swivel Mount\u003c\/li\u003e\n\u003cli\u003eKT 8 Microphone Cable\u003c\/li\u003e\n\u003cli\u003eDust Cover\u003c\/li\u003e\n\u003cli\u003eAluminium Case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":57411945824630,"sku":"SNEUM147TUBEUKBSK","price":1582.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Neumann-M147.jpg?v=1772724938"}],"url":"https:\/\/studiocare.com\/collections\/ex-demo-neumann-studio-microphones\/microphones_valve-tube-microphones.oembed","provider":"Studiocare","version":"1.0","type":"link"}