{"title":"KL-EARTH","description":"","products":[{"product_id":"earthworks-m23-omni-measurement-microphone","title":"Earthworks M23 - Omni Measurement Microphone","description":"\u003ch2\u003eEarthworks M23 Omni Measurement Microphone\u003c\/h2\u003e\n\u003cp\u003eIn any situation where precision matters the M23 is a top choice, whether that's in live sound setup, speaker calibrations or anywhere accurate audio measurement is required.\u003c\/p\u003e\n\u003cp\u003eThe M23 is rugged too, rated at 140dB SPL without distortion, low handling noise and able to handle nearly any environmental conditions.\u003c\/p\u003e\n\u003cp\u003eExtremely fast impulse response and linear phase response make the M23 ideal for use with high-quality FFT-based real-time audio system measurement software like SMAART™, SIM™, REW™, Electroacoustics Toolbox™, FuzzMeasure™ and others, as well as for use in PA system alignment and loudspeaker design.\u003c\/p\u003e\n\u003cp\u003eEvery M23 is individually hand-tuned and tested and is delivered with its own printed frequency response chart. An Electronic Calibration File (ECF) is generated for each microphone during final testing, and can be downloaded free of charge after product registration.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e23kHz flat frequency response\u003c\/li\u003e\n\u003cli\u003eCost effective measurement microphone\u003c\/li\u003e\n\u003cli\u003eImproved version of the SMAARTMIC™ previously offered by EAW\u003c\/li\u003e\n\u003cli\u003eIdeally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required\u003c\/li\u003e\n\u003cli\u003eOmnidirectional polar pattern\u003c\/li\u003e\n\u003cli\u003eFlat frequency response, fast impulse response and exceptional polar characteristics\u003c\/li\u003e\n\u003cli\u003eUsed by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others\u003c\/li\u003e\n\u003cli\u003eMeets or exceeds ANSI Type 1 and applicable IEC 61094 requirements\u003c\/li\u003e\n\u003cli\u003eEach M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve\u003c\/li\u003e\n\u003cli\u003eElectronic Calibration File available\u003c\/li\u003e\n\u003cli\u003eOperating Temp Range: -20 deg C to +60 deg C ( -4 deg. 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It has a flat frequency response that extends from 3Hz to 23kHz, an exceptionally consistent omnidirectional polar response, 140dB SPL rating without distortion and no handling noise.\u003c\/p\u003e\n\u003cp\u003eExtremely fast impulse response and linear phase response make the M23 ideal for use with high-quality FFT-based real-time audio system measurement software like SMAART™, SIM™, REW™, Electroacoustics Toolbox™, FuzzMeasure™ and others, as well as for use in PA system alignment and loudspeaker design.\u003c\/p\u003e\n\u003cp\u003eEvery M23 is individually hand-tuned and tested and is delivered with its own printed frequency response chart. 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The M50’s audio performance is unparalleled. It has an ultra wide flat frequency response that extends from 3Hz to 50kHz and is flat throughout the entire spectrum. Its omnidirectional polar response exceptionally consistent, providing an even coherent response a the direct and off-axis sections of the microphone capsule.\u003c\/p\u003e\n\u003cp\u003eThe M50 has a 140dB SPL rating without distortion and no handling noise. With temperature compensated electronics, the M50 was built to deliver repeatable results no matter what the environment. Lightning fast impulse response and linear phase response make the M50 ideal for use with high-quality FFT-based real-time audio system measurement software like SMAART™, SIM™, REW™, Electroacoustics Toolbox™, FuzzMeasure™ and others, as well as for use in PA system alignment and loudspeaker design.\u003c\/p\u003e\n\u003cp\u003eEvery M50 is individually hand-tuned and tested and is delivered with its own printed frequency response chart. 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Designed to provide an ultra-flexible miking option, the P30\/C is ideal for a wide range of acoustic and electric instruments, as well as orchestra and choir.\u003c\/p\u003e\n\u003cp\u003eThanks to its flexible gooseneck, the P30\/C provides extra simplicity when trying to find that sweet spot. Instead of having to reposition the whole microphone or mic stand, simply flex the gooseneck to quickly reposition the microphone. Its uniquely designed small microphone head also allows you to get into difficult places, such as under the strings of an acoustic string bass.\u003c\/p\u003e\n\u003cp\u003eThe P30\/C’s near-perfect cardioid polar pattern is consistent across all frequencies, simplifying mic placement, ensuring more gain before feedback and virtually eliminating phasing issues when using multiple microphones. With over 30dB of rear rejection the P30\/C is ideal for live performances or recording environments where there may be bleed from surrounding instruments.\u003c\/p\u003e\n\u003cp\u003eIt handles transients with ease, reproducing every detail no matter how sharp or subtle. Handling up to 139dB SPL without distortion, it’s nearly impossible to overload the P30\/C, even with the loudest instruments.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e30kHz frequency response\u003c\/li\u003e\n\u003cli\u003eEasily mic guitars and other instruments, then re-position the microphone without moving the stand or boom\u003c\/li\u003e\n\u003cli\u003eUniform frequency response on or off-axis\u003c\/li\u003e\n\u003cli\u003eMore gain before feedback\u003c\/li\u003e\n\u003cli\u003ePicks up almost no sound from the rear of the microphone\u003c\/li\u003e\n\u003cli\u003eNear perfect polar response allows them to be placed closer to a choir with no spotlighting\u003c\/li\u003e\n\u003cli\u003eMini-gooseneck allows quick and easy positioning\u003c\/li\u003e\n\u003cli\u003eCan be used for stringed, woodwind and percussion instruments\u003c\/li\u003e\n\u003cli\u003eAvailable in black and white\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 20Hz to 30kHz ±2dB at 12 inches (30.5cm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: 10mV\/Pa (-40dBV\/Pa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e: 24-48V Phantom, 10mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Acoustic Input\u003c\/strong\u003e: 139dB SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: XLR (pin 2+)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 65Ω balanced (between pins 2 \u0026amp; 3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMin Output Load\u003c\/strong\u003e: 600Ω between pins 2 \u0026amp; 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e: 16dB SPL equivalent (A weighted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions L x D\u003c\/strong\u003e: 275mm x 22mm (10.75 x .860 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: .22 lb. 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With over 30dB of rear rejection the P30\/HC is ideal for live performances or recording environments where there may be bleed from surrounding instruments.\u003c\/p\u003e\n\u003cp\u003eIt handles transients with ease, reproducing every detail no matter how sharp or subtle. 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Its near-perfect omnidirectional polar pattern is uniform across all specified frequencies, letting the microphone capture rich and consistent detail at any position around the capsule.\u003c\/p\u003e\n\u003cp\u003eWith an extended 3Hz – 30kHz ruler-flat frequency response (with no frequencies exaggerated or attenuated) the result is a more accurate representation of the original sound. The QTC30 is time coherent, precisely capturing high and low frequency sounds with no phase errors, which will smear transients and create other time related distortions.\u003c\/p\u003e\n\u003cp\u003eWith an SPL rating of 140dB the QTC30 has plenty of headroom, so there is no need to worry about the microphone distorting. And there is no proximity effect, you can get the QTC30 as close as you want to the sound source. Ideal for for recording quieter sources such as vocals, strings and distant miked orchestras or choirs, these low noise omnis are also an excellent choice for drum overheads, close-miked wind and percussion instruments, and foley.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWith a frequency response to 30kHz and excellent impulse response, it will reproduce sounds with incredible detail that are true and life-like, making it an ideal and affordable choice for recording applications\u003c\/li\u003e\n\u003cli\u003eIntended for detailed sources\u003c\/li\u003e\n\u003cli\u003eOmnidirectional polar pattern\u003c\/li\u003e\n\u003cli\u003eFlat frequency response, fast impulse response and exceptional polar characteristics\u003c\/li\u003e\n\u003cli\u003eAccurate and uncolored\u003c\/li\u003e\n\u003cli\u003eHandles sound levels up to 140dB with no proximity effect or handling noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 3Hz to 30kHz ±1\/-3dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Omnidirectional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e 34mV\/Pa (-29dBV\/Pa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e: 24-48V Phantom, 10mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Acoustic Input\u003c\/strong\u003e: 140dB SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: XLR (pin 2+)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 65Ω balanced (between pins 2 \u0026amp; 3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMin Output Load\u003c\/strong\u003e: 600Ω between pins 2 \u0026amp; 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e: 20dB SPL equivalent (A weighted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions L x D\u003c\/strong\u003e: 165mm x 22mm (6.5 x .860 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: .35 lb. 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Its near-perfect omnidirectional polar pattern is uniform across all specified frequencies, letting the microphone capture rich and consistent detail at any position around the capsule.\u003c\/p\u003e\n\u003cp\u003eWith an extended 3Hz – 30kHz ruler-flat frequency response (with no frequencies exaggerated or attenuated) the result is a more accurate representation of the original sound. The QTC30 is time coherent, precisely capturing high and low frequency sounds with no phase errors, which will smear transients and create other time related distortions.\u003c\/p\u003e\n\u003cp\u003eWith an SPL rating of 140dB the QTC30 has plenty of headroom, so there is no need to worry about the microphone distorting. And there is no proximity effect, you can get the QTC30 as close as you want to the sound source. Ideal for for recording quieter sources such as vocals, strings and distant miked orchestras or choirs, these low noise omnis are also an excellent choice for drum overheads, close-miked wind and percussion instruments, and foley.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWith a frequency response to 30kHz and excellent impulse response, it will reproduce sounds with incredible detail that are true and life-like, making it an ideal and affordable choice for recording applications\u003c\/li\u003e\n\u003cli\u003eIntended for detailed sources\u003c\/li\u003e\n\u003cli\u003eOmnidirectional polar pattern\u003c\/li\u003e\n\u003cli\u003eFlat frequency response, fast impulse response and exceptional polar characteristics\u003c\/li\u003e\n\u003cli\u003eAccurate and uncolored\u003c\/li\u003e\n\u003cli\u003eHandles sound levels up to 140dB with no proximity effect or handling noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 3Hz to 30kHz ±1\/-3dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Omnidirectional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e 34mV\/Pa (-29dBV\/Pa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e: 24-48V Phantom, 10mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Acoustic Input\u003c\/strong\u003e: 140dB SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: XLR (pin 2+)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 65Ω balanced (between pins 2 \u0026amp; 3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMin Output Load\u003c\/strong\u003e: 600Ω between pins 2 \u0026amp; 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e: 20dB SPL equivalent (A weighted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions L x D\u003c\/strong\u003e: 165mm x 22mm (6.5 x .860 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: .35 lb. 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Its near-perfect omnidirectional polar pattern is uniform across all specified frequencies, letting the microphone capture rich and consistent detail at any position around the capsule.\u003c\/p\u003e\n\u003cp\u003eWith an SPL rating of 140dB the QTC40 has plenty of headroom, so there is no need to worry about the microphone distorting. And there is no proximity effect, you can get the QTC40 as close as you want to the sound source. Ideal for for recording quieter sources such as vocals, strings and distant miked orchestras or choirs, these low noise omnis are also an excellent choice for drum overheads, close-miked wind and percussion instruments, and foley.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWith a frequency response to 40kHz and excellent impulse response, it will reproduce sounds with incredible detail that are true and life-like, making it an ideal and affordable choice for recording applications\u003c\/li\u003e\n\u003cli\u003ePerfect for recording the accuracy and full detail of instruments in the studio yet robust and subtle enough to record bird sounds in the jungle\u003c\/li\u003e\n\u003cli\u003eIntended for detailed sources\u003c\/li\u003e\n\u003cli\u003eOmnidirectional polar pattern\u003c\/li\u003e\n\u003cli\u003eFlat frequency response, fast impulse response and exceptional polar characteristics\u003c\/li\u003e\n\u003cli\u003eAccurate and uncolored\u003c\/li\u003e\n\u003cli\u003eHandles sound levels up to 140dB with no proximity effect or handling noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 3Hz to 40kHz ±1dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Omnidirectional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: 34mV\/Pa (-29dBV\/Pa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e: 24-48V Phantom, 10mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Acoustic Input\u003c\/strong\u003e: 140B SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: XLR (pin 2+)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 65Ω balanced (between pins 2 \u0026amp; 3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMin Output Load\u003c\/strong\u003e: 600Ω between pins 2 \u0026amp; 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e: 20dB SPL equivalent (A weighted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions L x D\u003c\/strong\u003e: 229mm x 22mm (9 x .860 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: .5 lb. 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Its near-perfect omnidirectional polar pattern is uniform across all specified frequencies, letting the microphone capture rich and consistent detail at any position around the capsule.\u003c\/p\u003e\n\u003cp\u003eWith an SPL rating of 140dB the QTC40 has plenty of headroom, so there is no need to worry about the microphone distorting. And there is no proximity effect, you can get the QTC40 as close as you want to the sound source. Ideal for for recording quieter sources such as vocals, strings and distant miked orchestras or choirs, these low noise omnis are also an excellent choice for drum overheads, close-miked wind and percussion instruments, and foley.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWith a frequency response to 40kHz and excellent impulse response, it will reproduce sounds with incredible detail that are true and life-like, making it an ideal and affordable choice for recording applications\u003c\/li\u003e\n\u003cli\u003ePerfect for recording the accuracy and full detail of instruments in the studio yet robust and subtle enough to record bird sounds in the jungle\u003c\/li\u003e\n\u003cli\u003eIntended for detailed sources\u003c\/li\u003e\n\u003cli\u003eOmnidirectional polar pattern\u003c\/li\u003e\n\u003cli\u003eFlat frequency response, fast impulse response and exceptional polar characteristics\u003c\/li\u003e\n\u003cli\u003eAccurate and uncolored\u003c\/li\u003e\n\u003cli\u003eHandles sound levels up to 140dB with no proximity effect or handling noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 3Hz to 40kHz ±1dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Omnidirectional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: 34mV\/Pa (-29dBV\/Pa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e: 24-48V Phantom, 10mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Acoustic Input\u003c\/strong\u003e: 140B SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: XLR (pin 2+)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 65Ω balanced (between pins 2 \u0026amp; 3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMin Output Load\u003c\/strong\u003e: 600Ω between pins 2 \u0026amp; 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e: 20dB SPL equivalent (A weighted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions L x D\u003c\/strong\u003e: 229mm x 22mm (9 x .860 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: .5 lb. 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Its near-perfect omnidirectional polar pattern is uniform across all specified frequencies, letting the microphone capture rich and consistent detail at any position around the capsule.\u003c\/p\u003e\n\u003cp\u003eWith an extended 3Hz – 50kHz ruler-flat frequency response (with no frequencies exaggerated or attenuated) the result is a more accurate representation of the original sound. The QTC50 is time coherent, precisely capturing high and low frequency sounds with no phase errors, which will smear transients and create other time related distortions.\u003c\/p\u003e\n\u003cp\u003eWith an SPL rating of 140dB the QTC50 has plenty of headroom, so there is no need to worry about the microphone distorting. And there is no proximity effect, you can get the QTC50 as close as you want to the sound source. 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By systematically eliminating the many layers of distortion and noise normally added by each acoustic and electronic component, the Earthworks SR314 doesn’t sound like a traditional microphone - it pulls back the veil to reveal the true voice of the artist.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSimple, Easy and Brilliant\u003c\/strong\u003e\u003cbr\u003eThe SR314 democratizes exceptional live music experiences, making them accessible to everyone. Quicker soundchecks and better monitor and in-ear mixes let artists focus on what matters most - the music. Engineers are unencumbered from the necessities of heavy corrective EQ, compression and de-essing, and constant vigilance against feedback. 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Max\u003c\/span\u003e: 1.6\"\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003eDia. Min\u003c\/span\u003e: 0.97\"\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Earthworks","offers":[{"title":"Default Title","offer_id":31481123045422,"sku":"SEARSR314B","price":582.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/searsr314bl.jpg?v=1578923475"},{"product_id":"earthworks-sr40-hc","title":"Earthworks SR40\/HC - Hypercardioid Microphone","description":"\u003ch2\u003eEarthworks SR40\/HC\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eEarthworks SR40\/HC\u003c\/strong\u003e is a Hyper-cardioid condenser designed for acoustic string instruments, brass, woodwinds, piano, vocals and drums. For a microphone that delivers uncompromising performance both onstage and in the studio, the SR40\/HC is designed to seamlessly transition from tracking vocals in the studio to miking acoustic guitar onstage and everything in between.\u003c\/p\u003e\n\u003cp\u003eThe SR40\/HC’s near-perfect hypercardioid polar pattern is consistent across all frequencies, simplifying mic placement, ensuring more gain before feedback and virtually eliminating phasing issues when using multiple microphones. This multi-purpose microphone is equally at home miking acoustic guitar, brass, woodwinds, drums, guitar amp, vocals and more.\u003c\/p\u003e\n\u003cp\u003eThe extended frequency response from 20Hz – 40kHz reproduces sound with more depth and accuracy, especially for those instruments that include more high frequency overtones. It handles transients with ease, reproducing every detail no matter how sharp or subtle. Capable of handling sound pressure levels of up to 139dB without distortion, the SR40\/HC can handle nearly any instrument.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eExtended frequency response to 40kHz\u003c\/li\u003e\n\u003cli\u003eMulti-purpose directional microphone\u003c\/li\u003e\n\u003cli\u003eMore gain before feedback than other microphones\u003c\/li\u003e\n\u003cli\u003eLess leakage\u003c\/li\u003e\n\u003cli\u003eTextbook perfect cardioid polar pattern with natural on and off-axis performance\u003c\/li\u003e\n\u003cli\u003eProvides excellent results for both live performance and recording applications\u003c\/li\u003e\n\u003cli\u003eExtreme accuracy in the time domain for faithful reproduction and no smearing or distortion\u003c\/li\u003e\n\u003cli\u003eTransparent sound quality\u003c\/li\u003e\n\u003cli\u003eShorter diaphragm settling time to prevent quieter attacks from being blurred by earlier louder attacks\u003c\/li\u003e\n\u003cli\u003e20Hz – 40kHz frequency response, revealing subtleties in the sound that are non-existent from microphones with less high frequency range, and enabling musical performances to exhibit greater depth and realism\u003c\/li\u003e\n\u003cli\u003eThe exceptional rear rejection performance enables the SR40 to easily isolate instruments in a recording or live performance setting, thus minimizing acoustic bleed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 20Hz to 40kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Hypercardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: 20mV\/Pa (-34dBV\/Pa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e: 24-48V Phantom, 10mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Acoustic Input\u003c\/strong\u003e: 139dB SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: Male XLR-3 balanced (pin 2+)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 65Ω balanced (between pins 2 \u0026amp; 3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMin Output Load\u003c\/strong\u003e: 600Ω between pins 2 \u0026amp; 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e: 16dB SPL equivalent (A weighted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions L x D\u003c\/strong\u003e: 250mm x x 22mm (9.84 x .860 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: .5 lb (225g)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Earthworks","offers":[{"title":"Default Title","offer_id":31481123143726,"sku":"SEARSR40HC","price":832.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/img_8096.jpg?v=1578923466"},{"product_id":"earthworks-tc20-omni","title":"Earthworks TC20 - Omni Microphone for Loud Sources","description":"\u003ch2\u003eEarthworks TC20\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eEarthworks TC20\u003c\/strong\u003e is a professional omnidirectional microphone that's been designed for recording louder sources such as drums, percussion, amplified instruments and loud sound effects. With a whopping SPL rating of 150dB the TC20 has plenty of headroom, so there is no need to worry about distortion, even with the loudest instruments. And there is no proximity effect, so you can get the TC20 as close as you want to the sound source.\u003c\/p\u003e\n\u003cp\u003eWith a 9Hz – 20kHz ruler-flat frequency response, the result is a more accurate representation of the original sound. Its transient response is ultra fast, handling sharp attacks with ease, while still picking up all of the subtle nuances and softest dynamics of your playing. The TC20 is time coherent, precisely capturing high and low frequency sounds with no phase errors, which will smear transients and create other time related distortions.\u003c\/p\u003e\n\u003cp\u003eIts near-perfect omnidirectional polar pattern is uniform across all specified frequencies, letting the microphone capture rich and consistent detail at any position around the capsule.Designed for recording louder sources such as drums, percussion, amplified instruments and loud sound effects.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCost effective general-purpose omni with high frequency response to 20kHz\u003c\/li\u003e\n\u003cli\u003eIdeal for a wide variety of instruments and vocals, including acoustic guitar, string instruments and piano\u003c\/li\u003e\n\u003cli\u003eFor live sound the TC20 can be used for close miking instrument amps, drums or brass\u003c\/li\u003e\n\u003cli\u003eOmnidirectional polar pattern\u003c\/li\u003e\n\u003cli\u003eAccurate and uncolored\u003c\/li\u003e\n\u003cli\u003eEffortlessly handle high sound pressure levels up to 150dB SPL while simultaneously capturing subtle details\u003c\/li\u003e\n\u003cli\u003eFast impulse response and diaphragm settling time\u003c\/li\u003e\n\u003cli\u003eExceptional flat frequency response and are time coherent, so they sound natural and uncolored\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 9Hz to 20kHz ±1\/-3dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Omnidirectional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: 8mV\/Pa (-42dBV\/Pa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e: 24-48V Phantom, 10mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Acoustic Input\u003c\/strong\u003e: 150dB SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: XLR (pin 2+)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 65Ω balanced (between pins 2 \u0026amp; 3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMin Output Load\u003c\/strong\u003e: 600Ω between pins 2 \u0026amp; 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e: 26dB SPL equivalent (A weighted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions L x D\u003c\/strong\u003e: 165mm x 22mm (6.5 x .860 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: .35 lb. 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And there is no proximity effect, so you can get the TC20 as close as you want to the sound source.\u003c\/p\u003e\n\u003cp\u003eWith a 9Hz – 20kHz ruler-flat frequency response, the result is a more accurate representation of the original sound. Its transient response is ultra fast, handling sharp attacks with ease, while still picking up all of the subtle nuances and softest dynamics of your playing. The TC20 is time coherent, precisely capturing high and low frequency sounds with no phase errors, which will smear transients and create other time related distortions.\u003c\/p\u003e\n\u003cp\u003eIts near-perfect omnidirectional polar pattern is uniform across all specified frequencies, letting the microphone capture rich and consistent detail at any position around the capsule.Designed for recording louder sources such as drums, percussion, amplified instruments and loud sound effects.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCost effective general-purpose omni with high frequency response to 20kHz\u003c\/li\u003e\n\u003cli\u003eIdeal for a wide variety of instruments and vocals, including acoustic guitar, string instruments and piano\u003c\/li\u003e\n\u003cli\u003eFor live sound the TC20 can be used for close miking instrument amps, drums or brass\u003c\/li\u003e\n\u003cli\u003eOmnidirectional polar pattern\u003c\/li\u003e\n\u003cli\u003eAccurate and uncolored\u003c\/li\u003e\n\u003cli\u003eEffortlessly handle high sound pressure levels up to 150dB SPL while simultaneously capturing subtle details\u003c\/li\u003e\n\u003cli\u003eFast impulse response and diaphragm settling time\u003c\/li\u003e\n\u003cli\u003eExceptional flat frequency response and are time coherent, so they sound natural and uncolored\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 9Hz to 20kHz ±1\/-3dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Omnidirectional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: 8mV\/Pa (-42dBV\/Pa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e: 24-48V Phantom, 10mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Acoustic Input\u003c\/strong\u003e: 150dB SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: XLR (pin 2+)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 65Ω balanced (between pins 2 \u0026amp; 3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMin Output Load\u003c\/strong\u003e: 600Ω between pins 2 \u0026amp; 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e: 26dB SPL equivalent (A weighted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions L x D\u003c\/strong\u003e: 165mm x 22mm (6.5 x .860 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: .35 lb. 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All three microphones boast an impressive impulse response that will capture all the impact and detail of the attack. Their fast diaphragm settling time will reproduce low-level detail to provide the full expressiveness of a drummer’s performance, while the mic handles up to 145dB SPL, virtually eliminating overload distortion.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eThe core of your drum sound.\u003c\/h4\u003e\n\u003cp\u003eOverheads and kick are a wide-angle lens capturing the full picture of your drum kit. The vividness, realism and lifelikeness in that picture depend on two factors: the quality of the sounds captured by the individual microphones, and how seamlessly the sounds from those microphones blend together. The three-microphone DK3 kit redefines what’s possible in drum miking.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003ePicture Perfect\u003c\/h4\u003e\n\u003cp\u003eA perfect sonic image of your whole kit from above. A pair of Earthworks SR25 cardioids bring transparency, clarity, and attack to your drum sound.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003ePunch Through the Mix\u003c\/h4\u003e\n\u003cp\u003eDon’t be fooled by its size. The SR20LS is a revolution in bass drum miking. A small diaphragm condenser that goes all the way down to 20Hz and handles 150dB SPL, the SR20LS missing nothing and single handedly does a job that often requires two mics or more.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eYour Sound\u003c\/h4\u003e\n\u003cp\u003eYour drums are your voice, and details matter. Laser-focused on delivering your sound, each microphone in the DK3 is engineered with razor-flat, extended frequency response and time coherence. 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This makes the ICON perfect for working in spaces that are less than ideal and noisy.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRecognizing that speed matters for live-streaming and content creation, NAMM named the Earthworks ICON Pro as a finalist for their 2022 TEC Awards. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/eu-west-1.protection.sophos.com?d=youtube.com\u0026amp;u=aHR0cHM6Ly93d3cueW91dHViZS5jb20vd2F0Y2g_dj04ZGc1VElMS3NDYyZ0PTIwNHM=\u0026amp;i=NWZjNjczYjAxODMxYzgwZTE4OWRkYTA0\u0026amp;t=dDJINUdpMDVGS2UwR1djSmljTzZTVFp0VFZWdXp1b3o5a3doemtRWWcrcz0=\u0026amp;h=dfa46cf9e3804bc09de182a5086be738\"\u003ehttps:\/\/www.youtube.com\/watch?v=8dg5TILKsCc\u0026amp;t=204s\u003c\/a\u003e\u003c\/p\u003e\n\u003ch4\u003eFeatures:\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003ePerfect for broadcast-quality speech and voice over recording\u003c\/li\u003e\n\u003cli\u003eIdeal for streaming, podcasting, interviewing, gaming, web conferencing, and content creating\u003c\/li\u003e\n\u003cli\u003eLightning-fast. Rise Time Speed of 11.67 microseconds\u003c\/li\u003e\n\u003cli\u003eMounts to a boom or stand with included custom Triad-Orbit M2-R connector\u003c\/li\u003e\n\u003cli\u003eOff-axis rejection prevents ambient room noise from entering your stream\u003c\/li\u003e\n\u003cli\u003eNo foam. 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