{"title":"Manley","description":"","products":[{"product_id":"manley-core-tube-mic-pre-eq-compressor-fet-limiter-new-product","title":"Manley CORE Tube Mic Pre, EQ, Compressor \u0026 FET Limiter","description":"\u003ch2\u003eManley CORE Tube Mic Pre, EQ, Compressor \u0026amp; FET Limiter\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eManley CORE Tube Mic Pre\u003c\/strong\u003e, is a Class A tube based, all-in-one reference channel strip featuring a preamp, EQ, compressor and brick-wall FET limiter. All packed into a streamlined and approachable interface, designed to make achieving great sounds quick and painless. Manley’s experience and insight working with the industry’s top recording engineers and musicians culminates in the CORE. At this price, there is no other channel-strip with higher headroom or more seductive sound than the CORE. Handcrafted in the USA, built like a tank, built to endure, the epicenter of your recorded art will be the Manley CORE.\u003c\/p\u003e\n\u003ch2\u003eManley CORE Tube Mic Pre Features\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eMIC \u0026amp; LINE PREAMPLIFIER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe signal enters through Manely's renowned hand-wound MANLEY IRON\u003csup\u003e®\u003c\/sup\u003e input transformer with nickel laminations in a mu-metal can. The tube amplifying stage is the latest implementation of thier famous Class A circuit topology found in the VOXBOX\u003csup\u003e®\u003c\/sup\u003e and Manley Dual Mono \u0026amp; Mono Microphone Preamplifiers. This all-triode vacuum tube circuit runs on a regulated 300 Volt B+ supply yielding huge headroom and relentless output drive capability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFRONT PANEL CONTROLS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e48V Phantom power switch \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e120Hz High Pass Filter switch\u003c\/li\u003e\n\u003cli\u003ePhase Invert switch\u003c\/li\u003e\n\u003cli\u003eInput Attenuator (Variable Pad)\u003c\/li\u003e\n\u003cli\u003eMic Pre Selectable Gain 40dB or 60dB\u003c\/li\u003e\n\u003cli\u003eLine Amp Selectable Gain 20dB or 40dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e1\/4\" DIRECT INPUT \u003c\/strong\u003e\u003cbr\u003e Similar to the DI in the Manley SLAM!\u003csup\u003e®\u003c\/sup\u003e, this all-discrete solid-state circuit with 10 Meg Ohm input impedance is perfect for guitars, bass, keyboards, etc.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPRESSOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFeaturing our successful ELOP\u003csup\u003e®\u003c\/sup\u003e technology also found in our famous Manley VOXBOX\u003csup\u003e®\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompressor is uniquely before the Mic Preamp making it virtually impossible to clip\u003c\/li\u003e\n\u003cli\u003eRatio 3:1\u003c\/li\u003e\n\u003cli\u003eContinuously variable Attack, Release, and Threshold controls\u003c\/li\u003e\n\u003cli\u003eSilent Bypass switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEQUALIZER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLow and High Baxandall Shelves (80Hz and 12kHz) with ±12dB range\u003c\/li\u003e\n\u003cli\u003eSweepable Midrange Bell EQ (100Hz – 1kHz) or (1kHz – 10kHz) with ±10dB range\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLIMITER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFast attack FET “brickwall” limiter\u003c\/li\u003e\n\u003cli\u003eContinuously Variable Threshold and Release controls\u003c\/li\u003e\n\u003cli\u003ePeak Limit LED indicator\u003c\/li\u003e\n\u003cli\u003e10dB range output gain control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMETER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLarge illuminated analog display\u003c\/li\u003e\n\u003cli\u003e3-way meter-select switch shows Compressor Gain Reduction, Micpre Output Level, and Main Output audio levels.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINPUTS AND OUTPUTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBalanced XLR Mic Input\u003c\/li\u003e\n\u003cli\u003eBalanced XLR Line Input\u003c\/li\u003e\n\u003cli\u003eFront Panel Direct Instrument 1\/4\" Input\u003c\/li\u003e\n\u003cli\u003eInsert point between Mic Preamp and EQ\/Limiter via ¼” TRS jack\u003c\/li\u003e\n\u003cli\u003eBalanced XLR Direct Output (after Preamp\/Compressor section)\u003c\/li\u003e\n\u003cli\u003eBalanced XLR Main Output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDeluxe CNC-machined 1\/4\" thick faceplate with inlaid laser-engraved inserts adorn the rigid 2U steel chassis – all locally sourced in Southern California.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eALL-TUBE preamplifier audio path using 1 x 12AX7 for gain and 1 x 6922 White Follower\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBalanced Transformer Coupled XLR Microphone Input Impedance\u003c\/strong\u003e: 1200 Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBalanced XLR Line Input Impedance\u003c\/strong\u003e: 10 kOhms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUnbalanced 1\/4\" Direct Input Impedance\u003c\/strong\u003e: 10 Meg Ohm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHi-current drive Direct XLR output Impedance\u003c\/strong\u003e: 50 Ohms\u003c\/li\u003e\n\u003cli\u003eSilent conductive plastic INPUT attenuator\u003c\/li\u003e\n\u003cli\u003eMicrophone preamp high pass filter starting at 120Hz with a 6dB\/8va slope\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompressor Maximum GAIN REDUCTION\u003c\/strong\u003e: 16 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompressor ATTACK time\u003c\/strong\u003e: 60ms slowest CCW, 30ms at 12:00, 5ms fastest CW for 6dB compression\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompressor RELEASE time\u003c\/strong\u003e: 1.5s slowest CCW, 1s at 12:00, 100ms fastest CW from 6dB compression\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Input Mic input (Low Gain Setting)\u003c\/strong\u003e: -5 dBu or 435mV RMS @ 0.5% THD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Input Mic input (High Gain Setting)\u003c\/strong\u003e: -25 dBu or 44 mV RMS @ 0.5% THD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Input Line input (Low Gain Setting)\u003c\/strong\u003e: +13 dBu or 3.5V RMS @ 0.5% THD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Input Line input (High Gain Setting)\u003c\/strong\u003e: -8 dBu or 300mV RMS @ 0.5% THD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Input Direct input (Low Gain Setting)\u003c\/strong\u003e: +24 dBu or 12V RMS @ 0.5% THD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Input Direct input (High Gain Setting)\u003c\/strong\u003e: +17 dBu or 5.5V RMS @ 0.5% THD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Input Insert return\u003c\/strong\u003e: +20 dBu or 7.8V RMS @ 0.5% THD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Preamp Output (Insert Send)\u003c\/strong\u003e: +35 dBu or 43V RMS @ 0.5% THD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Preamp Output (Insert Send)\u003c\/strong\u003e: +22 dBu into 600 Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Main Output\u003c\/strong\u003e: +20 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInsert Send output impedance\u003c\/strong\u003e: 50 Ohms\u003c\/li\u003e\n\u003cli\u003eI\u003cstrong\u003ensert Return input impedance\u003c\/strong\u003e: 13 kOhms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Output Impedance\u003c\/strong\u003e: 50 Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect Output Headroom (referenced to +4 dBv)\u003c\/strong\u003e: 31 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Output Headroom (referenced to +4 dBv)\u003c\/strong\u003e: 16 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range\u003c\/strong\u003e: \u0026gt;90 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 10 Hz to 20 kHz ±0.5 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eLarge LED illuminated VU METER\u003c\/li\u003e\n\u003cli\u003eMeters switch to read Direct Output (1) from preamp, Output (2) from Main Out, or Compressor Gain Reduction\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD \u0026amp; Noise\u003c\/strong\u003e (1kHz @ +4 dBm): 0.02% at Low Gain setting\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise Floor\u003c\/strong\u003e (Gain set to minimum): -70 dB wideband typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain via Microphone Input\u003c\/strong\u003e: 40 or 60 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain via Line Input\u003c\/strong\u003e: 20 or 40dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Gain of EQ \u0026amp; Limiter section\u003c\/strong\u003e: 10 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAUTOMUTE warmup delay\u003c\/strong\u003e: 30 Seconds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: 35 watts\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating mains voltage\u003c\/strong\u003e: 90 to 254 VAC (internal universal supply)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMains Voltage Frequency\u003c\/strong\u003e: 50-60Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 19\" x 3 1\/2\" x 7\" (occupies 2u)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUnit Weight\u003c\/strong\u003e: 8.3 lbs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShipping weight\u003c\/strong\u003e: 11.5 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516210266158,"sku":"SMANCORE","price":1875.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smancore.jpg?v=1578924340"},{"product_id":"manley-elop-electro-optical-limiter","title":"Manley ELOP+ Electro-Optical Limiter","description":"\u003ch2\u003eManley ELOP+\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eManley ELOP+\u003c\/strong\u003e is an electro-optical limiter that effortlessly controlling dynamics on countless records around the globe and delivering the coveted classic, all-tube sound for which Manley Labs is known. This LA-2A type unit allows for deep amounts of limiting without loss of high frequencies: it literally works (and sounds) like a changing volume control. The original was super easy to use, with supremely natural sound, and has often been the perfect choice for superstar vocals.\u003c\/p\u003e\n\u003cp\u003eThe original Stereo ELOP, or Electro Optical Limiter, was one of the first Manley products from the early 1990’s. With its through-hole printed circuit board construction and hours of tedious hand-looming, it sure looked like 1992 inside the chassis. The unit was scrubbed for buildability, embracing modern production techniques. Importantly, the power supply was upgraded to Manley's proprietary universal voltage Switch Mode Power Supply, which lowered the noise level and made the unit a true world-traveler.\u003c\/p\u003e\n\u003cp\u003eWe've also added a 3:1 compression ratio feature which opens up the doors to greater versatility, especially for 2-buss applications. With careful reference to our sonic past, we have deployed our highest performance vacuum tube line amplifier and White Follower output stage in this new version, all housed in a build-efficient chassis behind a drop-dead gorgeous precision-CNC-milled faceplate - all proudly made in America, of course. The new Manley ELOP+ is everything you love about our legendary ELOP, plus!\u003c\/p\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516210298926,"sku":"SMANELOP","price":2125.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanelop.jpg?v=1578924341"},{"product_id":"manley-force","title":"Manley Force 4 Channel Valve Microphone Pre-amplifier","description":"\u003ch2\u003eManley Force\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eManley Force\u003c\/strong\u003e is a 4 channel valve microphone preamplifier with silky and bulletproof rotary potentiometers, positive latching feature switches, and convenient Direct Input 1\/4\" jacks. Seven-way LED metering for each channel provides instant visible feedback for audio levels which are enhanced with a double-inlay CNC-milled accent. A feast for the eyes, yeah, we know. This is investment grade audio equipment that you will be as proud to showcase in your studio as we are to handcraft it here in Southern California.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Sonic Tour de FORCE.\u003c\/strong\u003e\u003cbr\u003eYour microphone signals enter through gold-plated XLR connectors straight into our MANLEY IRON® Mic input transformer. Your line level or instrument level guitars and keyboards come in via the front panel 1\/4\" Hi-Z 10 megOhm jacks before hitting the input level control which also acts as a Variable Input Pad. Phase Reverse and 120Hz High Pass filters can be invoked here in the circuit and then we're into the 12AX7 dual triode amplifying stage operating in pure Class A, of course. The amount of GAIN for each channel can be selected as 40dB or 50dB via the front panel switches. An additional 10dB of gain is available via internal jumpers. The output stage \"can drive a truck\" as we like to brag.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Powerful FORCE.\u003c\/strong\u003e\u003cbr\u003eThe power supply is an innovative design developed specifically for Manley Labs, specifically for High Voltage vacuum tubes, and specifically for audio by the world expert team in this technology led by Bruno Putzeys. Proven reliable and sonically superior in the Manley CORE, this power supply provides 300 Volt DC rails to run the vacuum tubes, beefy 6 Volt lines to power them up, along with several other voltage rails for the phantom power and various solid-state control voltages. High Voltage = High Headroom, folks. You will not get near this sonic performance with in any 500-series design. Trust us. This is Full FORCE audio excellence which starts with this superior power supply. All lines are importantly regulated, low impedance, efficient, and super-quiet in this low radiating high frequency design. The universal mains input accepts any voltage or frequency from anywhere in the world making travel with the FORCE a breeze.\u003c\/p\u003e\n\u003ch2\u003eManley Force Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e7-Segment LED Peak Metering\u003c\/li\u003e\n\u003cli\u003eSelectable Gain, LOW vs HIGH\u003c\/li\u003e\n\u003cli\u003e120Hz High Pass Filter switch\u003c\/li\u003e\n\u003cli\u003ePhase Invert switch\u003c\/li\u003e\n\u003cli\u003e48V Phantom power switch\u003c\/li\u003e\n\u003cli\u003eInput Attenuator (Variable Pad)\u003c\/li\u003e\n\u003cli\u003eSilent Input Level Control (Variable Input Pad)\u003c\/li\u003e\n\u003cli\u003e1\/4\" DIRECT INPUT\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516210364462,"sku":"SMANFORCE","price":1941.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanforce.jpg?v=1578924342"},{"product_id":"manley-massive-passive-eq-dual-channel","title":"Manley Massive Passive EQ Dual Channel","description":"\u003ch2\u003eManley Massive Passive\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eManley Massive Passive\u003c\/strong\u003e is a EQ Dual Channel that Creats natural, organic, acoustic tone can only be done with an equalizer that treats the signal with natural methods. The Massive Passive uses simple passive components and exploits their natural qualities rather than forcing a complex circuit to meet an arbitrary clinical or scientific goal. Manley knows that recording and mastering equalizers are used by artists for artistic goals and we balanced this design with a little more art than science.\u003c\/p\u003e\n\u003cp\u003eThe Massive Passive is intended both for the most radical EQ sometimes needed for tracking as well as the most subtle shadings for vocals and mastering. It is designed to be a fundamentally different EQ but incorporates the best strengths of Pultecs, choice console EQs, parametrics and graphics. The difference is that the Massive allows twice as much EQ with half the coloration. It allows huge HF boosts without sibilance problems and unbelievable fatness without mud. This is unique. Being different also gives it some quirks and idiosyncrasies that will spark your creativity and sense of audio adventure.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eMassive Passive Features\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAll-Passive tone sculpting circuitry\u003c\/li\u003e\n\u003cli\u003eUnique Shelf curves use the \"bandwidth\" control\u003c\/li\u003e\n\u003cli\u003eOverlapping and Interleaved Frequency choices\u003c\/li\u003e\n\u003cli\u003eEvery band switchable to shelf or bell\u003c\/li\u003e\n\u003cli\u003eVacuum tube make-up gain and line drivers\u003c\/li\u003e\n\u003cli\u003eParallel symmetrical topology\u003c\/li\u003e\n\u003cli\u003ePremium components throughout\u003c\/li\u003e\n\u003cli\u003eHP and LP Filters plus gain trims\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\n\u003cli\u003eIns \u0026amp; Outs Balanced XLR \u0026amp; 1\/4\" (accepts unbalanced)\u003c\/li\u003e\n\n\u003cli\u003eLevel +4 dBu nominal, internal switches for -10 operation\u003c\/li\u003e\n\n\u003cli\u003eBypass Switch bypasses EQ \u0026amp; tube circuits (not hardwire)\u003c\/li\u003e\n\n\u003cli\u003e44 Frequencies (roughly 1\/4 octave spacing)\u003c\/li\u003e\n\n\u003cli\u003eFrequency Range: 22 Hz to 27 Khz\u003c\/li\u003e\n\n\u003cli\u003eEQ Boost\/Cut Range : 20 dB boost, 20 dB cut\u003c\/li\u003e\n\n\u003cli\u003eNominal Q range: 1.5 to 3 (uniquely active in shelf modes)\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: +\/- 2 dB: 8 Hz to 60 KHz\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output @ 1.5% THD +37 dBv; +26dBv @ 20 Hz\u003c\/li\u003e\n\n\u003cli\u003eTHD \u0026amp; Noise (1KHz @ +4 dBu): 0.06%\u003c\/li\u003e\n\n\u003cli\u003eNoise Floor (referred to +4dBu): -85 dB (A Weight)\u003c\/li\u003e\n\n\u003cli\u003eDynamic Range: 120 dB\u003c\/li\u003e\n\n\u003cli\u003eTube Complement: 2 x 12AX7 EH, 4 x 6414 for serial MSMPX### after 2\/2004\u003c\/li\u003e\n\n\u003cli\u003eTube Complement: 2 x 5751, 4 x 6414 for serial MSMP### until 2\/2004\u003c\/li\u003e\n\n\u003cli\u003ePower Consumption (120\/240VAC): 72 watts\u003c\/li\u003e\n\n\u003cli\u003eUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/li\u003e\n\n\u003cli\u003eOperating Mains Voltage changeable with power transformer changeover switch and fuse value change.\u003c\/li\u003e\n\n\u003cli\u003eMains Voltage Frequency: 50~ 60Hz\u003c\/li\u003e\n\n\u003cli\u003eSize (3U): 19\" x 5.25\" x 10\"\u003c\/li\u003e\n\n\u003cli\u003eWeight: Unit 21 lbs. Shipping Weight: 27 lbs.\u003c\/li\u003e\n\n","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516210397230,"sku":"SMANMAS","price":4351.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SMANMAS.jpg?v=1601651914"},{"product_id":"manley-massive-passive-eq-dual-channel-mastering","title":"Manley Massive Passive EQ Dual Channel - Mastering","description":"\u003ch2\u003eMassive Passive Mastering Edition\u003c\/h2\u003e\n\u003cp\u003eThe Massive Passive is a passive design and not a \"true parametric\". A true parametric implies non-interacting controls. In the Massive Passive, the \"GAIN\" and \"BANDWIDTH\" controls DO interact (on purpose). We cannot create a \"GAIN\" switch that is set up for \"consistent\" 1\/2 dB steps. When you change the \"BANDWIDTH\" the step size must and will change. On the regular version, you get a full 20dB boost or cut only when: the bandwidth is fully clockwise (narrow) in bell mode or fully counter-clockwise in shelf mode.\u003c\/p\u003e\n\u003cp\u003eHere on the Mastering Version, this maximum boost or cut is 11dB. Conversely at the widest bell, the maximum boost or cut is 6dB and the narrowest shelf maxes out at 12 dB. A similar situation is also true for the bandwidth detents. So in this new Mastering Version, do not expect a certain dB change per step as it will vary according to where the bandwidth is set. But whatever the step \u003cem\u003esizes\u003c\/em\u003e are, they will be repeatably 16 steps. The FREQUENCY select is already detented as it is and always has been a Grayhill switch. It also interacts in shelf mode.\u003c\/p\u003e\n\u003cp\u003eOn a similar note, the Massive Passive is a \"parallel design\" and not the conventional \"series design\". This means the bands interact with each other too. It is possible, to set a band to boost 20 dB but if another band is boosting near or at that frequency, very little will happen. On a conventional EQ the two bands \"add\" and you would be boosting 40 dB into clipping. Because the bands interact, predictable step sizes are unrealistic, however, with the Mastering Version, you will be able to repeat settings (if you log them of course). The price paid for interacting bands, is a better sounding EQ and bizarre looking settings (on purpose).\u003c\/p\u003e\n\u003cp\u003eUnlike virtually every other EQ, the Massive Passive allows much more EQ without sounding \"processed\". Where 5 or 6 dB is about all one could attempt with other EQs in mastering, the Massivo amazes engineers with how much EQ they can do and get more \"natural\" results at the same time. We could have squeezed 11 position Grayhill switches in the modules if we had wanted 1\/2 dB steps but then the maximum range would have become only 5.5 dB. Remembering what we stated above, the minimum range would then become about 1.5 dB with approximately 0.2 dB steps. This approach would have essentially thrown away most of the useful range the unit is capable of. Going with these special mechanically detented knobs which use the same pots underneath that the normal Massivo uses, we get nearly all the range of the normal version, but with the repeatability of the detents.\u003c\/p\u003e\n\u003cp\u003eWe have also custom tailored the FILTERS in the Mastering Version specifically for Mastering purposes, moving them lower and higher than the normal version, with mastering engineers specifically in mind. If you are looking for drastic effects (like telephone sounds) then get the normal version. These filters are really geared for mastering engineers.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the Master Gain Trim controls in the Mastering Version are true 11 position 1\/2 dB stepped Grayhill switches set up for a range between -2.5 to +2.5 dB of master gain trim. This allows more confidence in left\/right matching and calibration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMassive Passive Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll-Passive tone sculpting circuitry\u003c\/li\u003e\n\u003cli\u003eUnique Shelf curves use the \"bandwidth\" control\u003c\/li\u003e\n\u003cli\u003eOverlapping and Interleaved Frequency choices\u003c\/li\u003e\n\u003cli\u003eEvery band switchable to shelf or bell\u003c\/li\u003e\n\u003cli\u003eVacuum tube make-up gain and line drivers\u003c\/li\u003e\n\u003cli\u003eParallel symmetrical topology\u003c\/li\u003e\n\u003cli\u003ePremium components throughout\u003c\/li\u003e\n\u003cli\u003eHP and LP Filters plus gain trims \u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003eIns \u0026amp; Outs Balanced XLR \u0026amp; 1\/4\" (accepts unbalanced)\u003c\/li\u003e\n\n\u003cli\u003eLevel +4 dBu nominal, internal switches for -10 operation\u003c\/li\u003e\n\n\u003cli\u003eBypass Switch bypasses EQ \u0026amp; tube circuits (not hardwire)\u003c\/li\u003e\n\n\u003cli\u003e44 Frequencies (roughly 1\/4 octave spacing)\u003c\/li\u003e\n\n\u003cli\u003eFrequency Range: 22 Hz to 27 Khz\u003c\/li\u003e\n\n\u003cli\u003eEQ Boost\/Cut Range : 20 dB boost, 20 dB cut\u003c\/li\u003e\n\n\u003cli\u003eNominal Q range: 1.5 to 3 (uniquely active in shelf modes)\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: +\/- 2 dB: 8 Hz to 60 KHz\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output @ 1.5% THD +37 dBv; +26dBv @ 20 Hz\u003c\/li\u003e\n\n\u003cli\u003eTHD \u0026amp; Noise (1KHz @ +4 dBu): 0.06%\u003c\/li\u003e\n\n\u003cli\u003eNoise Floor (referred to +4dBu): -85 dB (A Weight)\u003c\/li\u003e\n\n\u003cli\u003eDynamic Range: 120 dB\u003c\/li\u003e\n\n\u003cli\u003eTube Complement: 2 x 12AX7 EH, 4 x 6414 for serial MSMPX### after 2\/2004\u003c\/li\u003e\n\n\u003cli\u003eTube Complement: 2 x 5751, 4 x 6414 for serial MSMP### until 2\/2004\u003c\/li\u003e\n\n\u003cli\u003ePower Consumption (120\/240VAC): 72 watts\u003c\/li\u003e\n\n\u003cli\u003eUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/li\u003e\n\n\u003cli\u003eOperating Mains Voltage changeable with power transformer changeover switch and fuse value change.\u003c\/li\u003e\n\n\u003cli\u003eMains Voltage Frequency: 50~ 60Hz\u003c\/li\u003e\n\n\u003cli\u003eSize (3U): 19\" x 5.25\" x 10\"\u003c\/li\u003e\n\n\u003cli\u003eWeight: Unit 21 lbs. Shipping Weight: 27 lbs.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516210626606,"sku":"SMANMASM","price":5249.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanmasm.jpg?v=1578924343"},{"product_id":"manley-mid-frequency-eq","title":"Manley Mid Frequency EQ","description":"\u003ch2\u003eManley Mid Frequency EQ\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eManley Mid Frequency EQ\u003c\/strong\u003e is a single channel Mid Frequency EQ is the secret weapon for vocal, guitar, snare and all the other midrange instruments that are the meat of the mix. Specially useful for midband oriented instruments such as guitars, vocals, harmonicas, and violins, the MID FREQUENCY ENHANCED PULTEC EQ (MEQ-5 type) shares the same features and specifications as our 'EQP-1A' version.\u003c\/p\u003e\n\u003cp\u003eThe differences lie in the passive EQ section: In the MID EQ, the DIP and PEAK controls function on much sharper bell-shaped curves centered on the selected frequencies, which gives the engineer-producer more precise control over the vitally important midrange and makes this unit indispensable for mastering engineers. The MID EQ also completely fills the frequency gaps between the low frequency and high frequency sections of our Enhanced Pultec EQP-1A type EQ; thus the combination of the two provides a most flexible palette of possibilities for tracking or mastering.\u003c\/p\u003e\n\u003ch3\u003eManley Mid Frequency EQ Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMANLEY input transformer with pure nickel laminations potted in mu-metal case. 3K Ohm input Z\u003c\/li\u003e\n\u003cli\u003ePHASE REVERSE switch for balanced XLR input\u003c\/li\u003e\n\u003cli\u003eAlternate transformerless 1\/4\" HI-Z (5K Ohm) input\u003c\/li\u003e\n\u003cli\u003eBYPASS switch \u0026amp; AUTO-MUTE w\/warmup delay\u003c\/li\u003e\n\u003cli\u003eSilent conductive plastic PEAK \u0026amp; SHELF controls\u003c\/li\u003e\n\u003cli\u003eSealed gold-contact Greyhill frequency select switches\u003c\/li\u003e\n\u003cli\u003eHi-current drive \u0026lt;50 Ohm LO-Z XLR \u0026amp; 1\/4\" outputs\u003c\/li\u003e\n\u003cli\u003eBalanced Transformer Coupled XLR Outputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 10Hz-70KHz\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eTHD @ 1kHz\u003c\/strong\u003e: \u0026lt;0.01%\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eS\/N Ratio\u003c\/strong\u003e: 116 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eAdjustable Feedback \/ Gain\u003c\/strong\u003e: Unity ±5 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMax. output\u003c\/strong\u003e: +30 dBv\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: 18 watts\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516210724910,"sku":"SMANMIDFREQEQ","price":1941.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanmidfreqeq.jpg?v=1578924344"},{"product_id":"manley-nu-mu-stereo-limiter-compressor","title":"Manley Nu Mu Stereo Limiter Compressor","description":"\u003ch2\u003eManley Nu Mu Stereo Limiter Compressor\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eManley Nu Mu Stereo Limiter Compressor\u003c\/strong\u003e gives you outstanding audio quality by giving you the best of transistor and tube compressors. Even while using the \"T-Bar mod\" from their popular Variable Mu, this new unit makes its own name in the industry by producing the smoothest dynamics and the punchiest sonic path thanks to its new solid state audio chain.\u003c\/p\u003e\n\u003cp\u003eWith Manley's new HIP function, the Nu Mu finesses dynamic control to bring up lower level details without knocking the life out of exciting transients.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eManley IRON input transformers\u003c\/li\u003e\n\u003cli\u003e4 x hand-matched 6BA6 vacuum tubes\u003c\/li\u003e\n\u003cli\u003eBalanced XLR inputs \u0026amp; outputs\u003c\/li\u003e\n\u003cli\u003eManley HIP function raises soft dynamics without squashing louder passages\u003c\/li\u003e\n\u003cli\u003eHigh Voltage Switched Mode Power Supply custom designed for our vacuum tube audio circuits\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Tube\/solid state (4 x 6BA6 vacuum tubes)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eNumber of Channels:\u003c\/strong\u003e 2\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eControls:\u003c\/strong\u003e Threshold, Attack, Recovery, Output\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRatio:\u003c\/strong\u003e 1.5:1, 4:1 to 20:1\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSide Chain Inserts:\u003c\/strong\u003e 2 x 1\/4\" TRS\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eInputs:\u003c\/strong\u003e 2 x XLR\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eOutputs:\u003c\/strong\u003e 2 x XLR\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRack Spaces:\u003c\/strong\u003e 2U\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 3.5\"\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDepth:\u003c\/strong\u003e 7\"\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 19\"\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 8.5 lbs\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516210757678,"sku":"SMANNUMU","price":1958.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/nu-mu.jpg?v=1578924345"},{"product_id":"manley-enhanced-pultec-eqp1a-eq-single-channel","title":"Manley Enhanced Pultec EQP1A EQ Single Channel","description":"\u003ch2\u003eManley Enhanced Pultec EQP1A EQ Single Channel\u003c\/h2\u003e\n\u003cp\u003eThe\u003cstrong\u003e Manley EQP1A\u003c\/strong\u003e is Manley’s modern take on the Pultec EQ with extra frequencies the original never had; a vastly superior power supply and famous Manley line amps complete the package. Magic on kick drum, killer on guitars.\u003c\/p\u003e\n\u003ch2\u003eManley EQP1A Specifications:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMANLEY input transformer with nickel laminations potted in mu-metal case. 3K Ohm input Z\u003c\/li\u003e\n\u003cli\u003ePHASE REVERSE switch for balanced XLR input\u003c\/li\u003e\n\u003cli\u003eAlternate transformerless 1\/4\" HI-Z (5K Ohm) input\u003c\/li\u003e\n\u003cli\u003eBYPASS switch \u0026amp; AUTO-MUTE w\/warmup delay\u003c\/li\u003e\n\u003cli\u003eSilent conductive plastic BOOST \u0026amp; CUT controls\u003c\/li\u003e\n\u003cli\u003eSealed gold-contact Greyhill frequency select switches\u003c\/li\u003e\n\u003cli\u003eVacuum Tubes: 1 x 12AX7 (gain) and 1 x 12BH7 (or 6414 or 5965) White Follower\u003c\/li\u003e\n\u003cli\u003eHi-current drive \u0026lt;50 Ohm LO-Z XLR \u0026amp; 1\/4\" outputs\u003c\/li\u003e\n\u003cli\u003eBalanced Transformer-Coupled XLR Outputs via MANLEY 9611\u003c\/li\u003e\n\u003cli\u003eFlat frequency response from 10Hz-70KHz\u003c\/li\u003e\n\u003cli\u003e\u0026lt;0.01% THD @ 1kHz\u003c\/li\u003e\n\u003cli\u003eS\/N Ratio: 116 dB\u003c\/li\u003e\n\u003cli\u003eAdjustable FEEDBACK \/ GAIN: Unity ±5 dB\u003c\/li\u003e\n\u003cli\u003eMax. output: +30 dBv\u003c\/li\u003e\n\u003cli\u003ePower consumption: 18 watts\u003c\/li\u003e\n\u003cli\u003eOperating mains voltage: Units are purpose built for original destination country's mains voltage: 100V, 120V, or 220-240VAC as indicated on the serial number badge.\u003c\/li\u003e\n\u003cli\u003eMains Voltage Frequency: 50~ 60Hz\u003c\/li\u003e\n\u003cli\u003eDimensions: 19\" x 1 3\/4\" x 10\" (occupies 1u)\u003c\/li\u003e\n\u003cli\u003eShipping weight: 1\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516210790446,"sku":"SMANPULEQP1A","price":2180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/manley-pultec-mid-freq-Angled.jpg?v=1646913484"},{"product_id":"manley-enhanced-pultec-eqp1a-eq-dual-channel","title":"Manley Enhanced Pultec EQP1A EQ Dual Channel","description":"\u003cp\u003eMANLEY LABORATORIES is the only authorized user of the original Western Electric passive EQ circuitry previously licensed to Pulse Techniques, Inc. found in the well-known antique Pultecs.\u003c\/p\u003e\n\u003cp\u003eThe MANLEY PULTEC EQP-1A, now available in both single and 2-channel versions, uses 1 x 12AU7WA and 1 x 6414 in our ALL-TUBE single-ended line amplifier for the gain make-up and extra-beefy sound; gain is factory set for unity but additional gain is available by a rear mounted feedback adjustment trimpot. Like the 40dB Mic Preamps, the Manley Pultecs offer both transformer coupled balanced and direct capacitor coupled unbalanced outputs for easy interface and sonic variety.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEQP-1A Enhanced Dual Channel Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMANLEY input transformer with pure nickel laminations potted in mu-metal case. 3K ohm input Z\u003c\/li\u003e\n\u003cli\u003ePHASE REVERSE switch for balanced XLR input\u003c\/li\u003e\n\u003cli\u003eAlternate transformerless 1\/4\" HI-Z (5K ohm) input\u003c\/li\u003e\n\u003cli\u003eBYPASS switch \u0026amp; AUTO-MUTE w\/warmup delay\u003c\/li\u003e\n\u003cli\u003eSilent conductive plastic BOOST \u0026amp; CUT controls\u003c\/li\u003e\n\u003cli\u003eSealed gold-contact Greyhill frequency select switches\u003c\/li\u003e\n\u003cli\u003eHi-current drive 50 ohm LO-Z XLR \u0026amp; 1\/4\" outputs\u003c\/li\u003e\n\u003cli\u003eBalanced Transformer Coupled XLR Outputs\u003c\/li\u003e\n\u003cli\u003eFlat frequency response from 10Hz-70KHz\u003c\/li\u003e\n\u003cli\u003e\u0026lt;0.01% THD @ 1Khz\u003c\/li\u003e\n\u003cli\u003eS\/N Ratio: 116 dB\u003c\/li\u003e\n\u003cli\u003eAdjustable FEEDBACK \/ GAIN: Unity A±5 dB\u003c\/li\u003e\n\u003cli\u003eMax. output: +30 dBv\u003c\/li\u003e\n\u003cli\u003ePower consumption: 18 watts\u003c\/li\u003e\n\u003cli\u003eOperating mains voltage: Units are purpose built for original destination country's mains voltage: 100V, 120V, or 220-240VAC\u003cbr\u003eas indicated on the serial number badge. Power transformer must be \u003cstrong\u003ereplaced\u003c\/strong\u003e in order to change mains operating voltage.\u003cbr\u003e120VAC units may NOT be rewired to put the primaries of the power transformer in series for 220-240V operation or a large radiated field of hum will develop. 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Its rich tonal balance and liquid character is consistently admired for instruments such as guitars, drum overheads, saxophone, and especially vocals.\u003c\/p\u003e\n\u003ch2\u003eReference Cardioid Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAll-Tube triode design\u003c\/li\u003e\n\u003cli\u003e-10 dB switchable pad\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10Hz-30KHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 17mV\/Pa\u003c\/li\u003e\n\u003cli\u003eNoise typically -120dB EIN\u003c\/li\u003e\n\u003cli\u003eMax SPL: 150dB\u003c\/li\u003e\n\u003cli\u003eActual output impedance 200 ohms\u003c\/li\u003e\n\u003cli\u003eWeight: 2.25 Lbs.\u003c\/li\u003e\n\u003cli\u003eSelected matched pairs available\u003c\/li\u003e\n\u003cli\u003eOutboard Power Supply is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/li\u003e\n\u003cli\u003eOperating Mains Voltage changeable with power transformer re-wiring via switch and fuse value change.\u003c\/li\u003e\n\u003cli\u003eMains Voltage Frequency: 50~ 60Hz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516210921518,"sku":"SMANREFCARD","price":2487.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanrefcard.jpg?v=1578924346"},{"product_id":"manley-reference-gold-multi-pattern-tube-microphone","title":"Manley Reference Gold Multi Pattern Tube Microphone","description":"\u003ch2\u003eManley Reference Gold Multi Pattern Tube Microphone\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eManley Reference Gold\u003c\/strong\u003e multi pattern tube microphones are a statement, quite simply, of the finest microphones that money can buy in the pursuit of truly accurate musical recordings. The Gold Reference Series employ our own design of large capsules (1.25 inch overall, 1 inch diaphragm diameter) which are executed to precise tolerances made possible by modern micro-milling machinery available today in California. The capsule rings and back-plates are milled from solid brass.\u003c\/p\u003e\n\u003cp\u003eThe gold diaphragm film comes from Germany and is tensioned using proprietary techniques by David Josephson ensuring capsule-to-capsule constancy, combined with the speed, \"air\", and superb ultra-high frequency response you have only dreamt about.\u003c\/p\u003e\n\u003cp\u003eThe all-tube electronics in the MANLEY REFERENCE SERIES MICROPHONES are built around two triodes in cascade forming an entire gain-block. We have recently switched to a dual-triode 12AX7WA, easily obtainable and replaceable, mounted in a ceramic socket. (We used to use 6072A until it became impossible to find quiet ones out of the NOS dreck left on the market.)\u003c\/p\u003e\n\u003cp\u003eThe output is coupled through a MANLEY output transformer of unparalleled quality and substantial physical size employing nickel laminations with \"hum bucking\" bi-filar windings, encased in mu-metal. The polar pattern control is continuously variable between the OMNI, CARDIOID, and FIGURE 8 positions vastly increasing this mic's versatility. The Gold Mics make it possible to exactly tailor the proximity effect to achieve the desired character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGold Reference Microphone Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll Tube design\u003c\/li\u003e\n\u003cli\u003e-10dB switchable PAD\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 10Hz-30KHz\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: 17mV\/Pa\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e:typically -120dB EIN\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMax SPL\u003c\/strong\u003e: 150dB\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 250 Ohms\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 2.25 lbs (mic)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 2.5 lbs (PSU)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: 2\" x 9.7\" x 4.5\" (mic including suspension)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: 5\" x 8.2\" x 3.4\" (PSU)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eShipping weight\u003c\/strong\u003e: 15 lbs\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMains Voltage Frequency\u003c\/strong\u003e: 50~ 60Hz\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMains Fuse\u003c\/strong\u003e: 250mA @ 100~120V; 125mA @ 220~240V operation\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePower Consumption\u003c\/strong\u003e: 70mA @ 120V = 8.4 Watts\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516211478574,"sku":"SMANREFGOLD","price":4782.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanrefgold.jpg?v=1578924347"},{"product_id":"manley-reference-silver-tube-microphone","title":"Manley Reference Silver Tube Microphone","description":"\u003ch2\u003eManley Reference Silver Tube Microphone\u003c\/h2\u003e\n\u003cp\u003eInspired by the Sony C-37A the \u003cstrong\u003eManley Reference Silver Tube Microphone\u003c\/strong\u003e features an American built capsule by David Josephson and a Manley designed circuit that gives this microphone a warm and rich tone. The Manley Reference Silver Microphone offers a mechanical selector on the rear of the head basket that is switchable between cardioid and omni pick-up patterns. Boasting a mic grade 5670 vacuum tube, Manley IRON® transformers, and a low-noise switch mode power supply, the Manley Reference Silver Microphone is a studio workhorse.\u003c\/p\u003e\n\u003cp\u003eThis microphone is at home in-front of instruments that range from female vocalists, to saxophones, from drum overheads to banjos. Use the Manley Reference Silver Microphone where you might be thinking about a ribbon, and use it with confidence! Inside the mic, Manley are using a different circuit from our other two microphones. The fragile high impedance signal from the capsule first hits a FET sitting underneath the 5670 vacuum tube’s cathode which then amplifies the signal into a more robust voltage that our hand-wound Manley IRON microphone output transformer sends out to your microphone preamplifier.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003eCondenser Transducer Based on Vintage Sony C-37a Hand Made in Usa by Josephson Audio\u003c\/li\u003e\n\n\u003cli\u003eSingle-sided Large Diaphragm Capsule Edge Tensioned\u003c\/li\u003e\n\n\u003cli\u003e5 Micron Evaporated Gold Diaphragm 1\" Diameter\u003c\/li\u003e\n\n\u003cli\u003eDual Pattern Cardioid or Omni Directional Adjustable Via Vent on the Backplate\u003c\/li\u003e\n\n\u003cli\u003e5670 Internal Vacuum Tube Head Amplifier\u003c\/li\u003e\n\n\u003cli\u003eConstant Current Source for Tube Minimizes Noise and Tube Selection\u003c\/li\u003e\n\n\u003cli\u003eHand Wound Nickel Core Manley Iron Output Transformer\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 30 Ohms\u003c\/li\u003e\n\n\u003cli\u003eHigh Pass Filter Switch -3db @ 55hz 6db\/8va\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: 10hz-30khz, Amp to 60khz\u003c\/li\u003e\n\n\u003cli\u003eMaximum Input Spl: 150 Db Spl at Capsule\u003c\/li\u003e\n\n\u003cli\u003eSensitivity: 7mv\/pa\u003c\/li\u003e\n\n\u003cli\u003eAmplifier Type: 2 Triode Gain Block Lo Z Output\u003c\/li\u003e\n\n\u003cli\u003eOutput Polarity: Balanced Xlr, Pin 2 Hot, Pin 3 Low\u003c\/li\u003e\n\n\u003cli\u003eAmplifier Distortion: Less Than 0.05 % Thd+n Bw 22-22 Khz (1kohm Load, 1khz -40dbv Output)\u003c\/li\u003e\n\n\u003cli\u003eAmplifier Noise: Typically -108 Dbv “a Weighted”\u003c\/li\u003e\n\n\u003cli\u003eBody: Etched Silver Anodized Aluminum\u003c\/li\u003e\n\n\u003cli\u003eWeight: 1.5 Lbs (mic)\u003c\/li\u003e\n\n\u003cli\u003eWeight: 2 Lbs (psu)\u003c\/li\u003e\n\n\u003cli\u003eSize: 2\" X 9.7\" X 4.5\" (mic Including Suspension)\u003c\/li\u003e\n\n\u003cli\u003eSize: 5\" X 8.2\" X 3.4\" (psu)\u003c\/li\u003e\n\n\u003cli\u003eCustom Designed Outboard Switched Mode Psu 90v ~ 250vac Universal Voltage Operation 50hz-60hz\u003c\/li\u003e\n\n\u003cli\u003ePower Consumption: 15 Watts\u003c\/li\u003e\n\n\u003cli\u003ePsu External Mains Fuse: 5mm X 20 Mm, 2a @ 250v, Ceramic, Slo-blo\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516211576878,"sku":"SMANREFSILVER","price":3582.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanrefsilver.jpg?v=1578924347"},{"product_id":"manley-slam-stereo-limiter-microphone-preamp-analogue-i-o-only","title":"Manley SLAM Stereo Limiter \u0026 Microphone Preamp Analogue I\/O only","description":"\u003cp\u003eSLAM! stands for \"Stereo Limiter And Micpre\" and it pretty much describes what it will do to most VU meters. We had to put a switch on this limiter to drop its internal VU meters down 3 \u0026amp; 6dB to keep the poor little needles from bending, it'll get LOUD fast (hence the exclamation mark). And on top of being an amazing pair of (actually four) Limiters, and Class A tube mic preamps, it also has masters degrees in DI, AtoD and DtoA, VU and PPM but that was too much for an acronym.\u003c\/p\u003e\n\u003cp\u003eWhen it comes to classic gear, especially classic limiters, we can all agree numbers like LA2s, 1176s, 2264s, and others come to mind. What if all those sounds were to be found in one stereo tube unit. Interested? We combined our favorite Electro-Optical circuit with a damn fast FET based brick-wall limiter reminiscent of some cool classics. And we added a sidechain filter that can remove low frequencies that makes it more useful for a variety of tasks, while retaining that easy, \"it just works\" quality that has made it a favorite for vocals everywhere. The FET-based limiter has different desirable characteristics that both optimise the signal for digital recording, due to the brick-wall capability, and let you dial in how clean or crunchy, or punchy, and how loud and proud you want it.\u003c\/p\u003e\n\u003cp\u003eThe SLAM! starts with tube Mic Preamps on both channels with switchable phantom power and phase reverse. We've got plenty of gain for you in this new tube circuit, up to 60dB with 20dB more in the limiter, plenty for soft singers using low output ribbon mics. The input attenuator is right up front, like a variable pad so your loud rock n' rollers won't cause a problem either. Track direct with the Direct Instrument input or bring your line level inputs into the SLAM! for processing\u003c\/p\u003e\n\u003cp\u003eIncludes optional 24 Bit\/96KHz Analog to Digital converter and 24 Bit\/192KHz Digital to Analog converter card. This allows you to record directly to your computer or workstation and provides a convenient way to use a digital insert to jump into the analog realm and back. An AES digital input receives your stereo digital signal to convert to analog for processing by the SLAM! when the DAC input is selected. Or just take advantage of this killer DAC and use the DAC Output for monitoring, listening, or to go out to some other analog processors or tape machines.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSLAM Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Tubes: 2 x 12AT7A NOS GE specially selected by Manley Labs for lo-noise and stable bias\u003c\/li\u003e\n\u003cli\u003eOutput Tubes: 2 x 6414W NOS USA dual triodes\u003c\/li\u003e\n\u003cli\u003eI\/O: MANLEY transformer coupled Balanced Inputs and Outputs\u003c\/li\u003e\n\u003cli\u003eMicpre: Selectable 48V phantom power and PHASE REVERSE\u003c\/li\u003e\n\u003cli\u003eGain: 60dB max Micpre, 43dB max DI, 20dB max Limiter Gain\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 2000 ohms micpre, 1Meg ohm DI\u003c\/li\u003e\n\u003cli\u003eELOP Limiter: Attack: approx. 10mS for 6dB GR; Release: 2.5 Sec; Ratio: 10:1\u003c\/li\u003e\n\u003cli\u003eDAC: AES 24Bit 192KHz upsampling from 44.1, 48, 88.2, \u0026amp; 96KHz\u003c\/li\u003e\n\u003cli\u003eA to D: 24Bit 96KHz (for now)\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 5Hz to 60KHz\u003c\/li\u003e\n\u003cli\u003eMaximum Output: +32dBm, +30dBm\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u003c.05\u003e\n\u003cli\u003eDynamic Range: 115dB typical\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 200 ohms\u003c\/li\u003e\n\u003c\/.05\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516211609646,"sku":"SMANSLAM","price":6332.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanslam_2_new.jpg?v=1578924347"},{"product_id":"manley-slam-mastering-version-stereo-limiter-microphone-preamp-analogue-i-o","title":"Manley SLAM Mastering Version Stereo Limiter, Microphone Preamp Analogue I\/O","description":"\u003cp\u003eThe Mastering Version of the SLAM! incorporating detented and logable 1\/2dB steps built with 1% metal film resistors on sealed gold-contact Grayhill switches is in full production\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eManley SLAM Mastering version differences to the normal SLAM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirst off: no microphone preamps. You mastering engineers certainly don't need those.\u003cbr\u003eThe mic pre and input select switch are removed and the switches become dedicated \"mode\" switches one each for the ELOP and the FET limiters.\u003c\/p\u003e\n\u003cp\u003e1) The ELOP limiter gets more Ratios - 10:1, 5:1, 3:1, 2:1 and something new called AutoHF which starts off as a 1.5:1 ratio and increases gradually to 10:1 for highs. This is something like a de-esser, and of course can work with the ELOP SC toggle at 200Hz for even more effect.\u003c\/p\u003e\n\u003cp\u003e2) The FET limiters get new modes that are 50%, NORM, LP Lim, BOTH, and CLIP. \u003c\/p\u003e\n\u003cp\u003eThe \"50%\" setting mixes in the straight signal to the limited signal which is often difficult to do in a mastering environment and because the FET sidechain 'reads' off the output, the amount of gain reduction doubles. It resembles halving the FET ratio but is cleaner due to the mix.\u003c\/p\u003e\n\u003cp\u003eThe \"LP Lim\" setting only comes into play for hot signals and reduces the depth of gain reduction for high freqs. This translates to - hot signals + moderate gain reduction = brighter, more present signal, less distortion, more balls. This mode allows more high frequencies to pass through without being limited.\u003c\/p\u003e\n\u003cp\u003eThe \"CLIP\" setting introduces a fixed threshold clipper circuit set up about -2 dB DFS or +18 dBv at the XLR. Within normal usage \"CLIP\" generally prevents outputs from passing beyond +18 dBv, and 97% of the time, clips in a controlled fast-recovery manner before a converter would (in generally a less than desirable sounding way).\u003c\/p\u003e\n\u003cp\u003eFinally, the \"BOTH\" setting on the FET limiter engages both the \"LP Limit\" and the \"CLIP\" functions at the same time. This might be appropriate for metal and projects demanding intense volume. The \"BOTH\" mode is designed for situations where extreme processing and loudness is required but where attack, brightness and aggressiveness needs to be preserved or enhanced.\u003c\/p\u003e\n\u003cp\u003e3) The LEFT blue erstwhile-\"limit\" button becomes a master stereo LIMIT bypass switch here in the Mastering Version. When it is not engaged, it becomes a true hard-wire bypass (This was not possible on the mic preamp regular version obviously).\u003c\/p\u003e\n\u003cp\u003e4) The Right blue button becomes the DAC select switch (stereo).\u003c\/p\u003e\n\u003cp\u003e5) The what-was-the-Phantom toggle on the back of the unit becomes the Unbalanced 1\/4\" jack input select in this new mastering ersion.\u003c\/p\u003e\n\u003cp\u003e6) No pots. All knobs in the Mastering Version are detented in mostly 1 dB steps, with some appropriate 1\/2 dB and 2 dB steps, right where they should be.\u003c\/p\u003e\n\u003cp\u003eMore than that, I really like the way it seems to work and sound and generally prefer it to the normal version for stereo tracks. There is a lot less fiddling involved to maintain L\/R balances and the new modes are subtle but fun. Easy to make just about anything sound better.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSLAM Mastering Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Tubes: 2 x 12AT7A NOS GE specially selected by Manley Labs for lo-noise and stable bias\u003c\/li\u003e\n\u003cli\u003eOutput Tubes: 2 x 6414W NOS USA dual triodes\u003c\/li\u003e\n\u003cli\u003eI\/O: MANLEY transformer coupled Balanced Inputs and Outputs\u003c\/li\u003e\n\u003cli\u003eGain: 20dB max Limiter Gain\u003c\/li\u003e\n\u003cli\u003eInput Impedance:\u003c\/li\u003e\n\u003cli\u003eFET Limiter: Attack: approx. 100mS; Release: 10mS to 2Sec; Ratio: better than 20:1\u003c\/li\u003e\n\u003cli\u003eELOP Limiter: Attack: approx. 10mS for 6dB GR; Release: 2.5 Sec; Ratio: 10:1\u003c\/li\u003e\n\u003cli\u003eDAC: AES 24Bit 192KHz upsampling from 44.1, 48, 88.2, \u0026amp; 96KHz\u003c\/li\u003e\n\u003cli\u003eA to D: 24Bit 96KHz (for now)\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 5Hz to 60KHz\u003c\/li\u003e\n\u003cli\u003eMaximum Output : +32dBm, +30dBm\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u003c.05\u003e\n\u003cli\u003eDynamic Range: 115dB typical\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 200 ohms\u003c\/li\u003e\n\u003c\/.05\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516211675182,"sku":"SMANSLAMM","price":7565.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanslamm_2_new.jpg?v=1578924348"},{"product_id":"manley-variable-mu-stereo-compressor-limiter","title":"Manley VARIABLE MU Stereo Compressor Limiter","description":"\u003ch2\u003eManley VARIABLE MU Stereo Compressor Limiter\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eManley Variable MU Stereo Compressor Limiter\u003c\/strong\u003e is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. \"Mu\" is tube-speak for gain, and Variable Mu is our registered trademark for this limiter compressor. It works by using the \"remote cut-off\" or re-biasing of a vacuum tube to achieve compression.\u003c\/p\u003e\n\u003cp\u003eThe precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.\u003c\/p\u003e\n\u003cp\u003eThe COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!\u003c\/p\u003e\n\u003cp\u003eYou might notice that the Variable Mu Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that's what our Variable Mu Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eVariable MU Limiter Features\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMANLEY input \u0026amp; output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz\u003c\/li\u003e\n\u003cli\u003eBALANCED INPUTS \u0026amp; OUTPUTS (600 ohms)\u003c\/li\u003e\n\u003cli\u003eFully differential ALL-TUBE circuitry using one each 5670, 5751, 7044, \u0026amp; 12AL5 per channel\u003c\/li\u003e\n\u003cli\u003eIndependently regulated B+ and Heater supplies\u003c\/li\u003e\n\u003cli\u003eHard-wire BYPASS switch\u003c\/li\u003e\n\u003cli\u003eSilent conductive plastic dual INPUT attenuator\u003c\/li\u003e\n\u003cli\u003eRECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec.\u003c\/li\u003e\n\u003cli\u003eVariable ATTACK: 25msec-70msec\u003c\/li\u003e\n\u003cli\u003eContinuously variable THRESHOLD\u003c\/li\u003e\n\u003cli\u003eLIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)\u003c\/li\u003e\n\u003cli\u003eLarge ILLUMINATED Sifam METERS\u003c\/li\u003e\n\u003cli\u003eSTEREO LINK SWITCH\u003c\/li\u003e\n\u003cli\u003eSeveral units can be linked for Surround (custom order )\u003c\/li\u003e\n\u003cli\u003eMaximum gain: 35dB\u003c\/li\u003e\n\u003cli\u003eMax. output: +30dBu (26Vrms) 26dB Headroom\u003c\/li\u003e\n\u003cli\u003e\u0026lt;0.1% THD @ 1KHz Noise floor: -85dB typical\u003c\/li\u003e\n\u003cli\u003ePower Consumption (120\/240VAC): 80 watts\u003c\/li\u003e\n\u003cli\u003eUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/li\u003e\n\u003cli\u003eOperating Mains Voltage changeable with power transformer changeover switch and fuse value change.\u003c\/li\u003e\n\u003cli\u003eMains Voltage Frequency: 50~ 60Hz\u003c\/li\u003e\n\u003cli\u003eDimensions: 19\" x 3 1\/2\" x 10\" (occupies 2u)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516212461614,"sku":"SMANVARIMU","price":3332.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/Untitled-2021-10-14T122050.547.jpg?v=1634210467"},{"product_id":"manley-variable-mu-stereo-compressor-limiter-mastering-version-detented","title":"Manley VARIABLE MU Stereo Compressor Mastering Version Detented","description":"\u003cp\u003eThe Manley Variable MU Stereo Compressor Limiter compressor has been our best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. \"Mu\" is tube-speak for gain, and Variable Mu is our registered trademark for this limiter compressor. It works by using the \"remote cut-off\" or re-biasing of a vacuum tube to achieve compression.\u003c\/p\u003e\n\u003cp\u003eThe precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.\u003c\/p\u003e\n\u003cp\u003eThe COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!\u003c\/p\u003e\n\u003cp\u003eYou might notice that the Variable Mu Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that's what our Variable Mu Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVariable MU Limiter Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMANLEY input \u0026amp; output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz\u003c\/li\u003e\n\u003cli\u003eBALANCED INPUTS \u0026amp; OUTPUTS (600 ohms)\u003c\/li\u003e\n\u003cli\u003eFully differential ALL-TUBE circuitry using one each 5670, 5751, 7044, \u0026amp; 12AL5 per channel\u003c\/li\u003e\n\u003cli\u003eIndependently regulated B+ and Heater supplies\u003c\/li\u003e\n\u003cli\u003eHard-wire BYPASS switch\u003c\/li\u003e\n\u003cli\u003eSilent conductive plastic dual INPUT attenuator\u003c\/li\u003e\n\u003cli\u003eRECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec.\u003c\/li\u003e\n\u003cli\u003eVariable ATTACK: 25msec-70msec\u003c\/li\u003e\n\u003cli\u003eContinuously variable THRESHOLD\u003c\/li\u003e\n\u003cli\u003eLIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)\u003c\/li\u003e\n\u003cli\u003eLarge ILLUMINATED Sifam METERS\u003c\/li\u003e\n\u003cli\u003eSTEREO LINK SWITCH\u003c\/li\u003e\n\u003cli\u003eSeveral units can be linked for Surround (custom order )\u003c\/li\u003e\n\u003cli\u003eMaximum gain: 35dB\u003c\/li\u003e\n\u003cli\u003eMax. output: +30dBu (26Vrms) 26dB Headroom\u003c\/li\u003e\n\u003cli\u003e\u0026lt;0.1% THD @ 1KHz Noise floor: -85dB typical\u003c\/li\u003e\n\u003cli\u003ePower Consumption (120\/240VAC): 80 watts\u003c\/li\u003e\n\u003cli\u003eUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/li\u003e\n\u003cli\u003eOperating Mains Voltage changeable with power transformer changeover switch and fuse value change.\u003c\/li\u003e\n\u003cli\u003eMains Voltage Frequency: 50~ 60Hz\u003c\/li\u003e\n\u003cli\u003eDimensions: 19\" x 3 1\/2\" x 10\" (occupies 2u)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516212494382,"sku":"SMANVARIMUM","price":5582.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanvarimum_2_new.jpg?v=1578924392"},{"product_id":"manley-variable-mu-stereo-compressor-limiter-ms-option","title":"Manley VARIABLE MU Stereo Compressor Limiter + MS Option","description":"\u003cp\u003eVARIABLE MU LIMITER compressor has been our best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. \"Mu\" is tube-speak for gain, and Variable Mu is our registered trademark for this limiter compressor. It works by using the \"remote cut-off\" or re-biasing of a vacuum tube to achieve compression.\u003c\/p\u003e\n\u003cp\u003eThe precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.\u003c\/p\u003e\n\u003cp\u003eThe COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!\u003c\/p\u003e\n\u003cp\u003eYou might notice that the Variable Mu Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that's what our Variable Mu Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVariable MU Limiter Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMANLEY input \u0026amp; output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz\u003c\/li\u003e\n\u003cli\u003eBALANCED INPUTS \u0026amp; OUTPUTS (600 ohms)\u003c\/li\u003e\n\u003cli\u003eFully differential ALL-TUBE circuitry using one each 5670, 5751, 7044, \u0026amp; 12AL5 per channel\u003c\/li\u003e\n\u003cli\u003eIndependently regulated B+ and Heater supplies\u003c\/li\u003e\n\u003cli\u003eHard-wire BYPASS switch\u003c\/li\u003e\n\u003cli\u003eSilent conductive plastic dual INPUT attenuator\u003c\/li\u003e\n\u003cli\u003eRECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec.\u003c\/li\u003e\n\u003cli\u003eVariable ATTACK: 25msec-70msec\u003c\/li\u003e\n\u003cli\u003eContinuously variable THRESHOLD\u003c\/li\u003e\n\u003cli\u003eLIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1) \u003c\/li\u003e\n\u003cli\u003eLarge ILLUMINATED Sifam METERS\u003c\/li\u003e\n\u003cli\u003eSTEREO LINK SWITCH\u003c\/li\u003e\n\u003cli\u003eSeveral units can be linked for Surround (custom order )\u003c\/li\u003e\n\u003cli\u003eMaximum gain: 35dB\u003c\/li\u003e\n\u003cli\u003eMax. output: +30dBu (26Vrms) 26dB Headroom\u003c\/li\u003e\n\u003cli\u003e\u0026lt;0.1% THD @ 1KHz Noise floor: -85dB typical\u003c\/li\u003e\n\u003cli\u003ePower Consumption (120\/240VAC): 80 watts\u003c\/li\u003e\n\u003cli\u003eUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/li\u003e\n\u003cli\u003eOperating Mains Voltage changeable with power transformer changeover switch and fuse value change.\u003c\/li\u003e\n\u003cli\u003eMains Voltage Frequency: 50~ 60Hz\u003c\/li\u003e\n\u003cli\u003eDimensions: 19\" x 3 1\/2\" x 10\" (occupies 2u)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516212527150,"sku":"SMANVARIMUMS","price":4450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanvarimu_2_1_1_new.jpg?v=1578924351"},{"product_id":"manley-variable-mu-stereo-compressor-limiter-with-t-bar-mod-special-order","title":"Manley VARIABLE MU Stereo Compressor Limiter with T-Bar Mod (Special Order)","description":"\u003ch2\u003eManley VARIABLE MU Stereo Compressor Limiter with T-Bar Mod (Special Order)\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eManley Variable MU Stereo Compressor Limiter\u003c\/strong\u003e is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. \"Mu\" is tube-speak for gain, and Variable Mu is Manleys registered trademark for this limiter compressor. It works by using the \"remote cut-off\" or re-biasing of a vacuum tube to achieve compression.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003eThis Manley VARIABLE MU Stereo Compressor Limiter features a custom T-Bar Mod to provide a replacement to convert later 5670 units to have the same limiting characteristics of the original 6386 for smoother operation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.\u003c\/p\u003e\n\u003cp\u003eThe COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!\u003c\/p\u003e\n\u003cp\u003eYou might notice that the Variable Mu Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that's what our Variable Mu Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eVariable MU Limiter Features\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMANLEY input \u0026amp; output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz\u003c\/li\u003e\n\u003cli\u003eBALANCED INPUTS \u0026amp; OUTPUTS (600 ohms)\u003c\/li\u003e\n\u003cli\u003eFully differential ALL-TUBE circuitry using one each 5670, 5751, 7044, \u0026amp; 12AL5 per channel\u003c\/li\u003e\n\u003cli\u003eIndependently regulated B+ and Heater supplies\u003c\/li\u003e\n\u003cli\u003eHard-wire BYPASS switch\u003c\/li\u003e\n\u003cli\u003eSilent conductive plastic dual INPUT attenuator\u003c\/li\u003e\n\u003cli\u003eRECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec.\u003c\/li\u003e\n\u003cli\u003eVariable ATTACK: 25msec-70msec\u003c\/li\u003e\n\u003cli\u003eContinuously variable THRESHOLD\u003c\/li\u003e\n\u003cli\u003eLIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)\u003c\/li\u003e\n\u003cli\u003eLarge ILLUMINATED Sifam METERS\u003c\/li\u003e\n\u003cli\u003eSTEREO LINK SWITCH\u003c\/li\u003e\n\u003cli\u003eSeveral units can be linked for Surround (custom order )\u003c\/li\u003e\n\u003cli\u003eMaximum gain: 35dB\u003c\/li\u003e\n\u003cli\u003eMax. output: +30dBu (26Vrms) 26dB Headroom\u003c\/li\u003e\n\u003cli\u003e\u0026lt;0.1% THD @ 1KHz Noise floor: -85dB typical\u003c\/li\u003e\n\u003cli\u003ePower Consumption (120\/240VAC): 80 watts\u003c\/li\u003e\n\u003cli\u003eUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/li\u003e\n\u003cli\u003eOperating Mains Voltage changeable with power transformer changeover switch and fuse value change.\u003c\/li\u003e\n\u003cli\u003eMains Voltage Frequency: 50~ 60Hz\u003c\/li\u003e\n\u003cli\u003eDimensions: 19\" x 3 1\/2\" x 10\" (occupies 2u)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516212559918,"sku":"SMANVARIMUTBAR","price":3974.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/manley-varibale-mu-t-bar.jpg?v=1578924352"},{"product_id":"manley-voxbox-tube-mic-preamp-used","title":"Manley VoxBox Tube Mic Preamp - Used","description":"\u003ch2\u003eManley VoxBox Tube Mic Preamp - Used\u003c\/h2\u003e\n\u003cp\u003eThis used \u003cstrong\u003eManley Voxbox\u003c\/strong\u003e is designed as primarily a voice processor that covers the needs of the project songwriters and big-time major studios alike. One whose all-tube signal path could bring every instrument and overdub to life. One that, plain and simple, sounded unquestionably better than the rest, provided flexibility, simplicity, and well thought-out ergonomics. Full of features, timeless style, robust build quality, and that world-famous \"Manley Sound\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\" mce-data-marked=\"1\"\u003eThis is a used item. The unit is in very good condition with some minor signs of use. Please see images.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMic Pre Amp Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe preamplifier is a clone of a highly regarded and popular mic pre: the Manley Mono Microphone Preamplifier! The mic input transformer is Manleys own design wound in-house at the Manley Labs factory. High current 48V Phantom power is switchable from the front panel. A simple and effective passive BASS CUT switch kills rumble and reduces popping.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompressor Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis cool compressor design is the result of blending the control ideas in our best selling Variable MU Compressor Limiter with the opto-isolator approach of the Manley ELOP Limiter. We figured out how to compress the signal before it hit the tubes with no detrimental effect on distortion or frequency response. This way, it can prevent mic-pre clipping and eliminate whole stages of electronics. This cuts the typical path of mic to tape in half! We also pioneered new thinking in the sidechain. Rather than compromise, we developed a technique of using up to four different time constants simultaneously and controlling them with familiar simple attack, release and threshold controls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEQ Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEQ SECTION: Lots of people requested that we include the Pultec Mid Frequency Equalizer in the VOXBOX, but they wanted MORE.... Now we've extended it to 33 frequencies in 3 bands with 6 new frequencies from 20 Hz to 150 Hz, and 6 more in the highs from 6.4 KHz to 20 KHz. Ever notice that only EQs with real inductors have the bottom end magic or that only Class A circuitry can keep the top end sweet? This is for you. The EQ INPUT switch patches in the Line Input, Preamp Output, or the INSERT return.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDe-Esser and Limiter Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned by folks with admittedly large gaps between their two front teeth, (Hutch and EveAnna) the VOXBOX combo also includes a de-esser \u0026amp; peak limiter based on our original ELOP Limiter design but with an added passive LC network to handle the de-essing four carefully chosen notch frequencies from 3KHz to 12KHz. The fifth position gives you a limiter which totally mimics the famous LA-2A. This means you can both compress pre-EQ then limit here post-EQ. Another cool feature is the ability to insert this de-esser silently and smoothly as the music plays, using it as needed\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Meter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Meter is a full size illuminated Sifam VU meter. A five-position switch shows three audio levels: the line input, the preamp output and the final output. It also shows compressor gain reduction and the de-esser\/limiter action. Other clever innovations incorporated into the VOXBOX combo include warm-up muting circuitry, extensive magnetic field containment, smart -grounding, and silent switching. The sum-total is more than the separate parts: consider the reduced patching, the short path to tape and you having this much immediate control.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMANLEY transformers with nickel laminations in mu-metal cases\u003c\/li\u003e\n\u003cli\u003e2 Kohm MIC INPUT Z w\/High current 48V Phantom power built-in\u003c\/li\u003e\n\u003cli\u003eHi-Z (100K) Direct Instrument Input\u003c\/li\u003e\n\u003cli\u003eLINE \u0026amp; INSERT INPUTS (balanced XLR \u0026amp; 1\/4\")\u003c\/li\u003e\n\u003cli\u003ePREAMP \u0026amp; EQ outputs LO-Z (50W)\u003c\/li\u003e\n\u003cli\u003eTransformer balanced XLR outputs\u003c\/li\u003e\n\u003cli\u003eTransformerless unbalanced 1\/4\"outputs\u003c\/li\u003e\n\u003cli\u003eSTEREO LINK for Compressor \u0026amp; De-esser\/Limiter\u003c\/li\u003e\n\u003cli\u003eSIDE CHAIN MONITOR for De-Esser\u003c\/li\u003e\n\u003cli\u003eLarge ILLUMINATED Sifam METER with FIVE readout modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e(Pictures are of used Item)\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMANLEY transformers w\/nickel laminations in mu-metal cases\u003c\/li\u003e\n\u003cli\u003e2 kOhm MIC INPUT Z w\/High current 48V Phantom power built-in\u003c\/li\u003e\n\u003cli\u003eHi-Z (100K) Direct Instrument Input\u003c\/li\u003e\n\u003cli\u003eLINE \u0026amp; INSERT INPUTS (balanced XLR \u0026amp; 1\/4\")\u003c\/li\u003e\n\u003cli\u003ePREAMP \u0026amp; EQ outputs LO-Z (50 Ohms)\u003c\/li\u003e\n\u003cli\u003eTransformer balanced XLR outputs\u003c\/li\u003e\n\u003cli\u003eTransformerless unbalanced 1\/4\"outputs\u003c\/li\u003e\n\u003cli\u003eSTEREO LINK for Compressor \u0026amp; De-esser\/Limiter\u003c\/li\u003e\n\u003cli\u003eSIDE CHAIN MONITOR for De-Esser\u003c\/li\u003e\n\u003cli\u003eLarge ILLUMINATED Sifam METER with FIVE readout modes - (older units before serial number MVB**1359 shipped before 9\/2003 use: 12V 1.2W FESTOON LAMPS; Manley's Part Number: VAR016C) Order spare bulbs using our parts order form. (newest units after serial number MVB**1359 shipped after 9\/2003 use yellow LED lighting)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD + N (1KHz @ +20 dBu):\u003c\/strong\u003e 0.3%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output:\u003c\/strong\u003e +31dBu\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516212625454,"sku":"SMANVOXBOXC02","price":2750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/ManleyVoxbox_U02_Front.jpg?v=1750859186"},{"product_id":"manley-voxbox-tube-mic-preamp-opto-compressor-pultec-eq-de-esser-limiter","title":"Manley VoxBox Tube Mic Pre Opto Compressor Pultec EQ De-Esser Limiter","description":"\u003cp\u003eThe Manley Voxbox is primarily a voice processor which in itself is not a novel idea, but the time had come to pull out all the stops and make a truly professional high-end statement. One that covered the needs of the project songwriters and big-time major studios alike. One whose all-tube signal path could bring every instrument and overdub to life. One that, plain and simple, sounded unquestionably better than the rest, provided flexibility, simplicity, and well thought-out ergonomics. Full of features, timeless style, robust build quality, and that world-famous \"Manley Sound\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMic Pre Amp Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe preamplifier is a clone of a highly regarded and popular mic pre: the Manley Mono Microphone Preamplifier! The mic input transformer is Manleys own design wound in-house at the Manley Labs factory. High current 48V Phantom power is switchable from the front panel. A simple and effective passive BASS CUT switch kills rumble and reduces popping.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompressor Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis cool compressor design is the result of blending the control ideas in our best selling Variable MU Compressor Limiter with the opto-isolator approach of the Manley ELOP Limiter. We figured out how to compress the signal before it hit the tubes with no detrimental effect on distortion or frequency response. This way, it can prevent mic-pre clipping and eliminate whole stages of electronics. This cuts the typical path of mic to tape in half! We also pioneered new thinking in the sidechain. Rather than compromise, we developed a technique of using up to four different time constants simultaneously and controlling them with familiar simple attack, release and threshold controls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEQ Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEQ SECTION: Lots of people requested that we include the Pultec Mid Frequency Equalizer in the VOXBOX, but they wanted MORE.... Now we've extended it to 33 frequencies in 3 bands with 6 new frequencies from 20 Hz to 150 Hz, and 6 more in the highs from 6.4 KHz to 20 KHz. Ever notice that only EQs with real inductors have the bottom end magic or that only Class A circuitry can keep the top end sweet? This is for you. The EQ INPUT switch patches in the Line Input, Preamp Output, or the INSERT return.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDe-Esser and Limiter Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned by folks with admittedly large gaps between their two front teeth, (Hutch and EveAnna) the VOXBOX combo also includes a de-esser \u0026amp; peak limiter based on our original ELOP Limiter design but with an added passive LC network to handle the de-essing four carefully chosen notch frequencies from 3KHz to 12KHz. The fifth position gives you a limiter which totally mimics the famous LA-2A. This means you can both compress pre-EQ then limit here post-EQ. Another cool feature is the ability to insert this de-esser silently and smoothly as the music plays, using it as needed\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Meter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Meter is a full size illuminated Sifam VU meter. A five-position switch shows three audio levels: the line input, the preamp output and the final output. It also shows compressor gain reduction and the de-esser\/limiter action. Other clever innovations incorporated into the VOXBOX combo include warm-up muting circuitry, extensive magnetic field containment, smart -grounding, and silent switching. The sum-total is more than the separate parts: consider the reduced patching, the short path to tape and you having this much immediate control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVoxBox Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMANLEY transformers with nickel laminations in mu-metal cases\u003c\/li\u003e\n\u003cli\u003e2 Kohm MIC INPUT Z w\/High current 48V Phantom power built-in\u003c\/li\u003e\n\u003cli\u003eHi-Z (100K) Direct Instrument Input\u003c\/li\u003e\n\u003cli\u003eLINE \u0026amp; INSERT INPUTS (balanced XLR \u0026amp; 1\/4\")\u003c\/li\u003e\n\u003cli\u003ePREAMP \u0026amp; EQ outputs LO-Z (50W)\u003c\/li\u003e\n\u003cli\u003eTransformer balanced XLR outputs\u003c\/li\u003e\n\u003cli\u003eTransformerless unbalanced 1\/4\"outputs\u003c\/li\u003e\n\u003cli\u003eSTEREO LINK for Compressor \u0026amp; De-esser\/Limiter\u003c\/li\u003e\n\u003cli\u003eSIDE CHAIN MONITOR for De-Esser\u003c\/li\u003e\n\u003cli\u003eLarge ILLUMINATED Sifam METER with FIVE readout modes\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516212658222,"sku":"SMANVOXBOX","price":3750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanvoxbox_2_new.jpg?v=1578924354"},{"product_id":"manley-variable-mu-stereo-compressor-limiter-mastering-version-detented-ms-option-t-bar","title":"Manley VARIABLE MU? Stereo Compressor Limiter Mastering Version Detented + MS Option \u0026 T-Bar","description":"\u003ch2\u003eManley VARIABLE MU + MS Option \u0026amp; T-Bar\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe \u003cstrong\u003eManley Variable Mu Limiter Compressor with T-bar mod\u003c\/strong\u003e is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. \"Mu\" is tube-speak for gain, and Variable Mu is Manley's registered trademark for this limiter compressor. It works by using the \"remote cut-off\" or re-biasing of a vacuum tube to achieve compression. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe \u003cstrong\u003eMS modification\u003c\/strong\u003e opens the door to stereo encoding and decoding as well as exciting image enhancement processing capabilities. For instance, setting to compress only the in-phase information allows the augmentation of the stereo image as the out-of-phase content is left untouched. Or, conversely, if you need a \"more-mono\" mix for broadcast, or vinyl-cutting for instance, you can set it to kill off more of the out-of-phase info which leaves more in-phase material in the final result.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe \u003cstrong\u003eT-Bar Mod\u003c\/strong\u003e provides a replacement for the obsolete 6386 tubes in earlier Manley Variable Mu® units or convert later 5670 units to have the same limiting characteristics of the original 6386 for smoother operation. To install a converter board and surrounding modifications to enable usage of two 12BA6 or 6BA6 single pentodes wired in triode mode to take over the duties of a single envelope dual triode 6386 or 5670 (per channel).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressors in the professional market. Even the side-chain has glowing rectifier bottles. How’s it work? The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"font-weight: 400;\"\u003eSpecifications\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eMaximum gain\u003c\/strong\u003e: 35dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eMax. output\u003c\/strong\u003e: \u003c\/span\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e+30dBu (26Vrms) 26dB Headroom\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u0026lt;0.1% THD @ 1KHz Noise floor: -85dB typical\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003ePower Consumption (120\/240VAC)\u003c\/strong\u003e: 80 watts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eOperating Mains Voltage changeable with power transformer changeover switch and fuse value change.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eMains Fuse Value for 100~120VAC operation: replace with 1.25A as of 10\/2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eMains Fuse Value for 220~240VAC operation: replace with 0.6A (600mA) as of 10\/2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eMains Fuse Type\u003c\/strong\u003e: MDA or MDL SLO-BLO Time delay 1 1\/4\" x 1\/4\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eMains Voltage Frequency\u003c\/strong\u003e: 50~60Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: 19” x 3 1\/2” x 10” (chassis occupies 2u) Power transformer protrudes 3.5\" out the back of the chassis.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e: 23 lbs.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default","offer_id":32450045575214,"sku":"SMANVARIMUMMSTBAR","price":5174.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SMANVARIMUMMS.jpg?v=1594117706"},{"product_id":"manley-variable-mu-stereo-compressor-mastering-version-detented-ms-option","title":"Manley VARIABLE MU Stereo Compressor Mastering Version Detented + MS Option","description":"\u003ch2\u003eManley VARIABLE MU + MS Option\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe \u003cstrong\u003eManley Variable Mu Limiter Compressor\u003c\/strong\u003e is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. \"Mu\" is tube-speak for gain, and Variable Mu is Manley's registered trademark for this limiter compressor. It works by using the \"remote cut-off\" or re-biasing of a vacuum tube to achieve compression.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003eMS modification\u003c\/strong\u003e\u003cspan\u003e opens the door to stereo encoding and decoding as well as exciting image enhancement processing capabilities. For instance, setting to compress only the in-phase information allows the augmentation of the stereo image as the out-of-phase content is left untouched. Or, conversely, if you need a \"more-mono\" mix for broadcast, or vinyl-cutting for instance, you can set it to kill off more of the out-of-phase info which leaves more in-phase material in the final result.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressors in the professional market. Even the side-chain has glowing rectifier bottles. How’s it work? The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"font-weight: 400;\"\u003eSpecifications\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eMaximum gain\u003c\/strong\u003e: 35dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eMax. output\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e+30dBu (26Vrms) 26dB Headroom\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u0026lt;0.1% THD @ 1KHz Noise floor: -85dB typical\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003ePower Consumption (120\/240VAC)\u003c\/strong\u003e: 80 watts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eOperating Mains Voltage changeable with power transformer changeover switch and fuse value change.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eMains Fuse Value for 100~120VAC operation: replace with 1.25A as of 10\/2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eMains Fuse Value for 220~240VAC operation: replace with 0.6A (600mA) as of 10\/2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eMains Fuse Type\u003c\/strong\u003e: MDA or MDL SLO-BLO Time delay 1 1\/4\" x 1\/4\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eMains Voltage Frequency\u003c\/strong\u003e: 50~60Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: 19” x 3 1\/2” x 10” (chassis occupies 2u) Power transformer protrudes 3.5\" out the back of the chassis.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e: 23 lbs.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default","offer_id":32450048163886,"sku":"SMANVARIMUMMS","price":5915.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SMANVARIMUMMS_93db2900-47f4-466c-a9c5-920959ab2f8e.jpg?v=1594117707"},{"product_id":"manley-massive-passive-re-tube-kit-version-c-for-units-with-sn-msmpx306","title":"Manley Massive Passive Re-Tube Kit - 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Version B","description":"\u003cp\u003eManley Massive Passive Re-Tube Kit - Version B - For Units with SN: MSMPX1000 - MSMPX3060\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes (2x) 5751 or 12AX7 tubes for input, and (4x) 6414 or 12BH7 tubes for driver output\u003c\/span\u003e\u003c\/p\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54841091686774,"sku":"RMANMPTUBEKITB","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/Screenshot2022-05-13112111_60dc4a05-3db3-47dd-990e-7dba20e71cd1.jpg?v=1652437395"},{"product_id":"manley-massive-passive-retube-kit-version-a","title":"Manley Massive Passive Retube Kit Version A","description":"\u003ch2\u003eManley Massive Passive Retube Kit Version A\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis kit is for Manley MASSIVE PASSIVE units with the serial number falling between MSMP000 - MSMP999.\u003c\/span\u003e\u003c\/p\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":55922415501686,"sku":"RMANMPTUBEKITA","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/640-Manley.jpg?v=1613686620"}],"url":"https:\/\/studiocare.com\/collections\/manley\/category_ancillary_-studio-broadcast-electronic-components-parts.oembed","provider":"Studiocare","version":"1.0","type":"link"}