{"title":"Mastering Equalisers","description":"","products":[{"product_id":"a-designs-hm2eq-hammer-2","title":"A-Designs Hammer 2 - 2-Channel Valve EQ","description":"\u003ch2\u003eA-Designs Hammer 2\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eA-Designs Hammer 2\u003c\/strong\u003e is a 2-Channel Valve EQ that offers world-class sound quality in an easy to us rack unit. This unit is outstanding tool for tracking and is most at home on the main mix outputs as you use its dual-mono, three- band equalizer to craft your sound. It's one of a very select few audio tools that enhances sound simply by running signal through it, thanks in part to an ingenious filtering system that passes musical 2nd order tube harmonics while eliminating unwanted noise - just the heating blanket your DAW needs.\u003c\/p\u003e\n\u003cp\u003eIt's also ideal for adding \"air\" to vocals, carefully crafted punch to instruments or just the right texture to an overall mix; plus, a major benefit of its innovative design is the ability to push it as hard as you like - it's nearly impossible to make it sound bad. The HAMMER 2 couldn't be easier to use. Its overall frequency range covers 30Hz to 40kHz. Each channel features six detented rotary controls: three frequency selector knobs (Lo, Mid, Hi) which are stepped switches for easy recall, each with an accompanying gain knob providing continuously variable boost or cut of 12dB.\u003c\/p\u003e\n\u003cp\u003eEach band has a selectable center frequency, and overlaps with the other bands in such a way that makes for a seamless transition throughout the entire spectrum. Each channel also features individual toggle switches for EQ In\/Out as well as Lo Cut (84Hz) and Hi Cut (8kHZ), filters that allow engineers to perform utilitarian EQ chores while still being able to bring the full power of The Hammer's three bands to bear. Mainly intended as a \"broad stroke\" equalizer, the HM2EQ's bandwidth (Q) is self-adjusting (floating), based on a combination of the amount of gain applied and the dynamics and frequency content of the program material.\u003c\/p\u003e\n\u003cp\u003eThe Hammer's unique ability to have its Q \"move with the music\" is one the keys to its incredible musical performance, and is another reason why it's difficult to make the Hammer sound bad at any frequency or gain setting. Along with its innovative tube-harmonic filtering circuit, a pair of carefully selected 12AT7 tubes (offering the most consistent control of any tube) and a custom heavy duty toroidal power transformer add the final touches to the Hammer's signal path.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: -3dB points @ 5Hz and 40kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise Floo\u003c\/strong\u003er: -94dbm with 30kHz bandwidth\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow boost\u003c\/strong\u003e: +12dB; cut: -12dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMid boost\u003c\/strong\u003e: +12dB; cut: -12dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh boost\u003c\/strong\u003e: +12dB; cut: -12dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow-frequency switch\u003c\/strong\u003e:  30Hz\/50Hz\/100Hz\/150Hz\/200Hz\/300Hz\/400Hz\/470Hz560Hz Shelving @ 30\/60\/125\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMid-frequency switch\u003c\/strong\u003e: 125Hz\/175Hz\/ 250Hz\/500Hz\/800Hz\/1.2kHz\/1.6kHz\/2kHz\/2.7kHz3.3kHz\/3.9kHz\/4.7kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-frequency switch\u003c\/strong\u003e: 1.8kHz\/ 2.5kHz\/3.5kHz\/5kHz\/7.5kHz\/10kHz\/15kHz\/20kHz\/40kHz Shelving @ 4.8k\/12.5k\/30k\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow-cut filter\u003c\/strong\u003e: 84Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-cut filter\u003c\/strong\u003e: 8kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBandwidth (Q)\u003c\/strong\u003e: Floating\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD\u003c\/strong\u003e: \u0026gt; .08 @ 1Khz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e: 120\/230 VAC - 42W\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e: 19'' x 3-1\/2'' x 10''\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 10 lbs. (Shipping weight 12 lbs.)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":31436122947630,"sku":"SADEHM2EQHAM","price":2375.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/A-Designs-Hammer-2_0001_Front-Angled.jpg?v=1770291573"},{"product_id":"api-5500-dual-equalizer","title":"API 5500 - Dual Equalizer","description":"\u003cp\u003eThe lineage of the 5500 circuit can be traced back to the original 550 equalizer designed by Saul Walker, the founder of Automated Processes Inc. The 550 was designed as a console equalizer which, due to the architecture of the recording console, uses an unbalanced input. Because the ergonomics of a console dictate that the controls take up little space, sometimes the number of included functions can be limited. The 5500 is specifically designed to address these limitations. It has a balanced input, a true straight-wire bypass, an integrated power supply with noiseless muting, and a range control that expands it versatility to mastering applications.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5500 Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic 550B Equalizer Design\u003c\/li\u003e\n\u003cli\u003e2 Range Switches Individually Alter Gain Steps\u003c\/li\u003e\n\u003cli\u003eUseable as a 550B, 550D or 550M\u003c\/li\u003e\n\u003cli\u003ePeak\/Shelf Switch on HI \u0026amp; Lo bands\u003c\/li\u003e\n\u003cli\u003eTrue Hardwire Bypass\u003c\/li\u003e\n\u003cli\u003eBalanced IN and OUT on XLR\u003c\/li\u003e\n\u003cli\u003eUnbalanced Input on 1\/4\"\u003c\/li\u003e\n\u003cli\u003eEQ In\/Out Switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLike all API products, the 5500 contains no integrated circuits in its signal path. The gain comes from two hand-built 2520 operational amplifiers in each channel. The balanced input is handled by a 2510 discrete operational amplifier, which is similar to the 2520, but without the high current output stage. Besides being a key component of the API sound, the 2520 coupled with the API 2503 output transformer is capable of delivering +30dBm before clipping. With this much headroom, it is unlikely that the 5500 can be driven to distortion unless perhaps another API unit is driving the input!\u003c\/p\u003e\n\u003cp\u003eA new feature in the 5500 is the range control. The range of the amplitude controls can be reduced to 1\/2 or 1\/4 of their stated scale, providing a means of adjusting the tonal balance with finer resolution in an even gentler manner. This should be especially useful for complex program material as contained in stems or submixes, and is ideally suited for mastering purposes.\u003c\/p\u003e\n\u003cp\u003eAlso new on the 5500 is a true hard-wire bypass. In this mode the output connector is wired directly to the input. Shortly after the power is first applied, or immediately after it is lost, a special circuit enables bypass mode so signal is never lost and power thumps are never heard.\u003c\/p\u003e\n\u003cp\u003eThe input XLR is connected to an active balanced circuit. The output XLR is driven from a transformer coupled output and can drive any load from 600 ohms or greater to full output capability. The polarity is such that there is no change from input to output, so it is suitable in studios using either pin 2 or pin 3 as the \"hot\" connection. In addition, there is a 1\/4 inch input connector that interrupts any signal that is present on the input XLR. It is balanced and can be driven from either balanced or unbalanced sources. A positive signal on the tip will deliver a positive signal on pin 2 of the output XLR. Using the 1\/4 inch input does not bypass any internal circuitry and does not change gain or operating level.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":31445275115566,"sku":"SAPI5500","price":2745.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/api-5500-1800x1800.webp?v=1753462019"},{"product_id":"chandler-tg12345-curve-bender-stereo-eq","title":"Chandler TG12345 Curve Bender - Stereo EQ","description":"\u003ch2\u003eChandler TG12345 Curve Bender - Stereo EQ\u003c\/h2\u003e\n\u003cp\u003eThe EMI TG12345 Curve Bender is the ultimate TG equalizer issued in celebration of the 75th birthday of Abbey Road Studios. The Curve Bender was conceived by Chandler Limited designer Wade Goeke and Abbey Road senior engineer Peter Cobbin and is based on the vintage EMI TG12345 desk used to record The Beatles and Pink Floyd.\u003c\/p\u003e\n\u003cp\u003eThis newest EMI equalizer continues the tradition of EMI eqs started in 1951 with the RS56, affectionately entitled the Curve bender by EMI designers and continued with the TG12345 in 1968, and TG12412 in 1974. The newest version takes the simple but beautiful-sounding TG12345 equalizer and realizes it in a fully featured and rethought package for today's use. \u003cbr\u003e\u003cbr\u003eDuring his mixing of numerous Beatles related projects including, Anthology, Yellow Submarine, and Imagine, Peter Cobbin thought of having a fully featured and ultimately flexible version of the original desk eq units. After Wade presented him with a working version of the famed console eq Pete realized his time had come and set Wade to making his unit.\u003c\/p\u003e\n\u003cp\u003ePeter asked for four bands and filters based on the slopes of the original desk but with overlapping and expanded choices. Wade turned the 9 selections on the vintage version into 51 eq points plus a multiply switch that increases the boost\/cut to 15db (as well as sharpening the Q), filters, and bell\/shelf selections on the high and low bands. \u003cbr\u003e\u003cbr\u003eA simple equalizer from the rich past of EMI and Abbey Road has now come full circle into a modern powerhouse suitable for recording, mixing, and mastering. The rest is NEW Chandler Limited\/EMI\/Abbey Road history... \u003c\/p\u003e","brand":"Chandler","offers":[{"title":"Default Title","offer_id":31467388305454,"sku":"SCHACURVEBENDER","price":6249.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/ChandlerCurveBenderFront_forsite.jpg?v=1724155778"},{"product_id":"dangerous-bax-eq-dm17-baxendall-shelving-eq","title":"Dangerous Music BAX EQ (DM17) Baxendall Shelving EQ","description":"\u003ch2\u003eDangerous Music BAX EQ (DM17)\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eDangerous Music BAX EQ\u003c\/strong\u003e is the first professional, stand-alone EQ to use the famous Baxandall curves, and this version – designed by legendary designer Chris Muth – has become an instant classic among mixing, mastering and tracking engineers. It’s so loved, in fact, that most are leaving it patched into their audio path full time where it sweetens and deepens all kinds of music…day in, day out, all year long.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBIG MOVES AND BROAD STROKES\u003c\/strong\u003e\u003cbr\u003eAt the heart of this stereo unit are gently sweeping treble and bass EQ shelves (the Baxandall Curves) that give you subtle yet profound control over wide sections of the frequency spectrum. The opposite of a surgical tool, the BAX EQ is all about sweetening sounds with broad, musical adjustments. Starting far below and above the human hearing limit, the broad and gentle EQ curves gently tug at the audible frequencies in ways that other EQs cannot. This unique design provides a distinctively sweet and open treble along with a powerful and three-dimensional low-end you simply can’t get out of other EQs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE PARADOX OF TRANSPARENCY\u003c\/strong\u003e\u003cbr\u003eThe bass and treble shelves found on most professional EQs introduce phase delay and other audible artifacts, sometimes called “color.” The BAX EQ’s shelves maintain phase coherence, and — because it is built from the same ultra-high-grade components we use in all our equipment — the BAX EQ does not change the characteristics of the original sound. This is the ineffable paradox of real analog transparency: you have the ability to make powerful changes without substantially altering the original sonic characteristics. Rather than adding more color, you’ll hear the original colors more beautifully, more openly and more powerfully, no matter how far you push it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSOPHISTICATED FILTERING\u003c\/strong\u003e\u003cbr\u003eBeyond the easy-to-use shelf controls, the BAX EQ is equipped with sophisticated filtering options that vastly expand its versatility. The cut filters on either end of the spectrum dial out unneeded frequencies that will be boosted at the far end of the shelves. On the low end, you can cut below 12 Hz, where headroom-eating, infrasonic rumble and DC-offset live. On the high end, you can dial out ultra-sonics like 70 kHz that can carry out-of-band noise that translates as harshness in many A\/D converters. And when you start playing the cut filters against the shelves, a whole world of unique tone-shaping opens up within the audible frequency band – sounds you wont get anywhere else.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEFFORTLESS RESULTS FOR TRACKING, MIXING \u0026amp; MASTERING\u003c\/strong\u003e\u003cbr\u003eIn a category all its own, the BAX EQ will compliment any studio configuration. Outstanding in a mastering rig, on a whole mix or in any tracking chain, the BAX EQ lets you effortlessly sweeten and deepen any music — like the best bass-treble controls you’ve ever used.\u003c\/p\u003e\n\u003ch2\u003eDangerous BAX EQ Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eUnique Design Based on the bass-treble tone control EQ.\u003c\/li\u003e\n\u003cli\u003eUltra-high quality components.\u003c\/li\u003e\n\u003cli\u003eStepped controls throughout for accuracy and repeatability.\u003c\/li\u003e\n\u003cli\u003eBroad Q-shelving for a natural, open transparent sound.\u003c\/li\u003e\n\u003cli\u003e7-position phase coherent high-pass and low-pass filters on relays.\u003c\/li\u003e\n\u003cli\u003e8-position high- and low-frequency selection.\u003c\/li\u003e\n\u003cli\u003e5dB cut and boost controls in 1\/2dB step for precise control.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e+- 0.1dB from 10Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003e+- 0.2dB from 1Hz to 80kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum level:\u003c\/strong\u003e \u0026gt;+28dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise floor:\u003c\/strong\u003e \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e \u0026lt;0.002%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIMD:\u003c\/strong\u003e \u0026lt;0.003%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk rejection:\u003c\/strong\u003e \u0026gt;105dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReplacement Fuses:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eUSA 500mA fast blow for 120V\u003c\/li\u003e\n\u003cli\u003eEurope 250mA fast blow for 240V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 25K Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance:\u003c\/strong\u003e 50 Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Free 2 year extended warranty with online registration.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":31480594202670,"sku":"SDAN17BAXEQ","price":2625.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SDAN17BAXEQ-front.jpg?v=1601051364"},{"product_id":"manley-massive-passive-eq-dual-channel-mastering","title":"Manley Massive Passive EQ Dual Channel - Mastering","description":"\u003ch2\u003eMassive Passive Mastering Edition\u003c\/h2\u003e\n\u003cp\u003eThe Massive Passive is a passive design and not a \"true parametric\". A true parametric implies non-interacting controls. In the Massive Passive, the \"GAIN\" and \"BANDWIDTH\" controls DO interact (on purpose). We cannot create a \"GAIN\" switch that is set up for \"consistent\" 1\/2 dB steps. When you change the \"BANDWIDTH\" the step size must and will change. On the regular version, you get a full 20dB boost or cut only when: the bandwidth is fully clockwise (narrow) in bell mode or fully counter-clockwise in shelf mode.\u003c\/p\u003e\n\u003cp\u003eHere on the Mastering Version, this maximum boost or cut is 11dB. Conversely at the widest bell, the maximum boost or cut is 6dB and the narrowest shelf maxes out at 12 dB. A similar situation is also true for the bandwidth detents. So in this new Mastering Version, do not expect a certain dB change per step as it will vary according to where the bandwidth is set. But whatever the step \u003cem\u003esizes\u003c\/em\u003e are, they will be repeatably 16 steps. The FREQUENCY select is already detented as it is and always has been a Grayhill switch. It also interacts in shelf mode.\u003c\/p\u003e\n\u003cp\u003eOn a similar note, the Massive Passive is a \"parallel design\" and not the conventional \"series design\". This means the bands interact with each other too. It is possible, to set a band to boost 20 dB but if another band is boosting near or at that frequency, very little will happen. On a conventional EQ the two bands \"add\" and you would be boosting 40 dB into clipping. Because the bands interact, predictable step sizes are unrealistic, however, with the Mastering Version, you will be able to repeat settings (if you log them of course). The price paid for interacting bands, is a better sounding EQ and bizarre looking settings (on purpose).\u003c\/p\u003e\n\u003cp\u003eUnlike virtually every other EQ, the Massive Passive allows much more EQ without sounding \"processed\". Where 5 or 6 dB is about all one could attempt with other EQs in mastering, the Massivo amazes engineers with how much EQ they can do and get more \"natural\" results at the same time. We could have squeezed 11 position Grayhill switches in the modules if we had wanted 1\/2 dB steps but then the maximum range would have become only 5.5 dB. Remembering what we stated above, the minimum range would then become about 1.5 dB with approximately 0.2 dB steps. This approach would have essentially thrown away most of the useful range the unit is capable of. Going with these special mechanically detented knobs which use the same pots underneath that the normal Massivo uses, we get nearly all the range of the normal version, but with the repeatability of the detents.\u003c\/p\u003e\n\u003cp\u003eWe have also custom tailored the FILTERS in the Mastering Version specifically for Mastering purposes, moving them lower and higher than the normal version, with mastering engineers specifically in mind. If you are looking for drastic effects (like telephone sounds) then get the normal version. These filters are really geared for mastering engineers.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the Master Gain Trim controls in the Mastering Version are true 11 position 1\/2 dB stepped Grayhill switches set up for a range between -2.5 to +2.5 dB of master gain trim. This allows more confidence in left\/right matching and calibration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMassive Passive Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll-Passive tone sculpting circuitry\u003c\/li\u003e\n\u003cli\u003eUnique Shelf curves use the \"bandwidth\" control\u003c\/li\u003e\n\u003cli\u003eOverlapping and Interleaved Frequency choices\u003c\/li\u003e\n\u003cli\u003eEvery band switchable to shelf or bell\u003c\/li\u003e\n\u003cli\u003eVacuum tube make-up gain and line drivers\u003c\/li\u003e\n\u003cli\u003eParallel symmetrical topology\u003c\/li\u003e\n\u003cli\u003ePremium components throughout\u003c\/li\u003e\n\u003cli\u003eHP and LP Filters plus gain trims \u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003eIns \u0026amp; Outs Balanced XLR \u0026amp; 1\/4\" (accepts unbalanced)\u003c\/li\u003e\n\n\u003cli\u003eLevel +4 dBu nominal, internal switches for -10 operation\u003c\/li\u003e\n\n\u003cli\u003eBypass Switch bypasses EQ \u0026amp; tube circuits (not hardwire)\u003c\/li\u003e\n\n\u003cli\u003e44 Frequencies (roughly 1\/4 octave spacing)\u003c\/li\u003e\n\n\u003cli\u003eFrequency Range: 22 Hz to 27 Khz\u003c\/li\u003e\n\n\u003cli\u003eEQ Boost\/Cut Range : 20 dB boost, 20 dB cut\u003c\/li\u003e\n\n\u003cli\u003eNominal Q range: 1.5 to 3 (uniquely active in shelf modes)\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: +\/- 2 dB: 8 Hz to 60 KHz\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output @ 1.5% THD +37 dBv; +26dBv @ 20 Hz\u003c\/li\u003e\n\n\u003cli\u003eTHD \u0026amp; Noise (1KHz @ +4 dBu): 0.06%\u003c\/li\u003e\n\n\u003cli\u003eNoise Floor (referred to +4dBu): -85 dB (A Weight)\u003c\/li\u003e\n\n\u003cli\u003eDynamic Range: 120 dB\u003c\/li\u003e\n\n\u003cli\u003eTube Complement: 2 x 12AX7 EH, 4 x 6414 for serial MSMPX### after 2\/2004\u003c\/li\u003e\n\n\u003cli\u003eTube Complement: 2 x 5751, 4 x 6414 for serial MSMP### until 2\/2004\u003c\/li\u003e\n\n\u003cli\u003ePower Consumption (120\/240VAC): 72 watts\u003c\/li\u003e\n\n\u003cli\u003eUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/li\u003e\n\n\u003cli\u003eOperating Mains Voltage changeable with power transformer changeover switch and fuse value change.\u003c\/li\u003e\n\n\u003cli\u003eMains Voltage Frequency: 50~ 60Hz\u003c\/li\u003e\n\n\u003cli\u003eSize (3U): 19\" x 5.25\" x 10\"\u003c\/li\u003e\n\n\u003cli\u003eWeight: Unit 21 lbs. Shipping Weight: 27 lbs.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516210626606,"sku":"SMANMASM","price":5249.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanmasm.jpg?v=1578924343"},{"product_id":"ams-neve-8803-dual-channel-eq-and-filter-module","title":"Neve 8803 Dual Channel EQ and filter module","description":"\u003ch2\u003eNeve 8803 Dual Channel EQ and filter module\u003c\/h2\u003e\n\u003cp\u003eDesigned to deliver the inimitable sound of the flagship Neve 88RS console, the \u003cstrong\u003eNeve 8803\u003c\/strong\u003e Dual Equalizer’s circuitry is based on the classic Neve 8108 topology. Balanced inputs and ±20dB trim are followed by two 12dB per octave filters. The High-Pass Filter has a variable corner frequency from 25Hz to 300Hz, and the Low-Pass Filter has a range of 3kHz-15kHz. The four bands of equalization offer selectable shelving and switchable Q on the high and low bands, with continuously variable Q on the mid frequency bands. Frequency selection is variable on all bands within the ranges 33Hz-440Hz, 120Hz-2kHz, 0.8kHz-9kHz and 1.5kHz-18kHz.\u003c\/p\u003e\n\u003cp\u003eFor modern producers and engineers looking to shape and develop sounds with unrivalled sonic purity and musicality, the 8803 Dual Channel Equalizer is the preeminent choice.\u003c\/p\u003e\n\u003cp\u003ePart of the exclusive Neve 88 Series, the \u003cstrong\u003eNeve 8803\u003c\/strong\u003e is a dual channel equalizer and filter. Like the other units in the 88 series collection, the 8803 is hand-made and hand-wired in Burnley, England, and delivers legendary Neve sound with digitally recallable settings via USB connection to Mac or PC. This is an outstanding tool for creative flexibility, allowing Neve’s legendary analogue processing to be used as never before in collaboration with computer workstations.\u003c\/p\u003e\n\u003ch2\u003eNeve 8803 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRevered equalization circuitry derived from classic 8108 design and flagship 88RS analogue console\u003c\/li\u003e\n\u003cli\u003eHand-built and hand-wired by Neve in Burnley, England\u003c\/li\u003e\n\u003cli\u003e±20dB Input trim\u003c\/li\u003e\n\u003cli\u003eHigh pass filter 25Hz-300Hz, 12dB per octave\u003c\/li\u003e\n\u003cli\u003eLow pass filter 3kHz-15kHz, 12dB per octave\u003c\/li\u003e\n\u003cli\u003eEQ High 1.5k-18kHz, selectable Shelving\/Bell, selectable Hi Q\u003c\/li\u003e\n\u003cli\u003eEQ Mid High 0.8kHz-9kHz, Q range: 0.3 to 7 continuously variable\u003c\/li\u003e\n\u003cli\u003eEQ Mid Low 120Hz-2kHz, Q range: 0.3 to 7 continuously variable\u003c\/li\u003e\n\u003cli\u003eEQ Low 33Hz-440Hz, selectable Shelving\/Bell, selectable Hi Q\u003c\/li\u003e\n\u003cli\u003eEQ bypass switch\u003c\/li\u003e\n\u003cli\u003eUSB port for recall of settings via Mac or PC and control software\u003c\/li\u003e\n\u003cli\u003eXLR input combination jack, +4dBu, -10dBV\u003c\/li\u003e\n\u003cli\u003eXLR and parallel jack outputs\u003c\/li\u003e\n\u003cli\u003eExternal 100V-250V power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e +\/- 0.3dB (10Hz to 20kHz)+\/- 0.5dB (10Hz to 35kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDistortion: \u003c\/strong\u003e\u0026lt;0.006% (10Hz to 20kHz using a measurement window of 10Hz to 80kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise:\u003c\/strong\u003e \u0026lt; 80dB (20Hz to 20kHz using a measurement window of 10Hz to 22kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance (balanced):\u003c\/strong\u003e \u0026gt; 20k Ohms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOutput:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine Output Impedance: \u003c\/strong\u003e\u0026lt; 50 Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine Output Maximum: \u003c\/strong\u003eMaximum of +26dBu into 600 Ohms. Zout 75 Ohms +\/-5% @ 1kHz, balanced and earth-free.An unbalanced output 8dB below the level of the balanced output is also provided.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth: \u003c\/strong\u003e482mm (19 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight: \u003c\/strong\u003e44mm (1.75 inches) - 1U\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth: \u003c\/strong\u003e240mm (9.5 inches) - without power socket plugged in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 2.5kg (5.5 pounds)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":31519719718958,"sku":"SNEV8803","price":1186.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/AMSNEVE_0003_8803FrontRaisedRT.jpg?v=1643812287"},{"product_id":"heritage-audio-symph-eq-amtospheric-stereo-eq","title":"Heritage Audio SYMPH EQ - Asymptotic Stereo EQ","description":"\u003ch2\u003eHeritage Audio SYMPH EQ - Asymptotic Stereo EQ\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHeritage Audio SYMPH EQ\u003c\/strong\u003e is a master bus stereo EQ \u003cspan data-mce-fragment=\"1\"\u003ewhere the boost or cut amplitude grows up until the asymptotic value is reached, keeping the ultra highs and sub lows always controlled.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelving with surgical, but musical precision\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA smart circuit layout allows for a maximum boost\/cut of 10.5 dB in 0.5 dB steps. The main rotary switch sets 1dB steps whilst the 0.5 button adds half a dB to the main reading. The CUT button turns the boost amount into cut. Six strategically selected frequency choices per band are available (8, 10, 12, 15, 20 and 24 Khz on the high shelf, and 470, 360, 220, 110, 60 and 20 Hz on the low shelf).\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan data-mce-fragment=\"1\"\u003e2-pole high and low pass filters\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn order to keep the sub-low and ultra-high frequency content well under control, further high-pass and low-pass filters have been added on dual concentric rotary switches, at 12dB\/octave. 5 frequency choices plus OFF are available on each one (10, 12, 18, 22 and 30 Khz on the low-pass, and 160, 82, 47, 20 and 15 Hz on the high-pass).\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is where the magic lives\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Symph EQ would have been an awesome sculpting tool just as it has been described above, but it turns into a monster piece with the following 3 additions:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt features the same exclusive Carnhill input transformers made in Oxford found in the Successor.\u003cbr\u003eIts outputs are driven by 73-type Class-A output amplifiers, built with the same Carnhill St´Ives output transformers as the rest of the family.\u003cbr\u003eMost importantly and, here is where the Symph EQ really shines, it has built in Mid Side (M\/S) capabilities.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures \u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCustom Carnhill Oxford input transformers, and custom Carnhill St Ives output transformers, both exclusively made for Heritage Audio.\u003c\/li\u003e\n\u003cli\u003eA high-end, 73-style Class-A output stage.\u003c\/li\u003e\n\u003cli\u003eAll controls use high-quality rotary switches for 0.5dB precision equalizing.\u003c\/li\u003e\n\u003cli\u003eMid-side processing allows for precise center bass management and high boosting hard panned sources without affecting center ones such as vocals, snare, etc. Side high-pass filter turns into elliptical type when in M\/S, as implemented in vintage disk cutters.\u003c\/li\u003e\n\u003cli\u003eStereo and M\/S inputs and outputs, all balanced and ground free (unbalanced compatible) on gold plated XLRs.ON, M\/S or stereo mode and individual hard BYPASS per channel.\u003c\/li\u003e\n\u003cli\u003eFully manufactured in the EU.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCarnhill based, transformer coupled balanced inputs and outputs for added character and vintage vibe.\u003c\/li\u003e\n\u003cli\u003e73 style class A output stages bring the desired 73 sound to your mix or instrument buses.\u003c\/li\u003e\n\u003cli\u003eStepped controls for easy recall of settings.\u003c\/li\u003e\n\u003cli\u003eInput impedance: 10 Kiloohms bridging. Input is transformer balanced and floating.\u003c\/li\u003e\n\u003cli\u003eOutput impedance: Less than 75 Ohms, transformer balanced and floating, to drive a load of 600 ohms (factory terminated).\u003c\/li\u003e\n\u003cli\u003eMaximum output: Greater than +26dBu into 600 ohms.\u003c\/li\u003e\n\u003cli\u003eTHD: Less than 0.025% at 1 Khz, less than 0.05% at 100Hz.\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20Hz ( +0.3dB ) to 20Khz (-0.2dB)\u003c\/li\u003e\n\u003cli\u003eNoise: Less than -89dBu , EQ flat.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAsymptotic Equaliser Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHi Frequency shelving: Frequency selectable 8, 10, 12, 15, 20 and 24 Khz.\u003c\/li\u003e\n\u003cli\u003eBoost \/ Cut: 10.5 dB maximum, in steps of 0.5dB.\u003c\/li\u003e\n\u003cli\u003eLo Frequency shelving: Frequency selectable 470, 360, 220, 110, 60 and 20 Hz.\u003c\/li\u003e\n\u003cli\u003eBoost \/ Cut: 10.5 dB maximum, in steps of 0.5dB.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFilter Section:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12dB\/octave high pass filter, -3dB point selectable at 160, 82, 47, 20 and 15 Hz.\u003c\/li\u003e\n\u003cli\u003e12dB\/octave low pass filter, -3dB point selectable at 10, 12, 18, 22 and 30 Khz.\u003c\/li\u003e\n\u003cli\u003eSide filter automatically turns into elliptical topology when M\/S is engaged, as in the disk cutters, at 6dB\/octave.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default","offer_id":38148631560370,"sku":"SHERSYMPHEQ","price":1079.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHERSYMPHEQ-2.jpg?v=1612285778"},{"product_id":"cranborne-audio-carnaby-he2-19-stereo-harmonic-eq","title":"Cranborne Audio Carnaby HE2 - 19\" Stereo Harmonic EQ","description":"\u003ch2\u003eCranborne Audio Carnaby HE2 - 19\" Stereo Harmonic EQ\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eCranborne Carnaby HE2\u003c\/strong\u003e is a 2u 19-Inch rack stereo 3-band parametric EQ – an evolution of our Carnaby 500.\u003c\/p\u003e\n\u003cp\u003eCarnaby HE2 HarmonicEQ® utilises the same unique and revolutionary EQ concept found in Carnaby 500, using harmonic saturation to boost and cut frequency content. Enhance your sources, stems and mixes with genuine analogue harmonic saturation with the feel, familiarity, and control of an equaliser.\u003c\/p\u003e\n\u003cp\u003eWhether being used for Stereo, Dual Mono or Mid-Side processing, Carnaby HE2 features 3 bypassable, interactive bands of HarmonicEQ® per channel. Each band has 10dB of boost\/cut and its own sweepable and overlapping frequency controls. As with Carnaby 500, each of Carnaby HE2s bands has a unique blend of harmonic content suited to its frequency band to achieve maximum musicality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHI Band\u003c\/strong\u003e\u003cbr\u003eThe HI band has a frequency range from 5kHz all the way to 25kHz and uses smooth saturation to naturally extend high frequencies beyond the audio band for ultimate air and breath on vocals and acoustic instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMID Band\u003c\/strong\u003e\u003cbr\u003eThe MID band is a peaking filter with a fixed Q and a wide sweepable frequency range from 200Hz up to 6.2kHz. It uses saturation to add harmonic emphasis to the source anywhere in the frequency range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLO Band\u003c\/strong\u003e\u003cbr\u003eThe LO band has a frequency range of 420Hz down to 20Hz and uses hard-clipping saturation to extend sub-harmonic frequencies into the audible low-end - perfect for subtle low-end warming or extreme sub-harmonic saturation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic Response\u003c\/strong\u003e\u003cbr\u003eUnlike other EQs, Carnaby HE2 has a dynamic response and increases in total boost\/cut and harmonics as the circuits are driven harder. An Input and Output level control on each band allows for ±20dB of level adjustment, enabling you to drive Carnaby HE2 harder with the input control for more saturation and distortion effects, or back it off for a cleaner EQ when needed.\u003c\/p\u003e\n\u003ch2\u003eCranborne Audio Carnaby HE2 Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eStereo 2u 19-Inch rack 3-band parametric analogue EQ with unique HarmonicEQ® circuit per side for harmonically-enriched EQ effects.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBypassable 3-band, HarmonicEQ® meticulously developed by the Cranborne Audio team in the UK.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eParametric LO and HI shelving bands with ±10dB of cut\/boost and harmonic\u003c\/li\u003e\n\u003cli\u003esaturation.\u003cbr\u003eParametric peaking MID band with ±10dB of cut\/boost, fixed Q and harmonic saturation.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLO, MID, and HI LED indicators to display saturation level.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e±20dB Input and Output Level for dense harmonic saturation or clean EQ effects.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo, Dual Mono \u0026amp; Mid\/Side operation.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBypassable Hi \u0026amp; Lo Cut controls per channel.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBypassable TRS Insert per channel.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrue-bypass IN\/OUT switching per channel.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStepped, front-panel controls for quick manual recall and precise feel.\u003cbr\u003eCarnaby HE2 Control for remote parameter control + preset save\/recall via USB or Network.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cranborne Audio","offers":[{"title":"Default","offer_id":44634931888306,"sku":"SCRNCARNABYEQ","price":1499.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Carnaby-HE2-Front_1800x1800_6cd5040d-e397-4911-a50f-3083b1edd6b4.webp?v=1722504538"}],"url":"https:\/\/studiocare.com\/collections\/mastering-equalisers.oembed","provider":"Studiocare","version":"1.0","type":"link"}