{"title":"Mastering Outboard","description":"","products":[{"product_id":"a-designs-em-eq2-based-on-pultec-eqp-1a-2-channel-2u-rack-mount-version","title":"A-Designs EM-EQ2 - Based on Pultec EQP-1A - 2 Channel 2U Rack Mount Version","description":"\u003ch2\u003eA-Designs EM-EQ2 - Based on Pultec EQP-1A - 2 Channel 2U Rack Mount Version\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eA-Design EM-EQ2\u003c\/strong\u003e faithfully preserves the EQ section design, control layout, and wonderfully smooth musicality of the original Pultec. It also has the same frequency settings and inductors that made the Pultec a must-have for accurately capturing and shaping the sound spectrum, especially the bottom end. \u003c\/p\u003e\n\u003cp\u003eThe high band is attenuated at 5k, 10k, 20kHz; bandwidth and boost can be varied mid to high band at 3k, 4k, 5k, 6k, 10k, 12k, 16kHz; and, of course, the low band can be boosted and\/or attenuated at 20Hz, 30Hz, 60Hz, or 100Hz. 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This unit is outstanding tool for tracking and is most at home on the main mix outputs as you use its dual-mono, three- band equalizer to craft your sound. It's one of a very select few audio tools that enhances sound simply by running signal through it, thanks in part to an ingenious filtering system that passes musical 2nd order tube harmonics while eliminating unwanted noise - just the heating blanket your DAW needs.\u003c\/p\u003e\n\u003cp\u003eIt's also ideal for adding \"air\" to vocals, carefully crafted punch to instruments or just the right texture to an overall mix; plus, a major benefit of its innovative design is the ability to push it as hard as you like - it's nearly impossible to make it sound bad. The HAMMER 2 couldn't be easier to use. Its overall frequency range covers 30Hz to 40kHz. 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But true craftsmanship lies in the details – everything from the placement of a mic to an EQ setting to coaching a vocalist requires that you can hear all the nuances perfectly. To deliver that quality of monitoring, the SOURCE incorporates audiophile-grade components in an unconditionally transparent design that reveals every last detail, letting you hear absolutely everything the first time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEFFORTLESSLY ROUTE ALL OF YOUR SIGNALS\u003c\/strong\u003e\u003cbr\u003eAs the centerpiece to your studio, the SOURCE is equipped with a balanced stereo professional level analog input on XLR\/TRS jacks and an 1\/8” stereo commercial level input for iPhones, laptops and other devices. Digital inputs include both USB (for Windows and Mac) and AES\/SPDIF up to 192khz, and the AES\/SPDIF has a very useful thru-port, allowing you to capture or monitor that signal outside the SOURCE any way you see fit. The Selected Line output provides an analog mirror of whatever you’re monitoring in the control room, bypassing the main volume control. Use the Selected Line output to feed an external meter, recording device, club PA system or even for creative re-amping setups. The two onboard reference-grade D\/A converters deliver every last detail of your music, while the robust, crystal clear headphone amplifier and two speaker outputs round out the SOURCE’s incredibly versatile signal paths.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTOGGLE \u0026amp; LATCH FOR ULTIMATE FLEXIBILITY\u003c\/strong\u003e\u003cbr\u003eAny input and speaker outputs can be used individually or simultaneously for all sorts of studio solutions. By switching the input and output sections between “toggle” mode (one at a time) and “latch” mode (simultaneously activated), you can layer sounds and double-up the inputs in creative and very useful ways. For example, set the speaker switches to “latch” and use the second speaker output as a switchable subwoofer out – or perhaps to provide simultaneous live-room monitoring, or to just blast both sets of speakers at once! Set the input switches to “latch” and you can jam along with your portable devices, or otherwise creatively layer multiple input sources. Return to “toggle” mode and easily let the singer hear their own personal headphone mix from an analog input while you engineer the real mix from the USB. Whatever’s needed, wherever you are, the SOURCE will deliver!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMONITOR RIGHT AND NEVER GUESS AGAIN\u003c\/strong\u003e\u003cbr\u003eIt would be hard to overstate the number of recordings that have arrived at the mastering stage with all kinds of noises, flaws and other unintentional problems because the monitoring chain was inadequate. 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The Dangerous Compressor is an audiophile-grade tool that provides powerful compression and limiting without robbing the music of its lifeforce.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRANSPARENTLY BEAUTIFUL\u003c\/strong\u003e\u003cbr\u003eCompressors fall into two basic categories: so-called “color boxes” capable of drastically changing sound, of which there are hundreds available, and the much more difficult to design “transparent units” that control dynamics without introducing obvious sonic artifacts. The Dangerous COMPRESSOR is decidedly in the latter category, delivering crystal clear compression that allows you to easily alter and control dynamics without drastically changing the original sound. But don’t let the word ‘transparency’ trick you into thinking The COMPRESSOR doesn’t sound beautiful – like all Dangerous gear, the low end is big and powerful, the mids maintain texture and detail, and the top-end is open and deeply engaging, even during very active gain reduction. This level of open musicality is unique even among the small field of transparent compressors, putting The COMPRESSOR in a class of its own where sounding transparent and beautiful is no longer a paradox.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBEYOND VERSATILITY\u003c\/strong\u003e\u003cbr\u003eBecause The Dangerous COMPRESSOR is so transparent and simple to operate, it can handle a wide range of tasks often left to automation and eq during tracking, mixing and mastering. Few compressors are as versatile. Tedious vocal level rides can be handed over to The Dangerous COMPRESSOR’s VCA as if it were a trusted assistant intuitively riding a fader. Use the internal sidechain EQ curves to tame a sibilant vocal or to let deep bass punch through untouched, or both simultaneously. Effortlessly peak-limit a master in the analog realm and dispense with your digital limiter using the unique Smart Dynamics feature. Patch an eq into the external side chain for dynamic eq across the midrange, or use the two channels as independent mono units, or in series to achieve ultra-transparent “cascaded compression.” Beyond versatility, The Dangerous COMPRESSOR invites you to creatively solve sonic problems without worrying about unwanted sonic artifacts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA NO COMPROMISE DESIGN WITH UNIQUE FEATURES\u003c\/strong\u003e\u003cbr\u003eHand assembled in the USA, at the heart of The Dangerous COMPRESSOR is a unique and unparalleled audiophile-grade circuit by legendary designer Chris Muth. In typical Dangerous fashion, nothing is sacrificed, and The COMPRESSOR delivers intelligent, innovative, easy-to-use features with unsurpassed sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Detectors\u003c\/strong\u003e – The COMPRESSOR utilizes two totally independent RMS detectors with a nuanced and sophisticated circuit that governs how the left and right channels work together in stereo. This allows The COMPRESSOR to deliver crystal clear and rock solid stereo imaging when processing a full mix, a drum buss, a finished master or any stereo material. What’s more, you can use each channel as an independent mono compressor – great on kick and snare, for example – or you can “cascade” the two channels into each other for ultra-transparent compression with peak limiting – a great technique for automatically riding a vocal, a spiky lead instrument, or anywhere that powerful and transparent control is needed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSmart Dynamics\u003c\/strong\u003e – By engaging “SmartDyn,” you turn on The COMPRESSOR’s unique “dual slope” detector circuits, allowing you to control fast transient peaks without causing average volume levels to drop. This lets you maintain higher average volume levels while avoiding the pumping artifacts commonly incurred when pushing toward the expectations of modern loudness. Smart Dynamics is equally helpful when tracking a dynamic singer or mixing a snappy drum kit, and most users end up leaving the “SmartDyn” button engaged at all times. With its dual detector working in conjunction with Smart Dynamics, The COMPRESSOR’s circuit design is so agile that it seems to possess artificial intelligence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuto Attack \u0026amp; Release\u003c\/strong\u003e – And if it wasn’t already easy enough to get powerful and transparent compression, The COMPRESSOR also includes an automatic attack and release setting that allows you dial in your sound simply using the threshold and make-up gain knobs. If you need more precise settings for attack and release, simply press the “Manual Att\/Rel” button and start tweaking.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn-Board Side Chain Filters\u003c\/strong\u003e – The COMPRESSOR includes two audiophile-grade side-chain EQs that you can turn on and off at the push of a button…no complex patching necessary. Bass Cut turns down low-end below 60Hz, assuring that the detector is not overreacting to low-end content or “breathing” along with the beat. The Sibilance Boost utilizes the BAX EQ’s ultra-linear high-end shelf to push more treble content into the detector, which causes The COMPRESSOR to dynamically attenuate sibilance and other unwanted spikes of high-end like harsh cymbals or erratic acoustic guitar strums – great on vocals during tracking or mixing, or on a whole mix during mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVU and LED Metering\u003c\/strong\u003e – The dual VU meters can show you gain reduction, input or output levels. There is a -6dB offset button so that loud material is always hovering in a usable range, perfect for visually monitoring average levels. What VUs can’t show you are the fast transient leaps past threshold, and that’s where the dual LED meters come in. Together, the VU and LED meters provide two important insights into the nuanced inner workings of The COMPRESSOR in action.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudiophile Components Throughout\u003c\/strong\u003e – Chris Muth’s fastidious designs call for only the highest quality components in areas of the circuit that don’t even pass audio. Detector and control voltage circuits (which lie at the heart of any compressor but are not in the audio path) are often built from substandard components in order to cut costs. However, these detector components have a major impact on how any compressor performs, especially with the high standards we set for achieving the nuanced and intelligent compression you’ll get out of The COMPRESSOR.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMBINE TO TASTE\u003c\/strong\u003e\u003cbr\u003eWhether you’re tracking, mixing or mastering, The Dangerous COMPRESSOR works beautifully with vintage analog gear or patched into today’s cutting-edge digital systems, allowing you to achieve truly modern levels without the undesired artifacts that plague so many modern productions. Combine it with our ultra-transparent BAX EQ for one of the most open EQ\/Compressor combinations possible, perfect for mastering or mixing. Place The Dangerous COMPRESSOR after any “color box” — a console, a vintage tube compressor, a funky EQ, or all three together — and you can dial in the exact dynamics you want without having to rely on the often unruly controls of yesteryear’s gear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE WORLD’S MOST INTELLIGENT ANALOG COMPRESSOR\u003c\/strong\u003e\u003cbr\u003eWith its sophisticated dual detector circuit, unique Smart Dynamics section, automatic attack and release function, unmatched versatility and incredibly transparent, audiophile-grade sound, The COMPRESSOR from Dangerous Music is today’s most intelligent analog compressor. Taking modern loudness seriously while prioritizing clear, open sound, The COMPRESSOR is pioneering a new and innovative approach to modern compression for today’s most discriminating tracking, mixing and mastering engineers.\u003c\/p\u003e\n\u003ch2\u003eDangerous Music Compressor Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eElegant, easy-to-use design with an uncompromising audio circuit by legendary designer Chris Muth.\u003c\/li\u003e\n\u003cli\u003eUnique Smart Dynamics dual-slope detector handles transient peaks without ducking the average level, making modern compression levels easier to achieve and totally transparent.\u003c\/li\u003e\n\u003cli\u003eAuto Attack\/Release – achieve excellent results with just the threshold and makeup gain settings.\u003c\/li\u003e\n\u003cli\u003eTwo audiophile-grade internal sidechain eq settings.\u003c\/li\u003e\n\u003cli\u003eHard and soft knee slope selection.\u003c\/li\u003e\n\u003cli\u003eExternal sidechain routing.\u003c\/li\u003e\n\u003cli\u003eAudiophile-grade VCAs for controlling levels without artifacts.\u003c\/li\u003e\n\u003cli\u003eStepped ratio settings from 1:1 to 20:1.\u003c\/li\u003e\n\u003cli\u003eMultiple meter modes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAwards\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTEC Award (winner)\u003c\/li\u003e\n\u003cli\u003eRockit Award (winner)\u003c\/li\u003e\n\u003cli\u003eResolution Award (nominated)\u003c\/li\u003e\n\u003cli\u003eSound on Sound Awards (nominated)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e +\/-0.25dB from 15Hz to 80kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum level:\u003c\/strong\u003e \u0026gt; +27dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise floor:\u003c\/strong\u003e \u0026lt; -93dBu band limited from 22Hz-22kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e \u0026lt; 0.005%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIMD:\u003c\/strong\u003e \u0026lt; 0.007%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk rejection:\u003c\/strong\u003e \u0026gt; 115dB @1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 20K Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance:\u003c\/strong\u003e 50 Ohms\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReplacement Fuses:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eUSA 500mA fast blow for 120V\u003c\/li\u003e\n\u003cli\u003eEurope 250mA fast blow for 240V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSide Chain Filters: \u003c\/strong\u003eBass cut is 6dB\/octave, -3dB at 60Hz. 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Loaded with innovative and useful features accessed from an intuitive front panel, the CONVERT-2 tops an elite class of dedicated stereo digital-to-analog converters in both sound and ease of use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAN UNRIVALED FEATURE SET\u003c\/strong\u003e\u003cbr\u003eThe Dangerous design philosophy includes a strict demand that our equipment be elegant and easy to use, and the CONVERT-2 exemplifies that philosophy. No menus, no cryptic multi-finger combinations to remember – just clearly labeled single-function buttons and one volume knob. However, the elegance of the CONVERT’s front panel belies its rich feature set, which brings a level of versatility not found in any other DAC.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated Volume Control With Hard-Bypass\u003c\/strong\u003e – If you ever need to bring down the output level of the CONVERT-2, just turn the knob. When fully up, the volume control is bypassed for feeding a dedicated monitor controller (such as our Monitor ST). When engaged, the volume control lets you achieve exact output levels for many applications, a useful one being sending the analog outputs directly to a set of speakers and using the CONVERT-2 as a monitor controller.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstant Input Calibration\u003c\/strong\u003e – With industry-standard reference levels of -14, -16 and -18dBFS, you can recalibrate the CONVERT-2 with the push of a button. While many professional converters are only aligned at the factory, the Convert lets you move flexibly between different reference levels on the fly. Anyone who’s ever fumbled around behind a rack with a “tweeker tool” while a second person watches an external meter knows the special value of our front-panel calibration buttons.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAutomatic Sample Rate Detection\u003c\/strong\u003e – Simply select “Auto” on the front panel and the CONVERT-2 will match its sample rate to the input signal. If you’ve ever started working at the wrong sample rate (we’ve all done it!), you’ll know why this feature can be so important. If you’re swapping among different DAW sessions at different sample rates, the CONVERT will follow your every move.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn The Fly Input Switching\u003c\/strong\u003e – Unique to the CONVERT, you can now swap between multiple digital inputs on the fly from the front panel buttons. No more digging into elaborate menus and system settings just to listen to iTunes, no more rerouting software drivers just to hear a different output. And because the CONVERT can automatically lock to the incoming signal’s sample rate, you don’t need to even think about sample rates as you switch between inputs. Five digital inputs include USB, AES\/SPDIF-1, AES\/SPDIF-2, ADAT and Optical SPDIF (TOSLINK).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB Uplink\u003c\/strong\u003e – With its unique USB Uplink technology, you can route the CONVERT’s AES\/SPDIF-2 signal back up through the USB cable and into your DAW session for printing. Additionally, you can easily switch between monitoring the original digital signal or the Uplinked signal, which means you can add finalizing plugins to your DAW’s return track and quickly flip between the processed and unprocessed stereo signal – especially helpful whether mixing or mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustom Metering\u003c\/strong\u003e – A premium custom crafted digital meter gives you peak-over-average metering, typically found in expensive outboard mastering meters. The meter automatically calibrates to the chosen input reference level, giving you consistent visuals on every project. Our “3-word-over” indicator tells you when three consecutive samples have clipped, meaning you’re a breath away from violating industry standards for CD reproduction and are about to generate clipping distortion that would be audible in any digital file.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse The CONVERT As Your Master Clock\u003c\/strong\u003e – It’s no secret that many digital audio systems are slaved to the best sounding clock in the rack, and The CONVERT’s customized JetPLL ultra-low jitter technology is winning shootouts again and again, sending expensive external clocks into retirement. Simply use the Word Clock output and set the CONVERT into Master mode from the front panel, and all the digital gear in your studio can benefit from The CONVERT’s cutting-edge digital technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor ST Connectivity\u003c\/strong\u003e – Simply connect the CONVERT-2 to your Monitor ST to bring remote control of the CONVERT’s digital input switching to your fingertips right from the ST Remote. By incorporating the CONVERT into your existing Monitor ST rig, you’re seamlessly adding today’s best DAC to your monitoring system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIT’S ALL ABOUT IMPLEMENTATION\u003c\/strong\u003e\u003cbr\u003eWhile in theory most converters should be the same, among those who truly understand this hotly debated and endlessly researched area of audio technology, the mantra is implementation, implementation, implementation. How a converter’s components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan is what sets a converter apart – for better or worse. The Dangerous CONVERT-2 has been developed by a team of experts with deep, up-to-the-minute knowledge of digital and analog converter technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFINE TUNING THE ANALOG SIDE\u003c\/strong\u003e\u003cbr\u003eA legend among mixing and mastering engineers for decades, Chris Muth has designed the analog gear used to mix and master an endless list of hit records and classic reissues. Chris’s powerful, articulate, hi-fi designs dominated the big studios in New York City since the 80s, and via Dangerous his designs have become essential components in the best modern DAW-based mixing and mastering studios. When Dangerous set out to develop a new dedicated stereo DAC, Chris brought his relentless design philosophy and world-renowned sound to the CONVERT’s analog technology. Not only did he develop the audiophile-grade analog audio path, Chris also meticulously fine tuned the low-pass reconstruction filters mandatory to implementing any DAC. These filters lie at the heart of how a converter will perform, and the CONVERT series has the jaws of top pros hitting the floor when they hear the big natural sound and the powerful, ultra-clear low-end.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFECTING THE DIGITAL SIDE\u003c\/strong\u003e\u003cbr\u003eDangerous brought in digital guru Paul Messick to make sure the digital side of the CONVERT-2 would sing in perfect harmony with its finely tuned analog circuit. Paul rigorously refined the CONVERT’s JetPLL ultra-low jitter clocking technology until it surpassed the JET’s stated specs, resulting in the virtual elimination of jitter throughout the audio band and beyond. Gone are the sonic headaches and end-of-day fatigue brought on by long-term exposure to jittery digital audio systems. The CONVERT-2’s superbly implemented digital technology delivers such a natural, open and non-irritating sound that you’ll forget you’re even listening to converted 0s and 1s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDETAILED INFORMATION \u0026amp; DELIGHTFUL INSPIRATION\u003c\/strong\u003e\u003cbr\u003eReaching beyond transparency and accuracy, the sound of the CONVERT-2 is so open and 3-dimensional that many are saying that these are the most beautiful, natural sounding converters they’ve ever heard. Whether your focus is tracking, mixing or mastering, when you choose a dedicated stereo DAC, you’re choosing the unit you’ll trust to make all your sonic judgments, from choosing a mic to deciding how much limiting to use in mastering. You need your DAC to be honest, but you also need it to sound beautiful. With the CONVERT you get the uncanny combination of detailed information and delightful inspiration.\u003c\/p\u003e\n\u003ch2\u003eDangerous Music Convert-2 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-definition stereo reference monitoring\u003c\/li\u003e\n\u003cli\u003eAudiophile-grade mastering front-end playback conversion\u003c\/li\u003e\n\u003cli\u003eUSB port for direct DAW connectivity\u003c\/li\u003e\n\u003cli\u003eFive digital input formats: USB, AES, SPDIF, ADAT, and Toslink (optical SPDIF)\u003c\/li\u003e\n\u003cli\u003eCompatible with Monitor ST\/SR for remote switching\u003c\/li\u003e\n\u003cli\u003eUSB digital pass-through\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDangerous Music Convert-2 Specifications:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannels:\u003c\/strong\u003e 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eD to A:\u003c\/strong\u003e Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Outputs:\u003c\/strong\u003e 2 x XLR\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Inputs:\u003c\/strong\u003e 2 x XLR (AES\/EBU), 2 x Optical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Outputs:\u003c\/strong\u003e 2 x XLR Thru (AES\/EBU)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock Inputs:\u003c\/strong\u003e 1 x Word Clock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock Outputs:\u003c\/strong\u003e 1 x Word Clock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOther I\/O:\u003c\/strong\u003e 1 x USB, 2 x Remote\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise Ratio A-weighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 114dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise Ratio unweighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 113dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range A-weighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 114dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range unweighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 113dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTHD+N:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eTHD+N, 1kHz, unweighted, 20Hz to 20kHz, +4dBu out: \u0026lt; 94.5dB (0.00188%)\u003c\/li\u003e\n\u003cli\u003eTHD+N, 1kHz, unweighted, 20Hz to 20kHz, +22dBu out: \u0026lt; 106.5dB (0.00048%)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency Response @ 96KHz sample rate:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eDC to 20KHz: +0, -0.25dB\u003c\/li\u003e\n\u003cli\u003eDC to 30KHz: +0, -0.5dB\u003c\/li\u003e\n\u003cli\u003eDC to 40KHz: +0, -1.0dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eJitter:\u003c\/strong\u003e 16ps (100Hz to 40KHz), 18ps (100Hz to 1MHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk rejection:\u003c\/strong\u003e \u0026gt; 114dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReplacement Fuses:\u003c\/strong\u003e USA 2 amp slo-blow for 120V Europe 1 amp slo-blow for 240V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e*JetPLL:\u003c\/strong\u003e JET and Jitter Elimination Technology are trademarks of TC Applied Technologies Ltd. JET is patented technology used under sublicense from TC Applied Technologies, and is the intellectual property of Sonopsis Ltd.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":31480598036526,"sku":"SDAN22CONV2","price":2495.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/dangerous-convert-2-front.jpg?v=1578923071"},{"product_id":"dangerous-convert-8-dm23-8-channel-d-a","title":"Dangerous Music Convert-8 (DM23) 8 Channel D\/A","description":"\u003ch2\u003eDangerous Music Convert-8\u003c\/h2\u003e\n\u003cp\u003eThe Dangerous Music CONVERT-8 is a multi channel digital to analogue converter that will give your audio powerful low-end, articulate mids and transcendent highs. The CONVERT 8 will allow you to create the spacious, three-dimensional soundscapes that analog is known for. Compatible with all of today’s digital signals the CONVERT 8 is ready for any mixing or monitoring job from standard stereo and 2.1 to 5.1 and the increasingly popular 7.1 surround format. Recognizing the needs of those who don’t need more analog inputs, the CONVERT-8 brings today’s very best digital-to-analog conversion within reach of any studio.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eInstant Input Calibration\u003c\/strong\u003e – With industry-standard reference levels of -14, -16 and -18dBFS, you can recalibrate the CONVERT-8 with the push of a button. While many professional converters are only aligned at the factory, the Convert lets you move flexibly between different reference levels on the fly. Anyone who’s ever fumbled around behind a rack with a “tweeker tool” while a second person watches an external meter knows the special value of our front-panel calibration buttons, especially when there’s eight channels or more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAutomatic Sample Rate Detection\u003c\/strong\u003e – Simply select “Auto” on the front panel and the CONVERT-8 will match its sample rate to the input signal. If you’ve ever started working at the wrong sample rate (we’ve all done it!), you’ll know why this feature can be so important. If you’re swapping among different DAW sessions at different sample rates, the CONVERT will follow your every move.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn The Fly Input Switching\u003c\/strong\u003e – Unique to the CONVERT series, you can now swap between multiple digital inputs on the fly from the front panel buttons. No more digging into elaborate menus and system settings just to listen to iTunes, no more rerouting software drivers just to hear a different output. And because the CONVERT can automatically lock to the incoming signal’s sample rate, you don’t need to even think about sample rates as you switch between inputs. Four digital inputs include USB, AES\/SPDIF, ADAT and Optical SPDIF (TOSLINK).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssential 8-Channel Metering\u003c\/strong\u003e – Aside from giving you instant visual confirmation of audio signal present across all eight channels, our “3-word-over” indicator tells you when three consecutive samples have clipped, meaning you’re a breath away from violating industry standards for CD reproduction and are about to generate clipping distortion that would be audible in any digital file.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor ST Remote Connectivity\u003c\/strong\u003e – Simply hook up our award-winning Monitor ST\/SR Remote to the rear panel ports and you’ve got best-in-class desktop remote control over the CONVERT’s front panel input selectors. Add the CONVERT-8 to your existing Monitor ST\/SR rig to seamlessly add today’s best DAC to your surround monitoring system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNEXT-GENERATION CONVERTERS\u003c\/strong\u003e\u003cbr\u003eDangerous has been building award-winning, standard-setting converters since 2002 when the Dangerous Monitor’s onboard digital-to-analog converter swiftly became the industry reference. We’ve been asked over the years to build a stand alone DAC, and they’re finally here in the CONVERT series. Eager to embrace the opportunity to develop a new and better DAC, we designed the CONVERT-8 from the ground up, utilizing cutting-edge digital technology coupled to a Chris Muth designed analog circuit that delivers our signature sound: open, articulate and powerful from top to bottom. As a dedicated digital-to-analog converter, The CONVERT-8 has been optimized for the job of delivering stunning sound when mixing, mastering and monitoring while tracking. The CONVERT-8 goes beyond transparency: you won’t just hear everything, you’ll hear it beautifully.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIT’S ALL ABOUT IMPLEMENTATION\u003c\/strong\u003e\u003cbr\u003eWhile in theory most converters should be the same, among those who truly understand this hotly debated and endlessly researched area of audio technology, the mantra is implementation, implementation, implementation. How a converter’s components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan is what sets a converter apart – for better or worse. The Dangerous CONVERT-8 has been developed by a team of experts with deep, up-to-the-minute knowledge of digital and analog converter technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFINE TUNING THE ANALOG SIDE\u003c\/strong\u003e\u003cbr\u003eA legend among mixing and mastering engineers for decades, Chris Muth has designed the analog gear used to mix and master an endless list of hit records and classic reissues. Chris’s powerful, articulate, hi-fi designs dominated the big studios in New York City since the 1980s, and via Dangerous his designs have become essential components in the best modern mixing and mastering DAW-based studios. When we set out to develop a new dedicated stereo D-A converter, Chris brought his relentless design philosophy and world-renowned sound to the CONVERT’s analog technology. Not only did he develop the audiophile-grade analog audio path, Chris also meticulously fine tuned the low-pass reconstruction filters mandatory to implementing any DAC. These filters lie at the heart of how a converter will perform, and the CONVERT series has the jaws of top pros hitting the floor when they hear the big natural sound and the powerful, ultra-clear low-end.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFECTING THE DIGITAL SIDE\u003c\/strong\u003e\u003cbr\u003eDangerous brought in digital guru Paul Messick to make sure the digital side of the CONVERT series would sing in perfect harmony with its finely tuned analog circuit. Paul rigorously refined the CONVERT’s JetPLL ultra-low jitter clocking technology until it surpassed the JET’s stated specs, resulting in the virtual elimination of jitter in the audio-band and beyond. Gone are the sonic headaches and end-of-day fatigue brought on by long-term exposure to jittery digital audio systems. The CONVERT-8’s superbly implemented digital technology delivers such a natural, open and non-irritating sound that you’ll forget you’re even listening to converted 0s and 1s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDETAILED INFORMATION \u0026amp; DELIGHTFUL INSPIRATION\u003c\/strong\u003e\u003cbr\u003eReaching beyond transparency and accuracy, the sound of the CONVERT-8 is so open and 3-dimensional that many are saying that these are the most beautiful, natural sounding converters they’ve ever heard. Whether your focus is tracking, mixing or mastering, when you choose a dedicated DAC, you’re choosing the unit you’ll trust to make all your judgements. You need your DAC to be honest, but you also need it to sound beautiful. With the CONVERT you get the uncanny combination of detailed information and delightful inspiration. Coupled with any of Dangerous analog summing mixers – or with your favorite console – the CONVERT-8 not only assures that you’ll hear the best sound possible, but you’ll be printing that amazing sound into your final prints.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYOUR NEW MASTER CLOCK\u003c\/strong\u003e\u003cbr\u003eIt’s no secret that many digital audio systems are slaved to the best sounding clock in the rack, and The CONVERT’s customized JetPLL ultra-low jitter technology is winning shootouts again and again – subsequently sending expensive external clocks into retirement. Simply use the Word Clock output and set the CONVERT into Master mode from the front panel, and all the digital gear in your studio can benefit from The CONVERT’s cutting-edge Jitter Elimination Technology (JET).\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel:\u003c\/strong\u003e 8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Inputs:\u003c\/strong\u003e 1 x DB-25\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Inputs:\u003c\/strong\u003e 3 x Optical, 1 x DB-25 (In\/Thru)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Outputs:\u003c\/strong\u003e 1 x DB-25 (In\/Thru)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock Inputs:\u003c\/strong\u003e 1 x Word Clock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock Outputs:\u003c\/strong\u003e 1 x Word Clock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOther I\/O:\u003c\/strong\u003e 2 x RJ-45 (Remote), 1 x USB (Type B)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise Ratio A-weighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 114dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise Ratio unweighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 113dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range A-weighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 114dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range unweighted, 20Hz to 20KHz:\u003c\/strong\u003e \u0026lt; 113dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTHD+N:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eTHD+N, 1kHz, unweighted, 20Hz to 20kHz, +4dBu out: \u0026lt; 94.5dB (0.00188%)\u003c\/li\u003e\n\u003cli\u003eTHD+N, 1kHz, unweighted, 20Hz to 20kHz, +22dBu out: \u0026lt; 106.5dB (0.00048%)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency Response @ 96KHz sample rate:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eDC to 20KHz: +0, -0.25dB\u003c\/li\u003e\n\u003cli\u003eDC to 30KHz: +0, -0.5dB\u003c\/li\u003e\n\u003cli\u003eDC to 40KHz: +0, -1.0dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eJitter:\u003c\/strong\u003e 16ps (100Hz to 40KHz), 18ps (100Hz to 1MHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk rejection:\u003c\/strong\u003e \u0026gt; 114dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReplacement Fuses:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eUSA 2 amp slo-blow for 120V\u003c\/li\u003e\n\u003cli\u003eEurope 1 amp slo-blow for 240V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003e*JetPLL:\u003c\/strong\u003e JET and Jitter Elimination Technology are trademarks of TC Applied Technologies Ltd. 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With the CONVERT-AD+, just push a button and you’ve got a pair of Hammond transformers wired in series, ready to do that magic that transformers do. 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The Lynx Hilo offers transparent and flexible conversion and is recommended for mastering but can be used in all applications where high quality conversion is needed via USB.\u003c\/p\u003e\n\u003cp\u003eThe Lynx Hilo is fully future proofed thanks to its LT-Slot which let's you upgrade the USB connectivity to other methods in the future such as Thunderbolt.\u003c\/p\u003e\n\u003ch2\u003eLynx Hilo - 2 Channel AD\/DA Converter Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHilo is a 4 in one unit – A\/D converter, D\/A converter, Monitor Controller with a dedicated D\/A converter and a Headphone amplifier with a dedicated D\/A converter.\u003c\/li\u003e\n\u003cli\u003eThere are three unique sets of analog outputs: main analog output, monitor output (with analog volume) and headphone output (with analog volume)\u003c\/li\u003e\n\u003cli\u003eThe flexible digital I\/O section offers the choice of AES\/EBU, SPDIF by coax or TOSLINK optical, or ADAT formats\u003c\/li\u003e\n\u003cli\u003eThe innovative design of the analog stage and converter topology allow ultra low noise and distortion specifications\u003c\/li\u003e\n\u003cli\u003eA 480 x 272 pixel LCD touch screen for operation and monitoring\u003c\/li\u003e\n\u003cli\u003eA 32 channel internal mixer in the updatable FPGA\u003c\/li\u003e\n\u003cli\u003e12 total inputs, 16 total outputs plus 32 channels possible via LSlot.\u003c\/li\u003e\n\u003cli\u003eAC powered with Battery operation available\u003c\/li\u003e\n\u003cli\u003eOpen ended software for future measurement, metering, diagnostic and personalization features using the touch screen LCD.\u003c\/li\u003e\n\u003cli\u003eSize - 8.50” wide x 3.25” tall x 10.00” deep (half rack, two spaces)\u003c\/li\u003e\n\u003cli\u003eWeight: 6.75 pounds\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":31516196995118,"sku":"SLYNHILO","price":2939.85,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/lt-hilo.jpg?v=1578924238"},{"product_id":"lynx-hilo-lt-tb-2-channel-ad-da-converter-with-thunderbolt-card-bundle","title":"Lynx Hilo LT-TB - 2 Channel AD\/DA Converter with Thunderbolt Card Bundle","description":"\u003ch2\u003eLynx Hilo LT-TB - 2 Channel AD\/DA Converter with Thunderbolt Card Bundle\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eLynx Hilo\u003c\/strong\u003e is a high quality AD\/DA converter featuring two channels of mastering quality analog to digital conversion, up to six channels of digital to analog conversion, a secondary monitor output, and a world class independent headphone amplifier. The Lynx Hilo offers transparent and flexible conversion and is recommended for mastering but can be used in all applications where high quality conversion is needed via Thunderbolt.\u003c\/p\u003e\n\u003cp\u003eThe Lynx Hilo features a Thunderbolt connection which is the fastest interface currently available with a speed of 10gb\/s both input and output which is twice the speed of USB 3.0. The Thunderbolt connection has two ports which allows the Lynx Halo to be daisy chained with up to 5 other Hilo's.\u003c\/p\u003e\n\u003ch2\u003eLynx Hilo - 2 Channel AD\/DA Converter Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHilo is a 4 in one unit – A\/D converter, D\/A converter, Monitor Controller with a dedicated D\/A converter and a Headphone amplifier with a dedicated D\/A converter.\u003c\/li\u003e\n\u003cli\u003eThere are three unique sets of analog outputs: main analog output, monitor output (with analog volume) and headphone output (with analog volume)\u003c\/li\u003e\n\u003cli\u003eThe flexible digital I\/O section offers the choice of AES\/EBU, SPDIF by coax or TOSLINK optical, or ADAT formats\u003c\/li\u003e\n\u003cli\u003eThe innovative design of the analog stage and converter topology allow ultra low noise and distortion specifications\u003c\/li\u003e\n\u003cli\u003eA 480 x 272 pixel LCD touch screen for operation and monitoring\u003c\/li\u003e\n\u003cli\u003eA 32 channel internal mixer in the updatable FPGA\u003c\/li\u003e\n\u003cli\u003e12 total inputs, 16 total outputs plus 32 channels possible via LSlot.\u003c\/li\u003e\n\u003cli\u003eAC powered with Battery operation available\u003c\/li\u003e\n\u003cli\u003eOpen ended software for future measurement, metering, diagnostic and personalization features using the touch screen LCD.\u003c\/li\u003e\n\u003cli\u003eSize - 8.50” wide x 3.25” tall x 10.00” deep (half rack, two spaces)\u003c\/li\u003e\n\u003cli\u003eWeight: 6.75 pounds\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":31516197027886,"sku":"SLYNHILOTB","price":3396.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/lt-hilo_1.jpg?v=1578924238"},{"product_id":"manley-elop-electro-optical-limiter","title":"Manley ELOP+ Electro-Optical Limiter","description":"\u003ch2\u003eManley ELOP+\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eManley ELOP+\u003c\/strong\u003e is an electro-optical limiter that effortlessly controlling dynamics on countless records around the globe and delivering the coveted classic, all-tube sound for which Manley Labs is known. This LA-2A type unit allows for deep amounts of limiting without loss of high frequencies: it literally works (and sounds) like a changing volume control. The original was super easy to use, with supremely natural sound, and has often been the perfect choice for superstar vocals.\u003c\/p\u003e\n\u003cp\u003eThe original Stereo ELOP, or Electro Optical Limiter, was one of the first Manley products from the early 1990’s. With its through-hole printed circuit board construction and hours of tedious hand-looming, it sure looked like 1992 inside the chassis. The unit was scrubbed for buildability, embracing modern production techniques. Importantly, the power supply was upgraded to Manley's proprietary universal voltage Switch Mode Power Supply, which lowered the noise level and made the unit a true world-traveler.\u003c\/p\u003e\n\u003cp\u003eWe've also added a 3:1 compression ratio feature which opens up the doors to greater versatility, especially for 2-buss applications. With careful reference to our sonic past, we have deployed our highest performance vacuum tube line amplifier and White Follower output stage in this new version, all housed in a build-efficient chassis behind a drop-dead gorgeous precision-CNC-milled faceplate - all proudly made in America, of course. The new Manley ELOP+ is everything you love about our legendary ELOP, plus!\u003c\/p\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516210298926,"sku":"SMANELOP","price":2125.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanelop.jpg?v=1578924341"},{"product_id":"manley-massive-passive-eq-dual-channel-mastering","title":"Manley Massive Passive EQ Dual Channel - Mastering","description":"\u003ch2\u003eMassive Passive Mastering Edition\u003c\/h2\u003e\n\u003cp\u003eThe Massive Passive is a passive design and not a \"true parametric\". A true parametric implies non-interacting controls. In the Massive Passive, the \"GAIN\" and \"BANDWIDTH\" controls DO interact (on purpose). We cannot create a \"GAIN\" switch that is set up for \"consistent\" 1\/2 dB steps. When you change the \"BANDWIDTH\" the step size must and will change. On the regular version, you get a full 20dB boost or cut only when: the bandwidth is fully clockwise (narrow) in bell mode or fully counter-clockwise in shelf mode.\u003c\/p\u003e\n\u003cp\u003eHere on the Mastering Version, this maximum boost or cut is 11dB. Conversely at the widest bell, the maximum boost or cut is 6dB and the narrowest shelf maxes out at 12 dB. A similar situation is also true for the bandwidth detents. So in this new Mastering Version, do not expect a certain dB change per step as it will vary according to where the bandwidth is set. But whatever the step \u003cem\u003esizes\u003c\/em\u003e are, they will be repeatably 16 steps. The FREQUENCY select is already detented as it is and always has been a Grayhill switch. It also interacts in shelf mode.\u003c\/p\u003e\n\u003cp\u003eOn a similar note, the Massive Passive is a \"parallel design\" and not the conventional \"series design\". This means the bands interact with each other too. It is possible, to set a band to boost 20 dB but if another band is boosting near or at that frequency, very little will happen. On a conventional EQ the two bands \"add\" and you would be boosting 40 dB into clipping. Because the bands interact, predictable step sizes are unrealistic, however, with the Mastering Version, you will be able to repeat settings (if you log them of course). The price paid for interacting bands, is a better sounding EQ and bizarre looking settings (on purpose).\u003c\/p\u003e\n\u003cp\u003eUnlike virtually every other EQ, the Massive Passive allows much more EQ without sounding \"processed\". Where 5 or 6 dB is about all one could attempt with other EQs in mastering, the Massivo amazes engineers with how much EQ they can do and get more \"natural\" results at the same time. We could have squeezed 11 position Grayhill switches in the modules if we had wanted 1\/2 dB steps but then the maximum range would have become only 5.5 dB. Remembering what we stated above, the minimum range would then become about 1.5 dB with approximately 0.2 dB steps. This approach would have essentially thrown away most of the useful range the unit is capable of. Going with these special mechanically detented knobs which use the same pots underneath that the normal Massivo uses, we get nearly all the range of the normal version, but with the repeatability of the detents.\u003c\/p\u003e\n\u003cp\u003eWe have also custom tailored the FILTERS in the Mastering Version specifically for Mastering purposes, moving them lower and higher than the normal version, with mastering engineers specifically in mind. If you are looking for drastic effects (like telephone sounds) then get the normal version. These filters are really geared for mastering engineers.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the Master Gain Trim controls in the Mastering Version are true 11 position 1\/2 dB stepped Grayhill switches set up for a range between -2.5 to +2.5 dB of master gain trim. This allows more confidence in left\/right matching and calibration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMassive Passive Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll-Passive tone sculpting circuitry\u003c\/li\u003e\n\u003cli\u003eUnique Shelf curves use the \"bandwidth\" control\u003c\/li\u003e\n\u003cli\u003eOverlapping and Interleaved Frequency choices\u003c\/li\u003e\n\u003cli\u003eEvery band switchable to shelf or bell\u003c\/li\u003e\n\u003cli\u003eVacuum tube make-up gain and line drivers\u003c\/li\u003e\n\u003cli\u003eParallel symmetrical topology\u003c\/li\u003e\n\u003cli\u003ePremium components throughout\u003c\/li\u003e\n\u003cli\u003eHP and LP Filters plus gain trims \u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003eIns \u0026amp; Outs Balanced XLR \u0026amp; 1\/4\" (accepts unbalanced)\u003c\/li\u003e\n\n\u003cli\u003eLevel +4 dBu nominal, internal switches for -10 operation\u003c\/li\u003e\n\n\u003cli\u003eBypass Switch bypasses EQ \u0026amp; tube circuits (not hardwire)\u003c\/li\u003e\n\n\u003cli\u003e44 Frequencies (roughly 1\/4 octave spacing)\u003c\/li\u003e\n\n\u003cli\u003eFrequency Range: 22 Hz to 27 Khz\u003c\/li\u003e\n\n\u003cli\u003eEQ Boost\/Cut Range : 20 dB boost, 20 dB cut\u003c\/li\u003e\n\n\u003cli\u003eNominal Q range: 1.5 to 3 (uniquely active in shelf modes)\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: +\/- 2 dB: 8 Hz to 60 KHz\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output @ 1.5% THD +37 dBv; +26dBv @ 20 Hz\u003c\/li\u003e\n\n\u003cli\u003eTHD \u0026amp; Noise (1KHz @ +4 dBu): 0.06%\u003c\/li\u003e\n\n\u003cli\u003eNoise Floor (referred to +4dBu): -85 dB (A Weight)\u003c\/li\u003e\n\n\u003cli\u003eDynamic Range: 120 dB\u003c\/li\u003e\n\n\u003cli\u003eTube Complement: 2 x 12AX7 EH, 4 x 6414 for serial MSMPX### after 2\/2004\u003c\/li\u003e\n\n\u003cli\u003eTube Complement: 2 x 5751, 4 x 6414 for serial MSMP### until 2\/2004\u003c\/li\u003e\n\n\u003cli\u003ePower Consumption (120\/240VAC): 72 watts\u003c\/li\u003e\n\n\u003cli\u003eUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/li\u003e\n\n\u003cli\u003eOperating Mains Voltage changeable with power transformer changeover switch and fuse value change.\u003c\/li\u003e\n\n\u003cli\u003eMains Voltage Frequency: 50~ 60Hz\u003c\/li\u003e\n\n\u003cli\u003eSize (3U): 19\" x 5.25\" x 10\"\u003c\/li\u003e\n\n\u003cli\u003eWeight: Unit 21 lbs. 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Even while using the \"T-Bar mod\" from their popular Variable Mu, this new unit makes its own name in the industry by producing the smoothest dynamics and the punchiest sonic path thanks to its new solid state audio chain.\u003c\/p\u003e\n\u003cp\u003eWith Manley's new HIP function, the Nu Mu finesses dynamic control to bring up lower level details without knocking the life out of exciting transients.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eManley IRON input transformers\u003c\/li\u003e\n\u003cli\u003e4 x hand-matched 6BA6 vacuum tubes\u003c\/li\u003e\n\u003cli\u003eBalanced XLR inputs \u0026amp; outputs\u003c\/li\u003e\n\u003cli\u003eManley HIP function raises soft dynamics without squashing louder passages\u003c\/li\u003e\n\u003cli\u003eHigh Voltage Switched Mode Power Supply custom designed for our vacuum tube audio circuits\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Tube\/solid state (4 x 6BA6 vacuum tubes)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eNumber of Channels:\u003c\/strong\u003e 2\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eControls:\u003c\/strong\u003e Threshold, Attack, Recovery, Output\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRatio:\u003c\/strong\u003e 1.5:1, 4:1 to 20:1\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSide Chain Inserts:\u003c\/strong\u003e 2 x 1\/4\" TRS\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eInputs:\u003c\/strong\u003e 2 x XLR\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eOutputs:\u003c\/strong\u003e 2 x XLR\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRack Spaces:\u003c\/strong\u003e 2U\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 3.5\"\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDepth:\u003c\/strong\u003e 7\"\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 19\"\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 8.5 lbs\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516210757678,"sku":"SMANNUMU","price":1958.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/nu-mu.jpg?v=1578924345"},{"product_id":"manley-variable-mu-stereo-compressor-limiter","title":"Manley VARIABLE MU Stereo Compressor Limiter","description":"\u003ch2\u003eManley VARIABLE MU Stereo Compressor Limiter\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eManley Variable MU Stereo Compressor Limiter\u003c\/strong\u003e is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. \"Mu\" is tube-speak for gain, and Variable Mu is our registered trademark for this limiter compressor. It works by using the \"remote cut-off\" or re-biasing of a vacuum tube to achieve compression.\u003c\/p\u003e\n\u003cp\u003eThe precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.\u003c\/p\u003e\n\u003cp\u003eThe COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!\u003c\/p\u003e\n\u003cp\u003eYou might notice that the Variable Mu Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that's what our Variable Mu Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eVariable MU Limiter Features\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMANLEY input \u0026amp; output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz\u003c\/li\u003e\n\u003cli\u003eBALANCED INPUTS \u0026amp; OUTPUTS (600 ohms)\u003c\/li\u003e\n\u003cli\u003eFully differential ALL-TUBE circuitry using one each 5670, 5751, 7044, \u0026amp; 12AL5 per channel\u003c\/li\u003e\n\u003cli\u003eIndependently regulated B+ and Heater supplies\u003c\/li\u003e\n\u003cli\u003eHard-wire BYPASS switch\u003c\/li\u003e\n\u003cli\u003eSilent conductive plastic dual INPUT attenuator\u003c\/li\u003e\n\u003cli\u003eRECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec.\u003c\/li\u003e\n\u003cli\u003eVariable ATTACK: 25msec-70msec\u003c\/li\u003e\n\u003cli\u003eContinuously variable THRESHOLD\u003c\/li\u003e\n\u003cli\u003eLIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)\u003c\/li\u003e\n\u003cli\u003eLarge ILLUMINATED Sifam METERS\u003c\/li\u003e\n\u003cli\u003eSTEREO LINK SWITCH\u003c\/li\u003e\n\u003cli\u003eSeveral units can be linked for Surround (custom order )\u003c\/li\u003e\n\u003cli\u003eMaximum gain: 35dB\u003c\/li\u003e\n\u003cli\u003eMax. output: +30dBu (26Vrms) 26dB Headroom\u003c\/li\u003e\n\u003cli\u003e\u0026lt;0.1% THD @ 1KHz Noise floor: -85dB typical\u003c\/li\u003e\n\u003cli\u003ePower Consumption (120\/240VAC): 80 watts\u003c\/li\u003e\n\u003cli\u003eUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/li\u003e\n\u003cli\u003eOperating Mains Voltage changeable with power transformer changeover switch and fuse value change.\u003c\/li\u003e\n\u003cli\u003eMains Voltage Frequency: 50~ 60Hz\u003c\/li\u003e\n\u003cli\u003eDimensions: 19\" x 3 1\/2\" x 10\" (occupies 2u)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516212461614,"sku":"SMANVARIMU","price":3332.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/Untitled-2021-10-14T122050.547.jpg?v=1634210467"},{"product_id":"manley-variable-mu-stereo-compressor-limiter-mastering-version-detented","title":"Manley VARIABLE MU Stereo Compressor Mastering Version Detented","description":"\u003cp\u003eThe Manley Variable MU Stereo Compressor Limiter compressor has been our best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. \"Mu\" is tube-speak for gain, and Variable Mu is our registered trademark for this limiter compressor. It works by using the \"remote cut-off\" or re-biasing of a vacuum tube to achieve compression.\u003c\/p\u003e\n\u003cp\u003eThe precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.\u003c\/p\u003e\n\u003cp\u003eThe COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!\u003c\/p\u003e\n\u003cp\u003eYou might notice that the Variable Mu Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that's what our Variable Mu Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVariable MU Limiter Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMANLEY input \u0026amp; output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz\u003c\/li\u003e\n\u003cli\u003eBALANCED INPUTS \u0026amp; OUTPUTS (600 ohms)\u003c\/li\u003e\n\u003cli\u003eFully differential ALL-TUBE circuitry using one each 5670, 5751, 7044, \u0026amp; 12AL5 per channel\u003c\/li\u003e\n\u003cli\u003eIndependently regulated B+ and Heater supplies\u003c\/li\u003e\n\u003cli\u003eHard-wire BYPASS switch\u003c\/li\u003e\n\u003cli\u003eSilent conductive plastic dual INPUT attenuator\u003c\/li\u003e\n\u003cli\u003eRECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec.\u003c\/li\u003e\n\u003cli\u003eVariable ATTACK: 25msec-70msec\u003c\/li\u003e\n\u003cli\u003eContinuously variable THRESHOLD\u003c\/li\u003e\n\u003cli\u003eLIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)\u003c\/li\u003e\n\u003cli\u003eLarge ILLUMINATED Sifam METERS\u003c\/li\u003e\n\u003cli\u003eSTEREO LINK SWITCH\u003c\/li\u003e\n\u003cli\u003eSeveral units can be linked for Surround (custom order )\u003c\/li\u003e\n\u003cli\u003eMaximum gain: 35dB\u003c\/li\u003e\n\u003cli\u003eMax. output: +30dBu (26Vrms) 26dB Headroom\u003c\/li\u003e\n\u003cli\u003e\u0026lt;0.1% THD @ 1KHz Noise floor: -85dB typical\u003c\/li\u003e\n\u003cli\u003ePower Consumption (120\/240VAC): 80 watts\u003c\/li\u003e\n\u003cli\u003eUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/li\u003e\n\u003cli\u003eOperating Mains Voltage changeable with power transformer changeover switch and fuse value change.\u003c\/li\u003e\n\u003cli\u003eMains Voltage Frequency: 50~ 60Hz\u003c\/li\u003e\n\u003cli\u003eDimensions: 19\" x 3 1\/2\" x 10\" (occupies 2u)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":31516212494382,"sku":"SMANVARIMUM","price":5582.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/smanvarimum_2_new.jpg?v=1578924392"},{"product_id":"ams-neve-33609-n-discrete-dual-stereo-compressor-limiter-19672","title":"Neve 33609 N Discrete Dual \/ stereo compressor limiter","description":"\u003ch2\u003eNeve 33609N\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeve 33609\u003c\/strong\u003e Stereo Compressor offers comprehensive limiting and compression facilities for music recording, mastering, post production and broadcast applications. The combination of hand-wired transformers and gain reduction circuitry produces a sound quality which is often duplicated, yet seldom achieved by any other compressor \/ limiter. Coupled with the unit’s unparalleled ease of use, this inimitable sound quality has made the 33609 a worldwide studio standard for three decades.\u003c\/p\u003e\n\u003cp\u003eThe hallmark 33609 compression sound is very smooth, and extreme settings may be used with the compression or limiting remaining relatively transparent. After several versions of this classic Neve compressor over the years, today's 33609 provides the best of both worlds: original Neve 33609 sound, with enhanced internal and external I\/O switching compared to the original model. The 33609 also utilises a discrete output stage like the original model, for a slightly warmer sound that is preferred by many professionals over previous iterations. Multiple units can be easily linked for multi-channel operation.\u003c\/p\u003e\n\u003cp\u003eThe 33609 features independent sidechains for the compressor and limiter sections, with similarly independent threshold, recovery and attack controls. The compressor features a selection of ratios from 1.5:1 to 6:1 and a gain make-up control that comes before the limiter. 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The Mastering Compressor uses the same T4B optical attenuator as the LA2A and LA3A and Class-A hardware. The first position is Nickel, which is Shadow Hills custom version of a famous L. A. custom console. Next is Iron. In this mode the signal goes through an op-amp and into a Class-A output stage then to a Shadow Hills custom Iron transformers, the last transformer position is Steel. These selections allow you to choose between different output transformers that are in effect: clean, coloured, and dirty, respectively.\u003c\/p\u003e\n\u003cp\u003eThe optical section has a hard-wired bypass that completely removes it from the signal path, and the Class-A VCA compressor is also hardwire bi-passable, completely removing it from the chain. It is possible to independently bypass both compression sections and have your signal go through the input transformer and transformer selector only. There is also a hardwire bypass for the entire compressor, effectively a straight wire in and out of the box. So besides being a mastering grade, and highly functional buss compressor, it serves as an excellent tracking compressor.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":31534774779950,"sku":"SSHDMASTCOMP","price":8500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/shadow-hills-mastering-compressor-_3.jpg?v=1578925925"},{"product_id":"smart-research-c1-dual-mono-stereo-standard-version-compressor","title":"Smart Research C1 Dual Mono\/Stereo Standard Version Compressor","description":"\u003ch2\u003eSmart Research C1\u003c\/h2\u003e\n\u003cp\u003eOriginal black front panel version of C2 compressor. (Two sets of controls and two audio channels, but no sidechain inputs, or crush facility). Popular in UK and US west coast studios. Alan Smart was a design engineer at SSL during the heady days of the 1980's when the company developed a range of revolutionary mixing consoles. After leaving the company, Alan acted as a design consultant for a variety of studios and industry projects and developed his own range of high end recording products, the best known of which are his two outstanding buss compressors, the C1 and C2.\u003c\/p\u003e\n\u003cp\u003eOften compared to the legendary SSL G384 'Quad Compressor' (which Alan helped to design whilst at SSL), the C1 is in fact an original design. There are similarities, as is to be expected from units coming from a similar design background, and both compressors have a tight 'in your face' characteristic which gives a huge amount of apparent gain, allowing tracks to stand out on the radio or on the dancefloor with a solid bottom end. 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Whether its used on the mix bus, sub groups or on a parallel bus, the feature set of the 2500+ tailors for most needs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is a B-Stock item. The unit comes with all original packaging and manufacturer warranty.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAmong the many qualities which make the 2500+'s unique is its use of API's patented THRUST® circuit for a chest-hitting, punchy bottom end. Another distinctive feature of the 2500+ is its selectable \"old\" or \"new\" compression, with the old style using the \"feed back\" type of compression found in the API 525, and the new style using the \"feed forward\" type in which the compressor side chain is fed directly from the unit input. Additionally, the output stage of the 2500+ offers an auto-makeup gain button that permits the user to vary the threshold or ratio while automatically maintaining a constant output level.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAPI 2520 Op Amps\u003c\/li\u003e\n\u003cli\u003eExpanded variable threshold between -20dBu to +20dBu\u003c\/li\u003e\n\u003cli\u003eSelectable ratio, attack, and release times\u003c\/li\u003e\n\u003cli\u003ePatented THRUST® filter with 3 settings for frequency dependent side chain control\u003c\/li\u003e\n\u003cli\u003eVariable link between left and right channels\u003c\/li\u003e\n\u003cli\u003eOld \"feed back\" and new \"feed forward\" compression\u003c\/li\u003e\n\u003cli\u003eSoft, Medium, or Hard knee for easy to sharp compression\u003c\/li\u003e\n\u003cli\u003eAuto or manual gain make up\u003c\/li\u003e\n\u003cli\u003e1\/4\" balanced side chain inputs\u003c\/li\u003e\n\u003cli\u003eOutput clips at +32dBu\u003c\/li\u003e\n\u003cli\u003eNew Mix\/Blend circuit\u003c\/li\u003e\n\u003cli\u003e\"Over Threshold\" LED illuminates when input audio crosses the set threshold\u003c\/li\u003e\n\u003cli\u003eStereo analog meters to show input level, output level, and gain reduction\u003c\/li\u003e\n\u003cli\u003eFull hard-wired relay bypass\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eRear Connectors\u003c\/strong\u003e: XLR input, 1\/4\" side chain, XLR output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance\u003c\/strong\u003e: 60K Ohms, Balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 75 Ohms, Transformer coupled, Balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Output Level\u003c\/strong\u003e: +32 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: ±0.5dB 20Hz to 50kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise Ratio\u003c\/strong\u003e: 120 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Consumption\u003c\/strong\u003e: 28.8 Watts\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: 19\" X 1.75\" X 10.5\" deep\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize (Boxed for Shipping)\u003c\/strong\u003e: 23.25\" X 6.5\" X 16\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUnit Weight\u003c\/strong\u003e: 9.4 lbs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShipping Weight\u003c\/strong\u003e: 13.3 lbs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":32414311972910,"sku":"SAPI2500BSK","price":2150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/API2500__0004_0I1A7610.jpg?v=1767195406"},{"product_id":"rupert-neve-designs-rnd-portico-ii-master-buss-processor-b-stock-ex-demo","title":"Rupert Neve Designs RND Portico II - Master Buss Processor - B-Stock (Ex-Demo)","description":"\u003ch2\u003eRupert Neve Designs RND Portico II - Master Buss Processor - B-Stock (Ex-Demo)\u003c\/h2\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRupert Neve Designs Portico II Master Buss Processor\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efeatures class-A signal paths made famous in the 5088 Mixer and the Portico II Channel. The RND Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. With input and output transformers designed and implemented by Mr. Rupert Neve, the high-voltage 72V topology found in the Master Buss Processor will integrate flawlessly with virtually any system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTE: This item is B-Stock, Ex-Demo.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAdditionally, the MBP incorporates mastering-grade detented pots throughout to fine-tune its revolutionary dynamics, tone, and stereo field controls. This new topology is a significant evolution of Mr Rupert Neve’s classic designs with appreciable benefits to headroom, dynamic range, distortion, noise, slew rate, bandwidth, and accuracy while still providing the sweet, musical performance that has been a part of countless recordings.\u003c\/p\u003e\n\u003cp\u003eThe MBP’s two compressor sections allow virtually limitless possibilities in dynamics for either dual mono or stereo sources, with controls for ratio, threshold, attack, release, blend, side chain HPF, limit and make up gain. When engaged, the compressor section can be used in both feed-forward and feed-back modes to provide a transparent modern response (feed-forward), or a smoother, more musical vintage response (feed-back). Peak mode alters the compressor’s attack to react to peak transients with a roughly .1ms response time.\u003c\/p\u003e\n\u003cp\u003eWhen the Peak switch is disengaged, the compressor responds to the RMS signal in conjunction with the attack and release settings. SC HPF inserts a high pass filter at 125 Hz into the side chain to deal with intense low frequencies that may skew the response of the VCA with certain songs and instruments. “Blend” creates a parallel mix between the compressed and dry signals. By mixing the compressed and dry signals, it is possible to increase the volume of quieter elements in the source material (for instance, delicate snare brushing on a track with much louder hits), while maintaining a natural dynamic feel for the louder elements.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":32562696978478,"sku":"SRNDMBPBSK","price":3100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SRNDP2MASTERBUSSBSK-1_1.jpg?v=1686144598"},{"product_id":"rupert-neve-designs-rnd-portico-ii-master-buss-processor-black","title":"Rupert Neve Designs RND Portico II - Master Buss Processor - Black","description":"\u003ch2\u003eRupert Neve Designs RND Portico II - Master Buss Processor - Black\u003c\/h2\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRupert Neve Designs Portico II Master Buss Processor\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e features a comprehensive compressor with blend control, limiter, stereo field editor and texture control designed to enable the user to shape the sound of the master bus no matter what the genre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBased around the high voltage, discrete and class-A signal paths made famous in the 5088 Mixer, the Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. Though originally developed for mastering applications, the MBP has quickly become a favourite of mix engineers, tracking engineers, and even FOH engineers. From mixing bass-heavy EDM to a delicate master of a chamber ensemble, it has something to offer everyone – no matter the use or genre.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePowerful 2-channel compressor\/limiter\/stereo field manipulator\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eFull compression sections for both channels, including attack, release, ratio, and threshold controls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide chain inputs with high-pass filters for both compressors\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeed-back\/Feed-forward controls let you select from modern and vintage compression sounds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eTexture control with 2 Silk modes let you add classic Rupert Neve tone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlend controls allow you to mix dry signal back into your compression, preserving transients while adding\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003epunch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eSimple and highly musical 1-knob limiter with Adaptive Release Technology allows for brick-wall limiting\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ethat doesn't distort or affect levels under the threshold\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eStereo Field Editor section includes independent controls for width and depth as well as the width and\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003edepth EQs, allowing you to dial in the perfect stereo field\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003eMic Pre\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMain Output, no load\u003c\/li\u003e\n\u003cli\u003e–3 dB @ 2 Hz\u003c\/li\u003e\n\u003cli\u003e–3 dB @ 160 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eNoise:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eMeasured at Main Output, unweighted, 22Hz-22kHz,\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eTerminated 150 Ohms.\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eWith gain at unity better than –92 dBu\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eWith gain at 66 dB better than –56 dBu\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eEquivalent Input Noise better than –123 dBu\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eGain:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eUnity to +66dB in 6 dB steps,\u003c\/li\u003e\n\u003cli\u003eTrim continuously adjustable from –6dB to +6dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLine Input:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eTrim continuously adjustable from –6dB to +6dB\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eMaximum Output Level:\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eMaximum output from 20 Hz to 40 kHz is +25 dBu.\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom Power:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e48 Volts DC +\/- 1%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eTotal Harmonic Distortion and Noise:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003e@ 1kHz, +20 dBu output: Better than 0.002%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eAs above, Silk Engaged: Better than 0.2% Second Harmonic\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003e@ 20Hz, +20 dBu out Better than 0.004%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003e@ 20Hz, +20 dBu out Better than 0.020%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eIM Distortion: Better than 0.002%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eSlew rate Better than 4 V\/uS\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eHigh Pass Filter:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency: Continuously Variable from 20 Hz to 250Hz\u003c\/li\u003e\n\u003cli\u003eSlope: 12 dB\/Octave Bessel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default","offer_id":32694145908782,"sku":"SRNDMBP","price":3415.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SRNDP2MASTERBUSSB.jpg?v=1602065126"},{"product_id":"trinnov-la-remote-desktop-monitor-controller-for-st2-mc-and-d-mon-control","title":"Trinnov LaRemote Desktop Monitor controller","description":"\u003ch2\u003eTrinnov LaRemote Desktop Monitor controller\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eTrinnov LaRemote\u003c\/strong\u003e is a Desktop Monitor controller for ST2, MC-Pro and D-Mon control. LaRemote enables you to control every function of your Trinnov processor at the press of a button.\u003c\/p\u003e\n\u003ch3\u003ePerfect Monitoring at Your Fingertips\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eBeing at the heart of your studio, we designed this new unique monitor controller to be the extension of our world renowned calibration and digital room correction solution. 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It can be set up either as a full monitoring controller or as an embedded audio insert processing toolbox in the loudspeaker path.\u003c\/p\u003e\n\u003ch4\u003eDante and AOIP\u003c\/h4\u003e\n\u003cp\u003eAs a Dante device, connect NOVA easily within your audio network with low latency (down to 250 microseconds). \u003c\/p\u003e\n\u003cp\u003eYou can also use NOVA as your main audio interface along with the Dante Virtual Soundcard for direct DAW-to-monitoring integration.\u003c\/p\u003e\n\u003ch4\u003eThe Trinnov App\u003c\/h4\u003e\n\u003cp\u003eWith NOVA, the Trinnov User Experience changes dramatically.\u003c\/p\u003e\n\u003cp\u003eThe first step is to download the Trinnov desktop application to update your software and\/or install your software licenses.\u003c\/p\u003e\n\u003cp\u003eThe app automatically finds your NOVA on the local network and gives you direct access to its user interface.\u003c\/p\u003e\n\u003ch4\u003eStreamlined User Experience\u003c\/h4\u003e\n\u003cp\u003eThe Optimizer technlogy is very sophisticated and powerful, but we made it simple to use thanks to a completely redesigned user interface.\u003c\/p\u003e\n\u003cp\u003eOur new modern web interface comes with built-in help and a clear menu structure. 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The NOVA 2 can handle analogue and digital signals like no other monitor controllers. \u003cspan data-mce-fragment=\"1\"\u003eConnect, align and seamlessly switch between sources and multiple sets of monitors, regardless of their format or connection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThis product features 6 channels of processing.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eWork Better and Faster with Trinnov's optimiser\u003c\/h4\u003e\n\u003cp\u003eFrom renowned sound engineers to loudspeaker manufacturers, Loudspeaker\/Room Optimization is being fast adopted by the music industry. This area of acoustic research has been our main focus and expertise since 2005. We are recognized as the undisputed leader in this field.\u003c\/p\u003e\n\u003cp\u003eNOVA gives you access to our cutting-ege Trinnov Optimizer technology. Change the way you work and never look back. Stop second-guessing and start focusing on music.\u003c\/p\u003e\n\u003ch4\u003eUpgrade from 2 to 6 Channels\u003c\/h4\u003e\n\u003cp\u003eNOVA is very modular, allowing you to upgrade from 2 to 6 channels through a simple software update.\u003c\/p\u003e\n\u003cp\u003eWhether you add a subwoofer, a second pair of monitors or upgrade to 5.1, all you need to do is purchase additional licenses from your local Trinnov dealer and unlock your NOVA in just a few clicks.\u003c\/p\u003e\n\u003ch4\u003eComprehensive Monitor Controller\u003c\/h4\u003e\n\u003cp\u003ePacked in a shallow 1U chassis, NOVA is deceptively powerful and covers all your monitoring needs from stereo to 5.1\u003c\/p\u003e\n\u003cp\u003eNOVA handles analogue and digital signals like no other monitor controller. Connect, align and seamlessly switch between sources and multiple sets of monitors, regardless of their format or connection.\u003c\/p\u003e\n\u003cp\u003eAvid EUCON compliant and fully compatible with La Remote, NOVA allows advanced monitoring control and can easily be integrated to your production tools. It can be set up either as a full monitoring controller or as an embedded audio insert processing toolbox in the loudspeaker path.\u003c\/p\u003e\n\u003ch4\u003eDante and AOIP\u003c\/h4\u003e\n\u003cp\u003eAs a Dante device, connect NOVA easily within your audio network with low latency (down to 250 microseconds). \u003c\/p\u003e\n\u003cp\u003eYou can also use NOVA as your main audio interface along with the Dante Virtual Soundcard for direct DAW-to-monitoring integration.\u003c\/p\u003e\n\u003ch4\u003eThe Trinnov App\u003c\/h4\u003e\n\u003cp\u003eWith NOVA, the Trinnov User Experience changes dramatically.\u003c\/p\u003e\n\u003cp\u003eThe first step is to download the Trinnov desktop application to update your software and\/or install your software licenses.\u003c\/p\u003e\n\u003cp\u003eThe app automatically finds your NOVA on the local network and gives you direct access to its user interface.\u003c\/p\u003e\n\u003ch4\u003eStreamlined User Experience\u003c\/h4\u003e\n\u003cp\u003eThe Optimizer technlogy is very sophisticated and powerful, but we made it simple to use thanks to a completely redesigned user interface.\u003c\/p\u003e\n\u003cp\u003eOur new modern web interface comes with built-in help and a clear menu structure. Using NOVA should be self-explantory, including a setup procedure that will guide you through the process step by step.\u003c\/p\u003e\n\u003ch4\u003eNew Hardware Platform\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eNOVA is the first of a new generation of Trinnov products, based on an entirely redesigned platform, which combines greater modularity, higher performance, enhanced reliability and native support for Audio over IP.  \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eImproved 3D Microphone\u003c\/h4\u003e\n\u003cp\u003eWe improved the measurement microphone with your needs in mind for maximum efficiency, simplicity, and reliability.\u003c\/p\u003e\n\u003cp\u003eIt is now equipped with phantom power, integrated memory and automated steps to facilitate calibration removing the need to manually input compensation files. \u003c\/p\u003e\n\u003ch4\u003eNew DAC and Audio Core\u003c\/h4\u003e\n\u003cp\u003eOne of the most important development was the redesign of our main audio board, the Trinnov Audio Core. This new core is not only more powerful, it is also 5 times smaller and efficient. It effectively handles the audio processing and removes the need of an additional computing section and fans.\u003c\/p\u003e\n\u003cp\u003eThe AD\/DA section has also been redesigned around ESS Sabre chipsets. Noise and distortion levels have been reduced at all frequencies, allowing for more accurate monitoring.\u003c\/p\u003e\n\u003ch4\u003eLaRemote\u003c\/h4\u003e\n\u003cp\u003eUse NOVA with our dedicated hardware controller \"La Remote\". Take control of every function of NOVA at the press of a button.\u003c\/p\u003e\n\u003cp\u003eThrough an easy drag n drop interface, personalize \"La Remote\" to your workflow, and adjust the functions and labels of its seven buttons to suit your environment.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFront Panel\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone Input\u003c\/strong\u003e: 1 x Calibration Microphone Ethercon Input\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphone Output\u003c\/strong\u003e: 1 x Jack 6.35 stereo Headphone Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLa Remote connectivity\u003c\/strong\u003e: 1 x USB Type A port for La Remote\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandby \/ Mute button\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStatus\u003c\/strong\u003e: LED 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operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNetwork\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNetwork connectivity\u003c\/strong\u003e: IPV4 dual connector (configurable)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIP Configuration modes\u003c\/strong\u003e: DHCP \/ Auto-IP link local \/ fixed IP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility\u003c\/strong\u003e: Eucon compatibility via the “Trinnov App”\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eWeight and Dimensions\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (L x l x P) mm\u003c\/strong\u003e: 482 x 44 x 192\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (L x l x P) inches\u003c\/strong\u003e: 19” x 1.7” x 7.5”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShipping box dimensions (W x H x D) cm\u003c\/strong\u003e: 59 x 7 x 30\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 2.5 kg \/ 5.5 lbs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShipping weight \/ volume\u003c\/strong\u003e: 3.7 kg \/ 0.012 m3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRack Mounting\u003c\/strong\u003e: 1U - Fixed Rack Ears\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eOptions\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eProcessing channels upgrade\u003c\/strong\u003e: 2-channel software bundle (up to 6 total)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3D Measurement Microphone\u003c\/strong\u003e: Ethercon connector\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB Hardware Remote Controller\u003c\/strong\u003e: LaRemote\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Trinnov","offers":[{"title":"Default","offer_id":43260190326962,"sku":"STRNNOVABUN6","price":4675.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/STRNNOVABUN2-1_e7f702e2-ccc3-44af-86d7-a836e211e487.jpg?v=1693308954"},{"product_id":"rupert-neve-designs-master-bus-transformer","title":"Rupert Neve Designs Master Bus Transformer","description":"\u003ch2\u003eRupert Neve Designs Master Bus Transformer\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eTransform your tone.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor over six decades, audio transformers have been the bedrock of Mr. Rupert Neve’s audio circuit design philosophy – and Rupert Neve Designs’ bespoke transformers are an integral part of virtually every RND product. \u003cbr\u003e\u003cbr\u003ePacked with these transformers, the \u003cstrong\u003eRupert Neve Master Bus Transformer\u003c\/strong\u003e provides an incredible array of flavorful options designed to sweeten, enhance, drive, widen, and utterly transform source material, making it the ultimate tool for musical coloration.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCreate Tonal Magic with the Shelf EQ\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith 3 octave ranges, gentle slopes and minimal phase shifts, the all-new 2-band Shelf EQ section was created with an emphasis on simplicity and elegance. This smooth \u0026amp; musical EQ is excellent at providing just the right amount of tonal enhancement – especially when it is interacting with the other sections of the MBT.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBreathe In New Life with the Color Comp\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith an all-new optical compressor design, the Color Comp excels at accentuating the non-linear distortion and “colorful” characteristics of the Opto cell to bring source material a new sense of life and depth.\u003cbr\u003e\u003cbr\u003eThe Color Comp includes two selectable ratios, a sweepable high pass side-chain filter, variable threshold and release, 20dB of Class-A makeup gain, and a Blend control for parallel processing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFind New Dimension with Width\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Width section is designed to increase the perceived stereo spread without losing low-end focus. \u003cbr\u003e\u003cbr\u003eWhile inspired by the Stereo Field Editor (SFE) “WIDTH” controls found on our award-winning Master Buss Processor, the MBT’s Width section has several key differences: \u003cbr\u003e\u003cbr\u003eThe Width control on the MBT is additive only, with a greater range for more extreme operation. \u003cbr\u003e\u003cbr\u003eThere is a variable high-pass filter (50Hz to 800Hz) to adjust the Width content, so that low frequencies remain more centered in the mix as the mids and highs are spread out to create more space. \u003cbr\u003e\u003cbr\u003eAdditionally, there is subtle high frequency tapering of the Width content to avoid overemphasizing harsher HF tones. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSuper Silk\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIntroduced nearly twenty years ago, the Silk circuit has long been a favorite for Rupert Neve Designs users. First available as a simple on\/off switch, then with selectable Red and Blue modes and the variable Texture control, Silk exists to enhance and control even and odd order harmonic content in any source material. \u003cbr\u003e\u003cbr\u003eSuper Silk is the latest advancement to this beloved technology: with independent Red, Blue, Harmonics and Zener Drive controls, plus the ability to adjust gain into (and out of) the circuit, harmonic manipulation is taken to a whole new level with the MBT.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default","offer_id":43291733852338,"sku":"SRNDMBT","price":2915.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/RND-Master-Bus-Transformer-Front.jpg?v=1763462933"},{"product_id":"dangerous-music-s-m-limited-edition-20th-anniversary-edition","title":"Dangerous Music S\u0026M Limited Edition 20th Anniversary Edition","description":"\u003ch2\u003eDangerous Music S\u0026amp;M Limited Edition 20th Anniversary Edition\u003c\/h2\u003e\n\u003cdiv class=\"page text-selectable ng-star-inserted\" contenteditable=\"false\" _ngcontent-ng-c1664452276=\"\"\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div p2-16cb5c0a4175-page\"\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eThe \u003cstrong\u003eDangerous Music S\u0026amp;M\u003c\/strong\u003e mid-side processing matrix is revered in the mixing and \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003emastering community. Insert your favourite outboard, split your stereo into Sides and \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eMid get to work. Juice up the overall top end then de-ess that vocal without \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003edestroying the ethereal shimmer on the sides. Take your ‘perfect’ drum sound from a \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003estereo pair of overheads, where the snare is too loud and resolve it in seconds with a \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003elimiter on the Sum channel. Peel back the mung from the bass so it punches hard, \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003ewithout choking the guitars or synths. Deploy it classically or experimentally as a \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003emost potent creation tool.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\u003cstrong\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text001\"\u003eDangerous Music S\u0026amp;M Features:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eMid-side processing circuits designed by Chris Muth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eStepped Side Control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eLimited Supply of 100 units\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eOccupies only 1 RU of space\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eInternal Power Supply\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eHand built in the USA\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\u003cstrong\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text001\"\u003eDangerous Music Sum \u0026amp; Specifications:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eNote: Dangerous Music, Inc. publishes actual measured specifications, not \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003etheoretical numbers derived from data sheets published by chip manufacturers.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p2-16cb5c0a4175-div\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003cstrong\u003eFrequency Response: \u003c\/strong\u003eFlat within 0.1dB from 1Hz -100kHz \u0026lt;0.002% \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003cstrong\u003eTHD + NOISE:\u003c\/strong\u003e \u0026lt;0.002%\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003cstrong\u003eIMD60 4:1:\u003c\/strong\u003e \u0026lt;0.002%\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003cstrong\u003eSum and Minus channel separation:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e-78dB\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003cstrong\u003eWidth control accuracy:\u003c\/strong\u003e 0.02dBu\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003cstrong\u003eDynamic Range:\u003c\/strong\u003e 108dB\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eNominal operating \u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003e\u003cstrong\u003elevel:\u003c\/strong\u003e +4dBu\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eMaximum Input Level: +23dBu\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eInput Impedance: 25K Ohms \u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eBalanced\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text003\"\u003e\u2028\u003c\/span\u003e\u003cspan class=\"p2-16cb5c0a4175-span p2-16cb5c0a4175-text002\"\u003eOutput Impedance: 50 Ohms Balanced\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: bold;\"\u003e\u003cstrong\u003e\u003cspan class=\"p3-16cb5c0a4175-span p3-16cb5c0a4175-text001\"\u003eDimensions \u0026amp; Weight:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p3-16cb5c0a4175-span p3-16cb5c0a4175-text001\"\u003eUnboxed dimensions: Depth 34,3 cm, Width 48,3 cm, Height 4,3 cm (1HE)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p3-16cb5c0a4175-span p3-16cb5c0a4175-text001\"\u003eUnboxed weight: 5 kg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p3-16cb5c0a4175-span p3-16cb5c0a4175-text001\"\u003eBoxed dimensions: Depth 45,7 cm, Width 55,9 cm, Height 20,3 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p3-16cb5c0a4175-span p3-16cb5c0a4175-text001\"\u003eShipping weight: 5,5 kg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p3-16cb5c0a4175-span p3-16cb5c0a4175-text001\"\u003eBoxed dimensions double box: Depth 45,7 cm, Width 58,4 cm, Height 40,6 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"p3-16cb5c0a4175-span p3-16cb5c0a4175-text001\"\u003eShipping weight: 12 kg\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dangerous Music","offers":[{"title":"Default","offer_id":44202941874354,"sku":"SDANSM","price":1900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Front_e8e39d26-8b34-4e15-bcf6-da6c081e2311.jpg?v=1714575681"},{"product_id":"rupert-neve-designs-master-bus-transformer-b-stock","title":"Rupert Neve Designs Master Bus Transformer - B-Stock","description":"\u003ch2\u003eRupert Neve Designs Master Bus Transformer - B-Stock\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eTransform your tone.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor over six decades, audio transformers have been the bedrock of Mr. Rupert Neve’s audio circuit design philosophy – and Rupert Neve Designs’ bespoke transformers are an integral part of virtually every RND product.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eThis is an Ex-showroom MBT in excellent condition. The unit has a full manufacturer warranty. \u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003ePacked with these transformers, the \u003cstrong\u003eRupert Neve Master Bus Transformer\u003c\/strong\u003e provides an incredible array of flavorful options designed to sweeten, enhance, drive, widen, and utterly transform source material, making it the ultimate tool for musical coloration.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCreate Tonal Magic with the Shelf EQ\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith 3 octave ranges, gentle slopes and minimal phase shifts, the all-new 2-band Shelf EQ section was created with an emphasis on simplicity and elegance. This smooth \u0026amp; musical EQ is excellent at providing just the right amount of tonal enhancement – especially when it is interacting with the other sections of the MBT.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBreathe In New Life with the Color Comp\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith an all-new optical compressor design, the Color Comp excels at accentuating the non-linear distortion and “colorful” characteristics of the Opto cell to bring source material a new sense of life and depth.\u003cbr\u003e\u003cbr\u003eThe Color Comp includes two selectable ratios, a sweepable high pass side-chain filter, variable threshold and release, 20dB of Class-A makeup gain, and a Blend control for parallel processing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFind New Dimension with Width\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Width section is designed to increase the perceived stereo spread without losing low-end focus. \u003cbr\u003e\u003cbr\u003eWhile inspired by the Stereo Field Editor (SFE) “WIDTH” controls found on our award-winning Master Buss Processor, the MBT’s Width section has several key differences: \u003cbr\u003e\u003cbr\u003eThe Width control on the MBT is additive only, with a greater range for more extreme operation. \u003cbr\u003e\u003cbr\u003eThere is a variable high-pass filter (50Hz to 800Hz) to adjust the Width content, so that low frequencies remain more centered in the mix as the mids and highs are spread out to create more space. \u003cbr\u003e\u003cbr\u003eAdditionally, there is subtle high frequency tapering of the Width content to avoid overemphasizing harsher HF tones. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSuper Silk\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIntroduced nearly twenty years ago, the Silk circuit has long been a favorite for Rupert Neve Designs users. 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The multiband compression – split into low, mid, and side bands—allows for detailed control of each frequency range, letting you shape your sound with precision.\u003c\/p\u003e\n\u003cp\u003eThe Soft Clipper derived from the legendary alpha compressor drives the signal harder without causing clipping external AD converters.\u003c\/p\u003e\n\u003cp\u003eIts high-end analog meters provide clear feedback on signal levels, compression, and clipping for each band.\u003c\/p\u003e\n\u003cp\u003eWhether you’re recording, mixing or mastering in the studio or finalizing your live sound, xmax delivers precision, power, and clarity—setting a new standard for M\/S multiband compression.\u003c\/p\u003e\n\u003cp\u003eSimply put it on your Mix\/Master\/Drum\/Vocal\/Guitar\/Synth\/Piano\/Bass\/Room BUS. And done.xmax is a powerful tool not only on the masterbus. No matter which stereo bus you want to use xmax on, you always have full control over your dynamics.\u003c\/p\u003e\n\u003cp\u003eA focused and powerful low end can easily be achieved via the low band. Tight and punchy snare hits or upfront vocal tracks are no problem with the mid band. If you want to widen the stereo field of guitars or your room sound, simply turn the side band gain control to get more stereo width.\u003c\/p\u003e\n\u003ch3\u003eElysia xmax Specifications\u003c\/h3\u003e\n\u003cdiv class=\"elementor-element elementor-element-7e0d5b5b e-con-full e-flex e-con e-child\" data-id=\"7e0d5b5b\" data-element_type=\"container\" data-e-type=\"container\" data-settings='{\"background_background\":\"classic\"}'\u003e\n\u003cdiv class=\"elementor-element elementor-element-41b60e07 e-con-full e-flex e-con e-child\" data-id=\"41b60e07\" data-element_type=\"container\" data-e-type=\"container\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-4b5d283c elementor-widget elementor-widget-text-editor\" data-id=\"4b5d283c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response: \u003c\/strong\u003e\u0026lt; 10Hz – 180kHz (-3dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eTHD+N @ 0 dBu, 20 Hz – 22 kHz: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e0,01%\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eNoise floor, 20 Hz – 20 kHz (A-wei\u003c\/strong\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eghted): \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e-91,3dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eDynamic range, 20 Hz – 22 kHz:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e 112 dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eMaximum input level:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e +21 dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eMaximum output level:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e +22 dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eInput impedance:\u003c\/strong\u003e 20 kOhm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 68 Ohm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eDimensions  \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(W x H x D, incl. Knobs)\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e19” x 1,75“ x 9,2“ \/ \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e483 mm x 44,45 mm x 232 mm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eWeight\u003c\/strong\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3,88 lbs \/ 1,76 kg\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003ePower consumption\u003c\/strong\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e12 Watts\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003ePotentiometers: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e41 Steps\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":55458680766838,"sku":"SELYXMAX","price":1165.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Elysia_0003_XMAX-Front.jpg?v=1743696562"},{"product_id":"elysia-xmax-qube-series-masterbus-processor","title":"Elysia XMAX Qube - Ultra-Portable Masterbus Processor","description":"\u003ch2\u003eElysia XMAX Qube - Ultra-Portable Masterbus Processor\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eElysia xmax\u003c\/strong\u003e is a top-tier Class-A stereo masterbus processor designed for mixing and mastering.\u003c\/p\u003e\n\u003cp\u003eCombining transparency, precision, and flexible control, it enhances your sound in the studio or live.\u003c\/p\u003e\n\u003cp\u003eThe core of the Xmax is its Class-A circuitry with internal Mid\/Side processing, delivering pristine audio quality without compromising the natural integrity of your mix.\u003c\/p\u003e\n\u003cp\u003eThe multiband compression – split into low, mid, and side bands—allows for detailed control of each frequency range, letting you shape your sound with precision.\u003c\/p\u003e\n\u003ch3\u003eElysia xmax qube Specifications\u003c\/h3\u003e\n\u003cdiv data-settings='{\"background_background\":\"classic\"}' data-e-type=\"container\" data-element_type=\"container\" data-id=\"7e0d5b5b\" class=\"elementor-element elementor-element-7e0d5b5b e-con-full e-flex e-con e-child\"\u003e\n\u003cdiv data-e-type=\"container\" data-element_type=\"container\" data-id=\"41b60e07\" class=\"elementor-element elementor-element-41b60e07 e-con-full e-flex e-con e-child\"\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-e-type=\"widget\" data-element_type=\"widget\" data-id=\"4b5d283c\" class=\"elementor-element elementor-element-4b5d283c elementor-widget elementor-widget-text-editor\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response: \u003c\/strong\u003e\u0026lt; 10Hz – 180kHz (-3dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eTHD+N @ 0 dBu, 20 Hz – 22 kHz: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e0,01%\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eNoise floor, 20 Hz – 20 kHz (A-wei\u003c\/strong\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eghted): \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e-91,3dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eDynamic range, 20 Hz – 22 kHz: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e112 dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eMaximum input level:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e +21 dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eMaximum output level:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e +22 dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eInput impedance:\u003c\/strong\u003e 20 kOhm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 68 Ohm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eDimensions  \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(W x H x D, incl. Knobs): \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e104 mm x 137 mm x 205 mm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eWeight\u003c\/strong\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3,17 lbs \/ 1,46 kg\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003ePower consumption\u003c\/strong\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e9 Watts\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":57502715609462,"sku":"SELYQ500XMAX","price":965.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/XmaxQubefront_eee549d6-5b13-40da-9174-49a56e96f8b3.jpg?v=1776943789"},{"product_id":"dangerous-music-liaison-dm18-6-ch-insert-parallel-processor-b-stock","title":"Dangerous Music Liaison (DM18) 6 Ch Insert \u0026 Parallel Processor (B-Stock)","description":"\u003ch2\u003eDangerous Music Liaison (B-Stock)\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eDangerous Music Liaison\u003c\/strong\u003e is a 2U programmable patch unit that you can store and recall complex analog patches that include up to six stereo or mono analog paths. This gives you the speed of digital plug-ins but with your analog rig. The programmable mapping allows you to try your favourite mix-buss chain on a different track or quickly compare two analog EQs within that chain with just push a button.\u003c\/p\u003e\n\u003cp\u003eWith the onboard, latency-free, audiophile-grade parallel buss, you can blend your processed and unprocessed signals for rock solid parallel effects that otherwise require elaborate large format consoles and patch bays. Recall any of your stored patches instantly, bring individual patches in and out of the signal path for gapless A\/B comparisons, get your studio setup for the day’s tracking, mixing or mastering tasks in a flash, and do away with confusing, time-consuming patch recall sheets, all while getting crystal clear sound from all your favourite gear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLET’S TALK ABOUT SHORT-TERM MEMORY\u003c\/strong\u003e\u003cbr\u003eMany of us don’t realize that when we’re making comparisons between two or more sounds, we’re relying on our short term memory. Research has shown that the length of time between exposure to two different sounds greatly determines our ability to make useful judgements. The shorter the gap, the more reliable our judgements are, and for tonal judgements, we start to lose discernment after just fractions of a second! In the analog environment we’re usually forced into physically repatching gear when comparing different sounds, causing gaps so big that the human brain simply can’t make much use of the comparison. With the LIAISON, you get to compare your analog patches with no gap, making A\/B comparisons in the analog realm far easier – and actually useful. the LIAISON takes the guesswork out of your critical decisions, helping you make the most of your analog investments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPLEX PATCHING MADE EASY…AND PROGRAMMABLE!\u003c\/strong\u003e\u003cbr\u003eWith the LIAISON, previously complex patches of analog equipment are made simple, and they can be instantly recalled with the sophisticated, yet elegant, signal routing and user interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSix Insert Loops\u003c\/strong\u003e – The topology of the LIAISON is built around six high-grade stereo insert loops, each of which can be switched in and out of the signal path at the touch of a button. Use the “Flip” switches to reverse the order of inserts 1\u0026amp;2, 3\u0026amp;4 or 5\u0026amp;6, allowing for immediate auditions of new routing possibilities (compress that EQ, or EQ that compressor?).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo Main Busses\u003c\/strong\u003e – Two main stereo busses (A \u0026amp; B) allow you to route different analog gear chains simultaneously. For example, plug your mic pres into the input of Buss A and keep your favorite EQs and compressors ready for tracking while your favorite stereo mix buss processors live on Buss B. Or perhaps route your drum stems to Buss A, while simultaneously routing your entire stereo mix to Buss B. For even greater versatility, chain Buss A and B together!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eParallel Processing Loop\u003c\/strong\u003e – Send any combination of gear to the LIAISON’s onboard parallel processing loop, allowing latency-free blending of the processed and unprocessed signals. Parallel processing is standard practice today, but in the analog realm often requires a large format console and patchbay. With the LIAISON you can switch between in-series and parallel patches at the push of a button, and then blend to taste! Slam that buss-compressor and bleed in just a bit for sustain and edge. Put an extreme EQ curve on a vocal and blend it into the main signal to create urgency and articulation. Whatever you dream up, the LIAISON’s parallel buss will open up a whole new realm of creative uses for your analog gear. There’s even a polarity reversal button for the parallel processing loop, allowing you to correct phase or use phase cancellation creatively for various results.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFour Monitor Channels\u003c\/strong\u003e – Each of the two busses can be monitored before or after the insert loop, allowing you to hear the results of your inserted processing on either buss instantly. Intelligently routing these four monitor channels in your studio will open up all kinds of uses that minimize patching work and maximize your ability to make fast, reliable comparisons.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProgrammability\u003c\/strong\u003e – Once you’ve got a patch you want to keep around, store it on one of the four program channels for instant recall. Thinking creatively, you can use the two busses to accomplish any number of elaborate patches for tracking, mixing and mastering that you can recall effortlessly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA MASTERING-GRADE SIGNAL PATH AND SWITCHING SYSTEM\u003c\/strong\u003e\u003cbr\u003eAt the core of the LIAISON is a set of no-compromise analog circuits developed by Dangerous head designer, Chris Muth. Audiophile-grade components are used throughout the LIAISON’s 100% passive analog relay switching system, offering up a truly transparent and robust topology for seamlessly hosting all your outboard gear. True hard-wire bypass relays remove any gear entirely from the signal path, including analog units that lack an integrated bypass, or hard bypass, circuit. All of the LIAISON’s components switch instantly and silently, providing true A\/B comparisons without coloration, latency or disruptive noises.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHand built in the USA.\u003c\/li\u003e\n\u003cli\u003eAudiophile-grade components throughout.\u003c\/li\u003e\n\u003cli\u003eChris Muth designed analog circuits.\u003c\/li\u003e\n\u003cli\u003eSix stereo insert loops with true-bypass.\u003c\/li\u003e\n\u003cli\u003eTwo independent stereo busses.\u003c\/li\u003e\n\u003cli\u003eParallel processing loop on Buss B.\u003c\/li\u003e\n\u003cli\u003eFour monitor outputs for pre- and post-insert monitoring of both busses.\u003c\/li\u003e\n\u003cli\u003eInstant A\/B comparisons in the analog realm.\u003c\/li\u003e\n\u003cli\u003eFour onboard memory slots for instant recall of patches.\u003c\/li\u003e\n\u003cli\u003eSeamless integration with the Dangerous MASTER or another LIAISON.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response (Passive Section):\u003c\/strong\u003e +0, -0.1dB from 10Hz to 100kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response (Active Section):\u003c\/strong\u003e +0, -0.1dB from 10Hz to 100kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum level:\u003c\/strong\u003e \u0026gt; +28dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise floor:\u003c\/strong\u003e \u0026lt; -94.5dBu 22Hz-22kHz bandwidth\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e \u0026lt; 0.002%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIMD:\u003c\/strong\u003e \u0026lt; 0.003%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk rejection (Passive Section):\u003c\/strong\u003e \u0026gt; 124dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk rejection (Active Section):\u003c\/strong\u003e \u0026gt; 113dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 20K Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance:\u003c\/strong\u003e 20 Ohms\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReplacement Fuses:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eUSA 500mA fast blow for 120V\u003c\/li\u003e\n\u003cli\u003eEurope 250mA fast blow for 240V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Free 2 year extended warranty with online registration.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":57869356794230,"sku":"SDAN18LIAISONBSK","price":2450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SDAN18LIAISON-front.jpg?v=1601050866"},{"product_id":"spl-dmc-mastering-console","title":"SPL DMC - Mastering Console","description":"\u003ch2\u003eSPL DMC - Mastering Console\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eSPL DMC\u003c\/strong\u003e is the heart of the mastering studio. The converters, the players, the DAW, the recorders and the speakers are connected to it. The audio quality of the console is therefore crucial. Like all devices of the mastering series, the DMC works on the unparalleled 120V technology.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-e-type=\"widget\" data-element_type=\"widget\" data-id=\"252e56f2\" class=\"elementor-element elementor-element-252e56f2 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp class=\"elementor-heading-title elementor-size-default\"\u003e\u003cstrong\u003eInputs \u0026amp; Sources\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-e-type=\"widget\" data-element_type=\"widget\" data-id=\"47052306\" class=\"elementor-element elementor-element-47052306 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eAudio signals that shall be processed are connected to the Inputs and audio signals for comparison or playback are connected to the Sources. Four stereo inputs pairs are available for each.\u003c\/p\u003e\n\u003cp\u003eEach input channel can be switched on\/off, phase reversed and trimmed in 0.25 dB steps. A stereo input can be switched to mono.\u003c\/p\u003e\n\u003cp\u003eThe large potentiometer for the recording gain allows sensitive gain rides. If it is not used, it should not be activated. This keeps the entire control stage outside the signal path.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-76ef5b78 elementor-widget elementor-widget-heading\" data-id=\"76ef5b78\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp class=\"elementor-heading-title elementor-size-default\"\u003e\u003cstrong\u003eMonitoring \u0026amp; Inserts\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-6a883acc elementor-widget elementor-widget-text-editor\" data-id=\"6a883acc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThree pairs of speakers can be operated for full-range, mid-field and near-field monitors. Speakers D is for a mono loudspeaker.\u003c\/p\u003e\n\u003cp\u003ePreferably a Phonitor headphone amplifier is connected to the Phonitor HP Out, whereby it can be programmed whether the loudspeaker is automatically switched off during headphone operation or not.\u003c\/p\u003e\n\u003cp\u003eThe same applies to the subwoofer. It can be programmed with which monitor it is paired and activated together.\u003c\/p\u003e\n\u003cp\u003eThe insert return can also be trimmed in 0.25 dB steps to compensate for the finest level differences after an insert chain. The Hermes Mastering Router is preferably connected to the inserts, with which up to eight stereo processors can be connected and freely routed and stored.\u003c\/p\u003e\n\u003cp\u003eIn the monitoring section, each loudspeaker channel can be solo’ed and phase reversed.\u003c\/p\u003e\n\u003cp\u003eThe large monitoring level potentiometer has an illuminated indicator so that the monitor level can be easily assessed even from a greater distance.\u003c\/p\u003e\n\u003cp\u003eA loudness compensation (+\/- 10 dB) can be activated. Alternatively it can be linked to the Insert, Sources or Inputs switches allowing loudness compensation at any stage.\u003c\/p\u003e\n\u003ch3\u003eSPL DMC Specifications\u003c\/h3\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"technical-description\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input \u0026amp; output gain: \u003c\/strong\u003e\u003cspan class=\"technical-value\"\u003e32.5\u003c\/span\u003e\u003cspan class=\"technical-unit\"\u003e\u003cspan\u003e \u003c\/span\u003edB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eInput impedance: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e20\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e kΩ\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eOutput impedance:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e75\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e Ω\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eCommon mode rejection: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e-82\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eFrequency range (-3 dB): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e4 Hz to 300\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eNoise (A-weighted, +24 dBu, Rec Out, Insert On):\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e-101.6\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eNoise (A-weighted, +24 dBu, Speaker Out):\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e-103.9\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eTHD \u0026amp; N (+24 dBu, Rec Out, Insert On):\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e\u0026gt; 112\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eTHD \u0026amp; N (+24 dBu, Speaker Out):\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e\u0026gt; 108\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eOperating voltage for analog audio: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e+\/- 60\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e V\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eOperating voltage for relays and LEDs:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e+ 12\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e V\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eMains voltage (selectable, see fuse chamber): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e230 V AC \/ 50; 115 V AC \/ 60\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e Hz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eFuse for 230 V:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003eT 1\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e A\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eFuse for 115 V:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003eT 2\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e A\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003ePower consumption:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003emax. 40\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e VA\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eW x H x D (width x height x depth): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e482 x 132 x 300\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e mm\/\u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e19 x 5.2 x 11.8\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e inch\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eUnit weight: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e10.2\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e kg\/\u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e22.49\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e lbs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eShipping weight (incl. packaging): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e12.35\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e kg\/\u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e27.22\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e lbs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":58137515852150,"sku":"SSPLDMC","price":4165.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/DMCfront.jpg?v=1784044803"},{"product_id":"spl-gemini-m-s-mastering-processor","title":"SPL Gemini - M\/S Mastering Processor","description":"\u003ch2\u003eSPL Gemini - M\/S Mastering Processor\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eSPL Gemini \u003c\/strong\u003eis the first mid\/side processor in 120V technology. In mastering, M\/S processing is often the best way to get targeted access to individual elements of a mix.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-e-type=\"widget\" data-element_type=\"widget\" data-id=\"31d1a2a\" class=\"elementor-element elementor-element-31d1a2a elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp class=\"elementor-heading-title elementor-size-default\"\u003e\u003cstrong\u003eM\/S ?\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection data-e-type=\"section\" data-element_type=\"section\" data-id=\"29985616\" class=\"elementor-section elementor-inner-section elementor-element elementor-element-29985616 elementor-section-content-middle elementor-section-boxed elementor-section-height-default elementor-section-height-default\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv data-e-type=\"column\" data-element_type=\"column\" data-id=\"3df3ea70\" class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-3df3ea70\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-e-type=\"widget\" data-element_type=\"widget\" data-id=\"2f4ec4c8\" class=\"elementor-element elementor-element-2f4ec4c8 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThe decomposition of the stereo signal in mid (voice, snare, bass …) and side (guitars, pads, cymbals …) allows their separate processing.\u003c\/p\u003e\n\u003cp\u003eThe center signal (Mid) is the sum of the left and right channel of the stereo signal (L+R), i.e. the “in phase” part of the stereo signal.\u003c\/p\u003e\n\u003cp\u003eThe side signal (Side) is the difference of the left and right channels of the stereo signal (L-R), i.e. the “out-of-phase” part of the stereo signal.\u003c\/p\u003e\n\u003cp\u003eGemini can also be used to enlarge or reduce the stereo image. An elliptical filter for shifting the low frequency component from the side to the mid is also on board.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Mid\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen the M\/S button is activated, the input signal (L\/R stereo) is split into a mid and side signals.\u003c\/p\u003e\n\u003cp\u003eThe exact center position can be adjusted with the Balance control and the exact level with the Trim control. Both functions are switchable to be in the signal path only when in use.\u003c\/p\u003e\n\u003cp\u003eExclusive monitoring of the center is possible when the solo function is activated.\u003c\/p\u003e\n\u003cp\u003eProcessors can be inserted to process the mid signal and activated with the Insert button. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Side\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe side signal also has a solo function and a switchable insert for external processing. \u003c\/p\u003e\n\u003cp\u003eIn addition, the elliptical filter can be used to shift the bass frequencies from the side to the mid. This improves the punch and precision of low frequencies. The Stereo Width control changes the level of the side signal, with a level increase broadening the stereo image.\u003c\/p\u003e\n\u003cp\u003eThese two functions can also be switched on to be in the signal path only when used. \u003c\/p\u003e\n\u003cp class=\"elementor-heading-title elementor-size-default\"\u003e\u003cstrong\u003eI\/Os and Inserts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll inputs and outputs as well as sends and returns are balanced using Neutrik XLR connectors.\u003c\/p\u003e\n\u003cp\u003eProcessors can be connected to the inserts for external processing.\u003c\/p\u003e\n\u003cp\u003eEspecially interesting is the integration of the Gemini into the Hermes Mastering Router. In this way, processing chains can be created that combine classic L\/R processing with M\/S processing.\u003c\/p\u003e\n\u003ch3\u003eSPL Gemini Specifications\u003c\/h3\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"technical-description\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input \u0026amp; output gain:\u003c\/strong\u003e \u003cspan class=\"technical-value\"\u003e32,5\u003c\/span\u003e\u003cspan class=\"technical-unit\"\u003e\u003cspan\u003e \u003c\/span\u003edBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eInput impedance: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e20\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e kΩ\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eOutput impedance: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e75\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e Ω\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eCommon mode rejection:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e-79\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eFrequency range (-3 dB): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e10 Hz – 150\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eCrosstalk (1 kHz): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e-108\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eTHD + N (0 dBu, 1 kHz):\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e-110\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eNoise (A-weighted), all stages active): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e-98,2\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eDynamic range:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e135\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eOperating voltage for analog audio:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e+\/- 60\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e V\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eOperating voltage for relays and LEDs:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e+ 12\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e V\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eMains voltage (selectable, see fuse chamber): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e230 V AC \/ 50; 115 V AC \/ 60\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e Hz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eFuse for 230 V: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003eT 500\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e mA\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eFuse for 115 V:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003eT 1\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e A\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003ePower consumption: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003emax. 40\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e VA\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eW x H x D (width x height x depth): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e482 x 44 x 300\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e mm\/\u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e19 x 1,73 x 11,8\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e inch\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eUnit weight: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e5\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e kg\/\u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e11,02\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e lbs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eShipping weight (incl. packaging):\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e6.8\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e kg\/\u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e14,99\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e lbs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":58137515983222,"sku":"SSPLGEMINI","price":1999.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Geminifrontblack.jpg?v=1784043276"},{"product_id":"spl-hermes-router-parallel-mixer","title":"SPL Hermes - Mastering Router with Dual Parallel Mix","description":"\u003ch2\u003eSPL Hermes - Mastering Router with Dual Parallel Mix\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eSPL Hermes\u003c\/strong\u003e revolutionizes mastering. Now it is possible to have an audio signal processed by up to eight 2-channel processors in any order that can be stored. At the push of a button you can compare up to four complex processing chains.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"elementor-heading-title elementor-size-default\"\u003e\u003cstrong\u003eConnect, route, store, compare\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHermes accelerates mastering workflows in an unprecedented achievable way. The time-consuming replugging of the patchbay alone had made true comparison almost impossible.\u003c\/p\u003e\n\u003cp\u003eNow you can change, store and compare processing chains in seconds. All with real buttons, relays and without additional software.\u003c\/p\u003e\n\u003cp\u003eSimply push the processor buttons A to H in the order in which the audio signal should pass through the processors and store it. \u003c\/p\u003e\n\u003cp\u003eAll processors can be named for a better overview. The name always appears briefly in the display when an insert button is pressed.\u003c\/p\u003e\n\u003cp class=\"elementor-heading-title elementor-size-default\"\u003e\u003cstrong\u003eFree routing of two parallel mix stages\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHermes has two parallel mix stages that can be freely assigned to each of the eight processors and stored with a processing chain.\u003c\/p\u003e\n\u003cp\u003eThis means that even two compressors with different parallel mix settings can be compared quickly and easily.\u003c\/p\u003e\n\u003cp\u003eThe routing is completely passive with gas-encapsulated and gold-plated high-end relays.\u003c\/p\u003e\n\u003cp\u003eAll active stages, such as the input\/output stages and the parallel mix stages work in 120V technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSends \u0026amp; Returns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stereo channels are strictly separated on two boards to achieve the highest possible channel separation.\u003c\/p\u003e\n\u003cp\u003eThe inserts are connected with XLRs for the first four stereo processors and with DB25 for the second four stereo processors.\u003c\/p\u003e\n\u003ch3\u003eSPL Hermes Specifications\u003c\/h3\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"technical-description\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input \u0026amp; output gain:\u003c\/strong\u003e \u003cspan class=\"technical-value\"\u003e32.5\u003c\/span\u003e\u003cspan class=\"technical-unit\"\u003e\u003cspan\u003e \u003c\/span\u003edBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eInput impedance: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e20\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e kΩ\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eOutput impedance: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e75\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e Ω\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eFrequency range (-3 dB):\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e4 Hz to 300\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eCommon mode rejection:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e-75\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eCrosstalk (1 kHz, 0dBu): \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e-130\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eCrosstalk (1 kHz, 0dBu, P-Mix on):\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e-110\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eNoise (A-weighted): \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e-121\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eNoise (A-weighted, P-Mix on): \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e-104\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eOperating voltage for analog audio:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e+\/- 60\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e V\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eOperating voltage for relays and LEDs: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e+ 12\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e V\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eMains voltage (selectable, see fuse chamber):\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e230 V AC \/ 50; 115 V AC \/ 60\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e Hz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eFuse for 230 V: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003eT 1\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e A\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eFuse for 115 V:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003eT 2\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e A\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003ePower consumption: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003emax. 40\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e VA\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eW x H x D (width x height x depth):\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e482 x 88 x 300\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e mm\/\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e19 x 13.46 x 11.8\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e inch\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eUnit weight: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e9\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e kg\/\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e19.84\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e lbs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eShipping weight (incl. packaging): \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e10.65\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e kg\/\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-value\"\u003e23.48\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"technical-unit\"\u003e lbs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":58137516048758,"sku":"SSPLHERMES","price":3582.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Hermesfrontblack.jpg?v=1784044252"},{"product_id":"spl-iron-tube-compressor","title":"SPL Iron - Tube Compressor","description":"\u003ch2\u003eSPL Iron - Tube Compressor\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eLegendary Vari-Mu Compression with Modern Mastering Precision\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe \u003cstrong\u003eSPL IRON\u003c\/strong\u003e is a premium stereo mastering compressor that combines the musicality of classic variable-bias tube compression with the precision, flexibility and headroom demanded by today's mastering engineers. Built around SPL's renowned 120V technology and an innovative dual-tube compression topology, IRON delivers rich analogue warmth, exceptional depth and transparent dynamic control without sacrificing detail or transient integrity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDesigned for professional mastering studios, mix engineers and high-end production environments, the IRON adds cohesion, size and character to stereo mixes, stems and buses while remaining remarkably transparent, even under significant gain reduction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInnovative Variable-Bias Tube Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eUnlike conventional vari-mu compressors, the IRON employs a unique parallel tube architecture using carefully matched 12AU7 and Wathen CryoTone™ 12AX7 long plate valves. Different tube characteristics are combined to create exceptionally smooth, musical compression with outstanding control across a wide dynamic range.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSpecially designed Lundahl balanced Mu-metal transformers integrate the valve stages into the signal path, while a feed-forward resistive opto-isolator manages transient peaks before they reach the compression circuit. The result is a compressor that remains open, natural and musical even during more aggressive processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPL 120V Technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt the heart of the IRON lies SPL's proprietary 120V rail technology, operating internally at ±60V—far higher than conventional analogue processors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis increased operating voltage provides substantially greater headroom, lower distortion and improved dynamic range, allowing the compressor to handle high-level mastering signals effortlessly while preserving clarity and detail throughout the audio spectrum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComprehensive Dynamic Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eEvery aspect of the compression behaviour can be tailored to suit the programme material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFeatures include:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eVariable input and output gain (±12dB)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSix-step Attack control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSix-step Release control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e41-position Threshold adjustment\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThree-position Tube Bias selection\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSix Rectifier modes that alter the compressor's timing characteristics\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTogether these controls allow everything from gentle mastering glue to more obvious vintage-style compression, making the IRON equally capable on stereo buses, stems and individual sources.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible Side-Chain Processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe IRON features four carefully designed side-chain EQ presets alongside a bypass mode and external side-chain insert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBecause these filters operate only within the detector circuit, they allow frequency-selective compression without colouring the audio path itself. This makes it easy to prevent excessive low-frequency pumping or target specific frequency ranges while maintaining a completely transparent signal path.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe current IRON v2 also includes balanced XLR side-chain send and return connections for integrating external EQs into the detector circuit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAirBass \u0026amp; Tape Roll-Off\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFollowing the compression stage, the IRON includes two passive analogue finishing filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eAirBass\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e gently enhances both low and high frequencies to add weight, openness and perceived depth, while \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTape Roll-Off\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e recreates the smooth high-frequency response associated with classic analogue tape machines.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThese subtle finishing tools allow engineers to shape the overall presentation without introducing harshness or excessive EQ.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for Accurate Recall\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMastering sessions often require complete project recall, and the IRON has been designed with this in mind.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Threshold control uses a precision detented potentiometer, while virtually every other processing parameter is selected using stepped switches, allowing settings to be recreated quickly and accurately between sessions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Linking \u0026amp; Auto Bypass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Link function provides true stereo operation by combining the side-chain control signals, ensuring stable stereo imaging throughout compression.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAn integrated Auto Bypass function periodically switches processing in and out of circuit, making objective A\/B comparisons effortless during critical mastering decisions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt for Professional Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eManufactured in Germany using premium through-hole components, matched valves and high-quality transformers, the SPL IRON is built to deliver years of reliable operation in demanding studio environments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhether adding subtle cohesion to a finished mix or introducing unmistakable analogue depth during mastering, the IRON delivers the unmistakable musicality of classic tube compression with the precision and repeatability expected from a modern mastering processor.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSPL IRON Key Features\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eStereo variable-bias tube mastering compressor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProprietary SPL 120V technology for exceptional headroom\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eParallel dual-tube compression architecture\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMatched 12AU7 and Wathen CryoTone™ 12AX7 tubes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLundahl balanced Mu-metal transformers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSix Attack settings\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSix Release settings\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e41-step Threshold control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThree-position Tube Bias adjustment\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSix selectable Rectifier characteristics\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFour side-chain EQ presets\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExternal balanced XLR side-chain insert (v2)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAirBass and Tape Roll-Off analogue filters\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStereo Link mode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAuto Bypass comparison function\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStepped controls for precise recall\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBalanced XLR inputs and outputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDesigned and manufactured in Germany\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":58137516114294,"sku":"SSPLIRON","price":4868.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Untitled-2_0002_IRONFront.jpg?v=1782227554"},{"product_id":"spl-passeq-passive-mastering-equaliser","title":"SPL PassEQ - Passive Mastering Equaliser","description":"\u003ch2\u003eSPL PassEQ - Passive Mastering Equaliser\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eIn the PASSEQ, SPL have revived the concept of the passive equalizer that was used in the 50’s and 60’s. The charming sound of this vintage technology combined with the modern 120V technology results in a very special equalizer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-e-type=\"widget\" data-element_type=\"widget\" data-id=\"c333ff1\" class=\"elementor-element elementor-element-c333ff1 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp class=\"elementor-heading-title elementor-size-default\"\u003e\u003cstrong\u003eOnly one filter\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-e-type=\"widget\" data-element_type=\"widget\" data-id=\"b05166b\" class=\"elementor-element elementor-element-b05166b elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eAll control functions are part of only one passive filter. There are three frequency ranges:\u003c\/p\u003e\n\u003cp\u003eLow Freq \/ Mid Freq \/ High Freq\u003c\/p\u003e\n\u003cp\u003eEach with a cut control on the left and a boost control on the right. In the middle is the output control.\u003c\/p\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-265549b8\" data-id=\"265549b8\" data-element_type=\"column\" data-e-type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-55c55d49 elementor-widget elementor-widget-text-editor\" data-id=\"55c55d49\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eA passive filter has no amplification stages. It can therefore only be lowered. If one frequency is to be boosted, all the others must be lowered. Behind the filter there is a stage that makes up for the lowered overall level. Since low noise is particularly important here, since up to 20 dB can be made up for, the 120V technology comes into its own.\u003c\/p\u003e\n\u003cp\u003eThe entire passive filter (variable resistor, capacitor and coil) provides a very nice sound characteristic. Besides the choice of components, the charging behaviour of the capacitors and the saturation behaviour of the coils play a major role in this. The resulting relative inertia compared to potentially very fast active filters is the reason for a pleasant, musically advantageous sound characteristic. We would choose smoothness and transparency as well as strikingly silky highs and pithy basses as a description that suits our perception.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-49029cf7\" data-id=\"49029cf7\" data-element_type=\"column\" data-e-type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-301f33bc elementor-widget elementor-widget-text-editor\" data-id=\"301f33bc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"page\" title=\"Page 17\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eDuring fine-tuning, through component selection, in countless listening sessions, the emphasis was on achieving the most musical sounding curves possible, which, for example, need fear no comparison with a Pultec EQ from the 1950\/60s. Only without all the disadvantages of a 60 year old original, such as the very high background noise, but above all the very limited frequency selection.\u003c\/p\u003e\n\u003cp\u003eAnother highlight of the PASSEQ is the HF+ band, which has been extended by the frequencies 25 kHz and 35 kHz and sounds so incredibly good that you don’t want to switch it off.\u003c\/p\u003e\n\u003ch3\u003eSPL PassEQ Specifications\u003c\/h3\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"technical-description\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input \u0026amp; output gain: \u003c\/strong\u003e\u003cspan class=\"technical-value\"\u003e32.5\u003c\/span\u003e\u003cspan class=\"technical-unit\"\u003e\u003cspan\u003e \u003c\/span\u003edBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eInput impedance: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e20\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e kΩ\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eOutput impedance: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e75\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e Ω\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eCommon mode rejection: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e-60\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eFrequency range (-3 dB): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e10 Hz – 200\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eCrosstalk (1 kHz): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e-108\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eTHD + N (+30 dBu, 1 kHz): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e0.0012\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e %\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eNoise (A-bewertet): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e-95.2\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eDynamic range: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e134.5\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eOperating voltage for analog audio: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e+\/- 60\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e V\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eOperating voltage for relays and LEDs: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e+ 12\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e V\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eMains voltage (selectable, see fuse chamber): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e230 V AC \/ 50; 115 V AC \/ 60\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e Hz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eFuse for 230 V:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003eT 500\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e mA\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eFuse for 115 V:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003eT 1\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e A\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003ePower consumption:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003emax. 15\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e VA\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eDims (W x H x D): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e482 x 177 x 300\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e mm\/\u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e19 x 6.97 x 11.8\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e inch\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eUnit weight: \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e10.2\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e kg\/\u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e22.49\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e lbs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eShipping weight (incl. packaging): \u003c\/strong\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e11.9\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e kg\/\u003c\/span\u003e\u003cspan class=\"technical-value\" style=\"font-size: 0.875rem;\"\u003e26.24\u003c\/span\u003e\u003cspan class=\"technical-unit\" style=\"font-size: 0.875rem;\"\u003e lbs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":58137516245366,"sku":"SSPLPASSEQ","price":2665.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/PassEQfrontblack.jpg?v=1784041865"},{"product_id":"spl-pq-parametric-eq","title":"SPL PQ - Parametric EQ","description":"\u003ch2\u003eSPL PQ - Parametric EQ\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe \u003cstrong\u003eSPL PQ\u003c\/strong\u003e is a dual-mono stereo mastering equaliser built around ten fully parametric filter bands, five per channel, and powered by SPL's proprietary 120V technology. Originally developed alongside the legendary SPL MMC1 Mastering Console for Galaxy Studios, the PQ has since established itself as one of the most respected and versatile parametric equalisers in professional mastering. Its combination of surgical precision and musical flexibility, delivered through a design that operates at ±60V internally, has earned it a loyal following among some of the world's most discerning mastering engineers.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eWhat makes the PQ genuinely distinctive is the ability to switch each of its ten filter bands independently between Constant Q and Proportional Q behaviour. In Constant Q mode, the amplitude remains fixed regardless of the selected bandwidth, ideal for isolating and eliminating problematic frequencies with accuracy. In Proportional Q mode, the amplitude scales with bandwidth: narrower settings produce higher gain, wider settings produce gentler, more diffuse curves that interact naturally with programme material. At the narrowest bandwidth the maximum cut\/boost is ±20dB; at the widest setting this reduces to approximately ±2.8dB, providing an inherently musical taper that makes broad tonal shaping feel intuitive rather than clinical.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eEach filter band offers up to ±20dB of cut or boost, with an additional 1\/4 Gain mode that reduces the effective range to ±5dB, useful when only the most delicate refinements are needed. All five frequency bands overlap generously across the spectrum (LF: 10Hz–330Hz; LMF: 33Hz–1kHz; MF: 128Hz–4.1kHz; MHF: 310Hz–10.2kHz; HF: 760Hz–24kHz), allowing adjacent bands to address the same frequency from different angles and giving the engineer complete control over the shape of any correction or enhancement.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe centre section introduces two particularly practical features. Auto Bypass allows the unit to switch automatically between the processed and bypassed signal at an adjustable interval, removing the engineer from the stereo centre during comparison and enabling a more objective evaluation without the distraction of manual switching. The Link function joins both channel strips together so that activating or changing a filter band's mode on one side simultaneously affects the other, essential for stereo mastering work where consistency between left and right must be maintained. Uniquely, the controlling channel can be reassigned to either side, allowing the workflow to be adapted to personal preference.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAll controls are implemented with 41-step detented potentiometers, giving the PQ excellent recall accuracy across both channels, a critical requirement in professional mastering environments.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe 120V technology at the heart of the PQ operates at ±60V internally via SPL's proprietary SUPRA operational amplifiers. Where most audio devices work at ±15V and clip at around +21.5dBu, the PQ handles input and output levels up to +32.5dBu, giving it 12dB more headroom. At these operating conditions all components function comfortably within their optimal range, contributing to the notably low THD figure of 0.0005% and a dynamic range of 135dB. The result is an equaliser that is both technically exemplary and sonically transparent: rich in detail, free from harshness, and exceptionally easy to work with over long sessions. Power is provided by an internal linear supply with a shielded toroidal transformer, and the unit is manufactured entirely at SPL's facility in Niederkrüchten, Germany.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSPL PQ Key Features:\u003c\/h3\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eDual-mono stereo mastering parametric equalizer, processing two independent mono signals simultaneously or a stereo left\/right programme\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e10 fully parametric filter bands, 5 per channel (LF, LMF, MF, MHF, HF)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eEach band independently switchable between Constant Q and Proportional Q mode\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eConstant Q: fixed amplitude regardless of bandwidth, ideal for problem frequency removal\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eProportional Q: amplitude scales with bandwidth (±20dB at narrowest; ±2.8dB at widest) for musical, natural tonal shaping\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eCut\/boost range of ±20dB per band; 1\/4 Gain switch reduces range to ±5dB for fine adjustments\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eGenerous frequency overlap between bands: LF 10Hz–330Hz \/ LMF 33Hz–1kHz \/ MF 128Hz–4.1kHz \/ MHF 310Hz–10.2kHz \/ HF 760Hz–24kHz\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eAuto Bypass function with adjustable switching interval for objective A\/B comparison without manual intervention\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eLink mode joins controls across both channels simultaneously; controlling channel assignable to either side\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eIndividual On\/Off switching per band and per channel\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eAll controls implemented with 41-step detented potentiometers for reliable recall\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eSPL 120V technology operating at ±60V internally via proprietary SUPRA op-amps\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e+32.5dBu maximum input\/output level, giving 12dB more headroom than standard ±15V designs\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e135dB dynamic range; THD 0.0005% at +30dBu\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eInternal linear power supply with shielded toroidal transformer\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eElectronically balanced XLR inputs and outputs\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eManufactured in Niederkrüchten, Germany\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSPL PQ Specifications:\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eAnalogue Inputs \u0026amp; Outputs (XLR balanced)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eMaximum Input\/Output Level: 32.5 dBu\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eInput Impedance: 20 kΩ\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eOutput Impedance: 75 Ω\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eCommon Mode Rejection: -82 dBu\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eFrequency Range (-3dB): 10 Hz – 100 kHz\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eTHD \u0026amp; N (+30dBu, 1kHz): 0.0005%\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eNoise (A-weighted): -94.3 dBu\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eDynamic Range: 135 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eInternal operating voltage (audio): ±60V DC\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eRelay\/LED voltage: +12V DC\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eMains: 230V AC \/ 50Hz or 115V AC \/ 60Hz (selectable)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eFuse (230V): T 3.15A; Fuse (115V): T 6.3A\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePower consumption: max. 100 VA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eDimensions (W x H x D): 482 x 177 x 300 mm \/ 19 x 6.97 x 11.8 inches\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eUnit weight: 15.2 kg \/ 33.51 lbs\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eShipping weight (inc. packaging): 17.8 kg \/ 39.24 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":58137516343670,"sku":"SSPLPQ","price":5086.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/0001_SPL-PQ-Front.jpg?v=1782224565"},{"product_id":"spl-venos-stereo-bus-tube-compressor","title":"SPL Venos - Stereo Bus Tube Compressor","description":"\u003ch2\u003eSPL Venos - Stereo Bus Tube Compressor\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eSPL Venos\u003c\/strong\u003e is a 1U 19\" stereo bus compressor built around a variable-bias tube design, drawing on the same fundamental circuit principles as many legendary vintage tube compressors. Where it departs from tradition is in its two exclusive hyper-compression modes — Focus and Punch — which open up compression behaviour previously unavailable in any variable-bias tube unit. \u003cbr\u003e\u003cbr\u003eUnderpinning it all is SPL's proprietary 120V technology, operating at ±60V internally to deliver exceptional headroom, dynamic range, and signal-to-noise performance.\u003cbr\u003eThe Venos operates on the principle of a bias-controlled remote cutoff tube. The bias - the voltage on the tube's grid is the sum of the Input, Threshold, Rectifier, Mode, Attack, and Release parameter settings, giving the compressor a deeply interactive, musical feel. All controls are implemented with detented potentiometers or switches, covering both channels simultaneously for easy recall and auditioning.\u003cbr\u003e\u003cbr\u003eSix compression modes shape the behaviour of the sidechain signal path. The first three - Linear, Modern, and Vintage each integrate a different analogue filter into the sidechain, determining how the compressor responds to different parts of the frequency spectrum. Linear applies only a subsonic filter below 20Hz, Modern adds an analogue bandpass filter suited to contemporary mixes, and Vintage uses an empirically derived filter curve developed by SPL founder Wolfgang Neumann.\u003cbr\u003eThe two hyper-compression modes, Focus and Punch, take a fundamentally different approach. Rather than using a sidechain filter, a special circuit causes the compression characteristic curve to drop after reaching its maximum, a behaviour sometimes referred to as negative compression, where the ratio effectively inverts. Focus tightens the midrange while retaining size and life in the signal; Punch delivers an unmatched transient impact without harshness.\u003cbr\u003e\u003cbr\u003eAn external sidechain insert (Ext SC mode) allows a signal to be routed out via balanced XLR send\/return jacks to an outboard equaliser or any other device, with the processed signal fed back to control compression. Alternatively, a completely independent source can drive the sidechain. Three rectifier options — germanium, silicon, and LEDs further shape attack and release characteristics at a circuit level.\u003cbr\u003e\u003cbr\u003eAnalogue passive EQ presets AirBass and Tape are placed after the compression stage but before the output level control, allowing gentle tonal shaping as a final step. AirBass lifts both low and high frequencies by approximately 2dB; Tape emulates the typical frequency roll-off of a tape machine. A large VU meter displays gain reduction, with a calibration trimmer accessible on the front panel. A rear-panel ground-lift switch eliminates ground-loop issues.\u003cbr\u003e\u003cbr\u003eConstruction is equally considered: a 4mm-thick anodised aluminium front panel, solid milled aluminium knobs, a powder-coated steel chassis, and all key components mounted using through-hole technology for the best possible component selection. 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Fuse (115V): T 2mA\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower consumption: max. 47 VA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions (W × H × D): 482 × 132 × 300 mm \/ 19 × 5.2 × 11.8 inches\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eUnit weight: 8.75 kg \/ 19.3 lbs\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eShipping weight (inc. packaging): 11.57 kg \/ 25.05 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":58137516441974,"sku":"SSPLVENOS","price":3630.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SPL-VENOS_0002_Layer1.jpg?v=1782222636"},{"product_id":"manley-nu-mu-stereo-limiter-compressor-used","title":"Manley Nu Mu Stereo Limiter Compressor - Used","description":"\u003ch2\u003eManley Nu Mu Stereo Limiter Compressor - Used\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eThis is a used item in great condition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eManley Nu Mu Stereo Limiter Compressor\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003egives you outstanding audio quality by giving you the best of transistor and tube compressors. 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With two parallel paths the Liaison lets you switch between two processors to immediately find the best option for your tracks. Favourite chains can easily be stored in one of the four preset storage provided for instant recall. A third parallel chain with Mix control knob is provided for inserts 2,4 and 6 allowing you to use these for parallel processing.\u003c\/p\u003e\n\u003cp\u003eThe Liaison is made entirely from mastering-grade components ensuring truly pristine audio signal. 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We have distilled the essence of those tools to create the Dangerous Master. The Dangerous Master will provide you with the insert loops, sum \u0026amp; difference processing, level offset, and stereo image width control that will turn your high-quality outboard equalizers and compressors into a truly professional mastering rig.\u003c\/p\u003e\n\u003cp\u003eBuilt by the very same Chris Muth who designed the mastering equipment for many of New York's top mastering engineers and studios, the Dangerous Master forms the centerpiece of a fantastic mastering system. 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