{"title":"Microphones","description":"","products":[{"product_id":"3dio-free-space-binaural-microphone","title":"3DIO Free Space Binaural Microphone","description":"\u003ch2\u003e3DIO Free Space Binaural Microphone\u003c\/h2\u003e\n\u003cp\u003eThe\u003cstrong\u003e 3Dio Free Space\u003c\/strong\u003e is an entry level binaural microphone that allows you to record high quality audio for fully immersive videos, games and more. The Free Space microphone features 2 extremely sensitive primo EM172 microphone capsules that are perfect for binaural recordings allowing you to achieve amazing results. The Free Space has a very warm and solid response in the low to mid-range frequencies. This brings out the punch as well as provides low-end support for bass-heavy sounds. The frequency response of the EM172 capsules used in the Free Space rolls off slightly above 10kHz.\u003c\/p\u003e\n\u003ch2\u003e3DIO Free Space Features\u003c\/h2\u003e\n\u003cp\u003eWhy does it sound so natural?\u003cbr\u003eThe Free Space captures sound just like we hear sound in the real world with our own ears. When you listen to a recording captured with the Free Space using headphones or 3D capable speakers, you hear the sound as if you were there at the time of recording. The effect is so powerful because the Free Space design is based on 13+ years of research into binaural technology and human hearing.\u003c\/p\u003e\n\u003cp\u003eStandard Output\u003cbr\u003eThe output of the Free Space binaural microphone is a stereo 3.5mm (1\/8\") output jack. Simply plug it in to your favorite stereo audio recorder or microphone pre-amp, and start recording true binaural audio.\u003c\/p\u003e\n\u003cp\u003eMounting\u003cbr\u003eThe Free Space comes standard with a 5\/8\" microphone stand adapter installed in the base. The microphone stand adapter is removable. The base of the microphone has a 1\/4\"-20 female thread mounting hole that can be connected to a hot-shoe adapter or used to mount directly onto a tripod or grip handle.\u003c\/p\u003e\n\u003cp\u003eBattery\u003cbr\u003eThe Free Space contains a 9V alkaline battery within the chassis. The battery is used to power the microphone capsules.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 7.5\" x 4.5\" x 4.5\" | 190mm x 110mm x 110mm (WxHxD)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 1.5 lbs | 680g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput:\u003c\/strong\u003e 3.5mm (1\/8\") stereo jack (mic level output)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional Pattern:\u003c\/strong\u003e Omnidirectional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 100 Hz - 10kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -28±3dB at 1kHz (0dB=1V\/Pa) Rl=3.9KΩ, Vcc=5V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS\/N Ratio:\u003c\/strong\u003e 80 dB at 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax. SPL, peak before clipping:\u003c\/strong\u003e 122 dB SPL (Typ.) at 1kHz Distortion level 3% max\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 2.4k Ω ± 30% at 1kHz (RL=3.9k Ω)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Voltage:\u003c\/strong\u003e 5V (3V~10V)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone diameter:\u003c\/strong\u003e 10 mm (0.39 in)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"3Dio","offers":[{"title":"Default Title","offer_id":31435470209070,"sku":"S3DIOFREESPACE","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/3dio_fs_frontleftbelow_whitebg_2400x1600_webready.jpg?v=1578921388"},{"product_id":"3dio-free-space-binaural-microphone-xlr","title":"3DIO - Free Space Binaural Microphone XLR","description":"\u003ch2\u003e3DIO Free Space XLR\u003c\/h2\u003e\n\u003cp\u003eThe 3DIO Free Space XLR is a professional binaural microphone that allows you to capture hyper realistic audio for unique videos, games, radio and more. The Free space XLR uses Primo EM172 microphone capsules that are extremely sensitive and quiet creating the perfect binaural recording. The Free Space XLR has a very warm and solid response in the low to mid-range frequencies. This brings out the punch as well as provides low-end support for bass-heavy sounds. The frequency response of the EM172 capsules used in the Free Space XLR rolls off slightly above 10kHz.\u003c\/p\u003e\n\u003ch2\u003e3DIO Free Space XLR Features\u003c\/h2\u003e\n\u003cp\u003eXLR Phantom Power Output\u003cbr\u003eThis upgraded version of the Free Space includes two true transformer-balanced stereo XLR outputs that support phantom power. Power the Free Space XLR using the 48V supply from your pre-amp, digital recorder or mixing console. The Free Space XLR also includes an 1\/8\" stereo jack output that is powered by the internal 9V battery. The phantom power works regardless of the state of the 9V battery.\u003c\/p\u003e\n\u003cp\u003eMounting\u003cbr\u003eThe Free Space XLR comes standard with a 5\/8\" microphone stand adapter installed in the base. The microphone stand adapter is removable. The base of the microphone has a 1\/4\"-20 female thread mounting hole that can be connected to a hot-shoe adapter or used to mount directly onto a tripod or grip handle.\u003c\/p\u003e\n\u003cp\u003eBattery\u003cbr\u003eThe Free Space XLR contains a 9V alkaline battery within the chassis. The exchangeable battery is used to power the microphone capsules.\u003c\/p\u003e\n\u003cp\u003eWhy does it sound so natural?\u003cbr\u003eThe Free Space XLR captures sound just like we hear it in the real world with our own ears. When you listen back over headphones or 3D capable speakers, you hear the sound as if your own head was there at the time of recording. The effect is so powerful because the Free Space XLR design is based on 13+ years of research into binaural head microphone technology and human hearing.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDirectional Pattern:\u003c\/strong\u003e Omnidirectional\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 100 Hz - 10kHz\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -28±3dB at 1kHz (0dB=1V\/Pa) Rl=3.9KΩ, Vcc=5V\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eS\/N Ratio:\u003c\/strong\u003e 80 dB at 1kHz\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMax. 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The DPA microphones a highly sensitive making them perfect for binaural recordings making your audio immersive and realistic. With a dynamic range of 20 Hz - 20 kHz these capsules match the hearing range of human ears to further add to the realism of you recorded audio. The Free Space Pro II also ideal for professional studio recording and high-end recording binaural capture. The quiet 'openness' of the mic is great for location recordings too.\u003c\/p\u003e\n\u003ch2\u003e3DIO Free Space Pro II Features\u003c\/h2\u003e\n\u003cp\u003eXLR Phantom Power Output\u003cbr\u003eThis upgraded version of the Free Space includes two true transformer-balanced stereo XLR outputs that support phantom power. Power the Free Space Pro II using the 48V supply from a pre-amp, digital recorder or mixing console. The Free Space Pro II also includes an 1\/8\" stereo jack output that is powered by the internal 9V battery. The phantom power works regardless of the state of the 9V battery.\u003c\/p\u003e\n\u003cp\u003eMounting\u003cbr\u003eThe Free Space Pro II comes standard with a 5\/8\" microphone stand adapter installed in the base. The microphone stand adapter is removable. The base of the microphone has a 1\/4\"-20 female thread mounting hole that can be connected to a hot-shoe adapter or used to mount directly onto a tripod or grip handle.\u003c\/p\u003e\n\u003cp\u003eBattery\u003cbr\u003eThe Free Space Pro II contains a 9V alkaline battery within the chassis. The exchangeable battery is used to power the microphone capsules.\u003c\/p\u003e\n\u003cp\u003eWhy does it sound so natural?\u003cbr\u003eThe Free Space Pro II captures sound just like we hear it in the real world with our own ears. When you listen back over headphones or 3D capable speakers, you hear the sound as if you were there at the time of recording. The effect is so powerful because the Free Space Pro II design is based on 13+ years of research into binaural technology and human hearing.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 7.5\" x 4.5\" x 4.5\" | 190mm x 110mm x 110mm (WxHxD)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 1.66 lbs | 755g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput:\u003c\/strong\u003e 3.5mm (1\/8\") stereo jack (mic level output)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput:\u003c\/strong\u003e Two (2) 3-Pin XLR, Balanced Outputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional Pattern:\u003c\/strong\u003e Omnidirectional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge Type:\u003c\/strong\u003e Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Range:\u003c\/strong\u003e 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range\u003c\/strong\u003e, ±2 dB: Soft boost grid: 20 Hz - 20 kHz, 3 dB soft boost at 8 - 20 kHz. High boost grid: 20 Hz - 20 kHz, 10 dB boost at 12 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity,\u003c\/strong\u003e nominal, ±3 dB at 1 kHz: 20 mV\/Pa; -34 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS\/N ratio\u003c\/strong\u003e (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): 71 dB(A)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal harmonic distortion (THD):\u003c\/strong\u003e \u0026lt; 1% THD up to 123 dB SPL peak; \u0026lt; 1% THD up to 120 dB SPL RMS sine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range:\u003c\/strong\u003e Typ. 100 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax. 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With DAD6001-BC\/DAD6024\/DAD4099: 48 V phantom power ±4 V for full performance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone diameter:\u003c\/strong\u003e 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTemperature range:\u003c\/strong\u003e -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelative humidity (RH):\u003c\/strong\u003e Up to 90%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBattery:\u003c\/strong\u003e 9V Alkaline\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"3Dio","offers":[{"title":"Default Title","offer_id":31435470241838,"sku":"S3DIOFREESPACEPROII","price":1665.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/3dio_proii_front_whitebg_1600x1000_webready.jpg?v=1578921388"},{"product_id":"3dio-omni-binaural-microphone-21537","title":"3DIO - Omni Binaural Microphone","description":"\u003ch2\u003e3DIO Omni\u003c\/h2\u003e\n\u003cp\u003eThe 3DIO Omni Binaural Microphone is a four-position binaural perspective array of eight Primo EM172 microphone capsules to create a 360 degree audio environment. The eight capsules are paired up to make 4 pairs of ears angled at 0, 90, 180 and 270 degrees, allowing you can use all the ears for 360 degree recording or use one pair of ears for a standard binaural recording.\u003c\/p\u003e\n\u003cp\u003eThe Omni Binaural microphone is ideally suited for adding immersive binaural audio to your 360 degree video production. The Omni Binaural mic can also be used to provide binaural localization\/orientation freedom for audio engineers. Simply place the mic where you want it, hit record, and binaurally\/positionally mix your audio sources in post.\u003c\/p\u003e\n\u003cp\u003eSynchronising Omni Binaural audio to a 360 video during playback only requires a simple volume control script. This is typically implemented in a custom VR video player app. This particular script works directly with Unity for demonstration purposes, but can easily be ported to any other language that supports audio playback with volume control. The script plays all 4 Omni stereo binaural tracks in sync, while adjusting the volume of each based on the user's head azimuth rotation angle.\u003c\/p\u003e\n\u003cp\u003eFor Unity 3D script controller click \u003ca href=\"http:\/\/studiocare.com\/media\/software\/Unity3DScriptController.zip\"\u003eHere\u003c\/a\u003e. Script provided by 3DIO.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003eMicrophone Capsules\u003cbr\u003eThe Omni Binaural microphone comes standard with 8 Primo EM172 microphone capsules.\u003c\/p\u003e\n\u003cp\u003eMounting\u003cbr\u003eThe Omni binaural microphone comes standard with a 5\/8\" microphone stand adapter installed in the base. The microphone stand adapter is removable. The base of the microphone has a 1\/4\"-20 female thread mounting hole that can be connected to a hot-shoe adapter or used to mount directly onto a tripod or grip handle.\u003c\/p\u003e\n\u003cp\u003eUnity Script and Audio Download\u003cbr\u003eDownload a zip file containing a Unity 3D script controller for playback of Omni Binaural tracks, as well as example audio files recorded by the Omni Binaural microphone.\u003c\/p\u003e\n\u003cp\u003eOutputs\u003cbr\u003eThe output of the Omni Binaural mic is a set of four 5-pin XLR connectors. Each connector is associated with the ears to the respective left and right. You can use splitter cables (not included) to break out the left\/right signals to connect to your 8-channel preamp, or to 4 individual audio recorders. 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The N8 ribbon microphone was designed to be the most open sounding ribbon microphone ever made. The N8 is the perfect ribbon mic for drum overhead or room mics, strings, orchestras and much more. AEA have employed a similar design philosophy as the famous R88 ribbon mic allowing the N8 to achieve amazing transparency when capturing sound with a superior transient response making this mic the perfect addition to your studio collection. \u003cbr\u003e\u003cbr\u003eAEA’s NUVO Series Stereo Kit enables serious musicians and engineers to rapidly set up and accurately record in stereo on a single stand. The NUVO Stereo Kit consists of two matched N8s, and comes with all of the accessories necessary to easily configure the figure-eight microphones in Blumlein and near-coincident. Similar to the AEA's Stereo R88, the N8 was designed to capture the natural tonality of an instrument with the least amount of coloration possible. 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The AEA N8 was designed to be the most open sounding ribbon microphone ever made. The N 22 is the perfect ribbon mic for drum overhead or room mics, strings, orchestras and much more. 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Wes Dooley, a specialist in ribbon mics of all kinds, has now restored the 44 type microphone to its rightful position in the studio. After tracking down the engineers who designed and built the original RCA 44, AEA acquired ribbon material, made the tooling and custom machined all the parts necessary to build the original RCA 44 B\/BX design to its original specifications, just as it was in the 1930s. After years of painstaking work, AEA has again begun production of the most important ribbon mic of all time: the AEA R44C.\u003c\/p\u003e\n\u003cp\u003eRCA 44 ribbon microphones have remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B\/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. As collectors began to buy up the supply of RCA 44's through the 90's, the availability of this wonderful ribbon mic to the studio was greatly endangered.\u003c\/p\u003e\n\u003cp\u003eThe 44 was RCA's best microphone from the 1930s into the '50s. Is AEA's R44 that good? Both listeners and measurements say that the R44 is better and AEA has been listening to both users and ex-RCA engineers for over 25 years. They start by using only ribbon material originally manufactured for RCA. 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This microphone is perfect for many applications like brass, jazz vocals classic rock and much more. With use of the 44 ribbon designed by RCA this mic produces rich sound and character to your records. 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Its higher output and immunity to impedance-loading offer more flexibility in the choice of preamps, and avoid noise problems in low signal level applications. Touring musicians who are looking for consistent and risk-free performance in a wide range of venues and recording setups will find a trusty companion in the R84A microphone.\u003c\/p\u003e\n\u003cp\u003eThe R84A remedies most of the limitations of passive ribbon microphones, whether in a remote recording situation with long cable runs, a classical music application, or simply for the wish to combine the ribbon sound with a low-gain vintage preamp. The signal strength and flexibility of active JFET electronics combined with the luxurious warmth of a Big Ribbon™ all wrapped up in an affordable package is what sets this microphone apart. 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The microphone has a cardioid polar pattern, a low self-noise and very good transient response for a bright and brilliant sound.\u003c\/p\u003e\n\u003cp\u003eIt also features the ability to quickly interchange its capsule with one of the other capsules of the Blue Line Series, making it an excellent mic for demanding broadcast applications.\u003c\/p\u003e\n\u003cp\u003eThe C391 B provides a switchable bass roll-off\/attenuator with three positions: flat, 75Hz and 10db attenuation.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrecise cardioid polar pattern \u003c\/strong\u003efor uncolored sound quality and high gain before feedback\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable attenuation pad \u003c\/strong\u003eenables high-SPL applications up to 144dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable bass-cut filter \u003c\/strong\u003eeliminates rumble or footfall noise\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUniversal phantom powering from 9 to 52V \u003c\/strong\u003efor operating with phantom power supply\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCarefully handcrafted in Vienna, Austria \u003c\/strong\u003emeticulous attention to detail ensures highest quality\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eAudio Frequency bandwidth:\u003c\/strong\u003e 20 to 20000 Hz\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e 10 mV\/Pa\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eEquivalent Noise Level:\u003c\/strong\u003e 17 dB-A\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise:\u003c\/strong\u003e 77 dB-A\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePreattenuation Pad:\u003c\/strong\u003e 10 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eBass Cut Filter:\u003c\/strong\u003e 75 Hz\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRecommended Load Impedance:\u003c\/strong\u003e 1000 Ohms\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eVoltage:\u003c\/strong\u003e 9 to 52 V\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eCurrent:\u003c\/strong\u003e 2 mA\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Balanced XLR\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eGender:\u003c\/strong\u003e Male\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eContacts:\u003c\/strong\u003e 3-pin\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Dark grey\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 146 mm\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDiameter:\u003c\/strong\u003e 19 mm\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":31436153454638,"sku":"SAKGC391B","price":375.07,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/akg-c391-b.jpg?v=1578921532"},{"product_id":"akg-c414-xlii","title":"AKG C414-XLII - Large-diaphragm Condenser Microphone","description":"\u003ch2\u003eAKG C414-XLII\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAKG C 414 XL II\u003c\/strong\u003e shows the unique sonic signature of the highly sought after AKG C 12 which enables lead vocals and solo instruments to be placed even in a dense mix. The unrivalled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking. The XL II version differs from the XLS version in one major respect - the capsule. Both, the slight presence boost and the impressive spatial reproduction is similar to the legendary C 12 microphones.\u003c\/p\u003e\n\u003cp\u003eThe AKG C 414 XL II offers nine pickup patterns which enable to choose the perfect setting for every application. For live-sound applications and permanent installations all controls can be disabled easily for trouble-free use. A Peak Hold LED displays even shortest overload peaks. The AKG C 414 XL II comes complete with carrying case, pop filter, windscreen, and spider-type shock mount.\u003c\/p\u003e\n\u003ch2\u003eAKG C 414 XL II Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eNine selectable pickup patterns enables to choose the perfect setting for every application\u003c\/li\u003e\n\u003cli\u003eLock Mode: all controls can be disabled easily for trouble-free use\u003c\/li\u003e\n\u003cli\u003ePeak Hold LED even detects shortest overload peaks\u003c\/li\u003e\n\u003cli\u003eIncredible Dynamic Range of 152 dB\u003c\/li\u003e\n\u003cli\u003eThree switchable different bass cut filters and three pre-attenuation levels\u003c\/li\u003e\n\u003cli\u003eLeading-edge technology and state-of-the-art components ensure shortest signal path and extra protection against moisture\u003c\/li\u003e\n\u003cli\u003eDesigned \u0026amp; Engineered in Vienna, Austria\u003c\/li\u003e\n\u003cli\u003ePolar pattern: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight and 4 intermediate settings\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 to 20,000 Hz\u003c\/li\u003e\n\u003cli\u003ePreattenuation pad 0 dB, -6 dB, -12 dB, -18 dB, switchable\u003c\/li\u003e\n\u003cli\u003eBass cut filter slope 12 dB\/octave at 40 Hz and 80 Hz; 6 dB\/octave at 160 Hz\u003c\/li\u003e\n\u003cli\u003eImpedance \u0026lt;=200 ohms\u003c\/li\u003e\n\u003cli\u003eRecommended load impedance \u0026gt;= 2,200 ohms\u003c\/li\u003e\n\u003cli\u003eDimensions 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)\u003c\/li\u003e\n\u003cli\u003eNet weight 300 g (10.6 oz.)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":31436154077230,"sku":"SAKGC414XLII","price":735.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/akg-c414-xlii.jpg?v=1578921536"},{"product_id":"akg-c414-xlii-st-stereo-pair","title":"AKG C414 XLII\/ST Stereo Pair - Large-Diaphragm Condenser Microphone","description":"\u003ch2\u003eAKG C414 XLII\/ST Stereo Pair\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAKG C 414 XL II\/ST\u003c\/strong\u003e Stereo Set includes 2 Matched C414 XLII large diaphragm condenser microphones, shock mounts and windshields, stereo bar and hard case.\u003c\/p\u003e\n\u003cp\u003eUsing the AKG C 414 XL II\/ST Stereo Matched Pair for stereo recordings in various techniques will provide a good and stable balance without frequency-dependent shifting of the stereo panorama.\u003c\/p\u003e\n\u003cp\u003eRealistic stereo recordings require microphones with outstanding performance and excellent quality. They also require performance consistency and accurate localisation from the pair of microphones.\u003c\/p\u003e\n\u003cp\u003eEvery factory-matched pair has been created from thousands of individual microphones selected by AKG's sophisticated computer-aided matching method. The result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings.\u003c\/p\u003e\n\u003cp\u003eThe matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode. The microphones are selected from a large quantity of individual microphones according to the described criteria by using a proprietary computer program.\u003c\/p\u003e\n\u003ch2\u003eAKG C 414 XL II\/ST Stereo Matched Pair features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAbsolutely perfectly matched stereo pair thanks to AKG's sophisticated computer-aided matching method\u003c\/li\u003e\n\u003cli\u003eHighest possible correlation over the whole frequency range and virtually identical sensitivity\u003c\/li\u003e\n\u003cli\u003eSelected from thousands of individual microphones\u003c\/li\u003e\n\u003cli\u003eNine selectable pickup patterns enables to choose the perfect setting for every application\u003c\/li\u003e\n\u003cli\u003eLock Mode: all controls can be disabled easily for trouble-free use\u003c\/li\u003e\n\u003cli\u003ePeak Hold LED even detects shortest overload peaks\u003c\/li\u003e\n\u003cli\u003eIncredible Dynamic Range of 152 dB\u003c\/li\u003e\n\u003cli\u003eThree switchable different bass cut filters and three pre-attenuation levels\u003c\/li\u003e\n\u003cli\u003eLeading-edge technology and state-of-the-art components ensure shortest signal path and extra protection against moisture\u003c\/li\u003e\n\u003cli\u003eDesigned \u0026amp; Engineered in Vienna, Austria\u003c\/li\u003e\n\u003cli\u003ePolar pattern Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight and 4 intermediate settings\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 to 20,000 Hz\u003c\/li\u003e\n\u003cli\u003eKit includes windshields and shockmounts along with a stereo bar and proof of performance charts in an attractive carrying case .along with a stereo bar and proof of performance charts in an attractive carrying case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":31436154634286,"sku":"SAKGC414XLIISTStereoPair","price":1658.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/akg-c414-xlii-stereo.jpg?v=1578921557"},{"product_id":"akg-c414-xls","title":"AKG C414-XLS - Large-diaphragm Condenser Microphone","description":"\u003ch2\u003eAKG C414 XLS\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAKG C414 XLS\u003c\/strong\u003e is a versatile large diaphragm condenser microphone that features nine pickup patterns. The C414XLS also features three pads (-6\/-12\/-18dB), three bass-cut filter settings and an overload warning peak hold LED. Comes in a protective hard case with a pop filter, cradle and wind screen.\u003c\/p\u003e\n\u003cp\u003eFound in studios all over the world, the C414 XLS is engineered\u003cspan\u003e for highest linearity and neutral sound, it has been the most universal and versatile large diaphragm microphone for decades. Widely used for accurate, beautifully detailed pickup of any acoustic instrument the The AKG C 414 XLS maintains the sonic character of the legendary C 414 B-ULS, the longest-lived C 414 model.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe C414 dates back to 1971, and the C414XLS maintains the sonic character of the legendary C 414 B-ULS, the longest-lived AKG C 414 model, combining proven reference quality, leading-edge technology and state-of-the-art components.\u003c\/p\u003e\n\u003cp\u003eFor live-sound applications and permanent installations all controls of the AKG C 414 XLS can be disabled easily for trouble-free use. 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