{"title":"NAMM 2026","description":"\u003ch2\u003eThe latest products as they are announced at NAMM 2026.\u003c\/h2\u003e","products":[{"product_id":"heritage-audio-herchild-670n-next-gen-5u-vari-mu-tube-compress","title":"Heritage Audio Herchild 670N NEXT GEN","description":"\u003ch2\u003eHeritage Audio Herchild 670N Next Gen - 5U Vari-Mu Tube Compressor\u003c\/h2\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eHERCHILD Next Gen\u003c\/strong\u003e \u003c\/span\u003e\u003cspan class=\"s1\"\u003eis designed for engineers who care about sound and features but have a limited budget. Every design choice serves one goal: deliver the unmistakable Vari-Mu tone heard on thousands and thousands of #1 hit records for the past seven decades with 21st-century reliability and accessibility.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIndependent bypass, side chain filtering and a thoroughly designed output gain make-up stage for each channel\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ebased on our revered transformer coupled HA-880 opamp (that successfully achieves a non-intrusive output gain completely preserving the soul of the HERCHILD 670)\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s1\"\u003eare some of the never-seen-before modern additions to the Next Gen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe 6 Attack and Release times have been carefully thought to make it even more flexible than in the original unit. The progressive DC Threshold, combining control of the ratio and the knee (from hard limiting to a very smooth transparent compression).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePowered by the same NOS tubes of the HERCHILD 670 and six newly designed custom transformers, the Next Gen will infuse your tracks with rich analog warmth and commanding presence, while remaining remarkably quiet and transparent—perfectly suited for the creative demands of mixing and the precision and finesse of mastering.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eFinally, the Fairchild for those who can’t justify the price tag of a full scale HERCHILD Model 670 or don’t want to commit to the 500 series format.\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eA true recreation of the classic Fairchild sound in an impressive 5 rack unit beast with hands on stepped controls for every parameter.\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eReal Vari-MU compression powered by 4 NOS military grade 6BA6 tubes and 6 custom made transformers at its core.\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e6 Attack and Release times that have been adapted to today’s production needs, making it more flexible than the original unit.\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAdvanced Side-chain filtering for modern day productions.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eLAT\/VERT mode makes MID\/SIDE processing possible.\u003c\/li\u003e\n\u003cli\u003eDual mono \/ Stereo functionality.\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eIndependent bypass for each channel.\u003c\/li\u003e\n\u003cli\u003eImmediate access to the continuously variable slope\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eOutput gain make-up.\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eClean, intelligent design that guarantee many years of use.\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eOutstanding looks that will attract the sight of everyone that enters your studio.\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eHand-built in Madrid., Spain.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":57004825641334,"sku":"SHERHER670N","price":2208.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Herchild670N.jpg?v=1767714997"},{"product_id":"rupert-neve-designs-5046-opto-fet-compressor","title":"Rupert Neve Designs 5046 - Opto-FET Compressor","description":"\u003ch2\u003eRupert Neve Designs 5046 - Opto-FET Compressor\u003c\/h2\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003eThe \u003cstrong\u003eRupert Neve OptoFET\u003c\/strong\u003e is a highly versatile analogue compressor \u0026amp; wave shaper, combining a newly-designed FET compression circuit with an optimised Optical compression circuit into a single rack space. There are two primary compression modes: in Dual Stage mode, the FET and OPTO compressors are used in series for complete dynamic control over critical sources, accomplishing a common recording \u0026amp; mixing technique with ease. In Dual Band mode, each compressor is assigned to either a low or high frequency band that can then be processed independently, which expands the tone-shaping and dynamic control of the OptoFET into uncharted territory.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eFrom transparent vocal smoothing to extreme envelope shaping with massive harmonic texture, the OptoFET offers seemingly infinite creative control. Not only does each compressor have fully variable attack, release, threshold, make-up gain and parallel blend controls – plus side-chain high pass filters and special ‘GRIT’ and ‘BLOOM’\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eharmonic modes – the OptoFET also includes global controls to flip the order of the two compressors in Dual Stage mode, plus a unique variable crossover control to fine-tune the compression across upper and lower frequency bands in Dual Band mode. And though it is a single-channel unit, a pair of OptoFETs in dual mono – with 31-position fully detented controls – can add massive impact to stereo stems, groups, or even full mixes.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eIntended for tracking, touring, mixing, mastering \u0026amp; sound design, the OptoFET provides immense control over the dynamics and tonal shape of your source. Compress creatively with the OptoFET.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eAll New FET Compressor Design \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eFor many years, the engineering team at RND has experimented with FET compressor designs – but it wasn’t until the OptoFET concept was solidified that releasing our first FET circuit felt ‘right’. While this FET compressor has some familiar characteristics, including ultra-fast attack times and common ratio settings, there are also several features that make it instantly feel like a Rupert Neve Designs product and nothing else.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eTo start with, all variable controls for the OptoFET are via high quality, 31-detent potentiometers, standard to most of our current products. The FET compressor includes variable Attack (with the fastest time being a blazing 100 microseconds), Release, Threshold, +20 dB of Make-up Gain and a parallel Blend control from 0% (dry) to 100% (wet). Ratio can be set to either 4:1 or 8:1 and the 125Hz S\/C high pass filter can be toggled on to leave the low end of a source untouched.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eTo further expand the OptoFET’s creative capabilities, a unique new ‘GRIT’ mode transforms the FET compressor into a powerful wave shaper, introducing ample harmonic distortion focused in the upper frequency range. GRIT can be used to either slightly accentuate sources so they ‘pop’ in just the right way or transform them into something entirely new. GRIT is also especially useful when combined with the blend control to achieve an exacting amount of distortion character for a wide range of sources.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eOptimized Optical Compressor Design \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eRND has created several optical compression circuits over the years – including the Color Comp in the wildly popular MBT (Master Bus Transformer) – but the circuit in the OptoFET was further developed to be the ideal complement to the faster, high-frequency focused FET compressor. In contrast, the OPTO compressor generates low-order harmonics while also having much slower attack and release settings.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eFor controls, the OPTO compressor includes variable Attack (starting at 5 milliseconds), Release, Threshold, +20 dB of Make-up Gain and parallel Blend controls, arranged in the same way on the front panel as the FET section. Ratio can be set to either 2:1 or 5:1, and it also includes a 125Hz S\/C high pass filter.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eWhere the FET section has its new ‘GRIT’ mode, the OPTO section contains another unique new mode called ‘BLOOM’. With BLOOM engaged, the low-order harmonics increase significantly, instantly making sources warmer, rounder and more pronounced in the low end. BLOOM can help make final adjustments without the use of a traditional EQ, especially when used with the Blend control.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eDual Stage or Dual Band? You Decide. \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eSome of the OptoFET’s most unique \u0026amp; powerful features lie in the global control section. In this section, the serial order of the 2 compressors can be ‘flipped’ while in Dual Stage mode. However, the OptoFET can also become a Dual Band compressor by simply pressing the ‘X-OVER IN’ button, which engages the Crossover filters and the corresponding ‘CROSSOVER’ variable frequency control. With this mode engaged, each compressor is assigned to either the low or high frequency band, allowing for independent processing of both bands simultaneously. The variable frequency selection control dials in exactly where the crossover is applied, from 50Hz to 500Hz.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe ‘FLIP’ button also works while in Dual Band mode, assigning the FET or OPTO to process either frequency band as desired. This can be especially helpful for bass sources, providing complete control over the low-end while boosting the mids and highs to dial in the perfect amount of string noise and texture.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eMultiple Gain Stages \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe OptoFET contains several gain staging options, starting with +\/- 12dB input \u0026amp; output trim controls, ensuring the compression stays smooth \u0026amp; transparent. Alternatively, they can be used to drive the compressors, bringing out novel \u0026amp; interesting harmonic tones without clipping the custom transformer-balanced output stage. In addition, each compressor has its own make-up gain, with one driving into the next in Dual Stage mode. In Dual Band mode, the make-up gains can be used for tonal balance adjustments ranging from subtle to dramatic. As with most exceptional compressors, many of the controls and settings are gain dependent, which is why the OptoFET begs for experimentation at every turn.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eRupert Neve Designs 5046 Opto-FET Features: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p2\"\u003eAll new FET compressor design and optimised OPTO compressor design in a single 1U unit\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eFlexible Dual Stage or Dual Band compression modes\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eIndependent, comprehensive control sets for each compressor\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eUnprecedented levels of dynamic and harmonic control\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eIndependent Blend controls for each compressor, making parallel processing a breeze\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eDual Stage mode: Easily flip the order of each compressor with the touch of a button\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eDual Band mode with Crossover control allows each compressor to process 2 frequency bands (lows and highs) independently\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eAll-new GRIT and BLOOM modes greatly enhance harmonic content and allow for source wave shaping\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eCombine 2 units for extremely versatile dual mono processing on stereo sources\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eGlobal Input \u0026amp; Output Trim for total control over gain staging and harmonics\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eOptoFET FRONT PANEL CONTROLS: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eFET Compressor: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p2\"\u003eATTACK 31-detent potentiometer that controls the FET compressor attack time within a range of 100uS to 50mS.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eFET IN\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eIlluminated push-button switch that engages the FET compressor, making it possible to make quick A\/B comparisons.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eTHRESHOLD\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e31-detent potentiometer that controls the FET compressor threshold range from +20dBu to -15dBu.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eGR METER\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e8 segment LED meter that indicates FET compressor gain reduction in dB.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eSC HPF\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eIlluminated push-button switch that engages the side-chain high-pass filter. The HPF has a 12dB\/octave slope that helps control the amount of low frequency energy hitting the compressor side-chain when engaged. The corner frequency of the HPF is fixed at 125Hz.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eGAIN The GAIN control is a 31-detent potentiometer designed to add make-up gain to the compressed signal.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eRELEASE 31-detent potentiometer that controls the FET compressor release time within a range of 50mS to 3S.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eRATIO Push-button switch that selects between a 4:1 or 8:1 ratio.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eGRIT Illuminated push-button switch that adjusts the S\/C detection circuit to generate more harmonic content.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eBLEND The BLEND control is a 31-detent potentiometer that allows the user to adjust the ratio of the compressed (wet) signal with the uncompressed (dry) signal to achieve parallel\u003c\/li\u003e\n\u003cli class=\"p2\"\u003ecompression. Turning the BLEND control fully count- er-clockwise adjusts the mix toward the fully dry, uncompressed signal. Turning the BLEND control fully clockwise adjusts the mix toward the fully wet, compressed signal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eOPTO Compressor: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p2\"\u003eATTACK 31-detent potentiometer that controls the OPTO compressor attack time within a range of 5mS to 50mS.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eOPTO IN Illuminated push-button switch that engages the OPTO compressor, making it possible to make quick A\/B comparisons.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eTHRESHOLD 31-detent potentiometer that controls the OPTO compressor threshold range from +20dBu to -10dBu.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eGR METER 8 segment LED meter that indicates OPTO compressor gain reduction in dB.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eSC HPF Illuminated push-button switch that engages the side-chain high-pass filter. The HPF has a 12dB\/octave slope that helps control the amount of low frequency energy hitting the compressor side-chain when engaged. The corner frequency of the HPF is fixed at 125Hz.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eGAIN The GAIN control is a 31-detent potentiometer designed to add make-up gain to the compressed signal.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eRELEASE 31-detent potentiometer that controls the OPTO compressor release time within a range of 50mS to 3S.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eRATIO Push-button switch that selects between a 2:1 or 5:1 ratio.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eBLOOM Illuminated push-button switch that adjusts the S\/C detection circuit to generate more harmonic content.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eBLEND The BLEND control is a 31-detent potentiometer that allows the user to adjust the ratio of the compressed (wet) signal with the uncompressed (dry) signal to achieve parallel compression. Turning the BLEND control fully count- er-clockwise adjusts the mix\u003c\/li\u003e\n\u003cli class=\"p2\"\u003etoward the fully dry, uncompressed signal. Turning the BLEND control fully clockwise adjusts the mix toward the fully wet, compressed signal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eGlobal Controls: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p2\"\u003eSIGNAL LED that illuminates GREEN when input signal is present and RED when near clip point.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eINPUT 31-detent potentiometer that controls the input level within a range of +\/-12 dB.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eBYPASS ALL Illuminated push-button switch that engages a hard-wire bypass for both the FET and OPTO compressor sections.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eX-OVER IN Illuminated push-button switch that engages cross-over filters and the corresponding CROSSOVER frequency control.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eFLIP Illuminated push-button switch that places the OPTO compressor before the FET compressor in the signal path.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eFET STATUS LEDs that indicate where the FET compressor is located in the signal path (A=1st, B=2nd) and whether it is compressing the LF (low frequency) or HF (high frequency) band when X-OVER is engaged.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eCROSSOVER 31-detent potentiometer that selects the corner frequency point of the crossover filters.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eOPTO STATUS LEDs that indicate where the OPTO compressor is located in the signal path (A=1st, B=2nd) and whether it is compressing the LF or HF band when X-OVER is engaged.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eOUTPUT METER 8 segment LED meter that indicates final output level in dBu.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eOUTPUT 31-detent potentiometer that controls the output level within a range of +\/-12 dB.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003ePOWER LED that illuminates GREEN when the power is ON.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eRupert Neve Designs 5046 Specifications: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p2\"\u003e\n\u003cb\u003e\u003ci\u003eXLR Line IN to XLR Line OUT (Compressor Bypassed) \u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cb\u003eInput Impedance: \u003c\/b\u003e10 kΩ \u003cb\u003eOutput Impedance: \u003c\/b\u003e40 Ω \u003cb\u003eMaximum Input Level @ 1 kHz: \u003c\/b\u003e+24 dBu \u003cb\u003eMaximum Output Level @ 1 kHz: \u003c\/b\u003e+24 dBu \u003cb\u003eNoise (22 Hz - 22 kHz BW): \u003c\/b\u003e-96 dBu\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cb\u003eFrequency Response: \u003c\/b\u003e6 Hz to 70 kHz: +\/- 0.1 dB \u0026lt;5 Hz to 183 kHz: -3 dB\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cb\u003eTHD+N @ 1 kHz: \u003c\/b\u003e0 dBu: 0.002% +20 dBu: 0.0006%\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFET COMPRESSOR SPECIFICATIONS \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eNoise (22 Hz - 22 kHz BW): \u003c\/b\u003e-82 dBu \u003cb\u003eAttack Time: \u003c\/b\u003e100μS – 50mS \u003cb\u003eRelease Time: \u003c\/b\u003e50mS - 1.5S\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eOPTO COMPRESSOR SPECIFICATIONS \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eNoise (22 Hz - 22 kHz BW): \u003c\/b\u003e-93 dBu \u003cb\u003eAttack Time: \u003c\/b\u003e5mS – 50mS \u003cb\u003eRelease Time: \u003c\/b\u003e50mS - 1.5S\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003ci\u003eNote: Compressor time constant ranges represent the full range achievable within all front panel settings. \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cb\u003eUNIT DIMENSIONS \u003c\/b\u003e1RU: 19” W x 8.25” D x 1.75” H (48.3 cm W x 21 cm D x 4.5 cm H)\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cb\u003eUNIT WEIGHT \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e8 lbs. (3.6 kg)\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cb\u003eSHIPPING DIMENSIONS \u003c\/b\u003e24” W x 13” D x 4” H (61 cm W x 33 cm D x 10.2 cm H)\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cb\u003eSHIPPING WEIGHT \u003c\/b\u003e9 lbs. (4.1 kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":57052457730422,"sku":"SRND5046","price":1540.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Rupert-Neve-Designs_0006_OptoFET-front-v2.jpg?v=1768305073"},{"product_id":"dangerous-music-bax-500","title":"Dangerous Music BAX 500 - 500-Series Baxandall Equaliser","description":"\u003ch2\u003eDangerous Music BAX 500 - 500-Series Baxandall Equaliser\u003c\/h2\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003eThe \u003cstrong\u003eDangerous Music BAX500\u003c\/strong\u003e brings the legendary, ultra-musical Baxandall curves of the acclaimed BAX EQ to a single-slot 500-series module with absolutely zero compromise. It’s the ultimate velvet vocal tracking and mixing EQ, with broad shelves that shape several octaves at once, so each small move delivers a big result: vast open top, solid bottom, and a polished, expensive sense of dimension that makes your mix feel finished, not EQ’d. Built for tracking, mixing, and mastering, BAX500 gives you the classic Dangerous BAX tone-shaping workflow in a compact format, with High and Low shelves plus High Cut and Low Cut filters to control the frequency extremes that steal headroom and cloud translation. Use one for monosources or run a pair for stereo buses when you need that audiophilia BAX high-fidelity sweetening on your mix.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eKEY FEATURES \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe BAX500 shelving EQ shapes several octaves at once, so each small move delivers a big result with a vast open top end, grounded bottom, and a polished, expensive sense of dimension.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eHigh Cut and Low Cut filters remove infrasonic rumble and ultrasonic interference flawlessly to open up your headroom, dynamics and translation.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eWide-band shelving for smooth and natural sonics, without phase incoherence and harshness that often plague narrow, surgical EQ moves.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eMusical 12 dB-per-octave filter slopes deliver smooth, organic results that sound natural and pleasant while controlling the frequency extremes.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eGentle ±5 dB gain range crafts simple, musical decisions with small boosts or cuts delivering surprisingly large results.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eRelay-controlled hard-wired bypass completely removes the filters or entire circuit from the signal path for true A\/B comparisons with no buffering or coloration.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eMastering-grade custom components are selected for both performance and sound, delivering stunning imaging, clarity, musicality, and detail.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eDC-coupled signal path avoids transformers and electrolytic capacitors, preserving transparency, low-end clarity, and phase accuracy.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eWho it’s for \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eEngineers who want to shape tone musically during tracking, mixing, or mastering—without pinching the sound or introducing harshness. Those who seek truly audiophile-level, high-fidelity sonics.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eWhy it’s different \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe BAX500 reimagines the common Baxandall circuit, with the purity of design from one of the last great analogue designers. It broadly unlocks the depth, sheen, and gravitas to help you stop mixing and finish it.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eAPPLICATIONS \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003eThe ultimate velvet vocal tracking and mixing EQ\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eCut guitars, bass, kick, synths and instrumentation through it\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eMix bus and stem polishing and sweetening (in pairs)\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eMastering EQ (in pairs)\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eClean up infrasonic rumble before it hits compression or your DAW\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eReduce ultrasonic noise during tracking and mixing\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eAdd air, sheen, and weight without harshness or glare\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eTECH HIGHLIGHTS \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003eBaxandall high and low shelving EQ\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eHigh Cut and Low Cut filters with transparent and musical slopes\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eDC-coupled signal path up to the Low Cut filter\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eRelay-controlled hard-wired bypass\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eMastering-grade custom components\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eHand assembled in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eDangerous Music BAX 500 Specifications:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003eFormat: 500-series module (single-slot)\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eEQ Type: Baxandall high and low shelving EQ\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eShelving Gain Range: ±5 dB\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eShelving Behavior: Broad bandwidth shelves shaping several octaves\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eFilters: High Cut and Low Cut frequency filters\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eFilter Slope: 12 dB per octave\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eBypass: Relay-controlled hard-wired bypass (filters and full circuit)\u003c\/li\u003e\n\u003cli class=\"p2\"\u003eSignal Path: DC-coupled up to the Low Cut filter\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eComponents: Mastering-grade custom components\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eAssembly: Hand assembled in the USA\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eWarranty: 2 years\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":57067694031222,"sku":"SDANBAX500","price":1082.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/0003_DangerousMusicBAX500Front.jpg?v=1768476228"},{"product_id":"neumann-m-50-v-set-omnidirectional-microphone-reissue","title":"Neumann M 50 V Set - Omnidirectional Microphone Reissue","description":"\u003ch2\u003eNeumann M 50 V Set - Omnidirectional Microphone Reissue\u003c\/h2\u003e\n\u003cp\u003eThe wait is over! At last, Neumann has resumed production of the original. Its groundbreaking concept remains unchanged: A small diaphragm sits flush mounted in a 40 mm acrylic sphere. The result is an even response in the diffuse field as well as a gradually increasing directivity at higher frequencies. The K 33 Ti capsule used in the M 50 V combines the acoustical design of the original K 53 capsule with improved build quality. Instead of nickel or aluminum, the delicate metal diaphragm of the K 33 Ti is made of titanium, a light and durable material, ideal for this purpose.\u003c\/p\u003e\n\u003cp\u003eThe electronics stay true to the original design as well. The M 50 V uses the same circuit as the last historical version, including the large BV11 output transformer. To combat electromagnetic interference from modern day Wi-Fi and mobile phones, the M 50 V comes with the RF-proof connector of the historical broadcast version M 250. The subminiature tube used is the same type that has already proven its sonic excellence in the M 49 V. The M 50 V also comes with the same NM V power supply which automatically adapts to the local mains voltage. Its polar pattern selector, of course, is of no consequence for the M 50 V with its fixed omni capsule.\u003c\/p\u003e\n\u003cp\u003eFor easy positioning, the M 50 V comes with the iconic yoke mount which now includes elastic elements for rumble protection. The M 50 V Set is completed by a 10 m (33 ft) cable and a high-quality case.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"color: black; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; line-height: 13.5pt; mso-line-height-rule: exactly; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman';\"\u003eReissue of the legendary M 50 with detail improvements \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"color: black; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; line-height: 13.5pt; mso-line-height-rule: exactly; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman';\"\u003eUnique omnidirectional capsule mounted in a 40 mm sphere \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"color: black; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; line-height: 13.5pt; mso-line-height-rule: exactly; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman';\"\u003ePerfect for spaced omni and Decca Tree technique \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"color: black; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; line-height: 13.5pt; mso-line-height-rule: exactly; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman';\"\u003ePrime choice for orchestral recordings, especially Decca Tree \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"color: black; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; line-height: 13.5pt; mso-line-height-rule: exactly; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman';\"\u003eClassic tube circuit with output transformer \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"color: black; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; line-height: 13.5pt; mso-line-height-rule: exactly; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman';\"\u003eMade to original specifications using archived documentation \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"color: black; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; line-height: 13.5pt; mso-line-height-rule: exactly; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman';\"\u003eNew power supply automatically adapts to mains voltage \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"color: black; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; line-height: 13.5pt; mso-line-height-rule: exactly; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman';\"\u003eHandmade and hand soldered in Germany\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":57104298443126,"sku":"SNEUM50V","price":10500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/M50V_PSU.png?v=1768842788"},{"product_id":"ams-neve-1073dpx-d","title":"Neve 1073DPX-D - Dual 1073 Preamp\/EQ with Integrated USB\/ADAT Audio Interface","description":"\u003ch2\u003eNeve 1073DPX-D - Dual 1073 Preamp\/EQ with Integrated USB\/ADAT Audio Interface\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eNEW PRODUCT - available to pre-order now, expected April 2026\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eNeve proudly unveils the \u003cstrong\u003e1073DPX-D\u003c\/strong\u003e, a powerful evolution of the top-selling 1073DPX. Combining two complete 1073 channel strips with a premium 10-in\/12-out USB\/ADAT audio interface, the 1073DPX-D brings the unmistakable character of the world’s most famous microphone preamp directly into modern DAW-based production. Designed and hand-built in England, it offers a fully discrete class-A signal path, transformer-coupled tone shaping, inductor EQ, and seamless digital integration, all within a robust 2U rackmount chassis.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eWith dual mono and stereo tracking, digital re-amping, hardware insert capability, advanced monitoring, and scalable ADAT expansion, the 1073DPX-D is engineered to become the centrepiece of professional, project, and mobile studios alike.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e10×12 USB\/ADAT Interface: A Studio Hub in a Single Unit\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eWith ten inputs and twelve outputs, the 1073DPX-D becomes the central connection point for your entire studio. Its dual analogue signal paths handle mic, line, and DI sources, while ADAT expansion allows for larger multi-mic sessions. Four analogue outputs support monitoring and outboard routing, and eight ADAT outputs provide multi-channel playback. Whether tracking at home or building a full hybrid rig, the 1073DPX-D scales effortlessly and integrates seamlessly with units such as the 1073OPX or a second 1073DPX-D.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePlug-In and Record, Anywhere\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eRequiring no drivers, the 1073DPX-D connects instantly to macOS and Windows. A single USB cable provides full bidirectional 10×12 audio routing, direct access to both 1073 channels, and digital return paths for monitoring and inserts. This simplicity makes it ideal for studio, live, and mobile recording environments where reliability and speed matter.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFlexible ADAT Expansion Modes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-font-kerning: 0pt; mso-ligatures: none;\"\u003eThe 1073DPX-D offers two ADAT operating modes. In USB\/ADAT Hub Mode, it acts as the central interface, expanding effortlessly with additional Neve preamps or external converters. In ADAT Audio Expander Mode, it becomes a dedicated analogue front end for an existing interface, delivering full 1073 preamp, EQ, and conversion over a single optical cable. This flexibility ensures compatibility with virtually any production setup.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLegendary 1073 Gain Structure and Inductor EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA stepped 5 dB Elma switch ensures accurate gain recall, while automatic input-stage selection and three transistor-based gain stages provide clean headroom or musical saturation across mic, line, and DI sources. The inductor EQ offers three musical bands with carefully chosen frequencies, smooth ±16 dB shelves, ±18 dB mid peaking, and a selectable high-pass filter, delivering bold, musical tone shaping on any source.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFlexible Analogue I\/O for Real Studio Integration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eFront and rear mic\/line inputs, front DI access, pre\/post EQ insert loops, switchable phantom power, impedance, pad, and phase, plus dedicated output faders feeding balanced XLR outputs, make the 1073DPX-D suitable for everything from vocal tracking and stereo recording to reamping, live production, and broadcast work.\u003c\/p\u003e\n\u003ch3 class=\"MsoNormal\"\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003eTwo Complete 1073 Channel Strip’s in 2U 19” rack format, perfect integration into modern studio setups.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eClass-A circuit design delivering the legendary Neve sound.\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eNew transformer balanced DI for Marinair harmonics for all instruments.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePristine 192kHz and 24-bit AD\/DA conversion to complement the classic 1073 analogue circuitry.\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePlug-and-play connectivity via class compliant USB connection.\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eADAT to USB integration enables I\/O expansion for enhanced tracking and mixing capabilities.\u003cspan style=\"mso-spacerun: yes;\"\u003e   \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eADAT expansion mode allows the 1073DPX-D to enhance your existing audio interface with two complete analogue 1073 channel strip.\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eDIGI I\/O routing for using the 1073 as a hardware insert in your DAW.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMultiple DAW monitoring pathways for ultimate flexibility and monitor blend features for custom latency-free monitoring capability.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePowerful headphone amplifier to drive any vintage or modern headphone set.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":57108421476726,"sku":"SNEV1073DPXD","price":3275.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/1073DPX-Dfront.jpg?v=1768914704"},{"product_id":"ams-neve-88r-lbeq-500-series-eq-module-l-box-format","title":"Neve 88R LBEQ - 500-Series EQ Module","description":"\u003ch2\u003eNeve 88R LBEQ - 500-Series EQ Module\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eNEW PRODUCT - available to pre-order now, expected April 2026\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eNeve are proud to add the \u003cstrong\u003e88R LBEQ\u003c\/strong\u003e to their 500-series range, a true 4-band fully parametric EQ based on the revered analogue circuitry of the flagship 88RS console.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe 88R LBEQ raises the bar for Neve’s 500-series lineup, building on the momentum of the acclaimed 88R LBC compressor and 88R LB pre-amp. Together, these modules deliver the workflow, tone, and unmistakable character of the flagship 88RS console -now in a modular format designed for modern hybrid studios.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eWhether you’re making subtle tonal refinements or pushing into bold, creative sound sculpting, the 88R LBEQ provides a level of flexibility, musicality, and sonic integrity that stands apart in the 500-series market. It’s the true 88RS EQ experience, engineered for today’s creators.\u003c\/p\u003e\n\u003ch3 class=\"MsoNormal\"\u003eFour Fully Parametric Bands for Total Tonal Authority\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLow Band: Foundation, Weight, and Impact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eWith a sweepable range from 33 Hz to 440 Hz and ±20 dB of gain, the low band gives you absolute command over the bottom end.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSelectable standard or resonant shelving alongside wide or narrow bell curves allow you to add depth and punch to kick drums and bass instruments, tighten low-mid build-up, or cleanly carve space in dense mixes. Whether you want big, musical lows or precise control, this band delivers the foundation your mix needs.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eLow-Mid Band: Warmth, Body, and Depth\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCovering 120 Hz to 2 kHz with full control over gain and Q (0.3 to 7), this band is your tool for shaping the heart of a mix.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eEnhance warmth and fullness in toms, brass, and guitars - or surgically remove unwanted boxiness, mud, and resonance. Its wide shaping capability makes it equally powerful for tone building and problem solving.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eHigh-Mid Band: Presence, Clarity, and Expression\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSpanning 0.8 kHz to 9 kHz, the high-mid band brings definition and articulation exactly where the ear is most sensitive.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDial in vocal presence, add bite to electric guitars, sharpen snare transients, or refine the intelligibility of spoken word. From gentle lift to precise focus, this is the band that places key elements forward in a mix with control and finesse.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eHigh Band: Air, Shine, and High-End Precision\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eWith a wide sweepable range from 1.5 kHz to 18 kHz and ±20 dB of gain, the high band lets you sculpt everything from crisp transient detail to open, airy brilliance.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSwitchable standard or resonant shelves, plus bell options, give you the flexibility to add sheen to strings and overheads, smooth harshness, or polish entire mixes with subtle top-end refinement. It's your finishing tool for clarity and sparkle without ever sounding brittle.\u003c\/p\u003e\n\u003ch3 class=\"MsoNormal\"\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003eTrue Neve 88RS 4-band Parametric EQ Circuit\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e500-Series \/ VPR Alliance Compatible\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHeadroom: +27.2 dBu @ 1 kHz (0.1% THD)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eTHD+N: \u0026lt;0.004%\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eNoise: –88 dBu (–117 dBu bypassed)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eFrequency Response: Within ±0.1 dB\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eDynamic Range: \u0026gt;107 dB\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eInput Z: ≈24 kΩ\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eOutput Z: ≈50 Ω\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePower Draw: \u0026lt;145 mA\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eDimensions: 132 mm x 38 mm x 145 mm\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWeight: 0.57 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":57108421640566,"sku":"SNEV50088RLBEQ","price":795.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/88RLBEQfront.jpg?v=1768913923"},{"product_id":"ams-neve-starnet-ada24-mastering-grade-24x24-dante-analogue-ad","title":"Neve StarNet ADA24 - 24x24 Dante Analogue AD\/DA Converter","description":"\u003ch2\u003eNeve StarNet ADA24 - 24x24 Dante Analogue AD\/DA Converter\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eNEW PRODUCT - available to pre-order now, expected April 2026\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eNeve proudly introduces the \u003cstrong\u003eStarNet ADA24\u003c\/strong\u003e, a mastering-grade 24×24 Dante analogue AD\/DA converter designed for uncompromising audio quality and seamless integration into today’s professional recording, broadcast, live sound, and post-production environments.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMastering-Grade Conversion for Dante Workflows\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe StarNet ADA24 delivers exceptional sonic accuracy with 32-bit integer resolution and support for sample rates up to 192 kHz. Its high-performance converters achieve up to 119 dBFS dynamic range (ADC) and 122 dBFS (DAC), ensuring detailed, uncoloured conversion across every channel.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSelectable analogue headroom at +18, +24, or +26 dBu allows optimal alignment with any professional system, from modern converters to classic analogue consoles, ensuring the ADA24 integrates cleanly into a wide variety of operating environments.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProfessional Analogue I\/O with 88R-Derived Output Stages\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eFeaturing 24 balanced analogue inputs and 24 balanced analogue outputs via industry-standard DB25 connectors, the ADA24 is designed for effortless connection to patchbays, summing mixers, large-format consoles, and outboard equipment.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe analogue output path uses the same balanced line-amplification technology found in Neve’s flagship 88RS console, offering:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003eAnalogue bandwidth in excess of 100 kHz\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAbility to drive long cable runs without degradation\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eExceptional common-mode rejection and low noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePrecision Clocking \u0026amp; Low-Jitter Performance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA low-drift crystal oscillator and precision PLL deliver stable, low-jitter clocking essential for critical recording and broadcast applications. The ADA24 can operate as a reliable system master clock, with 75 Ω BNC word clock input and output enabling synchronisation across complex studio or facility-wide setups.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCombined with DAC jitter-elimination technology, the ADA24 ensures conversion accuracy and long-term clock stability under demanding conditions.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRedundant Dante Networking for Mission-Critical Systems\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDual rear-panel Dante Ethernet ports provide:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003ePrimary \u0026amp; Secondary redundancy for uninterrupted operation\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSwitched-mode daisy-chaining for multi-unit networks\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSmooth integration into complex distributed audio systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e24 × Analogue Line Inputs (2 × DB25, TASCAM standard)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e24 × Analogue Line Outputs (2 × DB25, TASCAM standard)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e2 × Dante Ports (Primary \u0026amp; Secondary)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWord Clock I\/O (75 Ω BNC)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSelectable Analogue Headroom: +18, +24, +26 dBu\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eExternal PSU (90–240 V AC)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHeat Dissipation: 30 W\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eTHD+N: typically 0.0008% (1 kHz, +26 dBu)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eDynamic Range ADC: \u0026gt;119 dBFS\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eDynamic Range DAC: \u0026gt;122 dBFS\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eFrequency Response: ±0.1 dB, 5 Hz to 22 kHz\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eNoise: \u0026lt; –96 dBu (A-weighted)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":57108421837174,"sku":"SNEVADA24","price":3295.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/StarNetADA24front.jpg?v=1768915337"},{"product_id":"alpha-theta-rmx-ignite-dj-effector","title":"AlphaTheta RMX-Ignite - DJ Effector","description":"\u003ch2\u003eAlphaTheta (Pioneer DJ) RMX-Ignite - DJ Effector\u003c\/h2\u003e\n\u003cp\u003eReady to take your performances to new heights? Meet the\u003cspan\u003e \u003cstrong\u003eRMX-IGNITE\u003c\/strong\u003e\u003c\/span\u003e the next-generation effector from AlphaTheta designed to spark your creativity. More than a decade after the launch of the\u003cspan\u003e RMX-1000\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e– the model released in 2012 that’s still highly respected by top DJs worldwide – this completely renewed effector combines dynamic sound-shaping control with advanced effects to enable new levels of live performance.\u003c\/p\u003e\n\u003cp\u003eCreate visually and sonically striking performances with the RMX-IGNITE by using the levers and large knobs to intuitively control its array of effects. Whether you’re playing in a club or on a live stream or video, you can captivate your audience by uniting sound and motion. It’s easy to make live remixes with the enhanced sampler section and you can add groove and expression to your samples with the new Groove Roll feature. And, with the latest DSP and high-grade audio converters, the unit delivers professional-level sound quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3-Band FX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe 3-Band FX section includes Lever FX and Isolate FX, and you can apply each to the high, mid, or low frequency bands. \u003c\/span\u003e\u003cspan\u003eCombining the 2 effect types opens diverse performance options and, with the sub-parameter knobs, you can refine the tone for richer, more expressive sounds.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh fidelity design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStudio-quality 96 kHz \/ 64-bit DSP and ESS 32-bit AD\/DA converters reproduce the music with striking clarity and depth. Every component is tuned to let the original sound breathe,\u003cbr\u003ecapturing subtle details and expression. What you hear is true to the source, the moment, and your touch.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eGeneral\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003ePower requirements: AC 100 V – 240 V, 50 Hz \/ 60 Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003ePower consumption: DC 15 V, 3.0 A\u003c\/li\u003e\n\u003cli\u003ePower consumption (OFF): 0.3 W\u003c\/li\u003e\n\u003cli\u003eMax. external dimensions (W × D × H): 340.0 × 213.3 × 72.8 mm \/ 13.4″ × 8.4″ × 2.9″\u003c\/li\u003e\n\u003cli\u003eMain unit weight: 2.3 kg \/ 5.1 lbs.\u003c\/li\u003e\n\u003cli\u003eOperating temperature: +5 °C – +35 °C\u003c\/li\u003e\n\u003cli\u003eOperating humidity: 5% – 85% (no condensation)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSampling rate: 96 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eA\/D, D\/A converter: 32 bit\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eFrequency response: 20 Hz – 40 kHz\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eS\/N ratio (rated output, A-weighted)\n\u003cul\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eCONNECTION switch (MST): 115 dB\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eCONNECTION switch (SEND\/RETURN): 114 dB\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eCONNECTION switch (CDJ): 108 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eTotal harmonic distortion (20 Hz – 20 kHz BW): 0.0018 %\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eStandard input level \/ Standard output level\n\u003cul\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eCONNECTION switch (MST): +4 dBu \/ +4 dBu\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eCONNECTION switch (SEND\/RETURN): -7.8 dBu \/ -7.8 dBu\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eCONNECTION switch (CDJ): -6 dBu \/ -12 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eInput impedance: 47 kΩ\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eOutput impedance: 680 Ω or less\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eRated output level \/ Load impedance\n\u003cul\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eCONNECTION switch (MST): 21 dBu \/ 10 kΩ\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eCONNECTION switch (SEND\/RETURN): 12 dBu \/ 10 kΩ\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eCONNECTION switch (CDJ): 3 dBu \/ 10 kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"line-height: normal;background-image: initial;background-position-x: initial;background-position-y: initial;background-size: initial;background-repeat: initial;background-attachment: initial;background-origin: initial;background-clip: initial;background-color: white;\"\u003e\u003cstrong\u003eInputs, outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eInput: 1\/4″ TS jack × 1\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eOutput: 1\/4″ TS jack × 1\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eUSB Type-A (for SAMPLER): 1 set (Power supply : 5 V\/1 A or less)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eUSB Type-C (for MULTI I\/O, AC adapter): 2 sets\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"line-height: normal; background: white;\"\u003eLINK: LAN (100BASE-TX) × 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"line-height: normal;background-image: initial;background-position-x: initial;background-position-y: initial;background-size: initial;background-repeat: initial;background-attachment: initial;background-origin: initial;background-clip: initial;background-color: white;\"\u003e\u003cstrong\u003eSupported formats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"line-height: normal; background: white;\"\u003eWAV\/AIFF\n\u003cul\u003e\n\u003cli style=\"line-height: normal; background: white;\"\u003eBit depth: 16 bit \/ 24 bit\u003c\/li\u003e\n\u003cli style=\"line-height: normal; background: white;\"\u003eSampling frequency: 44.1 kHz \/ 48 kHz \/ 88.2 kHz \/ 96 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alpha Theta","offers":[{"title":"Default Title","offer_id":57108427702646,"sku":"SPIORMXIGNITE","price":865.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/RMX-Ignitetop.jpg?v=1769015070"},{"product_id":"qsc-cb10-battery-powered-portable-loudspeaker","title":"QSC CB10 - Battery-Powered Portable Loudspeaker","description":"\u003ch2\u003eQSC CB10 - Battery-Powered Portable Loudspeaker\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eQSC CB10\u003c\/strong\u003e is the ultimate compact loudspeaker system, offering unrivaled audio performance, unmatched versatility and battery-powered portability. Ease-of-use is further enhanced with Bluetooth audio and control via the QSC Loudspeaker Control app. The CB10 is ideal for DJs and mobile entertainers, event production professionals, musicians and bands, and any application where high performance audio is needed with the portability and versatility of a battery-powered system.\u003c\/p\u003e\n\u003cp\u003eThe CB10’s compact but powerful 10-inch LF driver delivers exceptional low-end reproduction and extension, while its class-leading 1-inch compression driver ensures superior high-frequency response and coverage, without distortion. The integrated 3-channel mixer allows simple and easy connections of microphones and instruments, as well as the option to stream Bluetooth music. Input presets and DSP further optimize system performance and ease of setup, while the intuitive rear panel coupled with expanded control via the QSC Loudspeaker Control app offers simple plug-and-play operation and more expansive customization. Additionally, programmable room delay makes the CB10 an ideal system extension for distributed PA deployments.\u003c\/p\u003e\n\u003cp\u003eThe CB10 can be mounted on a loudspeaker stand or deployed on the floor via its tilt-back angle. CB10 is backed by a 6-Year Warranty with product registration within 30 days of \u003cbr\u003epurchase (1-Year Warranty on battery).\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-performance, compact 2-way system featuring a high excursion 10-inch (254 mm) low-frequency driver and a 1-inch (25.4 mm) compression driver for clear high-frequency response without distortion.\u003c\/li\u003e\n\u003cli\u003eLight and portable with battery and AC power options for versatile use.\u003c\/li\u003e\n\u003cli\u003eIntegrated 3-channel mixer with remote control via QSC Loudspeaker Control \u003cbr\u003eapp for easy operation and customization.\u003c\/li\u003e\n\u003cli\u003eTwo combo XLR inputs with independent Factory Presets, ideal for small event’s \u003cbr\u003eneeds.\u003c\/li\u003e\n\u003cli\u003eUseful on-board Room Delay (up to 200 ms) for larger distributed PA \u003cbr\u003edeployments.\u003c\/li\u003e\n\u003cli\u003eTilt-back angle for perfect floor deployment and sound coverage; can \u003cbr\u003ealso be stand or pole mounted.\u003c\/li\u003e\n\u003cli\u003eBluetooth 5.1 for control and audio with True Wireless Stereo (TWS) for low latency \u003cbr\u003epairing between loudspeakers and \u003cbr\u003emusic source.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConfiguration: \u003c\/strong\u003e\u003cspan\u003eTwo-way Rechargeable Loudspeaker System\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eLF Transducer:\u003c\/strong\u003e 254 mm (10-inch), cone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eHF Transducer: \u003c\/strong\u003e25.4 mm (1-inch), compression driver\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eFrequency Response (-6 dB): \u003c\/strong\u003e51 Hz - 18 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eFrequency Range (-10 dB): \u003c\/strong\u003e47 Hz - 20 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eNominal Coverage Angle: \u003c\/strong\u003e90° Axisymetric\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eMaximum Rated SPL: \u003c\/strong\u003e127 dB @ 1 m\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eAmplification (peak): \u003c\/strong\u003eClass D, 440 W\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCooling:\u003c\/strong\u003e \u003cspan\u003eConvection cooling\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (HxWxD):\u003c\/strong\u003e \u003cspan\u003e465 x 313 x 287 mm \/ 18.3 x 12.3 x 11.3 in\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 12.2 kg \/ 26.9 lb\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"QSC","offers":[{"title":"Default Title","offer_id":57108429209974,"sku":"SQSCCB10","price":581.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/CB10angle.jpg?v=1768912577"},{"product_id":"burl-bc5000-bigfoot-optical-compressor","title":"Burl BC5000 BIGFOOT - Optical Compressor","description":"\u003ch2\u003eBurl BC5000 BIGFOOT - Optical Compressor\u003c\/h2\u003e\n\u003cp\u003eIntroducing the BC5000 BIGFOOT Compressor with limiting. At long last, a solid-state optical compressor that you will want to use on absolutely everything you create, from individual tracks, to mix bus and mastering. The BC5000 BIGFOOT breaks from the mold of compressors past, delivering everyday practical functionality with the absolute best, modern day analog circuitry that has made everything BURL Audio does legendary.\u003c\/p\u003e\n\u003cp\u003eAnyone who has used an optical compressor knows how musical and natural the optical elements sound. Most optical compressors that we know and love are based on classic designs from the 60s and 70s. There has not been a lot of evolution in solid-state optical compressors since that time. BURL Audio with its years of analog expertise and real-world musical production prowess has finally unleashed the BEAST, The BIGFOOT.\u003c\/p\u003e\n\u003cp\u003eThe BIGFOOT COMPRESSOR uses an optical element for musical compression in conjunction with a uniquely BURL, fully balanced circuit path that is all class-A, discrete transistor with switchable input and output transformers. The input and output circuits are the same as our Mothership Mastering cards, the BAD4M and BDA4M.\u003cbr\u003eThe BIGFOOT employs switchable acclaimed BX1 and BX5 transformers with an additional fast limiter circuit. This combination makes the BC5000 ideal for taming large transients in a natural way that doesn’t “pump”. Mixing and Mastering engineers will love the ability to compress and limit in one box.\u003c\/p\u003e\n\u003cp\u003eBIGFOOT loves bottom end. The BC5000 features a side chain low-cut to allow that soulful rhythm section to ring true for bass, vocals, main mix, whatever. You gotta feel that body.\u003c\/p\u003e\n\u003cp\u003eFor vocals, the BIGFOOT includes of a de-esser circuit to clean up sibilance. One button, done.\u003c\/p\u003e\n\u003cp\u003eAdditionally, to bring to life slightly dull or dark tracks, the BIGFOOT employs a 10kHz, high boost for clarity.\u003c\/p\u003e\n\u003cp\u003eWe all love having the flexibility of various compressors and limiters given one type of compressor or limiter is good for certain things like vocals and guitar while other types are more applicable to mix bus and mastering. The main goal in the development of the BC5000 BIGFOOT, was to create a compressor that works on everything. The BIGFOOT is musical for the body of the material, while great at taming high level peaks, pre ADC. With its outstanding tone, extremely low noise floor and versatility you will find the BIGFOOT an indispensable tool for all of your music production needs.\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSolid State Optical Compressor with Limiter\u003c\/li\u003e\n\u003cli\u003eState of the art BURL Audio NextGen Analog\u003c\/li\u003e\n\u003cli\u003eAll discrete transistor, class-A, direct coupled\u003c\/li\u003e\n\u003cli\u003eFully balanced circuit path, end-to-end\u003c\/li\u003e\n\u003cli\u003eSwitchable BX1 input transformer\u003c\/li\u003e\n\u003cli\u003eSwitchable BX5 output transformer\u003c\/li\u003e\n\u003cli\u003eSwitchable fast FET limit circuit\u003c\/li\u003e\n\u003cli\u003eSwitchable side chain Low Cut\u003c\/li\u003e\n\u003cli\u003eSwitchable De-esser\u003c\/li\u003e\n\u003cli\u003eSwitchable High Frequency boost\u003c\/li\u003e\n\u003cli\u003eStereo Link\u003c\/li\u003e\n\u003cli\u003eInput circuit same as BAD4M Mastering Analog\u003c\/li\u003e\n\u003cli\u003eOutput circuit same as BDA4M Mastering Analog\u003c\/li\u003e\n\u003cli\u003eAudiophile stepped attenuators for Input, Output\u003c\/li\u003e\n\u003cli\u003eStepped Threshold, Attack, Release and Ratio\u003c\/li\u003e\n\u003cli\u003eHard By-Pass\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Burl","offers":[{"title":"Default Title","offer_id":57114872119670,"sku":"SBURBC5000BF","price":3450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Front_e032f643-3249-41ed-bb83-643f388f1187.png?v=1768993097"},{"product_id":"cranborne-audio-mc4-4-channel-modal-pwm-dynamics-processor","title":"Cranborne Audio MC4 - 4-Channel Modal PWM Dynamics Processor","description":"\u003ch2\u003eCranborne Audio MC4 - 4-Channel Modal PWM Dynamics Processor\u003c\/h2\u003e\n\u003cp\u003eThe Cranborne Audio Brick Lane MC4 is a 19 inch 2U digitally controlled four-channel fully analogue Modal PWM dynamics processor that combines multi-mode compression, analogue lookahead gating, harmonic saturation, Mid Side routing, dual-band processing, de-essing and network-enabled recall into a single mastering-grade dynamics platform.\u003c\/p\u003e\n\u003cp\u003eBrick Lane MC4 expands the architecture introduced in the Brick Lane 500 by delivering four discrete analogue PWM dynamics engines under full digital control. It preserves the musical behaviour, harmonic interaction and non-linear dynamics response of classic analogue compressors while introducing routing flexibility, multi-stage dynamics architectures and precision recall expected in modern hybrid studios. The unit supports mono, stereo, Mid Side, dual-band and series configurations without requiring external patching.\u003c\/p\u003e\n\u003cp\u003eModal PWM Dynamics Architecture\u003c\/p\u003e\n\u003cp\u003eBrick Lane MC4 applies proprietary Modal PWM gain control to reshape compression envelopes, detector behaviour, saturation topology and time constants at circuit level rather than through conventional ratio based control. This design allows the compressor to operate across fundamentally different behaviours while retaining extremely low distortion, ultra-fast response and programme dependent harmonic behaviour.\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFour fully analogue PWM dynamics channels\u003c\/li\u003e\n\u003cli\u003eModal compression architecture with six analogue compression behaviours\u003c\/li\u003e\n\u003cli\u003eAnalogue lookahead compression and gating\u003c\/li\u003e\n\u003cli\u003eDual-band analogue compression mode\u003c\/li\u003e\n\u003cli\u003eSeries multi-stage dynamics routing\u003c\/li\u003e\n\u003cli\u003eMid Side analogue matrix\u003c\/li\u003e\n\u003cli\u003eDedicated De-Esser mode\u003c\/li\u003e\n\u003cli\u003eStress harmonic saturation engine\u003c\/li\u003e\n\u003cli\u003eENIGMA deep compression control\u003c\/li\u003e\n\u003cli\u003eFour external sidechain inputs\u003c\/li\u003e\n\u003cli\u003eInternal sidechain routing between channels\u003c\/li\u003e\n\u003cli\u003eBalanced TRS insert points on all channels\u003c\/li\u003e\n\u003cli\u003eUSB and Ethernet remote control and recall\u003c\/li\u003e\n\u003cli\u003eColour TFT display with LED encoder feedback\u003c\/li\u003e\n\u003cli\u003eFully analogue signal path with digital parameter control\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":57118501241206,"sku":"SCRNMC4","price":2249.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/MC4Front.png?v=1769011575"},{"product_id":"ssl-umd192-high-capacity-digital-audio-interface","title":"SSL UMD192 - High-Capacity Digital Audio Interface","description":"\u003ch2\u003eSSL UMD192 - High-Capacity Digital Audio Interface\u003c\/h2\u003e\n\u003ch3 class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eThe most powerful MADI \u0026amp; Dante digital audio interface available\u003c\/span\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eSolid State Logic is proud to introduce the UMD192, a powerful and portable USB audio interface designed to meet the demands of professional live sound, broadcast, and high-spec studio environments. With seamless integration across MADI, Dante, and USB, the UMD192 offers flexible routing, high channel counts, and uncompromising performance for recording, playback, and format bridging. Providing 192 channels at both 96 and 48 kHz, or 128 channels at 192 kHz in a compact and portable ½RU form factor.  \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eThe Perfect Bridge Between USB, MADI and Dante \u003c\/span\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eBuilt for versatility, the UMD192 supports bidirectional audio between any two formats – MADI, Dante or USB – with the third format able to receive a split feed. This makes it ideal for bridging multiple MADI-connected devices into a Dante network, or for high-channel-count recording and playback via USB 3.0.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eOn the network side, UMD192 delivers fully interoperable Dante AoIP with AES67 and ST 2110 (with DDM) support and ultra-low Dante latency down to 0.25 ms. UMD192 provides flexible clocking options from either MADI or Dante, covering sample rates from 44.1 to 192 kHz. With six MADI BNC pairs, the UMD192 can also be configured in redundant mode, enabling three dual-redundant MADI connections for mission-critical broadcast and live workflows.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eThe All-in-One Solution for Live, Broadcast and Studio \u003c\/span\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eWhile the UMD192 is a natural fit for live sound environments, its versatility makes it equally valuable across a wide range of professional audio scenarios. From broadcast music recording and mixing—especially when paired with SSL System T—to high-channel-count studio sessions, the UMD192 delivers seamless integration and robust performance. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eIt’s an ideal computer interface for Harrison 32Classic systems with Dante, and a perfect match for SSL Oracle or ORIGIN installations with Dante or MADI conversion. The UMD192 is a powerful solution for non-SSL console users in live sound, broadcast, studio and postproduction settings. Offering exceptional connectivity, format bridging and operational flexibility in a compact, portable form factor. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eWith unmatched flexibility and robust connectivity, the UMD192 is the perfect companion for engineers working across live sound, broadcast, postproduction, and studio environments. Whether used as a high-capacity interface or a format bridge, the UMD192 keeps workflows streamlined and future-ready. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eFeatures\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul type=\"disc\" style=\"margin-top: 0cm;\"\u003e\n\u003cli style=\"mso-list: l6 level1 lfo1; tab-stops: list 36.0pt;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003e192 channels at 48\/44.1 kHz, 192 channels at 96\/88.2 kHz, and 128 channels at 192\/176.4 kHz \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul type=\"disc\" style=\"margin-top: 0cm;\"\u003e\n\u003cli style=\"mso-list: l1 level1 lfo2; tab-stops: list 36.0pt;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eUSB 3.0 class-compliant interface \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul type=\"disc\" style=\"margin-top: 0cm;\"\u003e\n\u003cli style=\"mso-list: l5 level1 lfo3; tab-stops: list 36.0pt;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eMac OS compatible; Windows support via SSL driver \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul type=\"disc\" style=\"margin-top: 0cm;\"\u003e\n\u003cli style=\"mso-list: l0 level1 lfo4; tab-stops: list 36.0pt;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003e6x MADI BNC pairs with redundant mode for 3x dual-redundant MADI connections \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul type=\"disc\" style=\"margin-top: 0cm;\"\u003e\n\u003cli style=\"mso-list: l9 level1 lfo5; tab-stops: list 36.0pt;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eFully interoperable Dante AoIP with AES67 and ST 2110 (with DDM) support \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul type=\"disc\" style=\"margin-top: 0cm;\"\u003e\n\u003cli style=\"mso-list: l2 level1 lfo6; tab-stops: list 36.0pt;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eUltra-low Dante latency—as low as 0.25ms \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul type=\"disc\" style=\"margin-top: 0cm;\"\u003e\n\u003cli style=\"mso-list: l12 level1 lfo7; tab-stops: list 36.0pt;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eFlexible clocking from MADI or Dante \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul type=\"disc\" style=\"margin-top: 0cm;\"\u003e\n\u003cli style=\"mso-list: l3 level1 lfo8; tab-stops: list 36.0pt;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eRuggedised Ethernet ports (2x Primary, 2x Secondary) with Link \u0026amp; Activity LEDs \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul type=\"disc\" style=\"margin-top: 0cm;\"\u003e\n\u003cli style=\"mso-list: l4 level1 lfo9; tab-stops: list 36.0pt;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eClear front-panel indicators for signal flow, sample rate matching, power status, and connectivity \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul type=\"disc\" style=\"margin-top: 0cm;\"\u003e\n\u003cli style=\"mso-list: l8 level1 lfo10; tab-stops: list 36.0pt;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eIntuitive front-panel controls, with a lockout feature to prevent accidental changes during operation. \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul type=\"disc\" style=\"margin-top: 0cm;\"\u003e\n\u003cli style=\"mso-list: l11 level1 lfo11; tab-stops: list 36.0pt;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Helvetica;\"\u003eMultiple power options: AC, PoE, or USB—with redundancy support \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul type=\"disc\" style=\"margin-top: 0cm;\"\u003e\n\u003cli style=\"mso-list: l7 level1 lfo12; 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Ease-of-use is further enhanced with Bluetooth audio and control via the QSC Loudspeaker Control app. The CB10 is ideal for DJs and mobile entertainers, event production professionals, musicians and bands, and any application where high performance audio is needed with the portability and versatility of a battery-powered system.\u003c\/p\u003e\n\u003cp\u003eThe CB10’s compact but powerful 10-inch LF driver delivers exceptional low-end reproduction and extension, while its class-leading 1-inch compression driver ensures superior high-frequency response and coverage, without distortion. The integrated 3-channel mixer allows simple and easy connections of microphones and instruments, as well as the option to stream Bluetooth music. Input presets and DSP further optimize system performance and ease of setup, while the intuitive rear panel coupled with expanded control via the QSC Loudspeaker Control app offers simple plug-and-play operation and more expansive customization. Additionally, programmable room delay makes the CB10 an ideal system extension for distributed PA deployments.\u003c\/p\u003e\n\u003cp\u003eThe CB10 can be mounted on a loudspeaker stand or deployed on the floor via its tilt-back angle. CB10 is backed by a 6-Year Warranty with product registration within 30 days of \u003cbr\u003epurchase (1-Year Warranty on battery).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eB-Stock Ex-Demo product that comes with full warranty and all original packaging\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-performance, compact 2-way system featuring a high excursion 10-inch (254 mm) low-frequency driver and a 1-inch (25.4 mm) compression driver for clear high-frequency response without distortion.\u003c\/li\u003e\n\u003cli\u003eLight and portable with battery and AC power options for versatile use.\u003c\/li\u003e\n\u003cli\u003eIntegrated 3-channel mixer with remote control via QSC Loudspeaker Control \u003cbr\u003eapp for easy operation and customization.\u003c\/li\u003e\n\u003cli\u003eTwo combo XLR inputs with independent Factory Presets, ideal for small event’s \u003cbr\u003eneeds.\u003c\/li\u003e\n\u003cli\u003eUseful on-board Room Delay (up to 200 ms) for larger distributed PA \u003cbr\u003edeployments.\u003c\/li\u003e\n\u003cli\u003eTilt-back angle for perfect floor deployment and sound coverage; can \u003cbr\u003ealso be stand or pole mounted.\u003c\/li\u003e\n\u003cli\u003eBluetooth 5.1 for control and audio with True Wireless Stereo (TWS) for low latency \u003cbr\u003epairing between loudspeakers and \u003cbr\u003emusic source.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConfiguration: \u003c\/strong\u003e\u003cspan\u003eTwo-way Rechargeable Loudspeaker System\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eLF Transducer:\u003c\/strong\u003e 254 mm (10-inch), cone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eHF Transducer: \u003c\/strong\u003e25.4 mm (1-inch), compression driver\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eFrequency Response (-6 dB): \u003c\/strong\u003e51 Hz - 18 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eFrequency Range (-10 dB): \u003c\/strong\u003e47 Hz - 20 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eNominal Coverage Angle: \u003c\/strong\u003e90° Axisymetric\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eMaximum Rated SPL: \u003c\/strong\u003e127 dB @ 1 m\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eAmplification (peak): \u003c\/strong\u003eClass D, 440 W\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCooling:\u003c\/strong\u003e \u003cspan\u003eConvection cooling\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (HxWxD):\u003c\/strong\u003e \u003cspan\u003e465 x 313 x 287 mm \/ 18.3 x 12.3 x 11.3 in\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 12.2 kg \/ 26.9 lb\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"QSC","offers":[{"title":"Default Title","offer_id":57869322060150,"sku":"SQSCCB10BSK","price":490.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/CB10angle.jpg?v=1768912577"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/collections\/Namm26.png?v=1768999252","url":"https:\/\/studiocare.com\/collections\/namm-2025-copy\/outboard_modular-500-series-lunchbox.oembed","provider":"Studiocare","version":"1.0","type":"link"}