{"title":"Neumann Microphones","description":"","products":[{"product_id":"neumann-bcm104-broadcast-studio-microphone","title":"Neumann BCM 104 - Broadcast microphone with cardioid condenser capsule","description":"\u003ch2\u003eNeumann BCM104 - Broadcast Microphone\u003c\/h2\u003e\n\u003cp\u003eWith its large-diaphragm condenser capsule and cardioid directional characteristic, the \u003cstrong\u003eNeumann BCM 104\u003c\/strong\u003e is ideal for the faithful reproduction of speech and music. This is due, for instance, to the frequency response that is flat up to 3 kHz and then gradually boosted in the higher frequencies. If required, internal switches can be used to compensate for the proximity effect and to reduce the sensitivity by 14 dB. The versatility of the BCM 104 can be seen in its wide range of applications, from news, to round-table discussions, to radio plays, to musical recordings.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMechanical Features\u003c\/strong\u003e\u003cbr\u003eThe microphone headgrille twists off easily for quick cleaning. Neumann offers optional color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her individual headgrille. In front of the capsule, mounted on a frame holder, a fine gauze serves as a built-in popscreen.\u003c\/p\u003e\n\u003cp\u003eThe microphones of the Broadcast Line have an elastic mount against structure-borne noise, that is compatible with standard broadcast-segment microphone arms.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003cbr\u003eThe microphone headgrille houses the K 04 large-diaphragm capsule, which has a flat frequency response up to 3 kHz. Higher frequencies have an increased presence up to 2 dB.\u003c\/p\u003e\n\u003cp\u003eSince the above-mentioned microphone characteristics are obtained without the use of resonance effects, the microphone features excellent transient response and transmits all transient phenomena of music and speech without any coloration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe integrated Pop Screen\u003c\/strong\u003e\u003cbr\u003eA pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from settling on the diaphragm. The pop screen can be removed for cleaning without the use of tools.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003cbr\u003eInstead of a transformer to couple the microphone output to the supply voltage, the BCM 104 has an electronic circuit which, like a transformer, provides for good common mode rejection.\u003c\/p\u003e\n\u003cp\u003eInterference induced in the balanced modulation line is thus suppressed effectively.\u003c\/p\u003e\n\u003cp\u003eWith a very low self-noise of 7 dB(A), and an overload capability extending to 138 dB SPL, the BCM 104 has a dynamic range of 131 dB (A-weighted).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilter and Preattenuation\u003c\/strong\u003e\u003cbr\u003eThe BCM 104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses signals below this frequency. In order to compensate for the proximity effect, an electronic high-pass filter, activated by a switch, is built into the microphone. This filter reduces frequencies below 100 Hz by 12 dB\/octave.\u003c\/p\u003e\n\u003cp\u003eA 14-dB preattenuation switch is provided in order to adjust the sensitivity, if necessary, to circuits designed for dynamic microphones. But this will increase the self noise accordingly.\u003c\/p\u003e\n\u003cp\u003eBoth switches are located inside the microphone housing, since they will normally be operated only once, when the broadcasting facility is set up.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMounting\u003c\/strong\u003e\u003cbr\u003eThe preferred mode of operation is to suspend the BCM 104 or BCM 705 from a standard studio boom arm.\u003c\/p\u003e\n\u003cp\u003eA thread adapter to fit different connector threads is included. In order to provide protection from structure-borne noise, both the capsule and the microphone in its mount are elastically suspended.\u003c\/p\u003e\n\u003cp\u003eThe optional SG 5 swivel mount allows additional angling of the microphone by +\/-90 degrees.\u003c\/p\u003e\n\u003ch2\u003eNeumann BCM104 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLarge-diaphragm condenser capsule\u003c\/li\u003e\n\u003cli\u003eCardioid directional characteristic\u003c\/li\u003e\n\u003cli\u003eCharacteristic, functionally optimized design\u003c\/li\u003e\n\u003cli\u003eIntegrated pop protectionIntegrated elastic suspension\u003c\/li\u003e\n\u003cli\u003eIndividual headgrilles for different users\u003c\/li\u003e\n\u003cli\u003eColored rings to identify the replacement headgrilles\u003c\/li\u003e\n\u003cli\u003eEasy removal and cleaning of microphone headgrille (with bayonet mount)\u003c\/li\u003e\n\u003cli\u003eMechanical compatibility with standard studio boom arms\u003c\/li\u003e\n\u003cli\u003eInternal switches: high-pass and pre-attenuation\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519687311406,"sku":"SNEUBCM104","price":725.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-bcm104.jpg?v=1578924637"},{"product_id":"neumann-bcm705-broadcast-studio-microphone","title":"Neumann BCM 705 - Broadcast microphone with cardioid dynamic capsule","description":"\u003ch2\u003eNeumann BCM705 - Dynamic Broadcast Microphone\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeuman BCM 705\u003c\/strong\u003e is Neumann’s first dynamic microphone. The housing and headgrille are identical to those of the BCM 104; only the green logo indicates that this is something new from Neumann. The principle of reduction to the essentials can be seen in the dynamic capsule with a hypercardioid directional characteristic, specifically designed for speech reproduction at close range. Multi-level isolation from structure-borne noise ensures operation free of interference, even in a lively studio environment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMechanical Features\u003c\/strong\u003e\u003cbr\u003eThe microphone headgrille twists off easily for quick cleaning. Neumann offers optional, color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her individual headgrille.\u003c\/p\u003e\n\u003cp\u003eThe microphones of the Broadcast Line have an elastic mount against structure-borne noise, that is compatible with standard broadcast-segment microphone arms.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003cbr\u003eThe frequency response has a light treble boost, in the region from 2 kHz to 9 kHz, aiding the speech intelligibility. The bass frequency response is designed to compensate for the overemphasis of the bass caused by the proximity effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe integrated Pop Screen\u003c\/strong\u003e\u003cbr\u003eA pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from settling on the diaphragm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMounting\u003c\/strong\u003e\u003cbr\u003eThe preferred mode of operation is to suspend the BCM 104 or BCM 705 from a standard studio boom arm.\u003c\/p\u003e\n\u003cp\u003eA thread adapter to fit different connector threads is included. In order to provide protection from structure-borne noise, both the capsule and the microphone in its mount are elastically suspended.\u003c\/p\u003e\n\u003cp\u003eThe optional SG 5 swivel mount allows additional angling of the microphone by +\/-90 degrees.\u003c\/p\u003e\n\u003ch2\u003eNeumann BCM705 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic capsule\u003c\/li\u003e\n\u003cli\u003eHypercardioid directional characteristic\u003c\/li\u003e\n\u003cli\u003eCharacteristic, functionally optimized design*\u003c\/li\u003e\n\u003cli\u003eIntegrated pop protection\u003c\/li\u003e\n\u003cli\u003eIntegrated suspension\u003c\/li\u003e\n\u003cli\u003eIndividual headgrilles for different users\u003c\/li\u003e\n\u003cli\u003eColored rings to identify the replacement headgrillesEasy removal and cleaning of microphone headgrille (with bayonet mount)\u003c\/li\u003e\n\u003cli\u003eMechanical compatibility with standard studio boom arms\u003c\/li\u003e\n\u003cli\u003eMulti-level isolation from structure-borne noise\u003c\/li\u003e\n\u003cli\u003eNo power supply required\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519687376942,"sku":"SNEUBCM705","price":470.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-bcm705.jpg?v=1578924627"},{"product_id":"neumann-kk120-figure-8-capsule-nickel","title":"Neumann KK 120 - Microphone capsule for KM A\/D, figure-8, Nickel","description":"\u003ch2\u003eNeumann KK120 - Figure-8 Capsule, Nickel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KK 120\u003c\/strong\u003e Figure 8 Capsule Head is intended for use with the Neumann KM D and KM A series modular output stages. The capsules pressure gradient transducer features a figure-8 characteristic, side-fire polar pattern. The single diaphragm measures 16mm and yields an identical frequency response and output levels at 0 and 180 degree sound incidence.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519691898926,"sku":"SNEUKK120","price":905.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kk-120.jpg?v=1578924640"},{"product_id":"neumann-kk-120-nx-figure-8-capsule-nextel","title":"Neumann KK 120 nx - Microphone capsule for KM A\/D, figure-8, Nextel","description":"\u003ch2\u003eNeumann KK120 NX - Figure-8 Capsule, Nextel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KK 120 NX\u003c\/strong\u003e Figure 8 Capsule Head is intended for use with the Neumann KM D and KM A series modular output stages. The capsules pressure gradient transducer features a figure-8 characteristic, side-fire polar pattern. The single diaphragm measures 16mm and yields an identical frequency response and output levels at 0 and 180 degree sound incidence.\u003c\/p\u003e\n\u003cp\u003eThe KK120 NX has a Nextel finish.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519691931694,"sku":"SNEUKK120NX","price":905.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kk-120-nx.jpg?v=1578924639"},{"product_id":"neumann-kk131-near-field-flat-omni-capsule-nickel","title":"Neumann KK 131 - Microphone capsule for KM A\/D, near-field (flat) omni capsule, Nickel","description":"\u003ch2\u003eNeumann KK131 - Near-field (flat) omni capsule, Nickel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KK 131\u003c\/strong\u003e is a free-field equalized pressure transducer. The sensitivity in the free sound field is flat up to 20 kHz. In the diffuse sound field there is a roll-off above 5 kHz. Nickel finish.\u003c\/p\u003e\n\u003cp\u003eNeumann KK capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages, the KK capsule heads form a complete microphone. KK 184 (nx) + KM D (nx) = KM 184 D (nx) or KK 184 (nx) + KM A (nx) = KM 184 A (nx).\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519691964462,"sku":"SNEUKK131","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kk131.jpg?v=1578071569"},{"product_id":"neumann-kk131-nx-near-field-flat-omni-capsule-nextel","title":"Neumann KK 131 nx - Microphone capsule for KM A\/D, near-field (flat) omni capsule, Nextel","description":"\u003ch2\u003eNeumann KK131 NX - Near-field (flat) omni capsule, Nextel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KK 131 NX\u003c\/strong\u003e is a free-field equalized pressure transducer. The sensitivity in the free sound field is flat up to 20 kHz. In the diffuse sound field there is a roll-off above 5 kHz. Nickel finish.\u003c\/p\u003e\n\u003cp\u003eNeumann KK capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages, the KK capsule heads form a complete microphone. KK 184 (nx) + KM D (nx) = KM 184 D (nx) or KK 184 (nx) + KM A (nx) = KM 184 A (nx).\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519691997230,"sku":"SNEUKK131NX","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kk131-nx.jpg?v=1578071569"},{"product_id":"neumann-kk133-diffuse-field-equalised-omni-capsule","title":"Neumann KK 133 - Microphone capsule for KM A\/D, diffuse-field equalised omni capsule, Nickel","description":"\u003ch2\u003eNeumann KK133 - Diffuse-field equalised omni capsule - Nickel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KK 133 \u003c\/strong\u003eis a diffuse-field equalized pressure transducer with a free-field treble boost (4-5 dB at 12 kHz). The detachable sound diffraction sphere provides a very smooth treble rise, associated with increasing directivity. The frequency response in the diffuse sound field is flat up to 12 kHz. The capsule is made of titanium. Nickel finish.\u003c\/p\u003e\n\u003cp\u003eNeumann KK capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages, the KK capsule heads form a complete microphone. KK 184 (nx) + KM D (nx) = KM 184 D (nx) or KK 184 (nx) + KM A (nx) = KM 184 A (nx).\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519692029998,"sku":"SNEUKK133","price":1700.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kk133.jpg?v=1578071571"},{"product_id":"neumann-kk133-nx-diffuse-field-equalised-omni-capsule","title":"Neumann KK 133 nx - Microphone capsule for KM A\/D, diffuse-field equalised omni capsule, Nextel","description":"\u003ch2\u003eNeumann KK133 NX - Diffuse-field equalised omni capsule - Nextel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KK 133 NX\u003c\/strong\u003e is a diffuse-field equalized pressure transducer with a free-field treble boost (4-5 dB at 12 kHz). The detachable sound diffraction sphere provides a very smooth treble rise, associated with increasing directivity. The frequency response in the diffuse sound field is flat up to 12 kHz. The capsule is made of titanium. Nickel finish.\u003c\/p\u003e\n\u003cp\u003eNeumann KK capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages, the KK capsule heads form a complete microphone. KK 184 (nx) + KM D (nx) = KM 184 D (nx) or KK 184 (nx) + KM A (nx) = KM 184 A (nx).\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519692062766,"sku":"SNEUKK133NX","price":1700.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kk133-nx_1.jpg?v=1578924640"},{"product_id":"neumann-kk143-wide-cardioid-capsule-nickel","title":"Neumann KK 143 - Microphone capsule for KM A\/D, wide-cardioid capsule, Nickel","description":"\u003ch2\u003eNeumann KK143 - Wide Cardioid capsule, Nickel\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eNeumann KK 143\u003c\/strong\u003e is a pressure gradient transducer with wide-angle cardioid characteristic. Attenuation: 4 dB at 90°, 8 dB at 135°, and 11 dB at 180°. The frequency response for sound sources within an angle of ± 90° (off axis) is parallel up to 12 kHz. Nickel finish.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNeumann KK capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages, the KK capsule heads form a complete microphone. KK 184 (nx) + KM D (nx) = KM 184 D (nx) or KK 184 (nx) + KM A (nx) = KM 184 A (nx).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519692128302,"sku":"SNEUKK143","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kk143.jpg?v=1578071573"},{"product_id":"neumann-kk143-nx-wide-cardioid-capsule-nextel","title":"Neumann KK 143 nx - Microphone capsule for KM A\/D, wide-cardioid capsule, Nextel","description":"\u003ch2\u003eNeumann KK143 NX - Wide Cardioid capsule, Nextel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KK 143 NX\u003c\/strong\u003e is a pressure gradient transducer with wide-angle cardioid characteristic. Attenuation: 4 dB at 90°, 8 dB at 135°, and 11 dB at 180°. The frequency response for sound sources within an angle of ± 90° (off axis) is parallel up to 12 kHz. Nextel finish.\u003c\/p\u003e\n\u003cp\u003eNeumann KK capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages, the KK capsule heads form a complete microphone. KK 184 (nx) + KM D (nx) = KM 184 D (nx) or KK 184 (nx) + KM A (nx) = KM 184 A (nx).\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519692161070,"sku":"SNEUKK143NX","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kk143-nx.jpg?v=1578071575"},{"product_id":"neumann-kk145-cardioid-capsule-with-bass-roll-off-nickel","title":"Neumann KK 145 - Microphone capsule for KM A\/D, cardioid capsule with bass roll-off, Nickel","description":"\u003ch2\u003eNeumann KK145 - Cardioid capsule with Bass roll-off, Nickel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KK 145\u003c\/strong\u003e is a pressure gradient transducer with cardioid characteristic just like the KK 184. However, it has an acoustic bass roll-off characteristic in the free field and therefore suppresses interfering LF noise (wind, structure-borne noise).  Nickel finish.\u003c\/p\u003e\n\u003cp\u003eSince proximity effect is a natural feature of pressure gradient microphones, the KK 145 is optimized for a flat frequency response at a recording distance of approximately 15 cm (speech cardioid).\u003c\/p\u003e\n\u003cp\u003eNeumann KK capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages, the KK capsule heads form a complete microphone. KK 184 (nx) + KM D (nx) = KM 184 D (nx) or KK 184 (nx) + KM A (nx) = KM 184 A (nx).\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519692193838,"sku":"SNEUKK145","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kk145.jpg?v=1578071576"},{"product_id":"neumann-kk145-nx-cardioid-capsule-with-bass-roll-off-nextel","title":"Neumann KK 145 nx - Microphone capsule for KM A\/D, cardioid capsule with bass roll-off, Nextel","description":"\u003ch2\u003eNeumann KK145 NX - Cardioid capsule with Bass roll-off, Nextel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KK 145 NX\u003c\/strong\u003e is a pressure gradient transducer with cardioid characteristic just like the KK 184. However, it has an acoustic bass roll-off characteristic in the free field and therefore suppresses interfering LF noise (wind, structure-borne noise).  Nextel finish.\u003c\/p\u003e\n\u003cp\u003eSince proximity effect is a natural feature of pressure gradient microphones, the KK 145 is optimized for a flat frequency response at a recording distance of approximately 15 cm (speech cardioid).\u003c\/p\u003e\n\u003cp\u003eNeumann KK capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages, the KK capsule heads form a complete microphone. KK 184 (nx) + KM D (nx) = KM 184 D (nx) or KK 184 (nx) + KM A (nx) = KM 184 A (nx).\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519692259374,"sku":"SNEUKK145NX","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kk145-nx.jpg?v=1578071578"},{"product_id":"neumann-kk183-diffuse-field-equalised-omni-capsule-nickel","title":"Neumann KK 183 - Microphone capsule for KM A\/D, diffuse-field equalised omni capsule, Nickel","description":"\u003ch2\u003eNeumann KK183 - Diffuse-field equalised omni capsule, Nickel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KK 183\u003c\/strong\u003e is a diffuse-field equalized pressure transducer with a free-field treble boost (approx. 7 dB at 10 kHz). The frequency response in the diffuse sound field is flat up to 10 kHz. Nickel finish.\u003c\/p\u003e\n\u003cp\u003eNeumann KK capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages, the KK capsule heads form a complete microphone. KK 184 (nx) + KM D (nx) = KM 184 D (nx) or KK 184 (nx) + KM A (nx) = KM 184 A (nx).\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519692292142,"sku":"SNEUKK183","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kk183.jpg?v=1578071579"},{"product_id":"neumann-kk183-nx-diffuse-field-equalised-omni-capsule-nextel","title":"Neumann KK 183 nx - Microphone capsule for KM A\/D, diffuse-field equalised omni capsule, Nextel","description":"\u003cp\u003e\u003cspan style=\"font-size: 1.5em;\"\u003eNeumann KK183 NX - Diffuse-field equalised omni capsule, Nextel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KK 183 NX\u003c\/strong\u003e is a diffuse-field equalized pressure transducer with a free-field treble boost (approx. 7 dB at 10 kHz). The frequency response in the diffuse sound field is flat up to 10 kHz. Nextel finish.\u003c\/p\u003e\n\u003cp\u003eNeumann KK capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages, the KK capsule heads form a complete microphone. KK 184 (nx) + KM D (nx) = KM 184 D (nx) or KK 184 (nx) + KM A (nx) = KM 184 A (nx).\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519692324910,"sku":"SNEUKK183NX","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kk183-nx.jpg?v=1578071580"},{"product_id":"neumann-kk184-cardioid-capsule-nickel","title":"Neumann KK 184 - Microphone capsule for KM A\/D, cardioid capsule, Nickel","description":"\u003ch2\u003eNeumann KK184 - Cardioid Capsule, Nickel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KK 184\u003c\/strong\u003e is a pressure gradient transducer with cardioid characteristic. The frequency curves are very even and parallel to 0 degrees sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. Nickel finish.\u003c\/p\u003e\n\u003cp\u003eNeumann KK capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages, the KK capsule heads form a complete microphone. 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In the diffuse sound field it has a flat frequency response. The KM 183 has the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications.\u003c\/p\u003e\n\u003cp\u003eThe Neumann KM 183 is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range..\u003c\/p\u003e\n\u003ch2\u003eNeumann KM183 Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle:\u003c\/strong\u003e Pressure transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern:\u003c\/strong\u003e omnidirectional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 20 Hz ... 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm:\u003c\/strong\u003e 12 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance:\u003c\/strong\u003e 50 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance: \u003c\/strong\u003e1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1): \u003c\/strong\u003e24 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1:\u003c\/strong\u003e 13 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1 (rel. 94 dB SPL): \u003c\/strong\u003e70dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1 (rel. 94 dB SPL): \u003c\/strong\u003e81dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2): \u003c\/strong\u003e140dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage:\u003c\/strong\u003e 10 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupply voltage (P48, IEC 61938):\u003c\/strong\u003e 48 V +\/- 4 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption (P48, IEC 61938):\u003c\/strong\u003e 3.2 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connectors: \u003c\/strong\u003eXLR 3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003eapprox. 80 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter: \u003c\/strong\u003e22 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength:\u003c\/strong\u003e 107 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519696093230,"sku":"SNEUKM183MT","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-km183-mt.jpg?v=1578924645"},{"product_id":"neumann-km183-stereo-set-omni-microphones-nickel","title":"Neumann KM 183 stereo set - Omni-directional microphones - Nickel","description":"\u003ch2\u003eNeumann KM183 Stereo Set - Omni Microphones - Nickel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KM183 Stereo Set\u003c\/strong\u003e is a matched, stereo pair of KM 183 omni-directional microphones in nickel, two Stand mount swivels SG 21\/17 mt, two windscreens WNS 100 and a robust wooden storage box. The KM 183 has a slender shape and advanced transmission characteristics that make it especially suitable for a very wide range of tasks in the radio and television sector, as well as recording applications.\u003c\/p\u003e\n\u003cp\u003eThe KM 183 microphone is the successor of the well proven KM 83, which has been used since the seventies worldwide with great success. The KM 183 is an omni-directional pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. Transformerless circuitry and balanced output result in high output gain with a very low noise floor and no colouration to the output signal.\u003c\/p\u003e\n\u003cp\u003eThe microphone operates without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT\/CF recorders. The output of the KM 183, as in all Neumann microphones, is balanced and phantom (48V) powered. The KM 183 mt stereo set is ideal for X,Y (with cardioid mic and baffle plate) stereo miking, ambiance miking or spot miking instruments such as piano, wind instruments organ and choir.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn The Box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x Microphone KM 183 MT - Nickel\u003c\/li\u003e\n\u003cli\u003e2 x Stand mount swivel SG 21 bk\u003c\/li\u003e\n\u003cli\u003e2 x Windscreen WNS 100\u003c\/li\u003e\n\u003cli\u003eWooden box\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle:\u003c\/strong\u003e Pressure transducer\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern:\u003c\/strong\u003e omnidirectional\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 20 Hz ... 20 kHz\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm:\u003c\/strong\u003e 12 mV\/Pa\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRated impedance:\u003c\/strong\u003e 50 ohms\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance: \u003c\/strong\u003e1 kohms\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1): \u003c\/strong\u003e24 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1:\u003c\/strong\u003e 13 dB-A\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1 (rel. 94 dB SPL): \u003c\/strong\u003e70dB\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1 (rel. 94 dB SPL): \u003c\/strong\u003e81dB\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2): \u003c\/strong\u003e140dB\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage:\u003c\/strong\u003e 10 dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSupply voltage (P48, IEC 61938):\u003c\/strong\u003e 48 V +\/- 4 V\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption (P48, IEC 61938):\u003c\/strong\u003e 3.2 mA\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMatching connectors: \u003c\/strong\u003eXLR 3F\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003eapprox. 80 g\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDiameter: \u003c\/strong\u003e22 mm\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eLength:\u003c\/strong\u003e 107 mm\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519696125998,"sku":"SNEUKM183ST","price":1090.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/sneukm183st_2_new.jpg?v=1578924645"},{"product_id":"neumann-km184-cardioid-microphone-nickel","title":"Neumann KM 184 - Cardioid Microphone - Nickel","description":"\u003ch2\u003eNeumann KM184 - Cardioid Microphone - Nickel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KM 184\u003c\/strong\u003e is a pencil condenser microphone in nickel with a cardioid polar pattern, it is the successor of the well proven KM 84, which has been used since the seventies worldwide with great success. The slender shape and transmission characteristics described below make the KM184 especially suitable for a very wide range of tasks in the radio and television sector. It is extremely quiet (16dB A-weighted self-noise), making it excellent for capturing the subtle nuances of acoustic guitar and orchestral performances. \u003cbr\u003e\u003cbr\u003eAlthough the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0 frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule's rear opening, and is not due to resonances. Compared to the KM 84 the dynamic range of the KM 184 increased by 21 dB mainly through the reduction of self- noise level to only 25 dB (CCIR) and an increased sound pressure handling capability of up to 138 dB. The microphone operates without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT\/CF recorders. The output of the KM 184, as in all Neumann microphones, is balanced and phantom (48V) powered.\u003cbr\u003e\u003cbr\u003eThe KM 184 is a good choice for all users who look for a high- quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. The mechanical construction was simplified for this model, for example, capsule and output stage cannot be separated from each other. For this reason the KM 184 is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.\u003c\/p\u003e\n\u003ch2\u003eNeumann KM184 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTrouble-free operation also with unbalanced equipment (e.g. DAT\/CF recorders)\u003c\/li\u003e\n\u003cli\u003eSet includes windshield and two different microphone clamps\u003c\/li\u003e\n\u003cli\u003eLow Noise - 16dB A-weighted self-noise\u003c\/li\u003e\n\u003cli\u003eVaried Applications\u003c\/li\u003e\n\u003cli\u003eEconomical, plus stereo set option available\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eNeumann KM184 Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern: \u003c\/strong\u003eCardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustic operating principle: \u003c\/strong\u003ePressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range Hz: \u003c\/strong\u003e20 - 20,000\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity mV\/Pa:\u003c\/strong\u003e 12 (-36.2dBu=+38.4dBv)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance Ohms: \u003c\/strong\u003e50\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent loudness level due to inherent noise:\u003c\/strong\u003e DIN 45 405 CCIR 468-3 dB: 25, DIN\/IEC 651 dB-A: 16\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS\/N ratio re 1 Pa at 1 kHz: \u003c\/strong\u003eCCIR dB: 69 (S\/N=94dB - equiv. noise), A-weighted dB-A : 8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax. SPL for less than 0.5% THD without pre-attenuation dB: \u003c\/strong\u003e38\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal dynamic range of the microphone amplifier dB: \u003c\/strong\u003e122\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption mA:\u003c\/strong\u003e 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight g: \u003c\/strong\u003e80\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter mm: 22, Length mm 107\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519696650286,"sku":"SNEUKM184","price":565.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-km184_1.jpg?v=1723635205"},{"product_id":"neumann-km184-a-nx-cardioid-microphone-nextel","title":"Neumann KM 184 A nx - Cardioid Microphone. Nextel","description":"\u003ch2\u003eNeumann KM184-A NX - Cardioid Microphone. 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The new, considerably smaller microphone capsules and an extensive program of accessories permit excellent adaptation of the microphone system to a wide range of applications.\u003c\/p\u003e\n\u003cp\u003eThrough the use of the most up-to-date electronic components the system offers many electroacoustic and operational advantages, such as lower self-noise, a wider dynamic range and very high immunity to electromagnetic interference. 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The KM 183 has a slender shape and advanced transmission characteristics that make it especially suitable for a very wide range of tasks in the radio and television sector, as well as recording applications.\u003c\/p\u003e\n\u003cp\u003eThe KM 183 microphone is the successor of the well proven KM 83, which has been used since the seventies worldwide with great success. The KM 183 is an omni-directional pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. Transformerless circuitry and balanced output result in high output gain with a very low noise floor and no colouration to the output signal.\u003c\/p\u003e\n\u003cp\u003eThe microphone operates without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT\/CF recorders. The output of the KM 183, as in all Neumann microphones, is balanced and phantom (48V) powered. 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It is extremely quiet (16dB A-weighted self-noise), making it excellent for capturing the subtle nuances of acoustic guitar and orchestral performances. \u003cbr\u003e\u003cbr\u003eAlthough the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0 frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule's rear opening, and is not due to resonances. Compared to the KM 84 the dynamic range of the KM 184 increased by 21 dB mainly through the reduction of self- noise level to only 25 dB (CCIR) and an increased sound pressure handling capability of up to 138 dB. The microphone operates without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT\/CF recorders. The output of the KM 184, as in all Neumann microphones, is balanced and phantom (48V) powered.\u003cbr\u003e\u003cbr\u003eThe KM 184 is a good choice for all users who look for a high- quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. The mechanical construction was simplified for this model, for example, capsule and output stage cannot be separated from each other. 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This is a B-Stock Ex Showroom product.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KM 184\u003c\/strong\u003e microphone is the successor of the well proven KM 84, which has been used since the seventies worldwide with great success. The slender shape and transmission characteristics described below make the Neumann KM184 especially suitable for a very wide range of tasks in the radio and television sector. It is extremely quiet (16dB A-weighted self-noise), making it excellent for capturing the subtle nuances of acoustic guitar and orchestral perf ormances . \u003c\/p\u003e\n\u003cp\u003eAlthough the KM 184 has the same capsule as the Neumann KM 84, the microphone differs slightly on the 0 frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule's rear opening, and is not due to resonances. Compared to the KM 84 the dynamic range of the KM 184 increased by 21 dB mainly through the reduction of self- noise level to only 25 dB (CCIR) and an increased sound pressure handling capability of up to 138 dB. The microphone operates without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT\/CF recorders. The output of the KM 184, as in all Neumann microphones, is balanced and phantom (48V) powered.\u003c\/p\u003e\n\u003cp\u003eThe KM 184 is a good choice for all users who look for a high- quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. The mechanical construction was simplified for this model, for example, capsule and output stage cannot be separated from each other. For this reason the KM 184 is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.\u003c\/p\u003e\n\u003ch2\u003eNeumann KM184 Stereo Set Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSet includes: \n\u003cul\u003e\n\u003cli\u003e2 x Microphone KM 184(mt) - Nickel\u003c\/li\u003e\n\u003cli\u003e2 x Stand mount swivel SG 21\/17\u003c\/li\u003e\n\u003cli\u003e2 x Windscreen WNS 100\u003c\/li\u003e\n\u003cli\u003eWooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrouble-free operation also with unbalanced equipment (e.g. DAT\/CF recorders)\u003c\/li\u003e\n\u003cli\u003eSet includes windshield and two different microphone clamps\u003c\/li\u003e\n\u003cli\u003eLow Noise - 16dB A-weighted self-noise\u003c\/li\u003e\n\u003cli\u003eVaried Applications\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eAcoustic operating principle:\u003c\/strong\u003e Pressure gradient transducer\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFrequency range Hz:\u003c\/strong\u003e 20 - 20,000\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSensitivity mV\/Pa:\u003c\/strong\u003e 12 (-36.2dBu=+38.4dBv)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRated impedance Ohms:\u003c\/strong\u003e 50\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eEquivalent loudness level due to inherent noise: \u003c\/strong\u003eDIN 45 405 CCIR 468-3 dB: 25, DIN\/IEC 651 dB-A: 16\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eS\/N ratio re 1 Pa at 1 kHz:\u003c\/strong\u003e CCIR dB: 69 (S\/N=94dB - equiv. noise), A-weighted dB-A : 8\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMax. SPL for less than 0.5% THD without pre-attenuation dB:\u003c\/strong\u003e 38\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eTotal dynamic range of the microphone amplifier dB:\u003c\/strong\u003e 122\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePower consumption mA:\u003c\/strong\u003e 2\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eWeight g:\u003c\/strong\u003e 80\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter mm: 22, Length mm 107\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519698059310,"sku":"SNEUKM184STBSK","price":832.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/km-184-_1__1.jpg?v=1746107924"},{"product_id":"neumann-km185-hypercardioid-condenser-microphone-nickel","title":"Neumann KM 185 Hypercardioid Condenser Microphone - Nickel","description":"\u003ch2\u003eNeumann KM185 - Hypercardioid Condenser Microphone - Nickel\u003c\/h2\u003e\n\u003cp\u003eThe hypercardioid, pressure gradient transducer \u003cstrong\u003eNeumann KM 185\u003c\/strong\u003e features a very smooth frequency response not only for the 0 axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. Nickel finish.\u003c\/p\u003e\n\u003cp\u003eThe KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120 degrees.The KM 185 has the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications.\u003c\/p\u003e\n\u003cp\u003eThe microphone operates without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT\/CF recorders. The output of the KM 185, as in all Neumann microphones, is balanced and phantom (48V) powered.\u003c\/p\u003e\n\u003cp\u003eThe KM 185 is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the KM 185 is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones\u003c\/p\u003e\n\u003ch2\u003eNeumann KM185 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTrouble-free operation also with unbalanced equipment (e.g. DAT\/CF recorders)\u003c\/li\u003e\n\u003cli\u003eSet includes windshield microphone clamps\u003c\/li\u003e\n\u003cli\u003eLow Noise - 16dB A-weighted self-noise\u003c\/li\u003e\n\u003cli\u003eVaried Applications\u003c\/li\u003e\n\u003cli\u003eEconomical, plus stereo set option available\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEspecially for recording situations when it is necessary to attenuate off-axis sound (lateral and rear) from other nearby instruments.\u003c\/li\u003e\n\u003cli\u003eAs XY stereo pair\u003c\/li\u003e\n\u003cli\u003eOverhead, toms\u003c\/li\u003e\n\u003cli\u003eTo attenuate unwanted sound of nearby instruments\u003c\/li\u003e\n\u003cli\u003eRecording of speech, as in TV, movie and video productions, PA systems\u003c\/li\u003e\n\u003cli\u003eProduces especially warm and bass supporting sound for artists who perform in proximity effect range\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eNeumann KM185 Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle:\u003c\/strong\u003e Pressure\/Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern: \u003c\/strong\u003eHypercardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm: \u003c\/strong\u003e10 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance:\u003c\/strong\u003e 50 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1):\u003c\/strong\u003e 24 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1):\u003c\/strong\u003e 15 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL): \u003c\/strong\u003e70 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL):\u003c\/strong\u003e 79 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2):\u003c\/strong\u003e 142 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage: \u003c\/strong\u003e10 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupply voltage (P48, IEC 61938): \u003c\/strong\u003e48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption (P48, IEC 61938): \u003c\/strong\u003e3.2 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connectors:\u003c\/strong\u003e XLR 3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003eapprox. 80 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter: \u003c\/strong\u003e22 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e107 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519698124846,"sku":"SNEUKM185","price":595.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-km185.jpg?v=1578924654"},{"product_id":"neumann-km185-hypercardioid-condenser-microphone-black","title":"Neumann KM 185 mt - Super-cardioid microphone - Black","description":"\u003ch2\u003eNeumann KM 185 mt - Black\u003c\/h2\u003e\n\u003cp\u003eThe hypercardioid, pressure gradient transducer \u003cstrong\u003eNeumann KM 185\u003c\/strong\u003e features a very smooth frequency response not only for the 0 axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. Black finish.\u003c\/p\u003e\n\u003cp\u003eThe KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120 degrees.The KM 185 has the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications.\u003c\/p\u003e\n\u003cp\u003eThe microphone operates without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT\/CF recorders. The output of the KM 185, as in all Neumann microphones, is balanced and phantom (48V) powered.\u003c\/p\u003e\n\u003cp\u003eThe KM 185 is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the KM 185 is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones\u003c\/p\u003e\n\u003ch2\u003eNeumann KM185 MT Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTrouble-free operation also with unbalanced equipment (e.g. DAT\/CF recorders)\u003c\/li\u003e\n\u003cli\u003eSet includes windshield microphone clamps\u003c\/li\u003e\n\u003cli\u003eLow Noise - 16dB A-weighted self-noise\u003c\/li\u003e\n\u003cli\u003eVaried Applications\u003c\/li\u003e\n\u003cli\u003eEconomical, plus stereo set option available\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEspecially for recording situations when it is necessary to attenuate off-axis sound (lateral and rear) from other nearby instruments.\u003c\/li\u003e\n\u003cli\u003eAs XY stereo pair\u003c\/li\u003e\n\u003cli\u003eOverhead, toms\u003c\/li\u003e\n\u003cli\u003eTo attenuate unwanted sound of nearby instruments\u003c\/li\u003e\n\u003cli\u003eRecording of speech, as in TV, movie and video productions, PA systems\u003c\/li\u003e\n\u003cli\u003eProduces especially warm and bass supporting sound for artists who perform in proximity effect range\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eNeumann KM185 MT Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle:\u003c\/strong\u003e Pressure\/Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern: \u003c\/strong\u003eHypercardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm: \u003c\/strong\u003e10 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance:\u003c\/strong\u003e 50 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1):\u003c\/strong\u003e 24 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1):\u003c\/strong\u003e 15 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL): \u003c\/strong\u003e70 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL):\u003c\/strong\u003e 79 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2):\u003c\/strong\u003e 142 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage: \u003c\/strong\u003e10 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupply voltage (P48, IEC 61938): \u003c\/strong\u003e48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption (P48, IEC 61938): \u003c\/strong\u003e3.2 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connectors:\u003c\/strong\u003e XLR 3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003eapprox. 80 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter: \u003c\/strong\u003e22 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e107 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519698419758,"sku":"SNEUKM185MT","price":595.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-km185-mt.jpg?v=1578924656"},{"product_id":"neumann-km185-stereo-set-hypercardioid-condenser-microphones-black","title":"Neumann KM 185 mt Stereo Set - Super-cardioid microphones - Black","description":"\u003ch2\u003eNeumann KM 185 mt Stereo Set - Black\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KM 185 MT Stereo Set\u003c\/strong\u003e contains a pair of Nickel finish KM 185 small diaphragm hypercardioid condenser microphones, two stand mounts, two WNS 100 windscreens and a protective wooden box. Black finish.\u003c\/p\u003e\n\u003cp\u003eThe hypercardioid, pressure gradient transducer \u003cstrong\u003eNeumann KM 185\u003c\/strong\u003e features a very smooth frequency response not only for the 0 axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle.\u003c\/p\u003e\n\u003cp\u003eThe KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120 degrees.The KM 185 has the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications.\u003c\/p\u003e\n\u003cp\u003eThe microphone operates without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT\/CF recorders. The output of the KM 185, as in all Neumann microphones, is balanced and phantom (48V) powered.\u003c\/p\u003e\n\u003cp\u003eThe KM 185 is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. 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In typical usage, there is no coloration of sound over a wide pickup angle.\u003c\/p\u003e\n\u003cp\u003eThe KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120 degrees.The KM 185 has the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications.\u003c\/p\u003e\n\u003cp\u003eThe microphone operates without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT\/CF recorders. The output of the KM 185, as in all Neumann microphones, is balanced and phantom (48V) powered.\u003c\/p\u003e\n\u003cp\u003eThe KM 185 is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the KM 185 is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones\u003c\/p\u003e\n\u003ch2\u003eNeumann KM185 Stereo Set Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSet includes:     \n\u003cul\u003e\n\u003cli\u003e2 x Microphone KM 185 - Nickel\u003c\/li\u003e\n\u003cli\u003e2 x Stand mount swivel SG 21\/17\u003c\/li\u003e\n\u003cli\u003e2 x Windscreen WNS 100\u003c\/li\u003e\n\u003cli\u003eWooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrouble-free operation also with unbalanced equipment (e.g. DAT\/CF recorders)\u003c\/li\u003e\n\u003cli\u003eSet includes windshield and two different microphone clamps\u003c\/li\u003e\n\u003cli\u003eLow Noise - 16dB A-weighted self-noise\u003c\/li\u003e\n\u003cli\u003eVaried Applications\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEspecially for recording situations when it is necessary to attenuate off-axis sound (lateral and rear) from other nearby instruments.\u003c\/li\u003e\n\u003cli\u003eAs XY stereo pair\u003c\/li\u003e\n\u003cli\u003eOverhead, toms\u003c\/li\u003e\n\u003cli\u003eTo attenuate unwanted sound of nearby instruments\u003c\/li\u003e\n\u003cli\u003eRecording of speech, as in TV, movie and video productions, PA systems\u003c\/li\u003e\n\u003cli\u003eProduces especially warm and bass supporting sound for artists who perform in proximity effect range\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eNeumann KM185 Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle:\u003c\/strong\u003e Pressure\/Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern: \u003c\/strong\u003eHypercardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm: \u003c\/strong\u003e10 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance:\u003c\/strong\u003e 50 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1):\u003c\/strong\u003e 24 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1):\u003c\/strong\u003e 15 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL): \u003c\/strong\u003e70 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL):\u003c\/strong\u003e 79 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2):\u003c\/strong\u003e 142 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage: \u003c\/strong\u003e10 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupply voltage (P48, IEC 61938): \u003c\/strong\u003e48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption (P48, IEC 61938): \u003c\/strong\u003e3.2 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connectors:\u003c\/strong\u003e XLR 3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003eapprox. 80 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter: \u003c\/strong\u003e22 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e107 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519698452526,"sku":"SNEUKM185ST","price":1090.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-km185-stereo.jpg?v=1578924667"},{"product_id":"neumann-kmr81i-short-shotgun-microphone-nickel","title":"Neumann KMR 81 i - Short Shotgun Microphone - Nickel","description":"\u003ch2\u003eNeumann KMR81i - Short Shotgun Microphone - Nickel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KMR 81i\u003c\/strong\u003e is a 226 mm shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area. Nickel Finish.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003eShotgun microphones are particularly useful in recording situations where a microphone cannot be positioned within the desired distance of the sound source to produce a sufficiently loud signal level. Typical applications are film and video recordings, where the microphone should not appear in the picture. The KMR 81 has been specifically designed for electronic news gathering.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003cbr\u003e\u003c\/strong\u003eIn principle, Neumann shotgun microphones use a combination of a pressure gradient transducer and an interference tube. If the wavelength of the frequency is longer than the tube length, the microphones work as pressure gradient transducers. At higher frequencies they operate as interference transducers for lateral sound. Off-axis sound sources are picked up with reduced level, but without coloration.\u003c\/p\u003e\n\u003cp\u003eTherefore, the microphones are well suited to record individual instruments of an orchestra. The pickup areas of several shotgun microphones may even overlap as, for example, during recordings on a large stage, without causing any problem.\u003c\/p\u003e\n\u003cp\u003eThe KMR 81 is less sensitive to wind and pop noise when compared to the KM 150 miniature microphone with a similar high directivity. The shotgun microphone features extremely low self noise, good impulse response, and high output level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePolar patterns\u003cbr\u003e\u003c\/strong\u003eThe KMR 81 is a shotgun microphones with a very directional characteristic. The microphone capsule is positioned inside a housing tube that is acoustically open but has a high flow resistance. The directional pattern of the microphone is lobe shaped. The attenuation of lateral sound is practically independent of the frequency. The KMR 81 has a frequency independent directivity within a pickup angle of 90° for audio signals that determine the tonal balance of the program material.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilter and attenuation\u003cbr\u003e\u003c\/strong\u003eThe microphone has a 10 dB attenuation switch to prevent the input of the following unit from overloading. A second switch activates a 200 Hz high-pass filter. Toward the lower frequencies the sensitivity of the microphone is attenuated by approximately 15 dB at 50 Hz. The frequency range above 200 Hz is unaffected.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse on location\u003c\/strong\u003e\u003cbr\u003eThe shotgun microphone features very high output capability and a remarkably low self-noise level. Its low power consumption, light weight, and low sensitivity to wind and handling noise, makes it an ideal tools for news gathering on location. Small dimensions, together with a balanced center of gravity, make handling easy without any whiplash effect. \u003cbr\u003e\u003cbr\u003eHowever, when on location and during strong wind conditions, we recommend using an additional wind screen (included as standard accessory). The wind screen is made of polyurethane foam. For mobile use a handle and an elastic suspension are available.\u003c\/p\u003e\n\u003ch2\u003eNeumann KMR81i Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eInterference tube microphone with shotgun directional characteristic\u003c\/li\u003e\n\u003cli\u003eInterference\/pressure-gradient transducer\u003c\/li\u003e\n\u003cli\u003eHigh lateral and back attenuation\u003c\/li\u003e\n\u003cli\u003e90°-recording angle\u003c\/li\u003e\n\u003cli\u003eSwitchable filter or preattenuation features\u003c\/li\u003e\n\u003cli\u003eExtensive accessories for outdoor use\u003c\/li\u003e\n\u003cli\u003eLight weight: 145 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIn The Box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone KMR 81 i\u003c\/li\u003e\n\u003cli\u003eWindscreen WS 81\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecordings for broadcasting\/ENG, film and video productions\u003c\/li\u003e\n\u003cli\u003eMedium length shotgun spot mic in noisy surroundings\u003c\/li\u003e\n\u003cli\u003eBalanced weight during handheld and boom\/fishpole operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eNeumann KMR81i Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle:\u003c\/strong\u003e Interference transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern: \u003c\/strong\u003eSupercardioid\/lobe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range: \u003c\/strong\u003e20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm: \u003c\/strong\u003e18 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance: \u003c\/strong\u003e150 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance: \u003c\/strong\u003e1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1): \u003c\/strong\u003e23 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1): \u003c\/strong\u003e12 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL): \u003c\/strong\u003e71 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL):\u003c\/strong\u003e 82 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2): \u003c\/strong\u003e128 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5% with preattenuation2):\u003c\/strong\u003e 138 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage:\u003c\/strong\u003e 1.3 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range of the microphone amplifier (A-weighted):\u003c\/strong\u003e 116 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupply voltage (P48, IEC 61938): \u003c\/strong\u003e48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption (P48, IEC 61938):\u003c\/strong\u003e 0.8 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connector:\u003c\/strong\u003e XLR3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003e145 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter: \u003c\/strong\u003e21 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength:\u003c\/strong\u003e 226 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519698812974,"sku":"SNEUKMR81I","price":1190.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kmr81i.jpg?v=1578924659"},{"product_id":"neumann-kmr81i-mt-short-shotgun-microphone-black","title":"Neumann KMR 81 i mt - Short Shotgun Microphone - Black","description":"\u003ch2\u003eNeumann KMR81i MT - Short Shotgun Microphone - Black\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KMR 81i MT \u003c\/strong\u003eis a 226 mm shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area. Black Finish.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003eShotgun microphones are particularly useful in recording situations where a microphone cannot be positioned within the desired distance of the sound source to produce a sufficiently loud signal level. Typical applications are film and video recordings, where the microphone should not appear in the picture. The KMR 81 has been specifically designed for electronic news gathering.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003cbr\u003e\u003c\/strong\u003eIn principle, Neumann shotgun microphones use a combination of a pressure gradient transducer and an interference tube. If the wavelength of the frequency is longer than the tube length, the microphones work as pressure gradient transducers. At higher frequencies they operate as interference transducers for lateral sound. Off-axis sound sources are picked up with reduced level, but without coloration.\u003c\/p\u003e\n\u003cp\u003eTherefore, the microphones are well suited to record individual instruments of an orchestra. The pickup areas of several shotgun microphones may even overlap as, for example, during recordings on a large stage, without causing any problem.\u003c\/p\u003e\n\u003cp\u003eThe KMR 81 is less sensitive to wind and pop noise when compared to the KM 150 miniature microphone with a similar high directivity. The shotgun microphone features extremely low self noise, good impulse response, and high output level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePolar patterns\u003cbr\u003e\u003c\/strong\u003eThe KMR 81 is a shotgun microphones with a very directional characteristic. The microphone capsule is positioned inside a housing tube that is acoustically open but has a high flow resistance. The directional pattern of the microphone is lobe shaped. The attenuation of lateral sound is practically independent of the frequency. The KMR 81 has a frequency independent directivity within a pickup angle of 90° for audio signals that determine the tonal balance of the program material.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilter and attenuation\u003cbr\u003e\u003c\/strong\u003eThe microphone has a 10 dB attenuation switch to prevent the input of the following unit from overloading. A second switch activates a 200 Hz high-pass filter. Toward the lower frequencies the sensitivity of the microphone is attenuated by approximately 15 dB at 50 Hz. The frequency range above 200 Hz is unaffected.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse on location\u003c\/strong\u003e\u003cbr\u003eThe shotgun microphone features very high output capability and a remarkably low self-noise level. Its low power consumption, light weight, and low sensitivity to wind and handling noise, makes it an ideal tools for news gathering on location. Small dimensions, together with a balanced center of gravity, make handling easy without any whiplash effect. \u003cbr\u003e\u003cbr\u003eHowever, when on location and during strong wind conditions, we recommend using an additional wind screen (included as standard accessory). The wind screen is made of polyurethane foam. For mobile use a handle and an elastic suspension are available.\u003c\/p\u003e\n\u003ch2\u003eNeumann KMR81i MT Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eInterference tube microphone with shotgun directional characteristic\u003c\/li\u003e\n\u003cli\u003eInterference\/pressure-gradient transducer\u003c\/li\u003e\n\u003cli\u003eHigh lateral and back attenuation\u003c\/li\u003e\n\u003cli\u003e90°-recording angle\u003c\/li\u003e\n\u003cli\u003eSwitchable filter or preattenuation features\u003c\/li\u003e\n\u003cli\u003eExtensive accessories for outdoor use\u003c\/li\u003e\n\u003cli\u003eLight weight: 145 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIn The Box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone KMR 81 i\u003c\/li\u003e\n\u003cli\u003eWindscreen WS 81\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecordings for broadcasting\/ENG, film and video productions\u003c\/li\u003e\n\u003cli\u003eMedium length shotgun spot mic in noisy surroundings\u003c\/li\u003e\n\u003cli\u003eBalanced weight during handheld and boom\/fishpole operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eNeumann KMR81i MT Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle:\u003c\/strong\u003e Interference transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern: \u003c\/strong\u003eSupercardioid\/lobe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range: \u003c\/strong\u003e20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm: \u003c\/strong\u003e18 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance: \u003c\/strong\u003e150 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance: \u003c\/strong\u003e1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1): \u003c\/strong\u003e23 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1): \u003c\/strong\u003e12 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL): \u003c\/strong\u003e71 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL):\u003c\/strong\u003e 82 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2): \u003c\/strong\u003e128 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5% with preattenuation2):\u003c\/strong\u003e 138 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage:\u003c\/strong\u003e 1.3 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range of the microphone amplifier (A-weighted):\u003c\/strong\u003e 116 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupply voltage (P48, IEC 61938): \u003c\/strong\u003e48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption (P48, IEC 61938):\u003c\/strong\u003e 0.8 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connector:\u003c\/strong\u003e XLR3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003e145 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter: \u003c\/strong\u003e21 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength:\u003c\/strong\u003e 226 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519698845742,"sku":"SNEUKMR81IMT","price":1190.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kmr81i-mt.jpg?v=1578924659"},{"product_id":"neumann-kmr82i-long-shotgun-microphone-nickel","title":"Neumann KMR 82 i - Long Shotgun Microphone - Nickel","description":"\u003ch2\u003eNeumann KMR 82 i - Long Shotgun Microphone - Nickel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KMR 82i\u003c\/strong\u003e is a 395mm long shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area. Nickel Finish.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003eShotgun microphones are particularly useful in recording situations where a microphone cannot be positioned within the desired distance of the sound source to produce a sufficiently loud signal level.  Typical applications are film and video recordings, where the microphone should not appear in the picture. \u003c\/p\u003e\n\u003cp\u003eThe KMR 82 is very often used on stage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003cbr\u003eIn principle, Neumann shotgun microphones use a combination of a pressure gradient transducer and an interference tube. If the wavelength of the frequency is longer than the tube length, the microphones work as pressure gradient transducers. At higher frequencies they operate as interference transducers for lateral sound. Off-axis sound sources are picked up with reduced level, but without coloration. \u003c\/p\u003e\n\u003cp\u003eTherefore, the microphones are well suited to record individual instruments of an orchestra. The pickup areas of several shotgun microphones may even overlap as, for example, during recordings on a large stage, without causing any problem. \u003c\/p\u003e\n\u003cp\u003eThe KMR 82 is less sensitive to wind and pop noise when compared to the KM 150 miniature microphone with a similar high directivity. The shotgun microphone features extremely low self noise, good impulse response, and high output level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003cbr\u003eThe KMR 82 is a shotgun microphone with a very directional characteristic.  The microphone capsule is positioned inside a housing tube that is acoustically open but has a high flow resistance. The directional pattern of the microphone is lobe shaped. The attenuation of lateral sound is practically independent of the frequency. The KMR 82 has a frequency independent directivity within a pickup angle of 45° for audio signals that determine the tonal balance of the program material.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilter\u003c\/strong\u003e\u003cbr\u003eBetween 2 kHz and 15 kHz the KMR 82 has a boost to compensate for HF transmission losses in air when recording distant sound sources. This may overemphasize any sibilance if the microphone is used close-up. Therefore, a two-position slide switch allows to select the setting that is best for balanced upper frequencies. \u003c\/p\u003e\n\u003cp\u003eThe KMR 82 has a high-pass filter to suppress subsonic interference. The cutoff frequency may be raised to 120 Hz ( - 3 dB) with a built-in two-position slide switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse on location\u003c\/strong\u003e\u003cbr\u003eThe shotgun microphone features very high output capability and a remarkably low self-noise level. Its low power consumption, light weight, and low sensitivity to wind and handling noise, makes it an ideal tool for news gathering on location. Small dimensions, together with a balanced center of gravity, make handling easy without any whiplash effect. \u003c\/p\u003e\n\u003cp\u003eHowever, when on location and during strong wind conditions, we recommend using an additional wind screen (included as standard accessory). The wind screen is made of polyurethane foam and also serves as soft padding of the microphone in its leather carrying case. \u003c\/p\u003e\n\u003cp\u003eFor mobile use a handle and an elastic suspension are available.\u003c\/p\u003e\n\u003ch2\u003eNeumann KMR82i Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eInterference tube microphone with shotgun directional characteristic\u003c\/li\u003e\n\u003cli\u003eInterference\/pressure-gradient transducer\u003c\/li\u003e\n\u003cli\u003eHigh lateral and back attenuation\u003c\/li\u003e\n\u003cli\u003e45°-recording angle\u003c\/li\u003e\n\u003cli\u003eSwitchable filter or preattenuation features\u003c\/li\u003e\n\u003cli\u003eExtensive accessories for outdoor use\u003c\/li\u003e\n\u003cli\u003eLight weight: 250 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIn The Box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone KMR 82 i\u003c\/li\u003e\n\u003cli\u003eWindscreen WS 82\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecordings for broadcasting\/ENG, film and video productions\u003c\/li\u003e\n\u003cli\u003eMedium length shotgun spot mic in noisy surroundings\u003c\/li\u003e\n\u003cli\u003eBalanced weight during handheld and boom\/fishpole operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eNeumann KMR82i Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle:\u003c\/strong\u003e Interference transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern:\u003c\/strong\u003e Supercardioid\/lobe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm: \u003c\/strong\u003e21 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance: \u003c\/strong\u003e150 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance: \u003c\/strong\u003e1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1):\u003c\/strong\u003e 23 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1):\u003c\/strong\u003e 12 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL):\u003c\/strong\u003e 71 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL):\u003c\/strong\u003e 82 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2): \u003c\/strong\u003e128 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage:\u003c\/strong\u003e 2.6 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range of the microphone amplifier (A-weighted):\u003c\/strong\u003e 116 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupply voltage (P48, IEC 61938):\u003c\/strong\u003e 48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption (P48, IEC 61938):\u003c\/strong\u003e 0.7 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connector:\u003c\/strong\u003e XLR3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter:\u003c\/strong\u003e 21 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e395 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519698878510,"sku":"SNEUKMR82I","price":1320.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kmr82i_1.jpg?v=1578924691"},{"product_id":"neumann-kmr82i-long-shotgun-microphone-black","title":"Neumann KMR 82 i mt - Long Shotgun Microphone - Black","description":"\u003ch2\u003eNeumann KMR 82 i mt - Long Shotgun Microphone - Black\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KMR 82i MT\u003c\/strong\u003e is a 395mm long shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area. Black Finish.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003eShotgun microphones are particularly useful in recording situations where a microphone cannot be positioned within the desired distance of the sound source to produce a sufficiently loud signal level.  Typical applications are film and video recordings, where the microphone should not appear in the picture. \u003c\/p\u003e\n\u003cp\u003eThe KMR 82 is very often used on stage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003cbr\u003eIn principle, Neumann shotgun microphones use a combination of a pressure gradient transducer and an interference tube. If the wavelength of the frequency is longer than the tube length, the microphones work as pressure gradient transducers. At higher frequencies they operate as interference transducers for lateral sound. Off-axis sound sources are picked up with reduced level, but without coloration. \u003c\/p\u003e\n\u003cp\u003eTherefore, the microphones are well suited to record individual instruments of an orchestra. The pickup areas of several shotgun microphones may even overlap as, for example, during recordings on a large stage, without causing any problem. \u003c\/p\u003e\n\u003cp\u003eThe KMR 82 is less sensitive to wind and pop noise when compared to the KM 150 miniature microphone with a similar high directivity. The shotgun microphone features extremely low self noise, good impulse response, and high output level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003cbr\u003eThe KMR 82 is a shotgun microphone with a very directional characteristic.  The microphone capsule is positioned inside a housing tube that is acoustically open but has a high flow resistance. The directional pattern of the microphone is lobe shaped. The attenuation of lateral sound is practically independent of the frequency. The KMR 82 has a frequency independent directivity within a pickup angle of 45° for audio signals that determine the tonal balance of the program material.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilter\u003c\/strong\u003e\u003cbr\u003eBetween 2 kHz and 15 kHz the KMR 82 has a boost to compensate for HF transmission losses in air when recording distant sound sources. This may overemphasize any sibilance if the microphone is used close-up. Therefore, a two-position slide switch allows to select the setting that is best for balanced upper frequencies. \u003c\/p\u003e\n\u003cp\u003eThe KMR 82 has a high-pass filter to suppress subsonic interference. The cutoff frequency may be raised to 120 Hz ( - 3 dB) with a built-in two-position slide switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse on location\u003c\/strong\u003e\u003cbr\u003eThe shotgun microphone features very high output capability and a remarkably low self-noise level. Its low power consumption, light weight, and low sensitivity to wind and handling noise, makes it an ideal tool for news gathering on location. Small dimensions, together with a balanced center of gravity, make handling easy without any whiplash effect. \u003c\/p\u003e\n\u003cp\u003eHowever, when on location and during strong wind conditions, we recommend using an additional wind screen (included as standard accessory). The wind screen is made of polyurethane foam and also serves as soft padding of the microphone in its leather carrying case. \u003c\/p\u003e\n\u003cp\u003eFor mobile use a handle and an elastic suspension are available.\u003c\/p\u003e\n\u003ch2\u003eNeumann KMR82i Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eInterference tube microphone with shotgun directional characteristic\u003c\/li\u003e\n\u003cli\u003eInterference\/pressure-gradient transducer\u003c\/li\u003e\n\u003cli\u003eHigh lateral and back attenuation\u003c\/li\u003e\n\u003cli\u003e45°-recording angle\u003c\/li\u003e\n\u003cli\u003eSwitchable filter or preattenuation features\u003c\/li\u003e\n\u003cli\u003eExtensive accessories for outdoor use\u003c\/li\u003e\n\u003cli\u003eLight weight: 250 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIn The Box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone KMR 82 i\u003c\/li\u003e\n\u003cli\u003eWindscreen WS 82\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecordings for broadcasting\/ENG, film and video productions\u003c\/li\u003e\n\u003cli\u003eMedium length shotgun spot mic in noisy surroundings\u003c\/li\u003e\n\u003cli\u003eBalanced weight during handheld and boom\/fishpole operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eNeumann KMR82i Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle:\u003c\/strong\u003e Interference transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern:\u003c\/strong\u003e Supercardioid\/lobe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm: \u003c\/strong\u003e21 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance: \u003c\/strong\u003e150 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance: \u003c\/strong\u003e1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR1):\u003c\/strong\u003e 23 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted1):\u003c\/strong\u003e 12 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL):\u003c\/strong\u003e 71 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL):\u003c\/strong\u003e 82 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL for THD 0.5%2): \u003c\/strong\u003e128 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage:\u003c\/strong\u003e 2.6 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range of the microphone amplifier (A-weighted):\u003c\/strong\u003e 116 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupply voltage (P48, IEC 61938):\u003c\/strong\u003e 48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption (P48, IEC 61938):\u003c\/strong\u003e 0.7 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connector:\u003c\/strong\u003e XLR3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter:\u003c\/strong\u003e 21 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e395 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519699009582,"sku":"SNEUKMR82IMT","price":1320.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-kmr82i-mt_1.jpg?v=1578924670"},{"product_id":"neumann-kms104-handheld-condenser-vocal-mic-nickel","title":"Neumann KMS 104 - Cardioid vocalist microphone - Nickel","description":"\u003ch2\u003eNeumann KMS 104 - Nickel\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann KMS 104\u003c\/strong\u003e is a handheld condenser microphone featuring a cardioid response designed specifically for on-stage vocal use. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Nickel Finish.\u003c\/p\u003e\n\u003cp\u003eEspecially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.\u003c\/p\u003e\n\u003cp\u003eWith its supercardioid characteristic, the KMS 105 is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. \u003c\/p\u003e\n\u003cp\u003eThe KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003cbr\u003eThe studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. \u003c\/p\u003e\n\u003cp\u003eIn KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. \u003c\/p\u003e\n\u003cp\u003eIn spite of excellent pop protection, sibilants and \"S\" sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphone when they are used with a stage sound system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003cbr\u003eSince vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. \u003c\/p\u003e\n\u003cp\u003eIn addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (–3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. \u003c\/p\u003e\n\u003cp\u003eThe low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist.\u003c\/p\u003e\n\u003cp\u003eDue to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMechanical features\u003c\/strong\u003e\u003cbr\u003eMicrophones designed for use on stage require a particularly robust construction. The KMS 104 therefore has thick-walled metal housings, which also provide effective protection against handling noise.\u003c\/p\u003e\n\u003cp\u003eThe microphone headgrilles are made of hardened steel. 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The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Black Finish.\u003c\/p\u003e\n\u003cp\u003eEspecially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.\u003c\/p\u003e\n\u003cp\u003eThe KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003cbr\u003eThe studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. \u003c\/p\u003e\n\u003cp\u003eIn KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. \u003c\/p\u003e\n\u003cp\u003eIn spite of excellent pop protection, sibilants and \"S\" sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphone when they are used with a stage sound system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003cbr\u003eSince vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. \u003c\/p\u003e\n\u003cp\u003eIn addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (–3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. \u003c\/p\u003e\n\u003cp\u003eThe low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist.\u003c\/p\u003e\n\u003cp\u003eDue to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMechanical features\u003c\/strong\u003e\u003cbr\u003eMicrophones designed for use on stage require a particularly robust construction. The KMS 104 therefore has thick-walled metal housings, which also provide effective protection against handling noise.\u003c\/p\u003e\n\u003cp\u003eThe microphone headgrilles are made of hardened steel. 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The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Nickel Finish.\u003c\/p\u003e\n\u003cp\u003eEspecially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.\u003c\/p\u003e\n\u003cp\u003eThe KMS 104 PLUS has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. The KMS 104 plus also features a more extended bass frequency response. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003cbr\u003eThe studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. \u003c\/p\u003e\n\u003cp\u003eIn KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. \u003c\/p\u003e\n\u003cp\u003eIn spite of excellent pop protection, sibilants and \"S\" sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. 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The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Black Finish.\u003c\/p\u003e\n\u003cp\u003eEspecially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.\u003c\/p\u003e\n\u003cp\u003eThe KMS 104 PLUS has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. The KMS 104 plus also features a more extended bass frequency response. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003cbr\u003eThe studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. \u003c\/p\u003e\n\u003cp\u003eIn KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. \u003c\/p\u003e\n\u003cp\u003eIn spite of excellent pop protection, sibilants and \"S\" sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. 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The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. \u003c\/p\u003e\n\u003cp\u003eEspecially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.\u003c\/p\u003e\n\u003cp\u003eWith its supercardioid characteristic, the KMS 105 is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003cbr\u003eThe studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. \u003c\/p\u003e\n\u003cp\u003eIn KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. \u003c\/p\u003e\n\u003cp\u003eIn spite of excellent pop protection, sibilants and \"S\" sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. 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The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. \u003c\/p\u003e\n\u003cp\u003eEspecially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.\u003c\/p\u003e\n\u003cp\u003eWith its supercardioid characteristic, the KMS 105 is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003cbr\u003eThe studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. \u003c\/p\u003e\n\u003cp\u003eIn KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. \u003c\/p\u003e\n\u003cp\u003eIn spite of excellent pop protection, sibilants and \"S\" sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. 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The M-147 tube is a cardioid microphone using the same large diaphragm capsule as the legendary U 47 but combines it with an innovative tube circuit for lowest noise. Its transformerless output stage ensures superb performance at an attractive price.\u003cbr\u003e\u003cbr\u003eWith digital recording and ultra-clean processing, many engineers find themselves looking for tube microphones to reinstate a more “analogue” sound character. The Neumann M147 is a tube microphone specially designed for 21st century recording chains. Its acoustic design is inspired by the legendary U 47, which revolutionized studio recording in the 1950s with its superior sound quality and is still used daily in top studios around the world. The head amplifier of the M147 combines classic tube circuitry with an advanced solid state output stage for vintage sound with a modern punch.\u003cbr\u003e\u003cbr\u003eThe headgrille of the M 147 is more than a visual statement: It is a slightly more compact version of the iconic U 47 capsule head, partly responsible for its legendary sound. Even more importantly, it shares the same sound transducer, the classic K 47 large diaphragm condenser capsule, known for its exceptional combination of warmth and presence. The capsule signal is amplified by a classic tube circuit using a specially selected subminiature triode. While vintage microphones relied on large and expensive audio transformers for the final impedance conversion, the M 147 uses a state-of-the-art transformerless solid state output stage, which allows for long cable runs up to 300 m without transmission losses and ensures a very direct sound with unrestricted bass response.\u003c\/p\u003e\n\u003ch2\u003eApplications\u003c\/h2\u003e\n\u003cp\u003eThe M 147’s unique sound character with unsurpassed presence and a distinctive midrange focus is ideally suited for vocals, both male and female, as well as speech applications such as voice-over and film dubbing. The M 147 is also an excellent spot mic for any solo instruments. Unlike many other tube microphones, the M 147 can be used for quiet sources, due to its exceptionally low self-noise of only 12 dB-A. Although its max SPL figure of 114 dB appears low, the M 147 works well with louder sources, too, as distortion rises very slowly to 5% THD for 134 dB SPL. This behavior is intentional: The M 147 creates a sense of elevated loudness by means soft saturation – just like in the days of analog recording.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSame K47 capsule design as the legendary Neumann U 47\u003c\/li\u003e\n\u003cli\u003eCardioid pattern\u003c\/li\u003e\n\u003cli\u003eClassic sound with unmatched presence\u003c\/li\u003e\n\u003cli\u003eTube circuit with extremely low self-noise\u003c\/li\u003e\n\u003cli\u003eTransformerless output stage\u003c\/li\u003e\n\u003cli\u003eComes with power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle\u003c\/strong\u003e: Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional Pattern\u003c\/strong\u003e: Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Range\u003c\/strong\u003e: 20 Hz ... 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e at 1 kHz into 1 kohm: 20 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated Impedance\u003c\/strong\u003e: 50 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance\u003c\/strong\u003e: 1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR 1\u003c\/strong\u003e: 24 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted 2\u003c\/strong\u003e: 12 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTypical SPL\u003c\/strong\u003e (tube characteristic) for K\u0026lt;0.5% 3: 114 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTypical SPL\u003c\/strong\u003e (tube characteristic) for K\u0026lt;5% 4: 134 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e, CCIR (re. 94 dB SPL) 5: 70 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e, A-weighted (re. 94 dB SPL) 6: 82 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage\u003c\/strong\u003e: 8 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range\u003c\/strong\u003e of the amplifier, DIN\/IEC 651, for THD \u0026lt; 0.5% 7: 102 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range\u003c\/strong\u003e of the amplifier, DIN\/IEC 651, for THD \u0026lt; 5% 8: 122 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply\u003c\/strong\u003e: N 149 A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connector\u003c\/strong\u003e: Microphone: DIN 8 F, Power Supply: XLR 3 F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 460 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter\u003c\/strong\u003e: 57 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength\u003c\/strong\u003e: 142 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColour\u003c\/strong\u003e: Nickel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCat. No.\u003c\/strong\u003e: 008436\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIn the box\u003c\/strong\u003e:\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eM 147 Tube Microphone\u003c\/li\u003e\n\u003cli\u003eN 149 A Power Supply incl. Power Cable\u003c\/li\u003e\n\u003cli\u003eSG 2 Swivel Mount\u003c\/li\u003e\n\u003cli\u003eKT 8 Microphone Cable\u003c\/li\u003e\n\u003cli\u003eDust Cover\u003c\/li\u003e\n\u003cli\u003eAluminium Case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519700713518,"sku":"SNEUM147TUBEUK","price":2215.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SNEUM147TUBEUK.jpg?v=1772724938"},{"product_id":"neumann-m149-tube-switchable-vacuum-tube-condenser-microphone","title":"Neumann M 149 Tube - Switchable Vacuum Tube Condenser Microphone","description":"\u003ch2\u003eNeumann M 149 Tube - Switchable Vacuum Tube Condenser Microphone\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann M149 Tube\u003c\/strong\u003e is a variable dual-diaphragm microphone. The K 49 capsule – well-known from the legendary U 47 and M 49 microphones – is followed by a tube functioning as an impedance converter. In contrast to earlier concepts – utilizing a transformer – the tube is complemented with a transformerless output circuit design. The M 149 Tube can thus feed long microphone cables without any coloration.\u003c\/p\u003e\n\u003cp\u003eTwo slide switches are located below the large, acoustically very open headgrille. The switch at the front allows selection one of nine directional patterns. The slide switch at the rear operates a seven-step high pass filter. It allows a very fine adjustment of the cut-off frequency.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003eThere are nine polar patterns to choose from, making this microphone an ideal choice for a wide range of recording situations. Omni, wide angle cardioid, cardioid, hypercardioid, figure 8, and one intermediate position eac\u003c\/p\u003e\n\u003cp\u003eAs its ancestors, the M 149 Tube is a superb vocalist microphone, not only because of the capsule, but also due to its modern circuitry, characterized by extremely low noise level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003cbr\u003eThe M 149 Tube is addressed from the front, marked with the Neumann logo. Also on the front is the switch for the selection of the polar patterns.\u003c\/p\u003e\n\u003cp\u003eThe capsule is mounted elastically inside the headgrille to eliminate structure borne noise. The surface below the capsule is shaped like a cone to disperse any reflected sound from the acoustic upper half space. This avoids any interference with the primary sound arriving at the capsule directly. \u003c\/p\u003e\n\u003cp\u003eA large headgrille surrounds the capsule. It is acoustically very open and therefore increases the sonic realism.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003cbr\u003eThe polar pattern switch selects one of nine directional patterns: omnidirectional, wide-angle-cardioid, cardioid, hypercardioid, figure-8, and one additional intermediate pattern between each major position.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003cbr\u003eThe circuit of the M 149 Tube microphone has been developed to exceed traditional designs. We have selected a modern tube (triode) and combined its exceptional transmission characteristics with the advantages of our proven transformerless output circuit.\u003c\/p\u003e\n\u003cp\u003eThe aim was to provide a more controlled environment for the audio signal on its path from the capsule to the output section. \u003c\/p\u003e\n\u003cp\u003eThe final stage is an integrated amplifier, especially designed for such applications. It features very low distortion (THD \u0026lt; 0.002 % at ± 10 V), very low self-noise, and high output current capability. \u003c\/p\u003e\n\u003cp\u003eAs a result, the tube circuit is completely decoupled from the microphone output and its characteristic response curve will be unaffected by very high signal levels or varying load conditions. \u003c\/p\u003e\n\u003cp\u003eThe lower output impedance and higher output current capability allow cable lengths up to 300 m (1000 feet) without any degradation of the audio signal.\u003c\/p\u003e\n\u003cp\u003eThe tube amplifier changes the high impedance of the capsule and adds 10 dB of gain to the audio signal, providing optimum operating specifications. The wide dynamic range is impressive, as peak output can be ±10 V, at 20 mA.\u003c\/p\u003e\n\u003cp\u003eThe ideal operating point of the tube is maintained throughout its entire life expectancy. Plate current and filament voltage are constantly regulated. A sensor circuit monitors and compensates for any voltage drop across the microphone cable. The tube is heated up slowly through inverse current limiting to guarantee long life.\u003c\/p\u003e\n\u003cp\u003eOptimum operating conditions are reached within a very short time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilter\u003c\/strong\u003e\u003cbr\u003eA seven-position slide switch is located on the back of the microphone. It selects a high-pass filter, advancing in half-octave steps between 20 Hz and 160 Hz (-3dB). This filter is useful to suppress rumble from air-conditioning and in windy situations. \u003c\/p\u003e\n\u003cp\u003eIn addition, the filter provides an effective tool to control the audio signal when the microphone is used at close distance and therefore proximity effect alters the program material.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDelivery Range\u003c\/strong\u003e\u003cbr\u003eThe specifically designed N 149 A power supply unit feeds the M 149 Tube through an 8-core cable. The output connector for the audio signal is a 3-pin XLR. The output signal is balanced. \u003c\/p\u003e\n\u003cp\u003eThe microphone comes as a set in an attractive aluminium case, together with the 8-core microphone connecting cable, the N 149 A power supply with plug-in mains unit, the EA 170 full elastic microphone suspension and a dust cover.\u003c\/p\u003e\n\u003ch2\u003eNeumann M149 Tube Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSwitchable tube microphone\u003c\/li\u003e\n\u003cli\u003eTransformerless circuitry\u003c\/li\u003e\n\u003cli\u003eHigh output level\u003c\/li\u003e\n\u003cli\u003ePressure gradient transducer with the M 49 capsule\u003c\/li\u003e\n\u003cli\u003eAcoustically very open wire mesh cage\u003c\/li\u003e\n\u003cli\u003eNine directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure 8, and one intermediate position each\u003c\/li\u003e\n\u003cli\u003e7fold switchable low frequency roll-off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eIn The Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eM 149 Tube Microphone\u003c\/li\u003e\n\u003cli\u003eN 149 A Power supply incl. power cable\u003c\/li\u003e\n\u003cli\u003eKT 8 Connecting cable\u003c\/li\u003e\n\u003cli\u003eEA 170 Elastic suspension\u003c\/li\u003e\n\u003cli\u003eAluminium case\u003c\/li\u003e\n\u003cli\u003eDust cover\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eApplications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eUniversal tube mic\u003c\/li\u003e\n\u003cli\u003eIts warm and yet transparent sound gives volume and presence to a vocalist\u003c\/li\u003e\n\u003cli\u003eA wide range of adjustments provide the most subtle differentiation of sound, especially in the range of proximity effect\u003c\/li\u003e\n\u003cli\u003eMic for broadcasting, dubbing, and voice-over\u003c\/li\u003e\n\u003cli\u003eSpot mic for close miking of solo instruments, especially strings, wind instruments, and piano\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eNeumann M149 Tube Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustical operating principle: \u003c\/strong\u003ePressure gradient transducer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional pattern:\u003c\/strong\u003e Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1 kHz into 1 kohm: \u003c\/strong\u003e34\/47\/62 mV\/Pa1)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated impedance:\u003c\/strong\u003e 50 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRated load impedance: \u003c\/strong\u003e1 kohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, CCIR2): \u003c\/strong\u003e28\/25\/23 dB1)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level, A-weighted2): \u003c\/strong\u003e16\/13\/11 dB-A1)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, CCIR2) (rel. 94 dB SPL):\u003c\/strong\u003e 66\/69\/71 dB1)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio, A-weighted2) (rel. 94 dB SPL):\u003c\/strong\u003e 78\/81\/83 dB1)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTypical SPL (tube characteristic)3): \u003c\/strong\u003eK \u0026lt; 0,5 %: 120 dB, K \u0026lt; 5 %: 136 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output voltage:\u003c\/strong\u003e 18 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range of the microphone amplifier (A-weighted) for \u0026lt; 0,5% THD (for \u0026lt; 5% THD):\u003c\/strong\u003e 101 (121) dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePowering: \u003c\/strong\u003ePower supply N 149 A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatching connectors:\u003c\/strong\u003e Microphone DIN8F, Power supply XLR3F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 730 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter: \u003c\/strong\u003e70 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength:\u003c\/strong\u003e 201 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":31519700779054,"sku":"SNEUM149TUBEUK","price":3846.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neumann-m149-tube.jpg?v=1578924674"},{"product_id":"neumann-m150-omni-vacuum-tube-condenser-microphone","title":"Neumann M 150 Omni Vacuum Tube Condenser Microphone","description":"\u003ch2\u003eNeumann M 150 Omni Vacuum Tube Condenser Microphone\u003c\/h2\u003e\n\u003cp\u003eThe\u003cstrong\u003e Neumann M150 Tube\u003c\/strong\u003e takes many of the features from the original M 50 and incorporates them in a very modern microphone. With low self noise, a Titanium membrane and capsule, transformerless tube amplifier and sophisticated power supply, the M 150 Tube is not a reissue but an entirely new microphone in its own right.\u003c\/p\u003e\n\u003cp\u003eSince the 1950s, the Neumann M 50 has been heralded as the ideal microphone for orchestral recording and string scoring. With its phenomenal transient response and unique directional characteristic, this classic mic has endeared many fans, both in the control room and on the soundstage. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustical features\u003c\/strong\u003e\u003cbr\u003eThe Titanium diaphragm of the pressure capsule is 12 mm in diameter and is exceedingly thin. Although Titanium has been known to have unique and desirable characteristics for some time, it has, until very recently, been very difficult to procure in the quality necessary for use in a microphone of this type. \u003c\/p\u003e\n\u003cp\u003eThe headgrille is shaped just like that on the original M 50, as requested by various top engineers in the recording industry. Due to mounting the pressure capsule with the diaphragm flush to the surface of a small (40 mm) sphere, the directional characteristic of the M 150 Tube is entirely unique. \u003c\/p\u003e\n\u003cp\u003eAt the lowest frequencies, this system is a pure omnipressure transducer with a perfectly circular polar pattern. However, in the mid- and upper frequencies, the pickup pattern becomes more narrow. The M 150 Tube is an ideal microphone for any stereo, 5.1 or 7.1 surround recording, particularly DECCA Tree technique.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003cbr\u003eThe dynamic range of the M 150 Tube is 119 dB, allowing reproduction of the full musical expression, without restraint. \u003c\/p\u003e\n\u003cp\u003eWith a low self noise of 15 dB-A, more gain can be used without risk of adding noise to the final product. The transformerless output circuit of this microphone allows for extremely fine reproduction of small signals and low frequency information. 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All connectors are of XLR 3 type. The audio signal outputs are DC-free. The 5 directional patterns of the TLM 170 R can be remote controlled with rotary switches. The remote control operates by varying the nominal phantom voltage of 48 V over a range of ± 3 V. As in standard operation, cable lengths up to 300 m are permissible. 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The TLM102 excels on vocals and speech as well as louder instruments including drums, percussion, wind instruments and amps. The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention.\u003c\/p\u003e\n\u003cp\u003eThe TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. 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