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The 505 DI is designed specifically for guitar, bass or keyboard input and features gain, tone, pad and impedance controls.\u003c\/p\u003e\n\u003cp\u003eThe tone control can be used to reduce any muddy frequencies with the bright switch adding extra clarity to the sound via a passive shelf. 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Sonically, it is at the top of the \"Mic Preamp List\", regardless of price. Offering low noise (-129 EIN) and 65 dB of gain, the 512C includes phantom power, switchable polarity, -20 dB pad and Mic\/Line or Instrument selector. 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Offering high headroom and a wide variety of inputs and input access ponts, it is ideal for unusual and demanding applications.\u003c\/p\u003e\n\u003cp\u003eImagine a situation where only a few preamps are needed, yet the smallest available console has a proportonally \"small\" mic preamp, making it useless for the demanding application, or conversely, imagine where you need a large number of preamps, and a console of sufficient inputs and quality would be too large to transport or rack mount. The 512C hits the spot with its quality and famous tone. Expand, combine or downsize at any time without trade-ins or product obsolescence. In addition, the 512C's sound and performance exceeds most \"console mic pres\" in every respect.\u003c\/p\u003e\n\u003cp\u003eThe beauty of the entire API 500 Series is its long term flexibility and lasting value when needs change over time. 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An additional \"Ceiling\" fine tune function modifies threshold \u003cem\u003eand\u003c\/em\u003e make-up gain for precise changes in compression without changes in output. A compression\/limit switch sets ratio at either 2:1 or 20:1. Attack time is as fast as 15u\/s. Four auto release modes are offered via two switches, 0.1s, 0.5s, 1.5s, \u0026amp; 2.0s. A De-Ess function inserts an inverse vocal energy curve filter in the detector for effective sibilance\/p-pop reduction. 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It delivers dynamics control behavior unlike VCA \"feed forward\" compressors so common today. A remarkable multi-function \"ceiling\" control can increase gain reduction (lower threshold) while simultaneously raising output level to match, so the user can alter dynamics \"on the fly\" without level changes. This re-issue design has been taken from the original blue prints and spec control drawings from the API archives.\u003c\/p\u003e\n\u003cp\u003eRelease times vary with frequency, with high frequency\/full bandwidth content released faster than just low frequency for natural envelope tracking. Attack time is fixed, chosen to catch the fastest peaks, without \"pumping\". Equally useful as a tracking, mixdown or program compressor\/limiter, the benefits of the API 525 are most obvious to those who use compression on a regular basis. \"Vintage\" dynamics control, an easy to use multi-function control set, and a wide range of 500 Series mounting options assure that the 525 will surpass your most critical applications. With the addition of a hard-wire bypass switch, a balanced input, and a pinout that is the same as all the other 500 series modules, the 525 is still, after 25 years - \"the sound\". Two or more 525s can be linked for multi-channel compression.\u003c\/p\u003e\n\u003cp\u003eThe 525 Feedback Compressor\/Limiter makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":31445274198062,"sku":"SAPI525","price":825.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SAPI525.jpg?v=1722600610"},{"product_id":"api-529-stereo-compressor-500-series-module","title":"API 529 Stereo Compressor 500-Series Module","description":"\u003ch2\u003eAPI 529\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAPI 529\u003c\/strong\u003e is a 500-Series (2 slot) stereo compressor module that combines the convenience and popularity of the 500 Series format API's compression technology. Carefully designed to deliver a wide range of compression options, the 529 delivers warmth, clarity and punch, whether used for subtle adjustments or heavy compression effects.\u003c\/p\u003e\n\u003cp\u003eBased on the unprecedented success of the 2500, the 529 takes many of the features and controls from API's famous stereo compressor and puts them into the first dual slot 500 series module from API. This stereo compressor features API's patented THRUST® circuitry for a punchy low end, along with an Old\/New switch that lets you choose between classic and modern compression characteristics: Old for vintage-style feedback compression and New for today's more common feed-forward compression. The Auto-makeup Gain button lets you adjust ratio and threshold controls without affecting the output level. Using API's discrete op-amps and transformer technology, the 529 delivers the legendary analog sound of API. The 529 is backed by API's unique 5 year warranty.\u003c\/p\u003e\n\u003ch2\u003eAPI 529 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously variable detented Gain, Threshold, Attack, Ratio and Release controls\u003c\/li\u003e\n\u003cli\u003e10 segment LED meters show Gain Reduction and selectable Input or Output Level\u003c\/li\u003e\n\u003cli\u003eOver Threshold LED\u003c\/li\u003e\n\u003cli\u003ePatented THRUST® Switch for frequency dependent side chain control\u003c\/li\u003e\n\u003cli\u003e3 selectable compressor curve Knee settings\u003c\/li\u003e\n\u003cli\u003eSelectable New or Old switch for feed-forward or feed-back operation\u003c\/li\u003e\n\u003cli\u003eSelectable variable or auto compressor make-up gain\u003c\/li\u003e\n\u003cli\u003eThree way In\/Out including full hard relay bypass\u003c\/li\u003e\n\u003cli\u003eAudio circuit uses 2520 and 2510 Discrete Op Amps with transformer output\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: 3\" X 5.25\" X 7\"\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 2.4 lbs.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":31445274296366,"sku":"SAPI529","price":1857.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SAPI529.jpg?v=1722600809"},{"product_id":"api-5500-dual-equalizer","title":"API 5500 - Dual Equalizer","description":"\u003cp\u003eThe lineage of the 5500 circuit can be traced back to the original 550 equalizer designed by Saul Walker, the founder of Automated Processes Inc. The 550 was designed as a console equalizer which, due to the architecture of the recording console, uses an unbalanced input. Because the ergonomics of a console dictate that the controls take up little space, sometimes the number of included functions can be limited. The 5500 is specifically designed to address these limitations. 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The balanced input is handled by a 2510 discrete operational amplifier, which is similar to the 2520, but without the high current output stage. Besides being a key component of the API sound, the 2520 coupled with the API 2503 output transformer is capable of delivering +30dBm before clipping. With this much headroom, it is unlikely that the 5500 can be driven to distortion unless perhaps another API unit is driving the input!\u003c\/p\u003e\n\u003cp\u003eA new feature in the 5500 is the range control. The range of the amplitude controls can be reduced to 1\/2 or 1\/4 of their stated scale, providing a means of adjusting the tonal balance with finer resolution in an even gentler manner. This should be especially useful for complex program material as contained in stems or submixes, and is ideally suited for mastering purposes.\u003c\/p\u003e\n\u003cp\u003eAlso new on the 5500 is a true hard-wire bypass. In this mode the output connector is wired directly to the input. Shortly after the power is first applied, or immediately after it is lost, a special circuit enables bypass mode so signal is never lost and power thumps are never heard.\u003c\/p\u003e\n\u003cp\u003eThe input XLR is connected to an active balanced circuit. The output XLR is driven from a transformer coupled output and can drive any load from 600 ohms or greater to full output capability. The polarity is such that there is no change from input to output, so it is suitable in studios using either pin 2 or pin 3 as the \"hot\" connection. In addition, there is a 1\/4 inch input connector that interrupts any signal that is present on the input XLR. It is balanced and can be driven from either balanced or unbalanced sources. A positive signal on the tip will deliver a positive signal on pin 2 of the output XLR. Using the 1\/4 inch input does not bypass any internal circuitry and does not change gain or operating level.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":31445275115566,"sku":"SAPI5500","price":2745.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/api-5500-1800x1800.webp?v=1753462019"},{"product_id":"api-500-series-550a-3-band-equalizer","title":"API 500 Series 550A - 3 Band Equalizer","description":"\u003ch2\u003eAPI 500 Series 550A - 3 Band Equalizer\u003c\/h2\u003e\n\u003cp\u003eFew equalizers enjoy the respect and admiration of the coveted \u003cstrong\u003eAPI 550A\u003c\/strong\u003e. Designed by the now legendary Saul Walker in the late 60's, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found it's way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAPI 550A Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3 bands of classic API equalization\u003c\/li\u003e\n\u003cli\u003eEach band offers 5 API selected frequency centers\u003c\/li\u003e\n\u003cli\u003eReciprocal and repeatable filtering\u003c\/li\u003e\n\u003cli\u003emaximum 12 dB of boost\/cut per band\u003c\/li\u003e\n\u003cli\u003eEQ Band 1 and 3 offer shelf\/peak switching\u003c\/li\u003e\n\u003cli\u003e\"Proportional Q\" narrows filter Q at extremes\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design\u003c\/li\u003e\n\u003cli\u003eHigh headroom +30 dB clip level\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eForty years later, the 550A remains the standard against which other EQ's are measured, and it has played a major role in the recording industry for decades. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004.\u003c\/p\u003e\n\u003cp\u003eThe 550A provides reciprocal equalization at 15 points in 5 steps of boost to a maximum of 12dB of gain at each point. The fifteen equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost\/cut are selected by three dual-concentric switches, and a pushbutton \"in\" switch allows the EQ to be silently introduced to the signal path. A small toggle switch is used to insert the band-pass filter into the 550A.\u003c\/p\u003e\n\u003cp\u003eThe combination of Walker's incomparable 2520 op amp, and his \"Proportional Q\" circuitry gives the 550A user an uncomplicated way to generate acoustically superior equalization.\u003c\/p\u003e\n\u003cp\u003eWith the long-awaited reissue of this unit, an EQ that has had such a part in the history of recording is continuing to make history in today's music.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":31445275574318,"sku":"SAPI550A","price":965.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/API-550A.jpg?v=1722601154"},{"product_id":"api-500-series-550b-4-band-eq","title":"API 500 Series 550B - 4 Band EQ","description":"\u003cp\u003eThe API 550 EQ played a major part in the history of music recording in the USA during the 60's and 70's. Originally conceived for use in API's consoles, this latest 550 \"B\" version is a continuation of the original 1967 550 through the 550A with one additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 op-amp), the 550B artfully blends the past with the present. So many hit records still depend on the unique 550 sound, that the 550B will be an invaluable tool you will turn to again and again. The \u003cstrong\u003eAPI 550B\u003c\/strong\u003e - unlike any other you will ever use.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4 bands of our famous sounding equalization\u003c\/li\u003e\n\u003cli\u003eEach band offers 7 API selected frequency centers\u003c\/li\u003e\n\u003cli\u003eReciprocal and repeatable filtering\u003c\/li\u003e\n\u003cli\u003e12 dB of boost\/cut per band\u003c\/li\u003e\n\u003cli\u003eEQ Band 1 and 4 offer shelf\/peak switching\u003c\/li\u003e\n\u003cli\u003e\"Proportional Q\" narrows filter Q at extremes\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design\u003c\/li\u003e\n\u003cli\u003eHigh headroom +30 dB clip level\u003c\/li\u003e\n\u003cli\u003eRe-issue of 1967 API 550 EQ with an extra band\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMany EQ's today offer a huge assortment of complex features, but the API 550B provides exactly the right number of controls to the professional engineer. Deceptively simple at first glance, the 550B's four EQ bands are overlapped significantly to aid in dual roles as problem solver and sweetening device. Each band offers 7 switchable filter frequencies spanning 4 to 5 octaves, selected through experience by a \"who's who\" list of the industry's most proficient engineers. This re-issue design has been taken from the original blue prints and spec control drawings from the API archives.\u003c\/p\u003e\n\u003cp\u003eMaking use of \"API Proportional-Q\", a design introduced by API in the 60's, the 550B intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings - without the need for additional bandwidth controls. This feature minimizes the \"phase-shift\" sound found in many equalizers. 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It delivers that \"one-of-a-kind\" API sound, precision easy set filtering, and high headroom in a very small package. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 is unmatched. At home both in field recording and the studio environment, this \"new-old\" version is a re-issue of the original 560 with improved resolution in the critical area of +4dB. 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For most of the 70's and 80's, every remote recording console that API manufactured used this versitile graphic EQ. It is also ideal for studio and live sound applications, where a professional result is required. This re-issue design has been taken from the original blue prints and spec control drawings from the API archives.\u003c\/p\u003e\n\u003cp\u003eThe large number of available EQ bands make the 560 an ideal companion to parametric EQ, as well as ideal for signal sweetening and room tuning. Not lacking in features, the 560 makes use of API's unique \"Proportional Q\" design introduced by API in the 60's, intuitively widening the filter bandwidth at lower boost\/cut levels and narrowing it at higher settings. In addition, boost and cut characteristics are identical, so previous actions can be undone.\u003c\/p\u003e\n\u003cp\u003eThe extraordinary headroom made possible with API's proprietary 2520 op-amp offers predictable and wonderful \"analog\" performance under duress. 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