{"title":"Preamps","description":"","products":[{"product_id":"a-design-mp-2a-2-channel-valve-mic-pre","title":"A-Design MP-2A - 2 Channel Valve Mic Pre","description":"\u003ch2\u003eA-Design MP-2A - 2 Channel Valve Mic Pre\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eA-Design MP-2A\u003c\/strong\u003e is a high end tube, dual channel preamplifier that can bring a warm analog sound to your DAW setup with ease. With the new MP-2\"A\" model A-Design have added tone switches to each channel of the preamp allowing you to choose from four distinct sounds.\u003c\/p\u003e\n\u003cp\u003eA-Design MP-2A is true tube from it's front end to the back-end with tubes, film capacitors and custom transformers which together deliver a world-class sound with a solid bass response and warm yet airy top end. On the front of the unit is a 1\/4\" DI for high impedance instruments and sources such as guitar, bass, digital keyboards and even drum machines. Simply passing audio through the input of the MP-2A gives a gorgeous tone and analogue tube sound.\u003c\/p\u003e\n\u003ch2\u003eA-Design MP2A Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAll-tube design.\u003c\/li\u003e\n\u003cli\u003eSelectable tone switches offer four sounds per channel.\u003c\/li\u003e\n\u003cli\u003e60dB gain allows use of next-generation ribbon mics.\u003c\/li\u003e\n\u003cli\u003eEF86 input tubes\/6N1P output tubes.\u003c\/li\u003e\n\u003cli\u003eCinemag input transformers and custom-wound output transformers.\u003c\/li\u003e\n\u003cli\u003eTrue VU meters.\u003c\/li\u003e\n\u003cli\u003eDual level controls.\u003c\/li\u003e\n\u003cli\u003e-20dB pad switch (per channel).\u003c\/li\u003e\n\u003cli\u003ePolarity switch (per channel).\u003c\/li\u003e\n\u003cli\u003eToroidal power transformer.\u003c\/li\u003e\n\u003cli\u003eBalanced XLR I\/O and 1\/4” direct injects.\u003c\/li\u003e\n\u003cli\u003eCustom-milled faceplate, solid vented metal frame 2U rack size\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eA-Design MP2A Specifications:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response: 20Hz – 60kHz\u003c\/li\u003e\n\u003cli\u003eGain range: 0 – 60dB\u003c\/li\u003e\n\u003cli\u003eDistortion THD: \u0026gt; .08 @ 1kHz\u003c\/li\u003e\n\u003cli\u003eNoise (EIN): -128dBu\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1.4k ohm\u003c\/li\u003e\n\u003cli\u003ePhantom power: +48V switchable power source\u003c\/li\u003e\n\u003cli\u003eMic input phase: 0-180” (switchable)\u003c\/li\u003e\n\u003cli\u003eInstrument input: 1\/4” phono\u003c\/li\u003e\n\u003cli\u003eInstrument input impedance min: \u0026gt;100k ohm\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 600 ohm, switchable to 10k ohm\u003c\/li\u003e\n\u003cli\u003eMaximum output level: +22dBu\u003c\/li\u003e\n\u003cli\u003eOutput: Low-Z, transformer-balanced\u003c\/li\u003e\n\u003cli\u003ePower requirements: 100\/120\/230 VAC – 42W\u003c\/li\u003e\n\u003cli\u003eDimensions: (W x H x D) 19” x 3-1\/2” x 10”\u003c\/li\u003e\n\u003cli\u003eWeight: 18 lb. 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The hand-crafted A-Design Pacifica preamp and DI boasts solid build quality with a red and cream coloured finish with solid feeling red metal gain knobs, a red +48b phantom power push button with red LED indicator and a grey push button phase reverse\/20dB pad.\u003cbr\u003e\u003cbr\u003eA big factor in the Pacifica's signature sound is the vast bandwidth which ranges from 9Hz all the way up to 101kHz with a staggering \u0026lt;1% distortion. The custom transpormers give the Pacifica linear response down below 10Hz to provide the big punch sound that has made the Pacifica become a modern classic.\u003c\/p\u003e\n\u003ch2\u003eA-Design Pacifica Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-channel, solid state preamp with two front-panel Hi-Z inputs.\u003c\/li\u003e\n\u003cli\u003eCaptures the sound quality of the legendary Quad Eight Pacifica console with even more presence and high-end. \u003c\/li\u003e\n\u003cli\u003eVery warm and full tone without being dark; wide bandwidth with a sweet top end.\u003c\/li\u003e\n\u003cli\u003eCustom-wound Cinemag input and output transformers.\u003c\/li\u003e\n\u003cli\u003eInput transformer: A-Designs proprietary input transformer with unique winding. •Output Transformer: A-Designs proprietary alloy using the same massive design as the original Quad Eight.\u003c\/li\u003e\n\u003cli\u003e72dB of quiet gain, great for use with ribbon mics.\u003c\/li\u003e\n\u003cli\u003eUnique DI design sends signal through the input transformer for two transformers in the signal path.\u003c\/li\u003e\n\u003cli\u003eBalanced XLR I\/O.\u003c\/li\u003e\n\u003cli\u003ePhase reversal (each channel).\u003c\/li\u003e\n\u003cli\u003e-20dB pad (each channel).\u003c\/li\u003e\n\u003cli\u003e+48V phantom power (each channel).\u003c\/li\u003e\n\u003cli\u003eSolid construction, handmade in the USA.   \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eA-Design Pacifica Specifications:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency response: 9Hz-101KHz\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1500 ohm \u003c\/li\u003e\n\u003cli\u003eGain range: 72dB\u003c\/li\u003e\n\u003cli\u003eNoise (EIN): -128dB • Phantom power: Switchable 48V \u003c\/li\u003e\n\u003cli\u003eMic input phase: Switchable 0 -180°\u003c\/li\u003e\n\u003cli\u003eInstrument Input Jack 1\/4” Phono\u003c\/li\u003e\n\u003cli\u003eOutput: Balanced XLR \u003c\/li\u003e\n\u003cli\u003eDistortion: Less than 1%\u003c\/li\u003e\n\u003cli\u003ePower requirements: 100\/120\/230 VAC – 23W\u003c\/li\u003e\n\u003cli\u003eDimensions: 19” x 1-3\/4” x 10”\u003c\/li\u003e\n\u003cli\u003eWeight: 11 lb.\u003c\/li\u003e\n\u003cli\u003eShipping weight: 12.5 lb.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":31436123111470,"sku":"SADEPAC","price":2183.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/A-Designs_0002_PACIFICA-FRONT-ANGLE.jpg?v=1770634182"},{"product_id":"api-3124mb-4-channel-pre-with-stereo-mixer-transformer-balanced-outputs","title":"API 3124MB+ - 4 Channel Pre with Stereo Mixer \u0026 Transformer Balanced Outputs","description":"\u003ch2\u003eAPI 3124MB+\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAPI 3124mb+\u003c\/strong\u003e is a high-quality 4 channel mic preamp with the addition of an audio mixer with a transformer balanced output.\u003c\/p\u003e\n\u003cp\u003eEach channel includes a preamp with up to 65dB of gain, phase reverse, 48v Phantom Power, -20dB pad and a mic\/line selector. 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Unlike the 3124V, the 3124MV has an additional audio mixer with a transformer balanced output.\u003c\/p\u003e\n\u003cp\u003eThe unit provides up to 65dB of gain and the Hi-Z front panel goes directly into the op-amp, allowing any low level inputs such as a guitar or bass to be amplified without a matching transformer or D.I box.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eClassic API Circuit Design\u003c\/li\u003e\n\u003cli\u003eUses API 2520 Op Amps\u003c\/li\u003e\n\u003cli\u003eVariable Output Level Control\u003c\/li\u003e\n\u003cli\u003e3:1 Output Transformer Tap Selection\u003c\/li\u003e\n\u003cli\u003eFour female XLR mic inputs\u003c\/li\u003e\n\u003cli\u003eFour front panel 1\/4\" Hi Z instrument inputs\u003c\/li\u003e\n\u003cli\u003eFront panel polarity switches\u003c\/li\u003e\n\u003cli\u003eFront panel -20dB pad switches\u003c\/li\u003e\n\u003cli\u003eFront panel mic\/instrument switches\u003c\/li\u003e\n\u003cli\u003eFront panel 48V power switches\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 1500 Ohms Mic, 470 K Ohms Un-Balanced, HI-Z in\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance:\u003c\/strong\u003e Less than 75 Ohms Channel Outputs\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eNominal Levels:\u003c\/strong\u003e XLR Channel Output +4 dBu\u003c\/li\u003e\n\n\u003cli\u003e\u003cstrong\u003eStereo Output Level:\u003c\/strong\u003e\u003c\/li\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eUnbalanced: nominal -2\u003c\/li\u003e\n\n\u003cli\u003eBalanced: +4\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e +0, -5, 10 Hz to 20 kHz (-.5 at 10 Hz)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eNoise EIN:\u003c\/strong\u003e -129 Mic, -125 Un-Bal. Actual\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMeasured Noise:\u003c\/strong\u003e Better than -91 dBm \/ below Nominal +4.\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDistortion:\u003c\/strong\u003e All Outputs at +4 out, .03%, at +22, .09% Max\u003c\/li\u003e\n\n\u003cli\u003e\u003cstrong\u003eGain Range:\u003c\/strong\u003e\u003c\/li\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e150 Ohms Input 10 dB Min., 65 dB Max (inc. PAD). \u003c\/li\u003e\n\n\u003cli\u003eUn-Bal. 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It has a RE-115K mic input transformer and a proprietary output transformer found in all API gear.\u003c\/p\u003e\n\u003cp\u003eThe 3124V offers variable output level control and switchable 3:1 output transformer selection. The unit has an internal +48v phantom power supply which is switchable for each channel along with a -20dB pad switch.\u003c\/p\u003e\n\u003cp\u003eThe unit provides up to 65dB of gain and the Hi-Z front panel goes directly into the op-amp, allowing any low level inputs such as a guitar or bass to be amplified without a matching transformer or D.I box.\u003c\/p\u003e\n\u003ch2\u003eAPI 3124V Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eClassic API Circuit Design\u003c\/li\u003e\n\u003cli\u003eUses API 2520 Op Amps\u003c\/li\u003e\n\u003cli\u003eVariable Output Level Control\u003c\/li\u003e\n\u003cli\u003e3:1 Output Transformer Tap Selection\u003c\/li\u003e\n\u003cli\u003eFour female XLR mic inputs\u003c\/li\u003e\n\u003cli\u003eFour front panel 1\/4\" Hi Z instrument inputs\u003c\/li\u003e\n\u003cli\u003eFront panel polarity switches\u003c\/li\u003e\n\u003cli\u003eFront panel -20dB pad switches\u003c\/li\u003e\n\u003cli\u003eFront panel mic\/instrument switches\u003c\/li\u003e\n\u003cli\u003eFront panel 48V power switches\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 1500 Ohms Mic, 470 K Ohms Un-Balanced, HI-Z in\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance:\u003c\/strong\u003e Less than 75 Ohms Channel Outputs\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eNominal Levels:\u003c\/strong\u003e XLR Channel Output +4 dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eStereo Output Level:\u003c\/strong\u003e Unbalanced: nominal -2, Balanced: +4\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e +0, -5, 10 Hz to 20 kHz (-.5 at 10 Hz)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eNoise EIN:\u003c\/strong\u003e -129 Mic, -125 Un-Bal. Actual\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMeasured Noise:\u003c\/strong\u003e Better than -91 dBm \/ below Nominal +4.\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDistortion:\u003c\/strong\u003e All Outputs at +4 out, .03%, at +22, .09% Max\u003c\/li\u003e\n\n\u003cli\u003e\u003cstrong\u003eGain Range:\u003c\/strong\u003e\u003c\/li\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e150 Ohms Input 10 dB Min., 65 dB Max (inc. PAD).\u003c\/li\u003e\n\n\u003cli\u003eUn-Bal. Input 14 dB Min., 50 dB Max\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eVU Meter:\u003c\/strong\u003e Calibrated for XLR Outputs, OVU=+4 dBu, (-12, -6, -3, 0, +3, +6, +18)\u003c\/li\u003e\n\n\u003cli\u003e\u003cstrong\u003eControls: \u003c\/strong\u003e\u003c\/li\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eGAIN\u003c\/li\u003e\n\n\u003cli\u003ePAD (20 dB)\u003c\/li\u003e\n\n\u003cli\u003e48Volts\u003c\/li\u003e\n\n\u003cli\u003ePOL (polarity)\u003c\/li\u003e\n\n\u003cli\u003eMIC (mic\/un-bal)\u003c\/li\u003e\n\n\u003cli\u003eVU\u003c\/li\u003e\n\n\u003cli\u003eAC\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePower Consumption, Quiescent:\u003c\/strong\u003e 19.2 Watts\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSize:\u003c\/strong\u003e 19\" X 1.75\" (1U) X 11\" Deep\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eActual Weight:\u003c\/strong\u003e 10.38 lbs.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":31445273083950,"sku":"SAPI3124V","price":2745.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/prod_3124v_1_xl.jpg?v=1578921883"},{"product_id":"api-512c-500-series-mic-line-preamp-di","title":"API 512C - 500 Series Mic Line Preamp\/DI","description":"\u003ch2\u003eAPI 512C - 500 Series Mic Line Preamp\/DI\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAPI 512C\u003c\/strong\u003e is a mic\/line\/instrument preamp designed to provide a low noise, unusually good sounding front end for all types of audio systems. Sonically, it is at the top of the \"Mic Preamp List\", regardless of price. Offering low noise (-129 EIN) and 65 dB of gain, the 512C includes phantom power, switchable polarity, -20 dB pad and Mic\/Line or Instrument selector. Front panel XLR and 1\/4 inch connectors combined with rear panel mic access allows for additional flexibility when installed in an API LunchBox, Six Pack, 10 position vertical rack, a 2 position horizontal rack, or an API console.\u003c\/p\u003e\n\u003ch2\u003eAPI 512C Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMic Preamp with 65 dB of gain\u003c\/li\u003e\n\u003cli\u003eFront and Back Panel Mic Input Access\u003c\/li\u003e\n\u003cli\u003eLine\/Instrument Preamp with 50 dB of gain\u003c\/li\u003e\n\u003cli\u003eFront and Back Panel Line\/Instrument Input\u003c\/li\u003e\n\u003cli\u003eLED VU meter for monitoring output level\u003c\/li\u003e\n\u003cli\u003e20 dB pad switch, applies to mic\/line\/instrument\u003c\/li\u003e\n\u003cli\u003e48v Phantom switchable power\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design\u003c\/li\u003e\n\u003cli\u003eUses the famous API 2520 Op-Amp\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWhat makes the API 512C unique is its long evolution from the original 1967 era 512, the first modular mic pre, to the current full featured 512C, while preserving the original sound character that made it so much a part of the early days of recording. Offering high headroom and a wide variety of inputs and input access ponts, it is ideal for unusual and demanding applications.\u003c\/p\u003e\n\u003cp\u003eImagine a situation where only a few preamps are needed, yet the smallest available console has a proportonally \"small\" mic preamp, making it useless for the demanding application, or conversely, imagine where you need a large number of preamps, and a console of sufficient inputs and quality would be too large to transport or rack mount. The 512C hits the spot with its quality and famous tone. Expand, combine or downsize at any time without trade-ins or product obsolescence. In addition, the 512C's sound and performance exceeds most \"console mic pres\" in every respect.\u003c\/p\u003e\n\u003cp\u003eThe beauty of the entire API 500 Series is its long term flexibility and lasting value when needs change over time. With a range of mounting frame options, the 512C will be a valuable asset to your performance critical applications.\u003c\/p\u003e\n\u003cp\u003eThe 512C Mic\/Line Preamp makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":31445273378862,"sku":"SAPI512C","price":599.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SAPI512CBSK.jpg?v=1722599537"},{"product_id":"audient-asp800","title":"Audient ASP800 - 8-Channel Mic Pre with 2 Retro Channels and Built In ADC","description":"\u003ch2\u003eAudient ASP800 - 8-Channel Mic Pre with 2 Retro Channels and Built In ADC\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAudient ASP800\u003c\/strong\u003e is a high qualtiy multi-channel preamplifier designed to transform your sessions into world class recordings, making it the perfect addition to your audio interface. ASP800 provides 8 channels of Audient’s renowned console mic preamps, class-leading Burr-Brown converter technology, two JFET D.I’s and two Retro channels with revolutionary tone control. Just plug in your mics, guitars, keyboards and drum machines and you’re ready to go, so get creative and start thinking big.\u003c\/p\u003e\n\u003ch2\u003eAudient ASP800 Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e8 x World Class Audient Console Mic Pres\u003c\/li\u003e\n\u003cli\u003e2 x Retro Channels with Dual Stage COLOUR Saturation Controls - HMX \u0026amp; IRON\u003c\/li\u003e\n\u003cli\u003e2 x Discrete JFET Instrument Inputs\u003c\/li\u003e\n\u003cli\u003ePristine 118-dB Burr-Brown A-D Converters\u003c\/li\u003e\n\u003cli\u003eBalanced Analogue Line Outputs\u003c\/li\u003e\n\u003cli\u003eADAT Output for Expandability\u003c\/li\u003e\n\u003cli\u003eWord Clock Input\u003c\/li\u003e\n\u003cli\u003eAll-Metal Enclosure\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":31460396662830,"sku":"SAUBASP800","price":415.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/audient-asp-800-front.jpg?v=1578922053"},{"product_id":"chandler-redd-47-1-channel-tube-mic-preamp-with-transformer-balanced-i-o","title":"Chandler REDD.47 - 1-channel Tube Mic Preamp with Transformer Balanced I\/O","description":"\u003ch2\u003eChandler REDD.47\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eChandler Redd.47\u003c\/strong\u003e is a mic amplifier designed with the original valve line amplifiers used in Abbey Road Studios in mind. The REDD.47 lent its unmistakably punchy, aggressive character to music recorded at Abbey Road Studios' Studio Two between 1964 and 1968, including many tracks by The Beatles.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003eDesigned as a central component to the EMI REDD.51 recording console, the original REDD.47 line amplifier was used to amplify virtually every stage of the audio path (mic inputs, line inputs, echo sends and monitors).\u003c\/p\u003e\n\u003cp\u003eThe Chandler Limited REDD.47 Mic Amplifier offers many additional benefits to the original design including increased gain, allowing a range of tonal options from pristine clean sound to classic rich, saturated tone with up to 2% harmonic distortion before clipping. The Chandler Limited REDD.47 preamp easily reproduces the distortions heard on The Beatles’ ‘Revolution.’\u003c\/p\u003e\n\u003cp\u003eChandler Limited’s REDD.47 tube microphone preamplifier delivers the legendary sound of Abbey Road Studios’ ‘Holy Grail’ preamp, with extra features to meet today’s recording studio standards.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eCHANNELS\u003c\/strong\u003e: Mono\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eCIRCUIT:\u003c\/strong\u003e Tube (EF86, E88CC)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eInputs:\u003c\/strong\u003e Mic\/Line XLR (pin 2 hot), D\/I (1\/4”)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eOutput:\u003c\/strong\u003e XLR (pin 2 hot)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eTransformer:\u003c\/strong\u003e balanced I\/O (custom wound)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eVoltage gain:\u003c\/strong\u003e Stepped 16-52db\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFine gain:\u003c\/strong\u003e Stepped ±5db\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eTotal Gain:\u003c\/strong\u003e +57db\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eOutput control:\u003c\/strong\u003e variable\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRumble filter:\u003c\/strong\u003e Inductor based, switchable (30,45,60,70,90,110,130,180hz)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePAD:\u003c\/strong\u003e 20db, switchable\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePhase:\u003c\/strong\u003e 0\/180º, switchable\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePhantom Power:\u003c\/strong\u003e +48v, switchable\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePOWER:\u003c\/strong\u003e Internal power supply\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Chandler","offers":[{"title":"Default Title","offer_id":31467390664750,"sku":"SCHAREDD47","price":2374.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/ChandlerLimitedREDD47PreampFront_forsite.jpg?v=1724162946"},{"product_id":"neve-1073-dpx-dual-1073-microphone-preamp-eq-unit","title":"Neve 1073DPX - Dual 1073 Preamp\/EQ","description":"\u003ch2\u003eNeve 1073DPX\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeve 1073DPX\u003c\/strong\u003e is a dual channel Preamp and EQ that adopts the same 1073 Class A Design, legendary 3-band EQ and high pass filter. Perfect for a variety of stereo micing setups such as piano and drum overheads. Alternatively, with two 1073 preamps in one unit, the DPX makes an excellent choice for multi-micing scenarios such as kick and snare, acoustic guitar and vocals.\u003c\/p\u003e\n\u003cp\u003eThe 1073DPX provides the same classic tone and thanks to the exclusive Marinair transformers on the microphone input, line input and line output stage. Coupled with the three-band inductor-based EQ, the 1073DPX can process a range of sources with the classic NEVE sound.\u003c\/p\u003e\n\u003cp\u003eThe Class A design 1073 microphone preamplifiers feature three bands of EQ: one fixed high-frequency band, two switchable bands with cut and boost capability, and a high-pass filter. The Neve 1073 mic pre and EQ combination adds warmth and depth to recordings, brings out subtle ambience, maintains spatial positioning, and more effectively captures a precise image. That’s why the 1073 mic preamp is considered by many to be the very essence of the Neve sound.\u003c\/p\u003e\n\u003cp\u003eFor a more in-depth look at the DPX, please see the Youtube video below:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=JsiyZlVxfT4\" title=\"1073 DPX Feature Rundown\" rel=\"noopener\" target=\"_blank\"\u003eNEVE 1073 DPX FEATURE RUNDOWN\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 independent, genuine Neve 1073 transformer-coupled microphone preamplifier \/ EQ circuits, in a single 2U 19\" rack-mount enclosure\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExclusive Neve Marinair™ transformers are used on each input and output stage.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eConvenient connections for Mic, Line \u0026amp;amp; DI inputs on the front of the unit, with switchable mic\/line input connections on the rear of the unit\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSwitchable +48v Phantom Power, Hi\/Lo impedance, -20dB pad, and DI ground lift on the input stage\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSwitchable Phase, and EQ in\/out\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInsert Send and Return loop feature allows external equipment to be connected easily to the 1073DPX audio chain, such as mono\/stereo limiter\/compressor\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePost-EQ insert send\/return - a line-level output send is available from the post EQ stage and a return just before the main output stage\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIndependent channel output level controls\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e7-stage LED signal level meters for each channel - can show mic\/line\/DI input-stage level, EQ-stage level or output-stage level up to +24dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHeadphone output with adjustable volume control can listen to channel 1, channel 2 or both channels combined\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExternal multi-voltage PSU\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":31519712477230,"sku":"SNEV1073DPX","price":2249.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/AMSNEVE_0003_1073DPXFrontRaisedRT.jpg?v=1669373242"},{"product_id":"ams-neve-1073-lb","title":"Neve 1073LB Preamp - 500 Series","description":"\u003ch2\u003eNeve 1073LB\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeve 1073LB\u003c\/strong\u003e is a professional preamp designed after the classic 1073 microphone preamplifier in shape and components so it retains the unique sonic characteristics of the original. Although it’s designed on the basis of the original it’s now more compatible with your modern studio making it the perfect choice for any professional. \u003cbr\u003e\u003cbr\u003eWith new features like a fine TRIM control, switchable microphone input impedance, signal presence LED, intelligent protected switching of front combi-XLR input connector and Neve's clever Audio Processing Input design, the 1073LB takes your LunchboxTM to the next level.\u003cbr\u003e\u003cbr\u003eSimply install into an empty slot in your compatible LunchboxTM rack, connect your microphone or line level signals and inject that legendary sound into your audio creations.\u003cbr\u003e\u003cbr\u003eLaunched in 1970, the 1073 is the first choice of leading producers and artists, delivering the unique Neve sound on some of the most famous recordings of the past 40 years. The big, punchy sound of the 1073 complements any musical genre - from rock to pop, hip-hop to rap, thrash to classical. And now it is available in a 500-Series, Lunchbox format.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/eu-west-1.protection.sophos.com?d=youtu.be\u0026amp;u=aHR0cHM6Ly95b3V0dS5iZS83TExzT0xEZ2lQMA==\u0026amp;i=NWZjNjczYjAxODMxYzgwZTE4OWRkYTA0\u0026amp;t=ZTBBMDZqTG1aZ0dwODgyMFBBYktPWG85Q096ZVdrMDFJdW1TWUpSaEt2ND0=\u0026amp;h=82bea24232814a55b2fef119ca69e2a9\"\u003ehttps:\/\/youtu.be\/7LLsOLDgiP0\u003c\/a\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eClassic transformer microphone preamp amp (Class A design)\u003c\/li\u003e\n\u003cli\u003eNeve designed hand-wound transformers\u003c\/li\u003e\n\u003cli\u003eBoth Mic and Line inputs are transformer balanced and earth free\u003c\/li\u003e\n\u003cli\u003eGain knob with Signal Presence LED\u003c\/li\u003e\n\u003cli\u003e+5\/-10dB level Trim control with integrated phantom power on\/off switch\u003c\/li\u003e\n\u003cli\u003ePhase, Impedance and Front Input selector switches\u003c\/li\u003e\n\u003cli\u003eFront combi-XLR connector with intelligent switching of phantom power\u003c\/li\u003e\n\u003cli\u003eAudio Processing Insert design allows processing from adjacent Neve modules in same\u003c\/li\u003e\n\u003cli\u003eLunchboxTM to be inserted into the 1073LB's pre-output stage\u003c\/li\u003e\n\u003cli\u003eMicrophone Input: Gain -80db to -20dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003eLine Input: Input impedance 4k ohms bridging, gain -20dB to +10dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003eOutput is transformer balanced and earth free\u003c\/li\u003e\n\u003cli\u003eDistortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output \u003cbr\u003e(80kHz bandwidth)\u003c\/li\u003e\n\u003cli\u003eFreq Response: +0.5dB 20Hz to 20kHz, -3dB at 40kHz\u003c\/li\u003e\n\u003cli\u003eCrafted in England by Neve engineers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone Amplifier Section:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone Input:\u003c\/strong\u003e Transformer balanced and earth free. Switchable impedance (300Ω or 1200Ω)Gain -80dB to -20dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine Input: \u003c\/strong\u003eTransformer balanced and earth free. Impedance 4kΩ bridgingGain -20dB to +10dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput: \u003c\/strong\u003eTransformer balanced and earth free. Maximum Output is +28dBuOutput impedance is 75Ω @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDistortion:\u003c\/strong\u003e 0.07% from 50Hz to 10kHz @ +20dBu output (80kHz bandwidth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e +\/-0.5dB 20Hz to 20kHz, -3dB @ 40kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise:\u003c\/strong\u003e -82dBu at all Line gain settings (22Hz to 22kHz bandwidth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEIN:\u003c\/strong\u003e Better than -125dBu @ 60dB gain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain control with Signal presence indicator\u003c\/li\u003e\n\u003cli\u003eFine trim control with integrated +48v phantom power on\/off push switch\u003c\/li\u003e\n\u003cli\u003eFhase switch\u003c\/li\u003e\n\u003cli\u003eMicrophone impedance selector\u003c\/li\u003e\n\u003cli\u003eFront\/rear input connector selector switch\u003c\/li\u003e\n\u003cli\u003eCombi-XLR audio input connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth: \u003c\/strong\u003e38mm (1½ inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight: \u003c\/strong\u003e132mm (5¼ inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth (excluding front panel controls \u0026amp; rear connector): \u003c\/strong\u003e145mm (5¾ inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eApprox. Weight: \u003c\/strong\u003e1.1Kg (2½ pounds)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eModule requirements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eRack:\u003c\/strong\u003e Compliant LunchboxTM rack with integral PSU and external audio connections\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAvailable Rack slots:\u003c\/strong\u003e Single LunchboxTM rack slot required for each 1073LB module\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":31519712837678,"sku":"SNEV5001073LB","price":674.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Neve500-Series_0005s_0001_1073LB.jpg?v=1766406610"},{"product_id":"neve-1073n-classic-standalone-mono-mic-pre-eq-module","title":"Neve 1073N Classic Standalone Mono Mic Pre\/EQ Module","description":"\u003ch2\u003eNeve 1073N Classic Standalone Mono Mic Pre\/EQ Module\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeve 1073N\u003c\/strong\u003e is a mono mic pre and EQ module that can be used standalone or in a compatible Neve console or rack.\u003c\/p\u003e\n\u003cp\u003eLaunched in 1970, the Neve 1073 Classic soon became the first choice mic preamp for leading producers and artists. Found on some of the most famous recordings of the past 40 years, the big, punchy sound of the 1073 complements any musical genre – from rock to rap to classical.  The quality is legendary.\u003c\/p\u003e\n\u003cp\u003eDesigned and built in England, the modern-day \u003cstrong\u003e1073N \u003c\/strong\u003eis produced to the exact specifications of the original, matching components to ensure the sound remains true.  The Class A design 1073N microphone preamplifier has 3-band EQ (fixed HF plus two switchable bands with cut\/boost capability) and a high pass filter. The Neve 1073N mic pre and EQ combination adds warmth and depth to recordings, brings out subtle ambience, maintains spatial positioning, and captures a more precise image – embodying, think many engineers and producers, the essence of the Neve sound.\u003c\/p\u003e\n\u003cp\u003eBuilding on the 1073 classic module features, the 1073N introduces extra functionality with an integrated DI input, I\/O connectors for direct connection of microphones and instruments and other equipment, phantom power for powered microphones and a PSU for standalone use. It can also be fitted into compatible racks\/housings or retrofit into 80 Series Neve Classic consoles.  Neve – no question.\u003c\/p\u003e\n\n\u003ch2\u003eNeve 1073N Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eClassic transformer microphone preamp amp (Class A design) with integral DI input and Phantom Power\u003c\/li\u003e\n\u003cli\u003e3 EQ bands  \u0026amp; HP filter\u003c\/li\u003e\n\u003cli\u003eDesigned and built in England\u003c\/li\u003e\n\u003cli\u003eNeve designed hand-wound transformers\u003c\/li\u003e\n\u003cli\u003eCan be used as a standalone module or inserted into a compatible rack or console\u003c\/li\u003e\n\u003cli\u003eMic \u0026amp; Line inputs are transformer balanced and earth free\u003c\/li\u003e\n\u003cli\u003eMicrophone Input: Gain +80db to +20dB in 5dB steps. \u003c\/li\u003e\n\u003cli\u003eLine Input: Input impedance 10k ohms, gain +20dB to -10dB in 5dB steps. \u003c\/li\u003e\n\u003cli\u003eDI Input: Input impedance 10M Ohms (PAD off) \/ 10K Ohms (PAD on) Gain +80dB to +20dB in 5dB steps.\u003c\/li\u003e\n\u003cli\u003eOutput: Maximum output is \u0026gt;+26dBu into 600Ω. \u003c\/li\u003e\n\u003cli\u003eOutput is transformer balanced and earth free \u003c\/li\u003e\n\u003cli\u003eDistortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output \u003c\/li\u003e\n\u003cli\u003e(80kHz bandwidth) into 600Ω. \u003c\/li\u003e\n\u003cli\u003eFreq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eNeve 1073N Specifications\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eMic Amplifier Section: \u003c\/strong\u003e   \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone Input\u003c\/strong\u003e:    Input impedance 300 Ohms or 1200 Ohms, gain +80dB to +20dB in 5dB steps.Input is transformer balanced and earth free.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine Input\u003c\/strong\u003e:    Input impedance 10K Ohms bridging, gain +20dB to -10dB in 5dB steps.Input is transformer balanced and earth free.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDI Input\u003c\/strong\u003e:    Input impedance 10M Ohms (PAD off) \/ 10K Ohms (PAD on)Gain +80dB to +20dB in 5dB steps.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e:    Maximum output is \u0026gt;+26dBu into 600 Ohms. Output impedance is 75 Ohms @ 1kHzOutput is transformer balanced and earth free.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e:    Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) into 600 Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e:    +\/-0.5dB 20Hz to 20kHz, -3dB at 40kHz, EQ out.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e:    Not more than -83dBu at all Line gain settings, EQ In\/Out (22Hz to 22kHz bandwidth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEIN\u003c\/strong\u003e:    Better than -125dBu @ 60dB gain.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEQ Section:    \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Frequency\u003c\/strong\u003e:    Smooth +\/- 16dB fixed frequency shelving at 12kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMid Frequency\u003c\/strong\u003e:    Smooth +\/- 18dB peaking, fixed 'Q' with selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz \u0026amp; 7.2kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow Frequency\u003c\/strong\u003e:    Smooth +\/- 16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz \u0026amp; 220Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Pass Filter\u003c\/strong\u003e:    18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz \u0026amp; 300Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEQL Button\u003c\/strong\u003e:    Switches the equaliser in or out of circuit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhase Button\u003c\/strong\u003e:    Gives 180 degree phase change at balanced output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModule Dimensions\u003c\/strong\u003e:       \n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth\u003c\/strong\u003e:    45mm (1.8 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight\u003c\/strong\u003e:    222mm (8.75 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth\u003c\/strong\u003e:    254mm (10 inches)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eApprox. Weight\u003c\/strong\u003e:    2.5kg (5.5 pounds)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":31519713001518,"sku":"SNEV1073N","price":1490.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neve-1073n-front.jpg?v=1713543225"},{"product_id":"ams-neve-1084-classic-mono-module-mic-pre-hf-lf-filter","title":"Neve 1084 Classic Mono Module - Mic Pre, HF \u0026 LF Filter","description":"\u003ch2\u003eNeve 1084 Classic Mono Module - Mic Pre, HF \u0026amp; LF Filter\u003c\/h2\u003e\n\u003cp\u003eOccupying a special place in the imagination of engineers and producers, the \u003cstrong\u003eNeve 1084 \u003c\/strong\u003edelivers an incredibly fat, smooth sound. While the 1084 builds on the same basic design of the world-famous 1073, it offers a significantly different palette of frequency selections. The 1084 also features a \"Q\" switch, allowing the user to choose between two different Q types, either narrow or wide with respect to the parametric band. These added features and the 1084’s extended versatility make it a preference over the 1073. \u003c\/p\u003e\n\u003cp\u003eThe 1084’s three EQ bands provide selectable frequency, with cut and boost capability, and a mid-frequency band which benefits from a High Q Presence switch. The high pass filter can be switched between 45Hz, 70Hz, 160Hz \u0026amp; 360Hz, and the low pass filter between 6kHz, 8kHz, 10kHz, 14kHz, \u0026amp; 18kHz. Both boast 18dB per octave slopes.\u003c\/p\u003e\n\u003cp\u003eThe 1084 Classic module is designed to perfectly retrofit into the 80 Series Neve Classic consoles as part of a channel strip or can be mounted in a custom rack.\u003c\/p\u003e\n\u003cp\u003eHandcrafted and completely hand wired in Burnley, UK by Neve’s dedicated professionals, the 1084 reissue has been reproduced to the exact specifications of the original modules. \u003c\/p\u003e\n\u003cp\u003eWhere innovation has improved on previous technology, Neve has welcomed such improvements. However, not all things lend themselves to enhancement. Example: audio transformers. While other manufacturers use replacements, AMS Neve alone has access to the original hand-wound transformers. This is an important factor when you consider that an analogue preamp is only as good as its transformer. That is why only a Neve sounds like a Neve.\u003c\/p\u003e\n\u003cp\u003eAll Neve mic preamplifiers are designed to accept signals from a wide range of microphone and line sources. Uncompromisingly low noise and distortion with generous overload performance are noteworthy hallmarks of all Neve products.\u003c\/p\u003e\n\u003ch2\u003eAMS Neve 1084 Classic Mono Module Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eClassic Neve transformer mic preamplifier with wide range of equaliser settings \u003c\/li\u003e\n\u003cli\u003e3 switchable EQ bands  \u003c\/li\u003e\n\u003cli\u003eHand crafted and tested precisely to original 1970 design  \u003c\/li\u003e\n\u003cli\u003eHP and LP filters with High Q setting  \u003c\/li\u003e\n\u003cli\u003eTransformer-balanced and earth free inputs and outputs \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput: \u003c\/strong\u003eMaximum output \u0026gt;+26dBu into 600 ohms. Output impedance is 75 ohms @1kHz. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDistortion:\u003c\/strong\u003e Not more than 0.07% from 50Hz to 10kHz at +20dBu output \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFreq. Response:\u003c\/strong\u003e +\/-0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise:\u003c\/strong\u003e Not more than -83dBu at all Line gain settings EQ In\/Out\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAMS Neve 1084 Classic Mono Module Specifications\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eMic Amplifier Section: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone Input:\u003c\/strong\u003e Input impedance 300 Ohms or 1200 Ohms, gain +80dB to +20dB in 5dB steps.Input is transformer balanced and earth free.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine Input:\u003c\/strong\u003e Input impedance 10K Ohms bridging, gain +20dB to -10dB in 5dB steps.Input is transformer balanced and earth free.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput:\u003c\/strong\u003e Maximum output is \u0026gt;+26dBu into 600 Ohms. Output impedance is 75 Ohms @ 1kHzOutput is transformer balanced and earth free.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDistortion: \u003c\/strong\u003eNot more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) into 600 Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e +\/-0.5dB 20Hz to 20kHz, -3dB at 40kHz, EQ out.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise:\u003c\/strong\u003e Not more than -83dBu at all Line gain settings, EQ In\/Out (22Hz to 22kHz bandwidth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEIN: \u003c\/strong\u003eBetter than -125dBu @ 60dB gain.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEQ Section: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Frequency: \u003c\/strong\u003eSmooth +\/- 16dB shelving with selectable frequencies of 10kHz, 12kHz and 16kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMid Frequency: \u003c\/strong\u003eSmooth +\/- 12dB or +\/- 18dB peaking with switchable 'High Q', selectable centre frequencies of 0.35kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz \u0026amp; 7.2kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow Frequency: \u003c\/strong\u003eSmooth +\/- 16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz and 220Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Pass Filter:\u003c\/strong\u003e 18dB per octave slope, switchable between 45Hz, 70Hz, 160Hz \u0026amp; 360Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow Pass Filter: \u003c\/strong\u003e18dB per octave slope, switchable between 6kHz, 8kHz, 10kHz, 14kHz \u0026amp; 18kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEQL Button: \u003c\/strong\u003eSwitches the equaliser in or out of circuit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhase Button:\u003c\/strong\u003e Gives 180 degree phase change at balanced output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eModule Dimensions: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth: \u003c\/strong\u003e45mm (1.8 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight: \u003c\/strong\u003e222mm (8.75 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth: \u003c\/strong\u003e254mm (10 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eApprox. Weight: \u003c\/strong\u003e2.5kg (5.5 pounds)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":31519714902062,"sku":"SNEV1084CLH","price":3245.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/neve-1084-front.jpg?v=1643816102"},{"product_id":"phoenix-audio-drs8-mkii-8-channel-class-a-mic-pre","title":"Phoenix Audio DRS8 MKII - 8 Channel Class A Mic Pre","description":"\u003ch2\u003ePhoenix Audio DRS8 MKII\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio DRS8 MKII\u003c\/strong\u003e is an eight channel preamp with class A circuit design. This preamp delivers a wide range of tones from ultra clean sounds or warm saturated tones similar to most heralded vintage designs. Versatility and superior sound have made the DRS Preamp\/DI a top-tier choice for engineers around the world and a modern day classic.\u003c\/p\u003e\n\u003ch4\u003eA Versatile, Modern Class-A Mic Preamp\/DI\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eAvailable in mono (1\/2RU or 500-series), stereo (1RU) or in 8-channels (2RU), the Phoenix DRS Mic Preamp\/DIs take a modern approach to Class-A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class-A design. The unique DRS circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs. Versatility and superior sound have made the DRS Preamp\/DI a top-tier choice for engineers around the world and a modern day classic.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eHi-Fi Transformerless Mic Input Stage\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eOur exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the DRS delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones—from bold clarity to vintage warmth, and everything in-between. With a very high mic impedance of 10K, it is the perfect companion for ribbon mics and dynamics mic that often need specialist mic pre amps, the Shure SM7B particularly shines.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eLegendary Transformer-Balanced Output Stage\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eOur custom-wound  DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eUltra-High Impedance DI Circuit\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThe DRS-1, DRS-2, DRS-8 and DRS1R-500 include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the DRS's DI.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eEasy and Intuitive In The Studio\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eBecause you're working with a clean, robust, electronically-balanced input signal, the DRS Mic Preamp\/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70db alone) and the -15dB pad against the variable output fader (which provides an additional 10dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the DRS Mic Preamp\/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cheader class=\"content-header v3\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003c\/header\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e8 Channel 2U – 19” Rack-mount unit\u003c\/strong\u003e: With 240V\/110V mains voltage input selector switch Inputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnection\u003c\/strong\u003es: Neutrik Combo XLR\/1\/4” XLR sockets on Rear Panel for Mic inputs \u0026amp; line inputs and switched jacks for DI inputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput connections\u003c\/strong\u003e: XLR’s on rear panel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdditional outputs\u003c\/strong\u003e: 25 pin “D” style connector on the rear panel (wired “Tascam” Standard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain Range (Mic input)\u003c\/strong\u003e: -30 to -70 in 5dB steps With 10dB more available on the fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain Meter\u003c\/strong\u003e: LED Metering. 5 LED Meter on each channel (with hysteresis)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhantom Power\u003c\/strong\u003e: Switchable 48V phantom on Push-button switch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Pass Filter\u003c\/strong\u003e: on Push-button Switch (Roll-off -6dB per octave @ 80Hz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhase Reverse\u003c\/strong\u003e: on Push-button Switch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMute\u003c\/strong\u003e: On Push-button switch.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePad Push-button switch\u003c\/strong\u003e: Enables Flexibility for input levels, pad is set at 15db.\u003c\/li\u003e\n\u003cli\u003eDetented output control for recall, 21 positions.\u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, True balanced Mic input stage.\u003c\/li\u003e\n\u003cli\u003e10K mic impedance for high quality performance with all mic particualry ribbons mics \u0026amp; dynamic mics\u003c\/li\u003e\n\u003cli\u003eTransformer-balanced Output on each channel: Driven by the Phoenix Audio Class A DSOP-2 fully discrete output stage, each transformer is custom wound.\u003c\/li\u003e\n\u003cli\u003eClass A (DSOP-2) Output specs . Frequency response: 20Hz to 20kHz +- 0.5dB, Maximum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response Mic Input Stage\u003c\/strong\u003e: -0.4dB @ 40Hz, -0.3dB @ 25kHz\u003c\/li\u003e\n\u003cli\u003eAll units are wired with PTFE silver military grade cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Phoenix","offers":[{"title":"Default Title","offer_id":31528118878254,"sku":"SPHEDRS8MK2","price":2300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/700_0075.jpg?v=1578924989"},{"product_id":"phoenix-audio-drsq4-mkii-dual-mono-a-class-mic-pre-with-4-band-gyrator-eq","title":"Phoenix Audio DRSQ4 MKII - Dual Mono A Class Mic Pre with 4 Band Gyrator EQ - Special Offer Over 60% OFF while stock last","description":"\u003ch2\u003ePhoenix Audio DRS-Q4 MKII\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio DRS-Q4 MKII\u003c\/strong\u003e is a high-end Microphone Preamp that provides you with the ultimate tonal quality and DI with -30dB input pad, High Pass Filter and Class A inputs built into a 1U sized unit so you can easily integrate this outboard gear into your studio. This Preamp allows a vast variety of sounds, useful for everything from clean high-headroom mix buss tone shaping to deep frequency carving to smooth Class-A circuit saturation.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003ch4\u003eA Versatile, Modern Class-A Mic Preamp\/DI\u003c\/h4\u003e\n\u003cp\u003eThe Phoenix DRS Mic Preamp\/DIs take a modern approach to Class-A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class-A design. The unique DRS circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs. Versatility and superior sound have made the DRS Preamp\/DI a top-tier choice for engineers around the world and a modern day classic.\u003c\/p\u003e\n\u003ch4\u003eHi-Fi Transformerless Mic Input Stage\u003c\/h4\u003e\n\u003cp\u003ePhoenix Audio’s exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the DRS delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones—from bold clarity to vintage warmth, and everything in-between.\u003c\/p\u003e\n\u003ch4\u003eLegendary Transformer-Balanced Output Stage\u003c\/h4\u003e\n\u003cp\u003ePhoenix Audio’s custom-wound DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.\u003c\/p\u003e\n\u003ch4\u003eUltra-High Impedance DI Circuit\u003c\/h4\u003e\n\u003cp\u003eThe DRS-1, DRS-2, DRS-8 and DRS1R-500 include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favourite amp. Synths, drum machines, and even laptops can likewise be sweetened by the DRS's DI.\u003c\/p\u003e\n\u003ch4\u003eEasy and Intuitive In The Studio\u003c\/h4\u003e\n\u003cp\u003eBecause you're working with a clean, robust, electronically-balanced input signal, the DRS Mic Preamp\/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70db alone) and the -30dB pad against the variable output fader (which provides an additional 10dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the DRS Mic Preamp\/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1U unit:\u003c\/strong\u003e With 240V\/110V mains voltage input selector switch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20Hz to 20kHz +- 0.5dB,\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Output Level:\u003c\/strong\u003e +26dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise:\u003c\/strong\u003e -90dB @ 20Hz to 20kHz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput connections:\u003c\/strong\u003e XLR and TSR 1\/4″ Jack on rear\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone\/Line input:\u003c\/strong\u003e XLR on Rear Panel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDI inputs:\u003c\/strong\u003e ¼” TS Jack on Front Panel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIndividual Earth Lift:\u003c\/strong\u003e Push-button Switches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain Range (Mic input):\u003c\/strong\u003e -30 to -70 in 5dB steps With 10dB more available on the fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain reduction:\u003c\/strong\u003e -30dB push-button Mic\/Line switch (Mic input)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Input Impedance DI:\u003c\/strong\u003e Mono 1\/4″ Jack on front panel (no FETs)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain Meter:\u003c\/strong\u003e LED Metering. (Green = 0dB, Yellow = +8dB, corresponding to “4” and “6” on a PPM Meter).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhantom Power:\u003c\/strong\u003e Switchable phantom on Push-button Switch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Pass Filter:\u003c\/strong\u003e Roll-off starts at 120Hz @ 12dB per Octave.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhase Reverse:\u003c\/strong\u003e on Push-button Switch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response Mic Input Stage:\u003c\/strong\u003e -0.4dB @ 40Hz, -0.3dB @ 25kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e DI Input Stage: -0.3dB @ 40Hz, – 0.5dB @ 25kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTypical Headroom:\u003c\/strong\u003e +26dB on Mic-Pre stage\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGyratory-based EQ Frequency Centres:\u003c\/strong\u003e (4 Bands) High – 15K, 10K, Hi Mid – 6K, 3K, 1K6, Low Mid – 800Hz, 400Hz, 200Hz, Low – 130Hz, 80Hz, 40Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEQ Cut\/Boost Levels:\u003c\/strong\u003e 16dB Cut\/Boost Per Band with fully detented pots in 21 positions\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDI Stage gain:\u003c\/strong\u003e Maximum of 30dB\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix","offers":[{"title":"Default Title","offer_id":31528119304238,"sku":"SPHEDRSQ4MK2","price":829.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/dsc0024.jpg?v=1666706339"},{"product_id":"phoenix-audio-drsq4-mkii-ex-demo","title":"Phoenix Audio DRSQ4 MKII - Dual Mono A Class Mic Pre with 4 Band Gyrator EQ - B-Stock","description":"\u003ch2\u003ePhoenix Audio DRSQ4 MKII\u003c\/h2\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePhoenix Audio DRS-Q4 MKII\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a high-end Microphone Preamp that provides you with the ultimate tonal quality and DI with -30dB input pad, High Pass Filter and Class A inputs built into a 1U sized unit so you can easily integrate this outboard-gear into your studio. This Preamp is versatile, useful for everything from clean high-headroom mix buss tone shaping to deep frequency carving to smooth Class-A circuit saturation.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(233, 0, 0);\"\u003e\u003cstrong\u003eThis unit is B-Stock\/Ex-Demo and has been used carefully in our showroom. It still has a full warranty and is in excellent cosmetic condition. Sonically, it is perfect and functioning as it should.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003ch4\u003eA Versatile, Modern Class-A Mic Preamp\/DI\u003c\/h4\u003e\n\u003cp\u003eThe Phoenix DRS Mic Preamp\/DIs take a modern approach to Class-A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class-A design. The unique DRS circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs. Versatility and superior sound have made the DRS Preamp\/DI a top-tier choice for engineers around the world and a modern day classic.\u003c\/p\u003e\n\u003ch4\u003eHi-Fi Transformerless Mic Input Stage\u003c\/h4\u003e\n\u003cp\u003ePhoenix Audio’s exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the DRS delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones—from bold clarity to vintage warmth, and everything in-between.\u003c\/p\u003e\n\u003ch4\u003eLegendary Transformer-Balanced Output Stage\u003c\/h4\u003e\n\u003cp\u003ePhoenix Audio’s custom-wound DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.\u003c\/p\u003e\n\u003ch4\u003eUltra-High Impedance DI Circuit\u003c\/h4\u003e\n\u003cp\u003eThe DRS-1, DRS-2, DRS-8 and DRS1R-500 include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favourite amp. Synths, drum machines, and even laptops can likewise be sweetened by the DRS's DI.\u003c\/p\u003e\n\u003ch4\u003eEasy and Intuitive In The Studio\u003c\/h4\u003e\n\u003cp\u003eBecause you're working with a clean, robust, electronically-balanced input signal, the DRS Mic Preamp\/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70db alone) and the -30dB pad against the variable output fader (which provides an additional 10dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the DRS Mic Preamp\/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1U unit:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eWith 240V\/110V mains voltage input selector switch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e20Hz to 20kHz +- 0.5dB,\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Output Level:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e+26dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e-90dB @ 20Hz to 20kHz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput connections:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eXLR and TSR 1\/4″ Jack on rear\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone\/Line input:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eXLR on Rear Panel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDI inputs:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e¼” TS Jack on Front Panel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIndividual Earth Lift:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ePush-button Switches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain Range (Mic input):\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e-30 to -70 in 5dB steps With 10dB more available on the fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain reduction:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e-30dB push-button Mic\/Line switch (Mic input)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Input Impedance DI:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMono 1\/4″ Jack on front panel (no FETs)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain Meter:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eLED Metering. (Green = 0dB, Yellow = +8dB, corresponding to “4” and “6” on a PPM Meter).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhantom Power:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSwitchable phantom on Push-button Switch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Pass Filter:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eRoll-off starts at 120Hz @ 12dB per Octave.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhase Reverse:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eon Push-button Switch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response Mic Input Stage:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e-0.4dB @ 40Hz, -0.3dB @ 25kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eDI Input Stage: -0.3dB @ 40Hz, – 0.5dB @ 25kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTypical Headroom:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e+26dB on Mic-Pre stage\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGyratory-based EQ Frequency Centres:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(4 Bands) High – 15K, 10K, Hi Mid – 6K, 3K, 1K6, Low Mid – 800Hz, 400Hz, 200Hz, Low – 130Hz, 80Hz, 40Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEQ Cut\/Boost Levels:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e16dB Cut\/Boost Per Band with fully detented pots in 21 positions\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDI Stage gain:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMaximum of 30dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Phoenix","offers":[{"title":"Default Title","offer_id":31528120385582,"sku":"SPHEDRSQ4MK2BSK","price":787.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/web_1.jpg?v=1578924995"},{"product_id":"rupert-neve-designs-517","title":"Rupert Neve Designs 517 Mic Pre \/ DI \/ Compressor with Vari-phase - 500 Series","description":"\u003ch2\u003eRupert Neve Designs 517\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 517\u003c\/strong\u003e is a 500 series microphone pre, DI and compressor with Vari-phase. Based on the Portico 5017 Mobile Pre, the 517 provides world-class transformer-coupled micpreamp, compressor and DI circuitry with Vari-phase, “Silk” and DI\/mic blending capabilities. Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal.\u003c\/p\u003e\n\u003cp\u003eThe blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e\n\u003ch2\u003eRND 517 Features\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCompression\u003c\/strong\u003e\u003cbr\u003eFor signals below the “threshold” level that has been set, a compressor provides a linear path allowing signals to be amplified without the gain being adjusted in any way. When signals exceed the “threshold” level, the gain is reduced in a controlled manner that depends on the Ratio that has been set.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003cbr\u003eGAIN range provided is from -6dB to +20 dB. As already noted, when compression has taken place, it may be necessary to increase the overall gain to restore the apparent program level\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeak\u003c\/strong\u003e\u003cbr\u003eWhen engaged, the 543 uses a combination of peak and RMS (average) detection to determine level. 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With two channels of the classic tone you know and love, 72dB of gain, sweepable high-pass filters for precise control, and the power of Mr. Rupert Neve’s dual-tap transformers with variable Silk saturation, the 5211 delivers a versatile, flattering, and uncompromising front end for any signal path. In short, it’s everything a mic preamp should be.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eMIC GAIN\u003c\/strong\u003e\u003cbr\u003eA 12-way precision rotary switch controls gain from 0 to 66 dB in 6 dB steps.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTRIM\u003c\/strong\u003e\u003cbr\u003eContinuously variable +\/-6 dB level control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSILK \/ TEXTURE\u003c\/strong\u003e\u003cbr\u003ePushing the Silk button engages the red Silk circuit, which reduces the negative feedback on the output transformer, adding harmonic content as the texture is increased. 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With Silk \/ Texture engaged, the distortion characteristic and harmonic content of the unit are very reminiscent of many of Rupert’s vintage class-A designs.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLevel Meter\u003c\/strong\u003e\u003cbr\u003eAn eight-segment LED bar-graph meter displays output level (pre-Silk). from -30 dBu to +22 dBu.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003cbr\u003eReverses the polarity of the input signal.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Pass Filter\u003c\/strong\u003e\u003cbr\u003eContinuously variable from 20Hz to 250 Hz, and engaged with the HPF button.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003cbr\u003eProvides 48V phantom power to microphones.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e-6dB Output\u003c\/strong\u003e\u003cbr\u003eA secondary split off the output transformer with a lower headroom, designed to allow engineers to fully drive the output of the 5211 without clipping converters and other devices.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default","offer_id":32048522297390,"sku":"SRND5211","price":1515.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SRND5211.jpg?v=1593015434"},{"product_id":"ams-neve-1073opx-8-channel-1073-microphone-preamp","title":"Neve 1073OPX - 8-Channel 1073 Preamp","description":"\u003ch2\u003eNeve 1073OPX - 8-Channel 1073 Preamp\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeve 1073 OPX\u003c\/strong\u003e is a rack of 8, legendary 1073 preamps. However, this is not just a simple rack of preamps. To meet the needs of modern studio workflows and space limitations, the OPX can be controlled via the 1073OPX app, unlocking vast potential for modern studios, live sound and broadcast suites. Up to eight OPX units can be controlled from the app, meaning you can have a total of 64 remote-controlled 1073 preamps.\u003cbr\u003e\u003cbr\u003eEach microphone \u0026amp; line input benefit from the Marinair® transformers, helping bring the famous Neve tone. Unlike other 1073 preamps, the OPX preamps are controlled from the stepped gain encoder in 1dB steps, providing ultimate control for stereo pairs and instrument groups. To further meet the needs of modern workflows, the OPX has both front and rear input connections with independent switching. This layout allows for complete integration into a studio rack and a simple direct link to the front of the unit at any time without having to re-patch.\u003c\/p\u003e\n\u003cp\u003eOne feature that sets the Neve OPX apart from other preamps, is the ability to route each preamp into the monitor path for latency-free monitoring or analogue summing. \u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8 Channels of remote-controlled 1073 Mic\/Line\/Instrument Preamplifiers\u003c\/li\u003e\n\u003cli\u003eExclusive Neve® Marinair® transformers on the Microphone input\u003c\/li\u003e\n\u003cli\u003eClass-A transformer-less DI input\u003c\/li\u003e\n\u003cli\u003eRemote control software can control up to 8 1073® OPX racks at a time (64 preamps!)\u003c\/li\u003e\n\u003cli\u003eAutomatic Total Recall™ of all settings\u003c\/li\u003e\n\u003cli\u003eFront Mic\/Line combi input\u003c\/li\u003e\n\u003cli\u003eRear Mic\/Line D-Type connection\u003c\/li\u003e\n\u003cli\u003e80Hz High pass filter\u003c\/li\u003e\n\u003cli\u003e-25dB pad\u003c\/li\u003e\n\u003cli\u003ePhase flip\u003c\/li\u003e\n\u003cli\u003eSmart Phantom Power control\u003c\/li\u003e\n\u003cli\u003eHi\/Lo Impedance selector from 300Ω to 1.3KΩ\u003c\/li\u003e\n\u003cli\u003eSeparate stereo monitor path with Independent level control\u003c\/li\u003e\n\u003cli\u003eLatency-free monitoring of all signal sources\u003c\/li\u003e\n\u003cli\u003eEight front D.I inputs for instrument tracking\u003c\/li\u003e\n\u003cli\u003eFront-mounted Headphone output\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":32106129227822,"sku":"SNEV1073OPX","price":2915.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/1073OPX_0004_10730PXFrontRT.jpg?v=1664289097"},{"product_id":"api-312-500-series-mic-pre-module","title":"API 312 - 500-Series Mic Pre Module","description":"\u003ch2\u003eAPI 312 - 500-Series Mic Pre Module\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAPI 312\u003c\/strong\u003e is 500 series adaptation of API's original 312 microphone pre-amp. The 312's design is based on Saul Walker’s original designs and includes API’s 2520 op-amp and AP2516 transformer.\u003c\/p\u003e\n\u003cp\u003eThe API-312 is one of API's most sought after and famous mic pre-amps. First introduced in the 1970s, it is well known and respected throughout the recording industry, and is the building block of the modern 3124 rack unit.\u003c\/p\u003e\n\u003cp\u003eBased on API co-founder Saul Walker's original designs, the API 312 Mic Pre combines our 2520 op-amps and proprietary transformers. It delivers the analogue warmth, massive headroom and unmistakable sound for which API is known, in a convenient 500 Series format.\u003c\/p\u003e\n\u003cp\u003eFollowing the success of the hand wired 312 50th Anniversary Edition, this standard production version offers the classic API sound at an affordable price. Like all API products, the 312 is backed by API's unique Five Year Warranty.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAPI's Classic 312 Microphone Pre-amp in a 500 Series module\u003c\/li\u003e\n\u003cli\u003eVintage Style Analogue VU Meter\u003c\/li\u003e\n\u003cli\u003eMaximum 69dB of gain\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design with 2520 Op Amp\u003c\/li\u003e\n\u003cli\u003eProprietary AP2516 Input Transformer\u003c\/li\u003e\n\u003cli\u003e20 dB pad switch\u003c\/li\u003e\n\u003cli\u003e3:1 Output Transformer Tap Selection\u003c\/li\u003e\n\u003cli\u003eSwitchable 48V phantom power\u003c\/li\u003e\n\u003cli\u003ePeak LED\u003c\/li\u003e\n\u003cli\u003eAPI's Five Year Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":32414273896494,"sku":"SAPI312","price":662.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SAPI312.jpg?v=1722598976"},{"product_id":"api-312-500-series-mic-pre-module-b-stock","title":"API 312 - 500-Series Mic Pre Module - B-Stock","description":"\u003ch2\u003eAPI 312 - 500-Series Mic Pre Module - B-Stock\u003c\/h2\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAPI 312\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis 500 series adaptation of API's original 312 microphone pre-amp. The 312's design is based on Saul Walker’s original designs and includes API’s 2520 op-amp and AP2516 transformer.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThis is a B-Stock item. The unit is in mint condition and comes with all of the original and full manufacturer warranty.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe API-312 is one of API's most sought after and famous mic pre-amps. First introduced in the 1970s, it is well known and respected throughout the recording industry, and is the building block of the modern 3124 rack unit.\u003c\/p\u003e\n\u003cp\u003eBased on API co-founder Saul Walker's original designs, the API 312 Mic Pre combines our 2520 op-amps and proprietary transformers. It delivers the analogue warmth, massive headroom and unmistakable sound for which API is known, in a convenient 500 Series format.\u003c\/p\u003e\n\u003cp\u003eFollowing the success of the hand wired 312 50th Anniversary Edition, this standard production version offers the classic API sound at an affordable price. Like all API products, the 312 is backed by API's unique Five Year Warranty.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAPI's Classic 312 Microphone Pre-amp in a 500 Series module\u003c\/li\u003e\n\u003cli\u003eVintage Style Analogue VU Meter\u003c\/li\u003e\n\u003cli\u003eMaximum 69dB of gain\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design with 2520 Op Amp\u003c\/li\u003e\n\u003cli\u003eProprietary AP2516 Input Transformer\u003c\/li\u003e\n\u003cli\u003e20 dB pad switch\u003c\/li\u003e\n\u003cli\u003e3:1 Output Transformer Tap Selection\u003c\/li\u003e\n\u003cli\u003eSwitchable 48V phantom power\u003c\/li\u003e\n\u003cli\u003ePeak LED\u003c\/li\u003e\n\u003cli\u003eAPI's Five Year Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":32694161866798,"sku":"SAPI312BSK","price":449.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/API-312-B-Stock.jpg?v=1773332406"},{"product_id":"heritage-audio-73-jr-500-series-mic-preamp-module","title":"Heritage Audio '73 JR II - 500 Series Mic Preamp Module","description":"\u003ch2\u003eHeritage Audio '73 JR II - 500 Series Mic Preamp Module\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHeritage Audio '73 Jr II\u003c\/strong\u003e is a 500 series, 1073 style mic pre-amp that employs fully discrete, class A circuitry. The Jr has added features that will cover the needs for engineers and musicians who want to record without EQ. \u003c\/p\u003e\n\u003cp\u003eEmploying only discrete circuitry and conventional components, the 73 JR II is a faithful 3 stage all Class A 73 preamp. Styroflex and tantalum capacitors have been used throughout. No corners were cut.\u003c\/p\u003e\n\u003cp\u003eThe useful all discrete Class A hi pass filter has been updated, making it sweepable from 20 to 220 Hz. Now it is even easier to make your low end tighter without affecting desired frequencies.\u003c\/p\u003e\n\u003cp\u003eThe Line mode allows for reamping of prerecorded tracks and it´s perfect for adding some Class A color to lifeless recordings.\u003c\/p\u003e\n\u003cp\u003eThe smart switched DI (automatically switches from MIC to DI mode when inserting a MONO ¼” jack) is an all discrete Class A JFET circuit ahead of the MIC transformer, so all the juice is there. Since its introduction in 2013, it has become a classic DI for bass.\u003c\/p\u003e\n\u003cp\u003eFinally, special care has been taken with power handling, implementing internal +24 V slow turn on regulation (about 20 seconds to reach full voltage).This makes your 500 series enclosure´s power supply healthier and makes the 73JR independent of the rest of the slots.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone input impedance\u003c\/strong\u003e: HI=1200 Ω  minimum, LO=300 Ω minimum. Higher gain positions gradually have greater impedances, perfect for lo gain ribbon mics. Input is transformer balanced and floating.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine input impedance\u003c\/strong\u003e: 10 kΩ bridging, transformer balanced and floating.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDI input impedance\u003c\/strong\u003e: Greater than 2 MΩ, unbalanced.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance\u003c\/strong\u003e: Less than 75 Ω, transformer balanced and floating, to drive a load of 600 Ω (factory terminated).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output\u003c\/strong\u003e: Greater than +26 dBu into 600 Ω.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD\u003c\/strong\u003e: Less than 0.025 % at 1 kHz, less than 0.05 % at 100 Hz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 20 Hz (+0.3 dB) to 20 kHz (-0.2 dB).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum gain\u003c\/strong\u003e: Slightly greater than 80 dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise\u003c\/strong\u003e: Less than -125 dBu EIN.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: 86 mA per rail ±16 V DC.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":32701432135726,"sku":"SHER50073JR","price":499.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHER50073JR-1.jpg?v=1680086190"},{"product_id":"heritage-audio-73-elite-73-mic-preamp-and-di","title":"Heritage Audio 73 Elite - '73 Mic Preamp and DI","description":"\u003ch2\u003eHeritage Audio 73 Elite - '73 Mic Preamp and DI\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHeritage Audio '73 Elite\u003c\/strong\u003e Elite is an 1073 style pre-amp and DI. The unit includes components found in the original units such as Carnhill transformers enabling the unit to emulate the original 'vintage sound'. The unit also contains the exact same JFET DI circuit found in the HA-'73Jr. With 80dB of available gain, with dedicated mic, line and DI inputs available, the HA73 Elite has everything needed to bring instruments and microphones to life with a classic sound.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone input impedance\u003c\/strong\u003e: HI, 1200 Ohm minimum, LO, 300 Ohm minimum. Higher gain positions gradually have greater impedances, optimum for low gain ribbon mics. Input is transformer balanced and floating.\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine input impedance\u003c\/strong\u003e: 10KOhms bridging, transformer balanced and floating.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance\u003c\/strong\u003e: Less than 75 Ohms, transformer balanced and floating, to drive a load of 600 Ohms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output\u003c\/strong\u003e: Greater than +26.5dBu into 600 Ohms (internally terminated)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD\u003c\/strong\u003e: Less than 0.025% at 1Khz, Less than 0.05% at 100Hz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 20Hz (+0.3dB) to 20Khz (-0.2dB).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Gain\u003c\/strong\u003e: Slightly greater than 80dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent Input Noise\u003c\/strong\u003e: Less than -125dBu.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput stage noise\u003c\/strong\u003e: Less than -100dBu.\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: Less than 95 mA @48VDC.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default","offer_id":32701434593326,"sku":"SHER73","price":490.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHER73-front.jpg?v=1602669612"},{"product_id":"heritage-audio-73eq-73-mic-preamp-and-di-with-equaliser","title":"Heritage Audio 73EQ - '73 Mic Preamp and DI with Equaliser","description":"\u003ch2\u003eHeritage Audio 73EQ - '73 Mic Preamp and DI with Equaliser\u003c\/h2\u003e\n\u003cp\u003eThe\u003cstrong\u003e Heritage Audio '73EQ\u003c\/strong\u003e is a 1073 style pre-amp and EQ. \u003cspan data-mce-fragment=\"1\"\u003eThe HA73EQ’s preamp section features gain, output trim, -20db pad, polarity reverse, a high pass filter, and +48v phantom power.  The HA73EQ’s EQ section features a high shelving EQ, midrange EQ, low shelving EQ, a variable high pass filter, and EQ Bypass,.  The HA73EQ comes housed in a rugged 1RU British steel and aluminium chassis and utilizes an external power supply for low noise operation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe HA73EQ Elite employs WIMA 5% capacitors in the EQ section as well as 3 correct vintage type “Vinkor“ pot core inductors so the eq curves are virtually undistinguishable from the handmade equalizers in the HA line. Customers can expect the same sonic quality and feel they have come to appreciate from Heritage Audio.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone input impedance\u003c\/strong\u003e: HI, 1200 Ohm minimum, LO, 300 Ohm minimum. Higher gain positions gradually have greater impedances, optimum for low gain ribbon mics. Input is transformer balanced and floating.\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine input impedance\u003c\/strong\u003e: 10KOhms bridging, transformer balanced and floating.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance\u003c\/strong\u003e: Less than 75 Ohms, transformer balanced and floating, to drive a load of 600 Ohms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output\u003c\/strong\u003e: Greater than +26.5dBu into 600 Ohms (internally terminated)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD\u003c\/strong\u003e: Less than 0.025% at 1Khz, Less than 0.05% at 100Hz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e :20Hz (+0.3dB) to 20Khz (-0.2dB).EQ Off. For EQ ON frequency response please check the features section.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Gain\u003c\/strong\u003e: Slightly greater than 80dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent Input Noise\u003c\/strong\u003e: Less than -125dBu.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput stage noise\u003c\/strong\u003e: Less than -100dBu.\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: Less than 95 mA @48VDC.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default","offer_id":32701434626094,"sku":"SHER73EQ","price":681.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHER73EQ-front.jpg?v=1602676734"},{"product_id":"heritage-audio-73eqx2-elite-dual-73-mic-preamp-and-di-with-equiliser","title":"Heritage Audio 73EQX2 Elite - Dual '73 Mic Preamp and DI with Equaliser","description":"\u003ch2\u003eHeritage Audio 73EQX2 Elite - Dual '73 Mic Preamp and DI with Equaliser\u003c\/h2\u003e\n\u003cp\u003eThe\u003cstrong\u003e Heritage Audio 73EQX2\u003c\/strong\u003e is a dual channel 1073 style pre-amp, DI and equaliser. \u003cspan data-mce-fragment=\"1\"\u003eThe HA73EQX2 Elite employs WIMA 5% capacitors in the EQ section as well as 3 correct vintage type “Vinkor“pot core inductors so the EQ curves are virtually undistinguishable from the handmade equalizers in the HA line. Customers can expect the same sonic quality and feel they have come to appreciate from Heritage Audio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe HA73 EQX2’s preamp section features gain, output trim, -20db pad, polarity reverse, a high pass filter, and +48v phantom power.  The HA73EQX2’s EQ section features a high shelving EQ, midrange EQ, low shelving EQ, a variable high pass filter, and EQ Bypass.  The HA73EQX2 comes housed in a rugged 1RU British steel and aluminium chassis and utilizes an external power supply for low noise operation.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone input impedance\u003c\/strong\u003e: HI, 1200 Ohm minimum, LO, 300 Ohm minimum.\u003c\/li\u003e\n\u003cli\u003eHigher gain positions gradually have greater impedances, optimum for low gain ribbon mics.\u003c\/li\u003e\n\u003cli\u003eInput is transformer balanced and floating.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine input impedance\u003c\/strong\u003e: 10KOhms bridging, transformer balanced and floating.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance\u003c\/strong\u003e: Less than 75 Ohms, transformer balanced and floating, to drive a load of 600 Ohms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output\u003c\/strong\u003e: Greater than +26.5dBu into 600 Ohms (internally terminated).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD\u003c\/strong\u003e: Less than 0.025% at 1Khz, Less than 0.05% at 100Hz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 20Hz (+0.3dB) to 20Khz (-0.2dB). EQ Off. For EQ ON frequency response please check the features section.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Gain\u003c\/strong\u003e: Slightly greater than 80dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent Input Noise\u003c\/strong\u003e: Less than -125dBu.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput stage noise\u003c\/strong\u003e: Less than -100dBu.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: Less than 190 mA @48VDC.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default","offer_id":32701434658862,"sku":"SHER73EQX2","price":1291.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHER73EQX2-front.jpg?v=1602677704"},{"product_id":"heritage-audio-73x2-elite-dual-73-mic-preamp-and-di","title":"Heritage Audio 73X2 Elite - Dual '73 Mic Preamp and DI","description":"\u003ch2\u003eHeritage Audio 73X2 Elite - Dual '73 Mic Preamp and DI\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHeritage Audio '73X2 Elite\u003c\/strong\u003e is a dual 1073 style mic preamp and DI.\u003cspan data-mce-fragment=\"1\"\u003e The unit includes components found in the original units 1073s such as Carnhill transformers enabling the unit to emulate the original 'vintage sound'. The unit also contains the exact same JFET DI circuit found in the HA-'73Jr. With 80dB of available gain, with dedicated mic, line and DI inputs available, the HA73 Elite has everything needed to bring instruments and microphones to life with a classic sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eThe HA73X2 Elite features gain, output trim, -20db pad, polarity reverse, a high pass filter, and +48v phantom power.  It comes housed in a rugged 1RU British steel chassis and utilizes an external power supply for low noise operation.  \u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone input impedance\u003c\/strong\u003e: HI, 1200 Ohm minimum, LO, 300 Ohm minimum. Higher gain positions gradually have greater impedances, optimum for low gain ribbon mics. Input is transformer balanced and floating.\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine input impedance\u003c\/strong\u003e: 10KOhms bridging, transformer balanced and floating.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance\u003c\/strong\u003e: Less than 75 Ohms, transformer balanced and floating, to drive a load of 600 Ohms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output\u003c\/strong\u003e: Greater than +26.5dBu into 600 Ohms (internally terminated)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD\u003c\/strong\u003e: Less than 0.025% at 1Khz, Less than 0.05% at 100Hz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 20Hz (+0.3dB) to 20Khz (-0.2dB).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Gain\u003c\/strong\u003e: Slightly greater than 80dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent Input Noise\u003c\/strong\u003e: Less than -125dBu.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput stage noise\u003c\/strong\u003e: Less than -100dBu.\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003ePower consumption: Less than 260 mA @48VDC.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Heritage Audio","offers":[{"title":"Default","offer_id":32701436493870,"sku":"SHER73X2","price":870.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SHER73X2-front.jpg?v=1602679266"},{"product_id":"api-2122v-2-channel-mic-line-pre-with-variable-output-and-high-pass-filter","title":"API 3122V - 2 Channel Mic\/Line Pre with Variable Output and High-Pass Filter","description":"\u003ch2\u003eAPI 3122V - 2 Channel Mic\/Line Pre \u003c\/h2\u003e\n\u003cp\u003eThe new \u003cstrong\u003eAPI 3122V\u003c\/strong\u003e provides 2 channels of API’s signature analog sound and features the same legendary circuit design found in the 3124V and 3124MV, as well as the 312, 512V, and 512c mic preamps.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The 3122V fills an important role between the best-selling 4-channel 3124V and the individual API preamps that can be used in a lunchbox or a 500V chassis,” said API President Larry Droppa. “It’s purposely designed for those who require a pair of API mic pres with an expanded feature set, at an attractive price.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eIn addition to the familiar combination of 2520 Op Amps and proprietary output transformers that give all API mic preamps that punch and massive headroom, the 3122V also includes front and rear panel XLR and ¼” inputs (conveniently selectable on the faceplate), a fixed-frequency HP filter, GAIN and the popular Variable Output Level control, as well as 48V, POL, and PAD. Rounding out the expansive feature set are the 3:1 Output Transformer Tap and 2 stunning analog VU meters with a separate peak LED.\u003c\/p\u003e\n\u003ch2\u003eAPI 3122V Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e2 Channels of Classic API Circuit Design\u003c\/li\u003e\n\u003cli\u003eAPI 2520 and Output Transformer\u003c\/li\u003e\n\u003cli\u003eProprietary AP2516 Input Transformer\u003c\/li\u003e\n\u003cli\u003eVariable Output Control\u003c\/li\u003e\n\u003cli\u003eFixed Frequency High Pass filter\u003c\/li\u003e\n\u003cli\u003eVintage Style Analog VU Meters\u003c\/li\u003e\n\u003cli\u003e3:1 Output Transformer Tap Selection\u003c\/li\u003e\n\u003cli\u003eTwo Switchable front or rear XLR Input\u003c\/li\u003e\n\u003cli\u003eFront panel 1\/4\" Hi Z Instrument Input\u003c\/li\u003e\n\u003cli\u003eFront panel polarity switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":41654137487538,"sku":"SAPI3122V","price":1646.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/3122V_high_resolution.jpg?v=1646215537"},{"product_id":"maag-preq2-dual-mic-preamp-with-eq","title":"Maag PREQ2 - Dual Mic Preamp with EQ","description":"\u003ch2\u003eMaag PREQ2 - Dual Mic Preamp with EQ\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eMaag PREQ2\u003c\/strong\u003e is a dual microphone preamp and EQ featuring Maag's highly renowned Air band shelving EQ. The PREQ2 has both mic, and line level inputs meaning it can be used in both recording and mixing.\u003c\/p\u003e\n\u003ch4\u003eMicrophone Input\u003c\/h4\u003e\n\u003cp\u003eThe Maag PREQ2 mic preamp has up to 71dB of gain split between a discrete class-A transistor preamp along with a large, nickel-core Maag Audio-built input transformer. This circuit offers a clean, detailed sound with +27dBu of headroom and an ein noise level of 128dB. There are two optimized gain ranges selectable on the front panel. The default gain range is +20dB to +42dB and a +42dB to +71dB gain range in high gain mode using the front panels 25dB gain switch.\u003c\/p\u003e\n\u003ch4\u003eDI and instrument\/mic re-amping \u003c\/h4\u003e\n\u003cp\u003eAs well as a microphone preamp, the PREQ2 also functions as a re-amp box. When an instrument is plugged into the DI input of either channel, it is buffered and multed back out the instrument Mic thru Jack at unity gain. This allows you to process the DI signal, and also route the signal to a guitar amp. W\u003cspan data-mce-fragment=\"1\"\u003eith just a microphone attached to the balanced XLR Mic input, that mic signal will be multed, amplified by +20dB, and routed out the 1⁄4-inch Instrument Mic Thru jack. This is a quick and easy way to route the microphone signal to a speaker or stomp box without the need for additional\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e interfaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan data-mce-fragment=\"1\"\u003eLegendary EQ\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe PREQ2 features and innovative 3-band EQ consisting of a highpass filter, low-frequency boost and Maags famous Air Band. The PREQ2’s Air Band offers up to 9dB of shelving boost at 2.5, 5, 10, 15, 20, and 40kHz and shares a single hardwired bypass with the LF section.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDiscrete Class A transformer-coupled preamp with re-amplification capabilities\u003c\/li\u003e\n\u003cli\u003eIdeal for recording and mixing, tonal touch ups, and euphonic enhancement\u003c\/li\u003e\n\u003cli\u003eMic input transformer tuned for clarity, detail, and pristine transparency\u003c\/li\u003e\n\u003cli\u003e70dB of gain handles even your lowest-output microphones\u003c\/li\u003e\n\u003cli\u003eDual optimized gain ranges (Low: +20dB to +42dB; High: +42dB to +71dB)\u003c\/li\u003e\n\u003cli\u003eAll controls detented, except for continuously variable mic gain\u003c\/li\u003e\n\u003cli\u003eFront-panel DI input designed to receive signals from a wide range of instruments\/sources\u003c\/li\u003e\n\u003cli\u003eHighpass filter, variable from 20Hz–200Hz\u003c\/li\u003e\n\u003cli\u003eLF: up to 9dB of boost; selectable 10Hz shelf; 40Hz, 65Hz, 100Hz, 125Hz, and 165Hz bell curves)\u003c\/li\u003e\n\u003cli\u003eIncludes the legendary Air Band shelf boost heard on countless iconic recordings\u003c\/li\u003e\n\u003cli\u003eFront-panel Instrument Mic Thru jacks mult DI or mic signals for connection to guitar amps, FX pedals, etc.\u003c\/li\u003e\n\u003cli\u003eGreen signal present LED, red Peak LED lights at +26dBu\u003c\/li\u003e\n\u003cli\u003eSwitchable 20dB pad, green LED indicator\u003c\/li\u003e\n\u003cli\u003eSwitchable 48V phantom power, red LED indicator\u003c\/li\u003e\n\u003cli\u003ePhase switch: reverses the polarity of the balanced output\u003c\/li\u003e\n\u003cli\u003eRear-panel per-channel balanced XLR mic and line inputs\u003c\/li\u003e\n\u003cli\u003eRear-panel per-channel balanced XLR line outputs\u003c\/li\u003e\n\u003cli\u003eInternal power supply; rear-panel IEC mains socket\u003c\/li\u003e\n\u003cli\u003eRear-panel mains selector (115V\/230V)\u003c\/li\u003e\n\u003cli\u003eQuality crafted in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Maag","offers":[{"title":"Default Title","offer_id":41862641352882,"sku":"SMGAPREQ2","price":1657.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SMGAPREQ2-1.jpg?v=1649841231"},{"product_id":"aea-trp500-preamp-module-lunchbox-500-series","title":"AEA TRP500 Preamp Module - Lunchbox 500 Series","description":"\u003ch2\u003eAEA TRP500 Preamp Module - Lunchbox 500 Series\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAEA TRP500\u003c\/strong\u003e is a 500 series preamp that delivers neutral, but rich and musical tonality with up to 85 dB of quiet DC-coupled gain.\u003c\/p\u003e\n\u003cp\u003eBased on the circuit and topology of the company’s original AEA TRP preamp, the TRP500 has the low noise, musical sonics, and ultra-high gain and impedance (100,000 Ohms) that AEA is renowned for. 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With up to 85 dB of quiet DC-coupled gain, minimal path architecture, and a gentle 115 Hz or 230 Hz high pass filter, this preamp puts as little as possible between you and your audience\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003cstrong\u003e:\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSingle-channel, 500 series format\u003c\/li\u003e\n\u003cli\u003e85dB of quiet, DC-coupled JFET gain\u003c\/li\u003e\n\u003cli\u003eUltra-high impedance (100,000 Ohms)\u003c\/li\u003e\n\u003cli\u003eSwitchable 115 Hz or 230 Hz high-pass filter\u003c\/li\u003e\n\u003cli\u003eSwitchable phantom power and polarity reverse\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Gain at 1kHz\u003c\/strong\u003e: 85 dB of gain, balanced-in to balanced-out\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEIN (Max gain)\u003c\/strong\u003e: \u0026lt; –128 dBu (22 Hz to 22 KHz, unweighted, 40 Ohm source), typically -130 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDC Current Draw\u003c\/strong\u003e: from +16\/-16V Rails: 130 mA\u003c\/li\u003e\n\u003cli\u003eFrequency Response:\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e30 dB gain: (+0\/-0.6 dB from \u0026lt;10 Hz to 200kHz)\u003c\/li\u003e\n\u003cli\u003e85 dB gain: (+0\/-1 dB \u0026lt;20 Hz to \u0026gt;100kHz)\u003c\/li\u003e\n\u003cli\u003e(+0\/-2.5 dB \u0026lt;10 Hz to 200kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N\u003c\/strong\u003e: 0.0017% (1kHz, 22Hz-22kHz @30 dB Gain +4 dBu output)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eXLR Output Max Level\u003c\/strong\u003e: +28.5 dBu into 600Ω load (before 1% THD)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance\u003c\/strong\u003e: 11.9kΩ (with Phantom), 100kΩ (no Phantom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 50Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Input Signal Level\u003c\/strong\u003e: 21.5 dBu at minimum gain (before 1% THD)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMic Gain Control\u003c\/strong\u003e: 21.5 dBu at minimum gain (before 1% THD) 12-position switch provides from +7dB to +65dB of gain for the preamplifier circuit, as measured between the input and output when the OUTPUT control is set fully counterclockwise (0 dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMic Output Trim\u003c\/strong\u003e: Output potentiometer provides from 0 dB (unity gain) to +20 dB of gain\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Pass Filter Frequencies\u003c\/strong\u003e: 3-position on-off-on switch provides switchable first order passive high pass filter (-6 dB per octave) with cutoff frequencies (-3 dB) at 115 Hz and 230 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eXLR Connector Polarity\u003c\/strong\u003e: Pin-1 is ground, pin-2 is high, pin-3 is low\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLED Signal Level Indicators\u003c\/strong\u003e: The green LED snaps on at -20 dBu to indicate the presence of signal; the yellow LED snaps on at 0 dBu; the red LED snaps on at +20 dBu to warn of approaching signal overload, which is 8 dB prior to clipping\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":42085465817266,"sku":"SAEATRP500","price":582.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SAEATRP500-1.jpg?v=1656410186"},{"product_id":"aea-trp500-preamp-module-lunchbox-500-series-b-stock","title":"AEA TRP500 Preamp Module - Lunchbox 500 Series - B-Stock","description":"\u003ch2\u003eAEA TRP500 Preamp Module - Lunchbox 500 Series - B-Stock\u003c\/h2\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAEA TRP500\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a 500 series preamp that delivers neutral, but rich and musical tonality with up to 85 dB of quiet DC-coupled gain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is a B-Stock Item. The unit comes with all original packaging and manufacturer warranty.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on the circuit and topology of the company’s original AEA TRP preamp, the TRP500 has the low noise, musical sonics, and ultra-high gain and impedance (100,000 Ohms) that AEA is renowned for. The TRP500 excels at drawing out the warmth and lush sound of ribbon mics as well as other top-level microphones. With up to 85 dB of quiet DC-coupled gain, minimal path architecture, and a gentle 115 Hz or 230 Hz high pass filter, this preamp puts as little as possible between you and your audience\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003cstrong\u003e:\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSingle-channel, 500 series format\u003c\/li\u003e\n\u003cli\u003e85dB of quiet, DC-coupled JFET gain\u003c\/li\u003e\n\u003cli\u003eUltra-high impedance (100,000 Ohms)\u003c\/li\u003e\n\u003cli\u003eSwitchable 115 Hz or 230 Hz high-pass filter\u003c\/li\u003e\n\u003cli\u003eSwitchable phantom power and polarity reverse\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Gain at 1kHz\u003c\/strong\u003e: 85 dB of gain, balanced-in to balanced-out\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEIN (Max gain)\u003c\/strong\u003e: \u0026lt; –128 dBu (22 Hz to 22 KHz, unweighted, 40 Ohm source), typically -130 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDC Current Draw\u003c\/strong\u003e: from +16\/-16V Rails: 130 mA\u003c\/li\u003e\n\u003cli\u003eFrequency Response:\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e30 dB gain: (+0\/-0.6 dB from \u0026lt;10 Hz to 200kHz)\u003c\/li\u003e\n\u003cli\u003e85 dB gain: (+0\/-1 dB \u0026lt;20 Hz to \u0026gt;100kHz)\u003c\/li\u003e\n\u003cli\u003e(+0\/-2.5 dB \u0026lt;10 Hz to 200kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N\u003c\/strong\u003e: 0.0017% (1kHz, 22Hz-22kHz @30 dB Gain +4 dBu output)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eXLR Output Max Level\u003c\/strong\u003e: +28.5 dBu into 600Ω load (before 1% THD)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance\u003c\/strong\u003e: 11.9kΩ (with Phantom), 100kΩ (no Phantom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 50Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax Input Signal Level\u003c\/strong\u003e: 21.5 dBu at minimum gain (before 1% THD)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMic Gain Control\u003c\/strong\u003e: 21.5 dBu at minimum gain (before 1% THD) 12-position switch provides from +7dB to +65dB of gain for the preamplifier circuit, as measured between the input and output when the OUTPUT control is set fully counterclockwise (0 dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMic Output Trim\u003c\/strong\u003e: Output potentiometer provides from 0 dB (unity gain) to +20 dB of gain\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Pass Filter Frequencies\u003c\/strong\u003e: 3-position on-off-on switch provides switchable first order passive high pass filter (-6 dB per octave) with cutoff frequencies (-3 dB) at 115 Hz and 230 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eXLR Connector Polarity\u003c\/strong\u003e: Pin-1 is ground, pin-2 is high, pin-3 is low\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLED Signal Level Indicators\u003c\/strong\u003e: The green LED snaps on at -20 dBu to indicate the presence of signal; the yellow LED snaps on at 0 dBu; the red LED snaps on at +20 dBu to warn of approaching signal overload, which is 8 dB prior to clipping\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":42928023568562,"sku":"SAEATRP500BSK","price":487.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SAEATRP500BSK-3.jpg?v=1677581893"},{"product_id":"aea-rpq3-2-channel-preamp-with-p48-curveshaper-eq-and-dis-1st-june","title":"AEA RPQ3 - 2-Channel Preamp with P48 and CurveShaper EQ","description":"\u003ch2\u003eAEA RPQ3 - 2-Channel Preamp with P48 and CurveShaper EQ \u003c\/h2\u003e\n\u003cp\u003eThe\u003cstrong\u003eAEA RPQ3\u003c\/strong\u003e is a two high-quality 2 channel preamp and EQ. The rpq3 from AEA features high-output, high-impedance, low-noise gain and EQ is designed to optimise, and bring the best out of your microphones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo channels with 85dB of sweet, quiet, and mouthwatering JFET gain\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHigh-frequency CurveShaper™ EQ and low-frequency proximity control\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e68k ohm high-impedance circuitry providing better overall transients, frequency response, and higher output sensitivity\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePost-Mic and Pre-EQ Inserts for convenient routing options\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSwitchable phantom-power and polarity invert\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eENHANCE YOUR RIBBONS\u003c\/strong\u003e\u003cbr\u003eThe AEA RPQ3 Ribbon Preamp and EQ provide two channels of high-output, high-impedance, and low-noise gain with a rich and natural sound that brings out the full potential of your microphones.\u003c\/p\u003e\n\u003cp\u003eSpecifically designed for ribbon microphones, the RPQ3 excels at drawing out the warmth and lush sound that ribbons are uniquely known for.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA GAIN POWERHOUSE\u003c\/strong\u003e\u003cbr\u003eThe RPQ3 is a powerhouse that provides unparalleled high gain with low-noise. With 85db of JFET output, the RPQ3 gives you enough juice to record soft sources without ever having to worry about noise.\u003c\/p\u003e\n\u003cp\u003eThe RPQ3 is the tool of choice for all microphones whenever a true and pristine signal path is desired. Our 3rd generation circuitry is the cleanest and most musical design we've done yet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLESS NOISE THAN OUTER SPACE\u003c\/strong\u003e\u003cbr\u003eWith the RPQ3, you will never consider a source too quiet to record with a ribbon mic ever again. Passive ribbons with low output levels require preamps that supply a high level of output. If the preamp you use doesn’t have enough clean gain, the mic signal may seem too soft or noisy which may be apparent when recording quiet acoustic guitars or strings, especially at a distance or with long cable runs. The RPQ3 eliminates this concern.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCURVESHAPER™ EQ\u003c\/strong\u003e\u003cbr\u003eThe RPQ3’s CurveShaper™ EQ is a powerful tool that gives you the ability to control your microphone right at the start of the signal path. The updated adjustable boost\/cut low and high-frequency controls allow you to tame proximity problems and provide high-frequency extension with slope control.\u003c\/p\u003e\n\u003cp\u003eThe high-frequency filter boost enables you to add presence and air to your source  –perfect for sources like ribbons and 2-busses that often benefit from some extra top-end. The low-frequency control easily removes bass build-up in a fast and unobtrusive way.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHIGH IMPEDANCE MAKES A HUGE DIFFERENCE\u003c\/strong\u003e\u003cbr\u003eThe sound and tonality of dynamic microphones like ribbons and moving-coils are directly affected by the impedance of a preamp. The higher the impedance, the better the sound. The RPQ3 boasts an extra high input impedance of 68K Ohms (phantom power off).\u003c\/p\u003e\n\u003cp\u003ePreamps with an impedance of under 10k ohms will limit the lows, highs, and transients of your passive microphones. The RPQ3’s high impedance will reveal your microphone’s true nature– a thick low-end, open top-end, and articulate transient response that you will need to hear to believe. Both condensers and active microphones also benefit from the RPQ3’s impedance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEXCEPTIONAL PREAMPS\u003c\/strong\u003e\u003cbr\u003eThe worlds best microphones, coupled with AEA’s range of transparent preamps, are the key choice for discerning recordists who want total control over their signal path.\u003c\/p\u003e\n\u003cp\u003eAEA offers the RPQ3, RPQ500, TRP3 and TRP500 microphone preamps, all of which provide clean gain and ultra high impedance to open up the sound of your microphones. All AEA Ribbon Preamps all share the same topology and sound. The differences between each unit come down to extra EQ features and form factor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMax Gain at 1 kHz: 85 dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEIN (Max gain, 22 Hz to 22 KHz, unweighted):\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e130 dBu (typical), 40 Ω source\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e128 dBu (typical), 150 Ω source\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency Response:\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e30 dB gain: (-0.6 dB 10 Hz, -3 dB 160 kHz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e85 dB gain: (-3 dB 10 Hz and 160 kHz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.0018% (1kHz, 22 Hz-22 kHz @30 dB Gain +4 dBu output)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eXLR Output Max Level: +27 dBu into 600 Ω load\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 11.3 kΩ (with Phantom), 68 kΩ (no Phantom)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 50 Ω\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMax Input Signal Level: +20 dBu (minimum gain)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStepped Gain Control: 12-position switch from +7 dB to +65 dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput Trim: Continuously variable from 0 dB to +20 dB\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":43097816891570,"sku":"SAEARPQ3","price":1582.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SAEARPQ3-1.jpg?v=1685974215"},{"product_id":"aea-trp3-ribbon-2-channel-mic-preamplifier","title":"AEA TRP3 - 2-Channel Ribbon Mic Preamplifier","description":"\u003ch2\u003eAEA TRP3 - 2-Channel Ribbon Mic Preamplifier\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAEA TRP3\u003c\/strong\u003e is a 2 channel preamp that offers high-output, high-impedance and low-noise gain, providing a rich natural sound that brings out the full potential of your microphones.\u003c\/p\u003e\n\u003ch3\u003eTRP3 PREAMP OVERVIEW\u003c\/h3\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-channel, high-gain, half-rack mic pre\u003c\/li\u003e\n\u003cli\u003eUltra-high 68KΩ input impedance (phantom power off)\u003c\/li\u003e\n\u003cli\u003e7 to 85 dB of gain\u003c\/li\u003e\n\u003cli\u003e48V phantom and polarity switch\u003c\/li\u003e\n\u003cli\u003eHPF switchable -3dB at 115 Hz or 230 Hz\u003c\/li\u003e\n\u003cli\u003eExternal PSU\u003c\/li\u003e\n\u003cli\u003eOptional rack ears (for one unit) or rack shelf (two units) for mounting purposes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"productAboutTitle\"\u003e\n\u003ch3\u003eENHANCE YOUR RIBBONS\u003c\/h3\u003e\n\u003cdiv class=\"productAboutImage\"\u003eThe AEA TRP3 Ribbon Preamp provides two channels of high-output, high-impedance, and low-noise gain with a rich and natural sound that brings out the full potential of your microphones.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productAboutIntroText\"\u003e\n\u003cbr\u003eSpecifically designed for ribbon microphones, the TRP3 excels at drawing out the warmth and lush sound that ribbons are uniquely known for. Our 3rd generation circuitry is the cleanest and most musical design we've done yet.\u003c\/div\u003e\n\u003cdiv class=\"productAboutIntroText\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"productAboutIntroText\"\u003e\n\u003ch3\u003eSMALL, BUT MIGHTY\u003c\/h3\u003e\n\u003cdiv class=\"columns\"\u003e\n\u003cp\u003eThe TRP3 is a half-rack powerhouse that provides unparalleled high gain with low-noise. With 85db of output, the TRP3 gives you enough juice to record soft sources without ever having to worry about noise.\u003c\/p\u003e\n\u003cp\u003ePassive ribbons and other low-level sources require preamps that supply a high level of output. Without enough clean gain, low-level mic signals can sound too soft or too noisy. This noise can be especially evident when recording quieter instruments (acoustic guitars, strings), recording at a distance or when using long cable runs.\u003c\/p\u003e\n\u003cp\u003eWith the TRP3, you will never consider a source too quiet to record with a ribbon mic ever again.\u003c\/p\u003e\n\u003ch4\u003e A UNIVERSAL POWER SUPPLY\u003c\/h4\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThe TRP3 includes an external switching power supply with a grounded AC plug that keeps hum fields away from the high-gain electronics.\u003c\/p\u003e\n\u003cp\u003eThis power supply allows the TRP3 to be used in any country without any modifications made to the unit.\u003c\/p\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003ch3\u003eRACKING THE TRP3\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThe TRP3 is housed in a portable and lightweight half-rack aluminum chassis that allows you to easily take it to remote gigs, other studios, and on the road. AEA manufactures optional racking gear for convenient use in rackmount furniture.\u003c\/p\u003e\n\u003cp\u003eA single TRP3 can be easily racked with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/aearibbonmics.com\/products\/trp2-rack-ears\"\u003eTRP3 Rack Ears\u003c\/a\u003e. Rack two TRP3s side by side with a\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/aearibbonmics.com\/products\/trp2-rack-shelf\"\u003eTRP3 Rack Shelf\u003c\/a\u003e. These assemblies can be securely installed in any standard rack.\u003c\/p\u003e\n\u003ch3\u003eEXCEPTIONAL PREAMPS\u003c\/h3\u003e\n\u003cp\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003eThe worlds best microphones, coupled with AEA’s range of transparent preamps, are the key choice for discerning recordists who want total control over their signal path\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003eAEA offers the RPQ3, RPQ500, TRP3 and TRP500 microphone preamps, all of which provide clean gain and ultra high impedance to open up the sound of your microphones. All AEA Ribbon Preamps all share the same topology and sound. The differences between each unit come down to extra EQ features and form factor.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003eSpecifications\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eMax Gain at 1 kHz\u003c\/strong\u003e: 85 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eEIN (Max gain, 22 Hz to 22 KHz, unweighted)\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e130 dBu (typical), 40 Ω source\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e128 dBu (typical), 150 Ω source\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003e30 dB gain\u003c\/strong\u003e: (-0.5 dB from \u0026lt;10 Hz to 200 kHz)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003e85 dB gain\u003c\/strong\u003e: (-3 dB 9Hz to \u0026gt;200 kHz)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e: 0.0015% (1 kHz, 22 Hz-22 kHz @30 dB Gain +4 dBu output)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eXLR Output Max Level\u003c\/strong\u003e: +27 dBu into 600 Ω load\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e: 11.3 kΩ (with Phantom), 68 kΩ (no Phantom)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 50 Ω\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eMax Input Signal Level\u003c\/strong\u003e: +20 dBu (minimum gain)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eStepped Gain Control\u003c\/strong\u003e: 12-position switch from +7 dB to +65 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e\u003cstrong\u003eOutput Trim\u003c\/strong\u003e: Continuously variable from 0 dB to +20 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":43097914343602,"sku":"SAEATRP3","price":1124.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SAEATRP3-4.jpg?v=1685975799"},{"product_id":"avalon-v55-dual-mono-high-voltage-pure-clase-a-multi-purpose-instrument-line-and-mic-preamp","title":"Avalon V55 - Dual Mono, High Voltage, Pure Clase A, multi-purpose instrument, line and mic preamp","description":"\u003ch2\u003eAvalon V55\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAvalon V55\u003c\/strong\u003e is dual mono, Pure class A microphone preamp, DI instrument preamp and features transformer isolated outputs for re-amping.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDual Mono, Pure Class A, 100% discrete design\u003c\/li\u003e\n\u003cli\u003eForward musical detail and sonic excellence\u003c\/li\u003e\n\u003cli\u003eMinimum audio signal path with 10 position exteded range TONE-BANK™\u003c\/li\u003e\n\u003cli\u003eHigh quality transformer input \u0026amp; isolated output\u003c\/li\u003e\n\u003cli\u003eMicrophone and Hi-Z inputs to +36dB\u003c\/li\u003e\n\u003cli\u003eVery low noise -100dB\u003c\/li\u003e\n\u003cli\u003eHigh headroom +30dB\u003c\/li\u003e\n\u003cli\u003eSwitched 2dB, high-gain preamplifer to +66dB\u003c\/li\u003e\n\u003cli\u003eDC coupled Pure Class A output\u003c\/li\u003e\n\u003cli\u003eLarge illuminated professional VU meter\u003c\/li\u003e\n\u003cli\u003eTwin LED peak signal indicators\u003c\/li\u003e\n\u003cli\u003eRegulated +48v phantom power supply\u003c\/li\u003e\n\u003cli\u003eLow distortion less than 0.5% THD and IMD\u003c\/li\u003e\n\u003cli\u003eVariable passive high pass (bass cut) filter\u003c\/li\u003e\n\u003cli\u003eAll signal routing with sealed silver relays\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 align=\"JUSTIFY\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, 'Sans Serif'; font-size: small;\" size=\"2\" face=\"Arial, Helvetica, Sans Serif\" data-mce-style=\"font-family: Arial, Helvetica, 'Sans Serif'; font-size: small;\"\u003e\u003cb\u003eSONIC EXCELLENCE\u003c\/b\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp align=\"JUSTIFY\"\u003e\u003cspan\u003eThe Avalon V55 DI-RE-MIC Preamplifer is an ultra-high performance professional dual channel preamplifier, DI and RE-amper. Created for maximum versatility, the V55's sonic signature - \u003cem\u003e\"Deep and Controlled Bass, Musical Mid-range and enhanced Vocal Projection\"\u003c\/em\u003e combine with a unique set of user features including, 100% discrete Pure Class A amplification, Avalon's unique \u003cem\u003e\"passive\"\u003c\/em\u003e TONE-BANK™, professional VU meter with dual peak LED's, multiple outputs including an instrument level transformer isolated Re-amp. Designed to optimize absolute signal integrity and musical performance, the V55 is ideal for ribbon, dynamic and condenser microphones, bass guitar, acoustic instruments, electric guitars, keyboards, synthesizers, and very low output passive pickups\u003c\/span\u003e\u003cspan style=\"font-family: Arial, Helvetica, 'Sans Serif'; font-size: small;\" size=\"2\" face=\"Arial, Helvetica, Sans Serif\" data-mce-style=\"font-family: Arial, Helvetica, 'Sans Serif'; font-size: small;\"\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"JUSTIFY\"\u003e\u003cspan\u003eThe state-of-the-art DI input stage provides a very-high inpedance, \u003cem\u003e\"zero-load\"\u003c\/em\u003e effect on sensitive pickups and keyboards, while maintaining massive input headroom to +36dB before overload.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 align=\"JUSTIFY\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, 'Sans Serif'; font-size: small;\" size=\"2\" face=\"Arial, Helvetica, Sans Serif\" data-mce-style=\"font-family: Arial, Helvetica, 'Sans Serif'; font-size: small;\"\u003e\u003cb\u003eMINIMUM SIGNAL PATH DESIGN\u003c\/b\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp align=\"JUSTIFY\"\u003e\u003cspan\u003eThe V55 includes a very high quality input transformer (same as the Avalon VT-737sp) with dual microphone input impedance loading for perfect mic\/cable matching, high-cut switch for eliminating unwanted acoustic pickup and high frequency noise, headphone monitor amp and DC coupled, 100% Class A output amplifiers for defined bass control. A buffered \"thru\" output for \u003cem\u003ezero-instrument-load\u003c\/em\u003e tuners or power amp inputs, internal toroid power transformer with discrete high-voltage power supplies for low noise and sealed silver relays for transparent signal routing.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 align=\"JUSTIFY\"\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eAudio Circuit Topology\u003c\/strong\u003e: 100% discrete, high-voltage, Class A, Dual-Channel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eGain\u003c\/strong\u003e: Switched 2dB steps, -\/+ 0.2dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eInput Modes (4)\u003c\/strong\u003e: Line, Instrument-DI, Microphone high-Z \u0026amp; low-Z\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eLINE (transformer)\u003c\/strong\u003e: Balanced 9,000 Ω, XLR~TRS, gain -2dB~+38dB, max. input 47dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eINSTRUMENT ~ DI\u003c\/strong\u003e: Unbalanced 10,000,000 Ω, TRS, gain +2dB~+42dB, max. input 36dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eMICROPHONE HiZ (transformer)\u003c\/strong\u003e: Balanced 6,600 Ω, XLR, gain +20dB ~ +60dB, max. input 23dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eMICROPHONE LoZ (transformer)\u003c\/strong\u003e: Balanced 1,800 Ω, XLR, gain +26dB ~ +66dB, max. input 19dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003ePAD (passive input attenuator)\u003c\/strong\u003e: Line -13dB, Instrument -10dB \u0026amp; Microphone -15dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e: 48V regulated @10mA, blue=power ON, red=phantom ON\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eThru output\u003c\/strong\u003e: Unbalanced, impedance buffered TRS\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eMaximum line ouput level\u003c\/strong\u003e: +30dB, DC coupled, balanced 600 Ω, XLR~TRS\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eMaximum isolated output level\u003c\/strong\u003e: +12dB transformer isolated, unbalanced\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eHeadphone output\u003c\/strong\u003e: 0.5W, 600 Ω, TRS\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eNoise 20kHz, unweighted\u003c\/strong\u003e: -98dBu typical, minimum gain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eNoise (EIN) 22Hz-22kHz\u003c\/strong\u003e: -128dB @ 40dB gain (low Z microphone output)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eDistortion THD, IMD\u003c\/strong\u003e: 0.05% at +10dB, 0.5% at +30dBu\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eFrequency response, -\/+0.5dB\u003c\/strong\u003e: 5Hz to 20kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eFrequency response, -3dB\u003c\/strong\u003e: 2Hz to 500kHz (internal band limited)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eVU Meter\u003c\/strong\u003e: Professional moving coil VU, wide range -33dB ~ +18dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eSignal LED's\u003c\/strong\u003e: LED peak capture, blue=0dB, red=20dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eHigh Cut Filter\u003c\/strong\u003e: -3dB at 3.7kHz minimum phase design\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003ePolarity reverse (phase)\u003c\/strong\u003e: All outputs (relay switched)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eTone Shape\u003c\/strong\u003e: Ten \"passive\" filter-tone selections\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eAC power\u003c\/strong\u003e: Internal toroidal AC supply, dual voltage, 115~230v selectable 50\/60Hz, 35w max per channel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: 19 x 3.5 x 12 in (483 x 88 x 305mm)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eWeight-packed\u003c\/strong\u003e: 24lbs (10.9kg)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Avalon","offers":[{"title":"Default Title","offer_id":43102623203506,"sku":"SAVAV55","price":2650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Avalon-V55-Front.jpg?v=1771953985"},{"product_id":"rupert-neve-designs-511-500-series-mic-pre-with-sweepable-hpf-variable-silk-b-stock-ex-demo","title":"Rupert Neve Designs 511 - 500 series Mic Pre with sweepable HPF, variable silk - B-Stock (Ex Demo)","description":"\u003ch2\u003eRupert Neve Designs 511 - 500 series Mic Pre with sweepable HPF, variable silk - B-Stock (Ex Demo)\u003c\/h2\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRupert Neve Design 511\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a professional quality mic pre that provides you with flexibility with texture, gain, and filters. Rupert Neve designed the 511 to combine classic sonic's with 500-series value. Incorporating the 517’s powerful preamp, the 5012’s universally useful sweepable high pass filter, and the transformer-saturating power of a variable silk circuit derived from Rupert Neve Designs’ flagship Portico II Channel, the 511 is a Rupert Neve-designed mic pre for the masses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is a B-Stock, Ex-Demo unit\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for 500 Series by Mr. Rupert Neve\u003c\/strong\u003e\u003cbr\u003eRupert Neve: \"While creating functional 500 series modules is relatively simple, designing those modules to equal their non-500 series counterparts with the current, voltage and space restraints is quite challenging. In creating the 511 500-Series Modules, Rupert Neve Design experimented with a number of different transformer and circuit designs to achieve the same presence and sweetness found in the Portico Series of modules. The result of these efforts is that outside of the slightly lowered headroom, the Rupert Neve Design 500 series modules are nearly indistinguishable from standard Portico Series modules, and are perfectly suited for studios of the highest caliber.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Section\u003c\/strong\u003e\u003cbr\u003eInput signals may be derived from Mic or Line sources (make sure 48V is off for line sources!). The input has a 10K Ω non-reactive input resistance that handles a full 22dBu signal without the need for a pad. The pre-amp is a TLA non-reactive design that precludes the loading of microphones with limited driving capability. A primary gain control provides 66dB of gain in 6dB increments for easy recall, with a +\/- 6dB trim for fine adjustment. For condenser microphones and powered DIs, there is +48V phantom power. A transient-optimized HPF continuously covering the range from 20-250Hz is included to tame rumble and proximity effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTexture\u003c\/strong\u003e\u003cbr\u003eOne of the key developments in the 511 is the Red Silk \/ Texture control from the Portico II Channel. Building on the \"Silk\" mode found in the Portico Series mic pre-amplifiers, Texture is designed to adjust the actual amount of harmonic music content from the source material, in effect, providing wide range of tonal options for the preamplifier. Like the original Portico Silk, the Silk Red \/ Texture works by reducing negative feedback on the output transformer and adjusting the frequency response to more closely resemble Mr. Rupert Neve’s vintage designs. With the 511, the Texture control allows these techniques to be pushed further than previous designs, adding about 10 times the desirable THD of the original silk control at its maximum setting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow Noise, Low Distortion Operation\u003c\/strong\u003e\u003cbr\u003eMuch care was given in designing the 511 to produce as little noise and non-harmonic distortion as possible. Carefully implemented signal paths and Class A operation are a large part of the 511’s sweet, whisper quiet performance. 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By using an input transformer rather than the [electronically balanced] op‑amp approach, the 68MP can safely provide phantom power without the engineer having to engage it; it’s how all of his console designs operated ‘back in the day’ at Olympic and Electric Lady studios, and he considers it to be perfectly safe.\u003c\/p\u003e\n\u003ch3\u003eRoger Mayer RM 68MP Features:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eGolden Era Analogue Microphone Pre-Amplifier Design\u003c\/li\u003e\n\u003cli\u003eDiscrete Ultra Low Noise Class A Design\u003c\/li\u003e\n\u003cli\u003eUltra Wide Bandwidth\u003c\/li\u003e\n\u003cli\u003eEast Scan Unique 3 Band Sample and Hold LED Metering\u003c\/li\u003e\n\u003cli\u003eCustom Hand Wound Ferrite Input Transformer for fully isolated balanced input\u003c\/li\u003e\n\u003cli\u003e22 way stepped Microphone Gain Control\u003c\/li\u003e\n\u003cli\u003e22 way stepped Output Gain Control\u003c\/li\u003e\n\u003cli\u003eFront Panel Instrument Input\u003c\/li\u003e\n\u003cli\u003e180 degree Phase Reversal Switch\u003c\/li\u003e\n\u003cli\u003e-15Db Pad Switch for Microphone or Instrument\u003c\/li\u003e\n\u003cli\u003eHigh Pass FIlter 12Db\/Octave\u003c\/li\u003e\n\u003cli\u003eTriple Shielded 6 layer PC Card construction\u003c\/li\u003e\n\u003cli\u003eUltra low noise 48v Phantom Supply\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Roger Mayer","offers":[{"title":"Default","offer_id":55091355320694,"sku":"SROM68MP500","price":695.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/68MP-500_0000s_0002_RM_68MP_Front.jpg?v=1734453240"},{"product_id":"heritage-audio-lang-silverr-47-all-tube-dual-mic-preamp","title":"Heritage Audio LANG Silverr 47 - All Tube Dual Mic Preamp","description":"\u003ch2\u003eHeritage Audio LANG Silverr 47 - All Tube Dual Mic Preamp\u003c\/h2\u003e\n\u003cp\u003eThe SILVERR 47® is one of the units that fall under the “SOUND THAT DEFINED AN ERA” line that seeks to revive historical units that fit into today’s studios and were either unavailable or too overpriced.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eOur take on the unique preamp that served as the foundation for the fresh and furious British\u003cbr\u003eInvasion sound that conquered the world during the 60s.\u003c\/li\u003e\n\u003cli\u003eAmazing at any step of the recording process: mic preamplifier, line-receiving input amplifier,\u003cbr\u003edirect injection instrument input, EQ section driver, fader gain-stage, output line driver\u003c\/li\u003e\n\u003cli\u003eConvenient two channel unit at an unbelievable price point.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEvery channel employs a carefully sourced pair of tubes: a NOS 6AU6 pentode for the input stage and a JJ E88CC for the output.\u003c\/li\u003e\n\u003cli\u003eCustom made input and output LANG ELECTRONICS Inc. transformers designed by\u003cbr\u003eHERITAGE AUDIO.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eUnique NO FEEDBACK gain position, which drastically boosts harmonic distortion to\u003cbr\u003epreviously unavailable levels, turning the SILVERR 47® into a one of a kind shaping tool.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInputs: Mic (Balanced XLR), Line (1\/4\" TRS), and D.I. on the front (1\/4” TS).\u003cbr\u003e- Stepped gain in 6dB increments.\u003cbr\u003e- Total Gain: +52dB.\u003cbr\u003e- Variable output control.\u003cbr\u003e- Worldwide internal power supply.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":55626248290678,"sku":"SHERLANGSILV47","price":790.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Silverr47-1.png?v=1747051088"},{"product_id":"chandler-redd-47-special-edition-1-channel-tube-mic-preamp-wit","title":"Chandler REDD.47 Special Edition - 1-channel Tube Mic Preamp with Transformer Balanced I\/O","description":"\u003ch2\u003eChandler REDD.47 Special Edition - 1-channel Tube Mic Preamp with Transformer Balanced I\/O\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eChandler REDD.47\u003c\/strong\u003e microphone pre-amplifier, originally introduced as the all-purpose amplifier for EMI's legendary REDD.51 mixing console, quickly earned 'holy grail' status among engineers for its uniquely punchy and aggressive sound. Today, Chandler Limited and Abbey Road Studios are thrilled to announce the new REDD.47 Special Edition Pre Amp as the next release in their partnership.\u003c\/p\u003e\n\u003cp\u003eHow does one recreate the unique sound of vintage EMI studio equipment?\u003cbr\u003eBy meticulously integrating original vintage parts with Wade Goeke's renowned designs. The result is the new REDD.47 Special Edition Pre-Amp, a testament to years spent sourcing and collecting authentic components. Wade has incorporated these rare parts into a pre amp that authentically captures the unparalleled sounds that defined an era. Designed for a lifetime of use, this unit is not only a sonic powerhouse but a lasting investment.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eREDD.47 Special Edition\u003c\/strong\u003e Pre Amp marks the beginning of a wider 'Super Vintage' line from Chandler Limited. Future designs will also feature vintage parts, clearly marked by a 'Super Vintage' label on the back panel.\u003c\/p\u003e\n\u003cp\u003eThe REDD.47 Special Edition Pre Amp is built with new old stock and vintage parts from the '60s and '70s.\u003c\/p\u003e\n\u003cp\u003eFeatured resistor types include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePiher resistors which were used in vintage EMI and Neve gear as well as in Marshall amps.\u003c\/li\u003e\n\u003cli\u003eISKRA resistors found in early Marshall and other English-made amps\u003c\/li\u003e\n\u003cli\u003eGerman-made Beyschlag and ERO\/Roederstein that were used by many UK and European manufacturers of the time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFeatured vintage capacitors include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSiemens and Wima found in vintage EMI and Neve units\u003c\/li\u003e\n\u003cli\u003eGerman-made ERO and Roederstein that were used in many European designs\u003c\/li\u003e\n\u003cli\u003eThe famous and exceptional sounding Mullard 'tropical fish' capacitors.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBeyond its internal components, the REDD.47 Special Edition features a new layout that mirrors the iconic look and feel of the original REDD console cassettes, complete with our new EMI lighted sign, a hallmark of many vintage EMI consoles. While retaining the core REDD.47 circuit path, this Special Edition comes with the addition of the Input Sensitivity, Line Input and Bass Lift sections from the REDD.51 console.\u003c\/p\u003e","brand":"Chandler","offers":[{"title":"Default Title","offer_id":55934850761078,"sku":"SCHAREDD47SE","price":2915.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Chandler-Limited-Redd-47-se-front.jpg?v=1752665340"},{"product_id":"aea-rpq500-preamp-module-eq-lunchbox-500-series","title":"AEA RPQ503 Preamp Module \u0026 EQ - Lunchbox 500 Series","description":"\u003ch2\u003eAEA RPQ503 Preamp Module \u0026amp; EQ - Lunchbox 500 Series\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAEA RPQ503\u003c\/strong\u003e is the next evolution in AEA’s trusted lineage of high-impedance, high-gain preamplifiers.\u003c\/p\u003e\n\u003cp\u003eBased on the 3rd Generation circuit design AEA's celebrated RPQ3, the RPQ503 brings the same rich and natural sound to the 500 Series Format. Featuring a powerful combination of ultra-low noise, low-distortion op-amps, ultra-high 68KΩ input impedance, and 85dB of clean gain, the RPQ503 delivers exceptional clarity and detail. More than just a preamp, the RPQ503 also includes the expanded EQ section of the RPQ3, with boost and cut controls for both low and high end, on custom, compact, dual-concentric potentiometers.\u003c\/p\u003e\n\u003cp\u003eAt once open and transparent but equally responsive and dynamic, the RPQ503 is a versatile tool for the front end of any signal path.\u003c\/p\u003e\n\u003ch2\u003eAEA RPQ500 Feature set:\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1-Space 500-series preamp\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAEA Gen 3 preamp circuitry\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eUltra-high 68KΩ input impedance (phantom power off)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e7 to 85 dB of gain\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLF\/HF sweepable frequency\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEQ boost\/cut, +\/-20 dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEQ in\/out switching; center detents on EQ gain pots\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e+48V phantom\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePolarity switch\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMic\/line input switching (line input bypasses mic pre)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e100% Handcrafted in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56020812071286,"sku":"SAEARPQ503","price":665.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/AEA-RPQ503_0004_FrontLightsOn.jpg?v=1753965879"},{"product_id":"british-audio-technologies-altec-1588-500-series-mic-preamp","title":"British Audio Technologies Altec 1588 500-Series Mic Preamp","description":"\u003ch2\u003eBritish Audio Technologies Altec 1588 500-Series Mic Preamp\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003eBAT 1588\u003c\/strong\u003e\u003cspan\u003e brings the legendary \u003c\/span\u003e\u003cstrong\u003eAltec 1588C\u003c\/strong\u003e\u003cspan\u003e microphone preamp circuit to the 500-series world — not as a clone but as a\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003efaithful evolution\u003c\/strong\u003e\u003cspan\u003e tuned for modern workflows. Packed with vintage vibe and loaded with premium Cinemag transformers (yes, the same transformer supplier used by UA, API, AeA, Moog, Avalon Design…) optimised for today’s demanding studios. The \u003c\/span\u003e\u003cstrong\u003eBAT 1588\u003c\/strong\u003e\u003cspan\u003e is not trying to be everything, it’s trying to be \u003c\/span\u003e\u003cem\u003eexactly the right t\u003c\/em\u003e\u003cspan\u003eool — for rich tone, effortless vibe, and musical colour.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eNot Just Transparent — Purposefully Musical\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhere many modern 500-series preamps focus on transparency and precision, the BAT 1588 leans into musicality. This isn’t one dimensional — it brings your sound alive. The subtle harmonic coloration, transformer saturation and mid-forward focus provide the kind of texture that makes vocals sit in a mix effortlessly. Think “record-ready tone” from the first take.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSimple Circuit, Complex Tone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Altec 1588C is one of the most revered transistor-based preamps for a reason: it’s minimalist but sounds massive. The BAT 1588 preserves the original signal path with discrete transistor topology, avoids op-amps or ICs and stays transformer-balanced on both input and output. It’s the sound of radio hits from the ‘60s and ‘70s — now with lower noise and modern stability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExamples of uses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"wp-block-list\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eVocals\u003c\/strong\u003e: Warm, detailed, and naturally forward\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDrums\u003c\/strong\u003e: Rounded transients with punch and grit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGuitars\u003c\/strong\u003e: Organic and harmonically rich\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKeys\/Synths\u003c\/strong\u003e: Adds life and vibe to DI sounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"has-link-color wp-elements-0e579cfd986711ae8de08f051c83ce91\"\u003e\n\u003cstrong\u003eGain\u003c\/strong\u003e: ~55dB (perfect for dynamic mics, ribbons with boosters or condenser mics)\u003c\/li\u003e\n\u003cli class=\"has-link-color wp-elements-0e579cfd986711ae8de08f051c83ce91\"\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eFrequency Response\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e: 0.5dB deviation from 20Hz to 25KHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"has-link-color wp-elements-0e579cfd986711ae8de08f051c83ce91\"\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eCircuit\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e: Discrete Altec 1588C-inspired topology with no op-amps or ICs on the signal path\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"has-link-color wp-elements-0e579cfd986711ae8de08f051c83ce91\"\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eTransformers\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e: Cinemag input\/output\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"has-link-color wp-elements-0e579cfd986711ae8de08f051c83ce91\"\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eTrim adjustment\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e: To fine tune the preamp saturation\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"has-link-color wp-elements-0e579cfd986711ae8de08f051c83ce91\"\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eOutput Fader\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e: The output fader lets you saturate the output transformer for added colour, then reduce the level before the next stage\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"has-link-color wp-elements-0e579cfd986711ae8de08f051c83ce91\"\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003ePower\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e:\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Standard 500 Series Rack \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(±16V)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"has-link-color wp-elements-0e579cfd986711ae8de08f051c83ce91\"\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eComponents\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e: 1 Watt 1% metal film resistors,\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Nichicon Gold \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ecapacitors, high quality potentiometers and E-switch high quality switches\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"has-link-color wp-elements-0e579cfd986711ae8de08f051c83ce91\"\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eBuild\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e: Hand-assembled in small batches and tested for consistency\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"British Audio Technologies","offers":[{"title":"Default Title","offer_id":56563507822966,"sku":"SBRT1588","price":662.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/BAT1588V2.psd_0001_BAT1588Front.jpg?v=1779280060"},{"product_id":"bae-1073nops-1073-19-1ru-rack-without-power-supply","title":"BAE 1073 - Rackmount EQ\/Mic Pre without Power Supply","description":"\u003ch2\u003eBAE 1073 - Rackmount EQ\/Mic Pre without Power Supply\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eBAE 1073\u003c\/strong\u003e is as authentic as you can get to the original, featuring the same St Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire.\u003c\/p\u003e\n\u003cp\u003eThe BAE 1073 looks identical to the original vintage module and will happily retrofit in vintage Neve 80 Series consoles because the entire product is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e*Power supply not included\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh Frequency: +\/-16dB fixed frequency shelving at 12kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: +\/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz \u0026amp; 220Hz\u003c\/li\u003e\n\u003cli\u003eMid Range: +\/-18dB peaking, fixed 'Q' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz \u0026amp; 7.2kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz \u0026amp; 300Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eFrequency Response\u003c\/b\u003e\u003cbr\u003e10Hz to -3dB at 55kHz\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e3 Band Equaliser\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eHF:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e+\/-16dB fixed frequency shelving at 12kHz\u003cbr\u003e\u003cb\u003eLF:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e+\/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz \u0026amp; 220Hz\u003cbr\u003e\u003cb\u003eMF:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e+\/-18dB peaking, fixed 'Q' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz \u0026amp; 7.2kHz\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHigh Pass Filter\u003c\/b\u003e\u003cbr\u003e50Hz, 80Hz, 160Hz \u0026amp; 300Hz\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMic Input Impedance\u003c\/b\u003e\u003cbr\u003e≈1200\/300 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLine Input Impedance\u003c\/b\u003e\u003cbr\u003e10k ohms\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDI Input Impedance\u003c\/b\u003e\u003cbr\u003e≈150k ohms\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOutput Impedance\u003c\/b\u003e\u003cbr\u003e35 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCommon Mode Rejection Ratio\u003c\/b\u003e\u003cbr\u003e100dB min @ 60Hz\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaximum Output Level\u003c\/b\u003e\u003cbr\u003e+27.4 dBu @ 600Ω\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePower Requirements\u003c\/b\u003e\u003cbr\u003e115\/230 VAC, 28W\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGain dB\u003c\/b\u003e\u003cbr\u003e0 to 80 dB\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEquivalent Input Noise\u003c\/b\u003e\u003cbr\u003e-110 dBu; Unweighted 300kHz Bandwidth\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWeight\u003c\/b\u003e\u003cbr\u003eRackmount: 12 LBS\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions in Inches\u003c\/b\u003e\u003cbr\u003e19W x  1.75L x 9D\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":56683355865462,"sku":"SBAE1073NOPS","price":2829.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/1073rackfront.jpg?v=1764087650"},{"product_id":"bae-1073wps-pair-1073-19-pair-w-power-supply","title":"BAE 1073 PAIR - 2x Rackmount 1073 with Power Supply","description":"\u003ch2\u003eBAE 1073 PAIR - 2x Rackmount 1073 with Power Supply\u003c\/h2\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBAE 1073\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis as authentic as you can get to the original, featuring the same St Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire.\u003c\/p\u003e\n\u003cp\u003eThe BAE 1073 looks identical to the original vintage module and will happily retrofit in vintage Neve 80 Series consoles because the entire product is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh Frequency: +\/-16dB fixed frequency shelving at 12kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: +\/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz \u0026amp; 220Hz\u003c\/li\u003e\n\u003cli\u003eMid Range: +\/-18dB peaking, fixed 'Q' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz \u0026amp; 7.2kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz \u0026amp; 300Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eFrequency Response\u003c\/b\u003e\u003cbr\u003e10Hz to -3dB at 55kHz\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e3 Band Equaliser\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eHF:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e+\/-16dB fixed frequency shelving at 12kHz\u003cbr\u003e\u003cb\u003eLF:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e+\/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz \u0026amp; 220Hz\u003cbr\u003e\u003cb\u003eMF:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e+\/-18dB peaking, fixed 'Q' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz \u0026amp; 7.2kHz\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHigh Pass Filter\u003c\/b\u003e\u003cbr\u003e50Hz, 80Hz, 160Hz \u0026amp; 300Hz\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMic Input Impedance\u003c\/b\u003e\u003cbr\u003e≈1200\/300 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLine Input Impedance\u003c\/b\u003e\u003cbr\u003e10k ohms\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDI Input Impedance\u003c\/b\u003e\u003cbr\u003e≈150k ohms\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOutput Impedance\u003c\/b\u003e\u003cbr\u003e35 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCommon Mode Rejection Ratio\u003c\/b\u003e\u003cbr\u003e100dB min @ 60Hz\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaximum Output Level\u003c\/b\u003e\u003cbr\u003e+27.4 dBu @ 600Ω\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePower Requirements\u003c\/b\u003e\u003cbr\u003e115\/230 VAC, 28W\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGain dB\u003c\/b\u003e\u003cbr\u003e0 to 80 dB\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEquivalent Input Noise\u003c\/b\u003e\u003cbr\u003e-110 dBu; Unweighted 300kHz Bandwidth\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWeight\u003c\/b\u003e\u003cbr\u003eRackmount: 12 LBS\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions in Inches\u003c\/b\u003e\u003cbr\u003e19W x  1.75L x 9D\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":56683356225910,"sku":"SBAE1073PAIRWPS","price":5312.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/1073pair.jpg?v=1764091717"},{"product_id":"bae-1073wps-1073-19-1ru-rack-w-power-supply","title":"BAE 1073 - Rackmount EQ\/Mic Pre with Power Supply","description":"\u003ch2\u003eBAE 1073 - Rackmount EQ\/Mic Pre with Power Supply\u003c\/h2\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBAE 1073\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis as authentic as you can get to the original, featuring the same St Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire.\u003c\/p\u003e\n\u003cp\u003eThe BAE 1073 looks identical to the original vintage module and will happily retrofit in vintage Neve 80 Series consoles because the entire product is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh Frequency: +\/-16dB fixed frequency shelving at 12kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: +\/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz \u0026amp; 220Hz\u003c\/li\u003e\n\u003cli\u003eMid Range: +\/-18dB peaking, fixed 'Q' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz \u0026amp; 7.2kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz \u0026amp; 300Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eFrequency Response\u003c\/b\u003e\u003cbr\u003e10Hz to -3dB at 55kHz\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e3 Band Equaliser\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eHF:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e+\/-16dB fixed frequency shelving at 12kHz\u003cbr\u003e\u003cb\u003eLF:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e+\/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz \u0026amp; 220Hz\u003cbr\u003e\u003cb\u003eMF:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e+\/-18dB peaking, fixed 'Q' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz \u0026amp; 7.2kHz\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHigh Pass Filter\u003c\/b\u003e\u003cbr\u003e50Hz, 80Hz, 160Hz \u0026amp; 300Hz\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMic Input Impedance\u003c\/b\u003e\u003cbr\u003e≈1200\/300 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLine Input Impedance\u003c\/b\u003e\u003cbr\u003e10k ohms\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDI Input Impedance\u003c\/b\u003e\u003cbr\u003e≈150k ohms\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOutput Impedance\u003c\/b\u003e\u003cbr\u003e35 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCommon Mode Rejection Ratio\u003c\/b\u003e\u003cbr\u003e100dB min @ 60Hz\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaximum Output Level\u003c\/b\u003e\u003cbr\u003e+27.4 dBu @ 600Ω\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePower Requirements\u003c\/b\u003e\u003cbr\u003e115\/230 VAC, 28W\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGain dB\u003c\/b\u003e\u003cbr\u003e0 to 80 dB\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEquivalent Input Noise\u003c\/b\u003e\u003cbr\u003e-110 dBu; Unweighted 300kHz Bandwidth\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWeight\u003c\/b\u003e\u003cbr\u003eRackmount: 12 LBS\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions in Inches\u003c\/b\u003e\u003cbr\u003e19W x  1.75L x 9D\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":56683356422518,"sku":"SBAE1073WPS","price":2995.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/1073rackfront.jpg?v=1764087650"},{"product_id":"rupert-neve-designs-rnd-5025-dual-shelford-mic-pre-ex-demo","title":"Rupert Neve Designs RND-5025 Dual Shelford Mic Pre - B-Stock","description":"\u003ch2\u003eRupert Neve Designs RND-5025 Limited Edition Dual Shelford Mic Pre - B-Stock\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 5025\u003c\/strong\u003e is a limited edition run of the widely acclaimed Shelford channel, now you can have two Shelford Microphone preamps, including silk, in one rack space. \u003cspan data-mce-fragment=\"1\"\u003eThe Dual Shelford offers the sonic excellence of two Rupert Neve Designs Shelford mic preamps in a single rack space with an internal power supply.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Transformer Gain Mic Pre\u003cbr\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLike Rupert’s designs from his time in Little Shelford, the Dual Shelford Pre uses a custom step-up transformer on the microphone input that provides the first 15 dB of gain. This specially-designed transformer, along with its careful integration with the surrounding class-A circuitry, is critical to the amplifier’s bold, mid-focused magic that can be heard on thousands of classic recordings.\u003cbr\u003e\u003cbr\u003eWhile the majority of the harmonic richness found in Rupert’s designs is a product of the output transformer and surrounding class-A amplifiers, this step-up input transformer also imparts a unique musical enhancement of its own. The technical reasons for this are primarily a result of the reactive impedance characteristic of the input transformer and how that interacts with the connected microphone, resulting in subtle, non-linear harmonic enhancement of the lows and an unmistakable sweetness in the high frequencies.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eThe Dual Output Level Transformers\u003c\/h3\u003e\n\u003cp class=\"\"\u003eComplementing the Silk circuit are the custom-designed output transformers, which use Rupert Neve Designs’ distinctive dual output topology. These offer both Main (+26 dBu) and -6dB (+20 dBu) outputs, allowing the engineer to drive the preamps fully into classic transformer saturation without clipping converters and other devices later in the chain.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eSilk \/ Texture\u003cbr\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePushing the Silk button cycles the Silk modes from Red to Blue to OFF. Silk reduces the negative feedback on the output transformer, adding harmonic content as the texture is increased. Red Silk accentuates the musical harmonic saturation from the mid and high frequencies, while Blue Silk accentuates harmonics from the low and low-mid frequencies. By manipulating the Texture control, the amount of Silk can be changed from essentially absent, to roughly 4-5% THD (mostly second order) depending on how hard the output transformer is being driven.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecifications\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eINPUT IMPEDANCE\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e2.2 kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eMAXIMUM INPUT LEVEL\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz: +24.9 dBu\u003c\/li\u003e\n\u003cli\u003e@ 1 kHz (Main Out): +26.7 dBu\u003c\/li\u003e\n\u003cli\u003e@ 1 kHz (-6dB Out): +20.7 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e20 Hz to 20 kHz: +\/-0.25 dB\u003c\/li\u003e\n\u003cli\u003e10 Hz to 62 kHz: +\/- 0.5 dB\u003c\/li\u003e\n\u003cli\u003e5 Hz: \u0026lt;\u0026lt; -3 dB\u003c\/li\u003e\n\u003cli\u003e70 kHz: -3 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eTHD+N% (BW 10Hz - 90kHz)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e0dBu Input, 1 kHz: \u0026lt; 0.0025%\u003c\/li\u003e\n\u003cli\u003e+20dBu Input, 1 kHz: \u0026lt; 0.008%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eNOISE AT MAIN OUTPUT (BW 22Hz - 22kHz)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e0dB Gain: -102 dBu\u003c\/li\u003e\n\u003cli\u003e+30dB Gain: -94 dBu\u003c\/li\u003e\n\u003cli\u003e+66dB Gain: -61 dBu\u003c\/li\u003e\n\u003cli\u003eEIN (+66dB Gain): -127 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eNOISE AT -6dB OUTPUT (BW 22Hz - 22kHz)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e0dB Gain: -107 dBu\u003c\/li\u003e\n\u003cli\u003e+30dB Gain: -100 dBu\u003c\/li\u003e\n\u003cli\u003e+66dB Gain: -67 dBu\u003c\/li\u003e\n\u003cli\u003eEIN (+66dB Gain): -133 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003ePRODUCT DIMENSIONS (W x D x H)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e19” (48.3 cm) x 9.2” (23.4 cm) x 1.75” (4.4 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eSHIPPING DIMENSIONS (W x D x H)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e24” (61 cm) x 13” (33 cm) x 4” (10.2 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eSHIPPING WEIGHT\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e11 lbs. (5 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":57410881192310,"sku":"SRND5025BSK","price":2132.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/RND-5025.jpg?v=1772713537"}],"url":"https:\/\/studiocare.com\/collections\/preamps.oembed?page=2","provider":"Studiocare","version":"1.0","type":"link"}