{"title":"Q1 2026 - Sales Highlights","description":"","products":[{"product_id":"aea-r88-stereo-ribbon-microphone","title":"AEA R88 MK2 Stereo Ribbon Microphone","description":"\u003ch2\u003eAEA R88 MK2 Stereo Ribbon Microphone\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAEA R88 MK2 stereo ribbon mic\u003c\/strong\u003e utilities the same basic LRG and acoustic structure as the R44CNE, and delivers that \"big ribbon\" sound for stereo applications. AEA's first ribbon mic, classic high-output R44, continues gaining converts with its natural sound, articulate midrange and forgiving nature. Both the AEA R88 and R44 use Large Ribbon Geometry (LRG) architecture with a big, .185 by 2.35 inches by 1.8 micron, pure aluminium low-tension ribbon that delivers effortless bass down to 20 Hz. Both these LRG mics handle high SPL situations well and can handle 168 dB SPL at 1 kHz and above.\u003cbr\u003e\u003cbr\u003eAEA, which has been working with high-performance ribbon mics for over 20 years, also manufacturers accessories for stereo and surround recording. Its custom products include high-end studio booms and stands, Decca trees, stereo microphone positioners, MS stereo decoders and solid-state stereo phase monitors. The AEA R88 Mk2 is a new microphone and a classic sound. Pure and true, it is remarkably free of distortion. Just as versatile as its venerable father, it flatters voice, strings, brass and drums.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBig Ribbon Blumlein (XY) and MS stereo ribbon mic\u003c\/li\u003e\n\u003cli\u003ePure Ribbon design with open and natural sound\u003c\/li\u003e\n\u003cli\u003eUsed in many Grammy Award-winning projects\u003c\/li\u003e\n\u003cli\u003eGreat foundation for main or sectional pickup\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Principle:\u003c\/strong\u003e Pressure gradient microphone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectional Pattern:\u003c\/strong\u003e Bidirectional (Figure-of-8)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Range:\u003c\/strong\u003e 20 Hz to 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e 165+ dBSPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Sensitivity:\u003c\/strong\u003e 2.5 mV\/Pa (-52 dBV) into unloaded circuit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance:\u003c\/strong\u003e 270 Ω nominal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended Load Impedance:\u003c\/strong\u003e 1.2 kΩ or greater\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePowering:\u003c\/strong\u003e Not required or recommended\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolarity:\u003c\/strong\u003e Pin 2 and 4 high for positive pressure on front of microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnector:\u003c\/strong\u003e XLR-5M connector, includes breakout cable to 2x XLR-3M\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRibbon Thickness:\u003c\/strong\u003e 1.8 μ (0.0000018 m) of pure aluminium\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRibbon Width:\u003c\/strong\u003e 0.185” (4.7 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRibbon Length:\u003c\/strong\u003e 2.35” (59.7 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e Custom storage \/ shipping case, manual, 12-foot breakout cable, swivel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimited Warranty:\u003c\/strong\u003e One year parts and labour, shipping not included. Three year extended warranty if the product is registered.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight with Cable:\u003c\/strong\u003e 5 lb 3 oz (2.36 kg)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 15” (38.1 cm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 3”\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":31436126748718,"sku":"SAEAR88","price":1999.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/aea-r88_1.jpg?v=1735037244"},{"product_id":"api-3124mv-discrete-4-channel-mic-line-pre-with-variable-output-aux-and-stereo-mix","title":"API 3124MV Discrete 4 Channel Mic\/Line Pre with Variable Output, aux and Stereo Mix","description":"\u003ch2\u003eAPI 3124MV\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAPI 3124MV\u003c\/strong\u003e is a professional 4 channel mic preamp with stereo mixer, it has been designed with professional engineering in mind. 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Actual\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMeasured Noise:\u003c\/strong\u003e Better than -91 dBm \/ below Nominal +4.\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eDistortion:\u003c\/strong\u003e All Outputs at +4 out, .03%, at +22, .09% Max\u003c\/li\u003e\n\n\u003cli\u003e\u003cstrong\u003eGain Range:\u003c\/strong\u003e\u003c\/li\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e150 Ohms Input 10 dB Min., 65 dB Max (inc. PAD). \u003c\/li\u003e\n\n\u003cli\u003eUn-Bal. 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The REDD.47 lent its unmistakably punchy, aggressive character to music recorded at Abbey Road Studios' Studio Two between 1964 and 1968, including many tracks by The Beatles.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003eDesigned as a central component to the EMI REDD.51 recording console, the original REDD.47 line amplifier was used to amplify virtually every stage of the audio path (mic inputs, line inputs, echo sends and monitors).\u003c\/p\u003e\n\u003cp\u003eThe Chandler Limited REDD.47 Mic Amplifier offers many additional benefits to the original design including increased gain, allowing a range of tonal options from pristine clean sound to classic rich, saturated tone with up to 2% harmonic distortion before clipping. The Chandler Limited REDD.47 preamp easily reproduces the distortions heard on The Beatles’ ‘Revolution.’\u003c\/p\u003e\n\u003cp\u003eChandler Limited’s REDD.47 tube microphone preamplifier delivers the legendary sound of Abbey Road Studios’ ‘Holy Grail’ preamp, with extra features to meet today’s recording studio standards.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eCHANNELS\u003c\/strong\u003e: Mono\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eCIRCUIT:\u003c\/strong\u003e Tube (EF86, E88CC)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eInputs:\u003c\/strong\u003e Mic\/Line XLR (pin 2 hot), D\/I (1\/4”)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eOutput:\u003c\/strong\u003e XLR (pin 2 hot)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eTransformer:\u003c\/strong\u003e balanced I\/O (custom wound)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eVoltage gain:\u003c\/strong\u003e Stepped 16-52db\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFine gain:\u003c\/strong\u003e Stepped ±5db\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eTotal Gain:\u003c\/strong\u003e +57db\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eOutput control:\u003c\/strong\u003e variable\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRumble filter:\u003c\/strong\u003e Inductor based, switchable (30,45,60,70,90,110,130,180hz)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePAD:\u003c\/strong\u003e 20db, switchable\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePhase:\u003c\/strong\u003e 0\/180º, switchable\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePhantom Power:\u003c\/strong\u003e +48v, switchable\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003ePOWER:\u003c\/strong\u003e Internal power supply\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Chandler","offers":[{"title":"Default Title","offer_id":31467390664750,"sku":"SCHAREDD47","price":2374.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/ChandlerLimitedREDD47PreampFront_forsite.jpg?v=1724162946"},{"product_id":"coles-4038-studio-ribbon-microphone-inc-4071-stand-mount","title":"Coles 4038 Studio Ribbon Microphone Inc. 4071 Stand mount","description":"\u003ch2\u003eColes 4038 Studio Ribbon Microphone Inc. 4071 Stand mount\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eColes 4038 with the 4071 stand mount\u003c\/strong\u003e allows the 4038 to be mounted to a standard microphone stand. The Coles 4071 features a 4069 Jack with Stand adaptor and six inch fly-lead to XLR plug.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eColes 4038\u003c\/strong\u003e Studio Ribbon Microphone is of British Broadcasting design (BBC) and used for broadcasting and recording such sounds where a clear smooth wide range frequency response, absent of transient distortion and relatively high sensitivity is essential.\u003c\/p\u003e\n\u003cp\u003eThe 4038 has a proven reliable performance capability, being since its introduction, used by broadcasting networks throughout the world such as the BBC.\u003c\/p\u003e\n\u003cp\u003eThe frequency response of the 4038 is exceptionally flat from 30 to 15,000 c\/s and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up.\u003c\/p\u003e\n\u003cp\u003eStudio microphones have now achieved a remarkable fidelity of reproduction. If the microphone is not close to perfection, there is no point in having expensive systems to take the sound the rest of the way to the audience's ears.\u003c\/p\u003e\n\u003ch2\u003eColes 4038 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSubstantially flat frequency response from 30 to 15,000 c\/s\u003c\/li\u003e\n\u003cli\u003eExtremely low (non-linear) distortion\u003c\/li\u003e\n\u003cli\u003eExceptionally low hum pick-up\u003c\/li\u003e\n\u003cli\u003eBi-directional (figure of eight) polar curve shape accurately\u003c\/li\u003e\n\u003cli\u003emaintained in both horizontal and vertical planes\u003c\/li\u003e\n\u003cli\u003eExcellent transient response\u003c\/li\u003e\n\u003cli\u003eNatural clear balanced response to sound signal\u003c\/li\u003e\n\u003cli\u003eBody shape to enhance acoustic performance\u003c\/li\u003e\n\u003cli\u003eClear natural high fidelity sound reproduction\u003c\/li\u003e\n\u003cli\u003eSmooth sonic textured response\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eColes 4038 Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e4038 High Fidelity: \u003c\/strong\u003ePressure gradient transducer ribbon microphone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRibbon: L\u003c\/strong\u003eow mass damped ribbon to control transient response\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Response: \u003c\/strong\u003eBi-directional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMagnetic Fields: \u003c\/strong\u003eBy use of hum neutralising wiring and magnetic shielding of the toroidal ribbon to line transformer 30 to 40 dB reduction is achieved in response to stray disturbing magnetic fields\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response: \u003c\/strong\u003e30 Hz to 15,000 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImpedance: \u003c\/strong\u003e300 ohm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity: \u003c\/strong\u003e-65 dB W.R.T. IV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDistortion: \u003c\/strong\u003eLess than 1% at 125 dB SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnection: \u003c\/strong\u003eBy means of 4069 3 pin jack plug. Pin 1 positive - Pin 2 negative - Pin 3 screen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody Housing: \u003c\/strong\u003eMade of heavy gauge perforated brass backed by finely woven monel mesh. Rotating hinge connection allows microphone to tilt through 90° and turned in any direction when either suspended or free standing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions: \u003c\/strong\u003e7¼\" (197 mm) x 3¼\" (83 mm) x (61 mm).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003e2 lb. 6 oz. (1.08 Kg).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFinish: \u003c\/strong\u003eBlack stove enamel textured paint\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePackaging: \u003c\/strong\u003eEach microphone comes in a foam lined rigid plastic carrying case with 4069 jack plug, and soft cloth protective bag, for safe keeping.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Coles","offers":[{"title":"Default Title","offer_id":31467401510958,"sku":"SCOL40384071","price":900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/coles_4038_single_1.jpg?v=1578923020"},{"product_id":"coles-4038-studio-ribbon-microphones-matched-pair-inc-4071-stand-mounts","title":"Coles 4038 Studio Ribbon Microphones - Matched Pair Inc. 4071 Stand mounts","description":"\u003ch2\u003eColes 4038 Studio Ribbon Microphones - Matched Pair Inc. 4071 Stand mounts\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eColes 4038 Matched pair with two 4071 stand mounts\u003c\/strong\u003e allows the microphones to be mounted on standard microphone stands. The Coles 4071 features a 4069 Jack with Stand adaptor and six inch fly-lead to XLR plug.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eColes 4038\u003c\/strong\u003e Studio Ribbon Microphone is of British Broadcasting design (BBC) and used for broadcasting and recording such sounds where a clear smooth wide range frequency response, absent of transient distortion and relatively high sensitivity is essential. \u003cstrong\u003eThis listing is a matched pair of Coles 4038 ribbon microphones.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 4038 has a proven reliable performance capability, being since its introduction, used by broadcasting networks throughout the world such as the BBC.\u003c\/p\u003e\n\u003cp\u003eThe frequency response of the 4038 is exceptionally flat from 30 to 15,000 c\/s and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up.\u003c\/p\u003e\n\u003cp\u003eStudio microphones have now achieved a remarkable fidelity of reproduction. If the microphone is not close to perfection, there is no point in having expensive systems to take the sound the rest of the way to the audience's ears.\u003c\/p\u003e\n\u003ch2\u003eColes 4038 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSubstantially flat frequency response from 30 to 15,000 c\/s\u003c\/li\u003e\n\u003cli\u003eExtremely low (non-linear) distortion\u003c\/li\u003e\n\u003cli\u003eExceptionally low hum pick-up\u003c\/li\u003e\n\u003cli\u003eBi-directional (figure of eight) polar curve shape accurately\u003c\/li\u003e\n\u003cli\u003emaintained in both horizontal and vertical planes\u003c\/li\u003e\n\u003cli\u003eExcellent transient response\u003c\/li\u003e\n\u003cli\u003eNatural clear balanced response to sound signal\u003c\/li\u003e\n\u003cli\u003eBody shape to enhance acoustic performance\u003c\/li\u003e\n\u003cli\u003eClear natural high fidelity sound reproduction\u003c\/li\u003e\n\u003cli\u003eSmooth sonic textured response\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eColes 4038 Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e4038 High Fidelity: \u003c\/strong\u003ePressure gradient transducer ribbon microphone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRibbon: L\u003c\/strong\u003eow mass damped ribbon to control transient response\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Response: \u003c\/strong\u003eBi-directional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMagnetic Fields: \u003c\/strong\u003eBy use of hum neutralising wiring and magnetic shielding of the toroidal ribbon to line transformer 30 to 40 dB reduction is achieved in response to stray disturbing magnetic fields\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response: \u003c\/strong\u003e30 Hz to 15,000 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImpedance: \u003c\/strong\u003e300 ohm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity: \u003c\/strong\u003e-65 dB W.R.T. IV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDistortion: \u003c\/strong\u003eLess than 1% at 125 dB SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnection: \u003c\/strong\u003eBy means of 4069 3 pin jack plug. Pin 1 positive - Pin 2 negative - Pin 3 screen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody Housing: \u003c\/strong\u003eMade of heavy gauge perforated brass backed by finely woven monel mesh. Rotating hinge connection allows microphone to tilt through 90° and turned in any direction when either suspended or free standing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions: \u003c\/strong\u003e7¼\" (197 mm) x 3¼\" (83 mm) x (61 mm).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003e2 lb. 6 oz. (1.08 Kg).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFinish: \u003c\/strong\u003eBlack stove enamel textured paint\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePackaging: \u003c\/strong\u003eEach microphone comes in a foam lined rigid plastic carrying case with 4069 jack plug, and soft cloth protective bag, for safe keeping.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Coles","offers":[{"title":"Default Title","offer_id":31467401936942,"sku":"SCOL4038MP4071","price":1675.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/coles-4038-pair-4071_1_b198b5a8-25e9-46eb-809e-83829c325227.jpg?v=1718794586"},{"product_id":"neumann-u87-ai-studio-set-includes-shock-mount-nickel","title":"Neumann U87 Ai Studio Set, with shock mount - Nickel","description":"\u003ch2\u003eNeumann U 87 Ai Studio Set - Special Offer\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeumann U87 Ai Studio Set \u003c\/strong\u003eis one of the worlds best-known microphones and for good reason, this kit includes the large diaphragm, multi-pattern condenser U87 Ai mic with a nickel finish, a wooden box (for the microphone only) and the EA87 nickel elastic suspension shock-mount. known around the globe for its excellent vocal capturing you can find the Neumann U 87 in almost all pro studios and prosumer collections.\u003c\/p\u003e\n\u003cp\u003eThe Neumann U87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Well-known for its warm and well-balanced characteristics - your perfect choice as vocal microphone for all types of music and speech. Its usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone - in studios, for broadcasting, film and television. \u003cbr\u003e\u003cbr\u003eThe U 87 is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eVariable large diaphragm microphone\u003c\/li\u003e\n\u003cli\u003ePressure-gradient transducer with double membrane capsule\u003c\/li\u003e\n\u003cli\u003eThe studio microphone classic\u003c\/li\u003e\n\u003cli\u003eThree directional characteristics: omni, cardioid, figure-8\u003c\/li\u003e\n\u003cli\u003eSwitchable low frequency roll-off\u003c\/li\u003e\n\u003cli\u003eSwitchable 10 dB pre-attenuation\u003c\/li\u003e\n\u003cli\u003eIdeal as main and as support microphone in the most differing recording situations\u003c\/li\u003e\n\u003cli\u003eColour: Nickel\u003c\/li\u003e\n\u003cli\u003eCat. 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Perfect for a variety of stereo micing setups such as piano and drum overheads. Alternatively, with two 1073 preamps in one unit, the DPX makes an excellent choice for multi-micing scenarios such as kick and snare, acoustic guitar and vocals.\u003c\/p\u003e\n\u003cp\u003eThe 1073DPX provides the same classic tone and thanks to the exclusive Marinair transformers on the microphone input, line input and line output stage. Coupled with the three-band inductor-based EQ, the 1073DPX can process a range of sources with the classic NEVE sound.\u003c\/p\u003e\n\u003cp\u003eThe Class A design 1073 microphone preamplifiers feature three bands of EQ: one fixed high-frequency band, two switchable bands with cut and boost capability, and a high-pass filter. The Neve 1073 mic pre and EQ combination adds warmth and depth to recordings, brings out subtle ambience, maintains spatial positioning, and more effectively captures a precise image. That’s why the 1073 mic preamp is considered by many to be the very essence of the Neve sound.\u003c\/p\u003e\n\u003cp\u003eFor a more in-depth look at the DPX, please see the Youtube video below:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=JsiyZlVxfT4\" title=\"1073 DPX Feature Rundown\" rel=\"noopener\" target=\"_blank\"\u003eNEVE 1073 DPX FEATURE RUNDOWN\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 independent, genuine Neve 1073 transformer-coupled microphone preamplifier \/ EQ circuits, in a single 2U 19\" rack-mount enclosure\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExclusive Neve Marinair™ transformers are used on each input and output stage.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eConvenient connections for Mic, Line \u0026amp;amp; DI inputs on the front of the unit, with switchable mic\/line input connections on the rear of the unit\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSwitchable +48v Phantom Power, Hi\/Lo impedance, -20dB pad, and DI ground lift on the input stage\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSwitchable Phase, and EQ in\/out\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInsert Send and Return loop feature allows external equipment to be connected easily to the 1073DPX audio chain, such as mono\/stereo limiter\/compressor\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePost-EQ insert send\/return - a line-level output send is available from the post EQ stage and a return just before the main output stage\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIndependent channel output level controls\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e7-stage LED signal level meters for each channel - can show mic\/line\/DI input-stage level, EQ-stage level or output-stage level up to +24dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHeadphone output with adjustable volume control can listen to channel 1, channel 2 or both channels combined\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExternal multi-voltage PSU\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":31519712477230,"sku":"SNEV1073DPX","price":2249.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/AMSNEVE_0003_1073DPXFrontRaisedRT.jpg?v=1669373242"},{"product_id":"ams-neve-1081-8-way-rack-complete-8x-classic-mono-modules-in-7u-special-price-cancelled-order","title":"AMS Neve 1081 8 Way Rack Complete - 8 x Classic Mono Modules housed in 7U 8 slot Rack (Special Price \/ Cancelled Order)","description":"\u003ch2\u003eAMS Neve 1081 8 Way Rack Fully Loaded - Special Price \/ Cancelled Order\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eFully Loaded Neve 1081 8 Slot rack \u003c\/strong\u003eincludes eight Neve 1081 Classic modules in a 7U chassis. Including PSU, Phantom Power and Gain Control. This is a special price due to a cancelled order. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe listing is for the 1081 Chassis and Modules only, it does not include the photographed Furman\/Flight Case.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eAMS Neve 1081 Classic Mono Module\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeve 1081 Classic\u003c\/strong\u003e is a legendary Class A transformer based mic preamp and EQ. The \u003cstrong\u003eNeve 1081 Classic\u003c\/strong\u003e provides remarkable sensitivity, fast and musical response to transients, plus inimitable Neve equalization featuring effective high- and low-pass filters designed to separate unwanted signal outside the passband. This gives users a flexible tool with which to shape new sounds and control any part of the audio spectrum. The curves and slopes have been carefully tailored to enable users to exercise maximum technical and artistic skill.\u003c\/p\u003e\n\u003cp\u003eOver three decades of engineers have found the 1081 an indispensable tool for recording and mixing drums, bass and percussion. As with all Neve outboard gear, users are assured the highest quality signal acquisition, thanks to uncompromising Class AB circuitry, hand-wound Neve-designed transformers, and unrivalled attention to every last component and construction detail.\u003c\/p\u003e\n\u003cp\u003eDesigned in 1972, the 1081 was originally conceived as a combined mic\/line preamp and equalizer section for the Neve modular consoles. A glance through the credits on today’s platinum-selling albums reveals that these vintage consoles are still widely used to great effect, confirming the 1081’s status as a truly classic component in a recording front-end or mixing environment. We are still hand-building 1081 modules in Burnley, UK much the same way as the original modules, using the original components, hand-wound transformers, and time-honed construction methods.\u003c\/p\u003e\n\u003ch2\u003eAMS Neve 1081 Classic Mono Module Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLegendary Neve microphone preamp and equalizer design (Class AB) \u003c\/li\u003e\n\u003cli\u003eHand-built and wired precisely to original 1972 specifications \u003c\/li\u003e\n\u003cli\u003e5 switchable EQ bands  \u003c\/li\u003e\n\u003cli\u003eHP and LP selectable filters (18dB per octave)  \u003c\/li\u003e\n\u003cli\u003eSeparate 48V phantom power supply  \u003c\/li\u003e\n\u003cli\u003eSolo button selects channel unbalanced output  \u003c\/li\u003e\n\u003cli\u003eNeve-designed hand-wound transformers  \u003c\/li\u003e\n\u003cli\u003eBoth inputs transformer-balanced and earth free  \u003c\/li\u003e\n\u003cli\u003eMicrophone input: gain +80db to +10dB in 5dB steps \u003c\/li\u003e\n\u003cli\u003eLine input: gain +20dB to -10dB in 5dB steps \u003c\/li\u003e\n\u003cli\u003eOutput: maximum output \u0026gt;+26dBu into 600Ω; output impedance 75Ω @1kHz  \u003c\/li\u003e\n\u003cli\u003eDistortion: not more than 0.07% at +20dBu output  \u003c\/li\u003e\n\u003cli\u003eFreq response: ±0.5dB 20Hz to 20kHz, -3dB at 45kHz. EQ Out.  \u003c\/li\u003e\n\u003cli\u003eOutput noise better than -80 dB at all line levels  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eMic Amplifier Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone Input: \u003c\/strong\u003eInput impedance 300 Ohms or 1200 Ohms, gain +80dB to +20dB in 5dB steps.Input is transformer balanced and earth free.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine Input: \u003c\/strong\u003eInput impedance 10,000 Ohms bridging, gain +20dB to -10dB in 5dB steps.Input is transformer balanced and earth free.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput:\u003c\/strong\u003e Maximum output is \u0026gt;+26dBu into 600 Ohms. Output impedance is 75 Ohms +\/-5% @ 1kHz, balanced and earth-free.An unbalanced output 8dB below the level of the balanced output is also provided.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDistortion:\u003c\/strong\u003e Not more than 0.07% from 50Hz for +20dBm output from 50Hz to 15kHz (80kHz bandwidth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e +\/-0.5dB from 20Hz to 20kHz, -3dB at 7Hz and 35kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise:\u003c\/strong\u003e Output noise better than -42dBm from Zin 1200 Ohms and -80dB input, giving an equivalent noise of -125dBm referred to 600 Ohms input impedance fed from 100 OhmsOutput noise better than 80dBm at all line input levels (22Hz to 22kHz bandwidth)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEQ Section:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Frequency controls:\u003c\/strong\u003e 5 switched frequencies, shelving or peaking curve, continuously variable 18dB cut or boost.- High Frequency Presence: 10 switched frequencies with continuously variable 18dB cut or boost, high or low Q section.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow Frequency controls:\u003c\/strong\u003e 5 switched frequencies, shelving or peaking curve, continuously variable 18dB cut or boost.- Low Frequency Presence: 10 switched frequencies with continuously variable 18dB cut or boost, high or low Q section.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Pass Filter: \u003c\/strong\u003e5 switched frequencies with slope of 18dB per octave.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow Pass Filter:\u003c\/strong\u003e 5 switched frequencies with slope of 18dB per octave.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudio controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhase Button: \u003c\/strong\u003eGives 180 degree phase change at balanced output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEQ Button: \u003c\/strong\u003eSelects equalisation in or out of circuit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSOLO Button: \u003c\/strong\u003eSelects channel unbalanced output and closing switch contact.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpare Button: \u003c\/strong\u003eSwitches external device as required.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements: \u003c\/strong\u003e200mA at 24V DC, Negative earth\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eModule Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 45mm (1.8 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 305mm (12.15 inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth: \u003c\/strong\u003e300mm (11.8 inches) behind front panel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eApprox. Weight:\u003c\/strong\u003e 3kg (6.5 pounds)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":31519714574382,"sku":"SNEV10818WAYCOMPB","price":20850.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Neve-1081_0002_0I1A7579.jpg?v=1767630848"},{"product_id":"ams-neve-33609-n-discrete-dual-stereo-compressor-limiter-19672","title":"Neve 33609 N Discrete Dual \/ stereo compressor limiter","description":"\u003ch2\u003eNeve 33609N\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eNeve 33609\u003c\/strong\u003e Stereo Compressor offers comprehensive limiting and compression facilities for music recording, mastering, post production and broadcast applications. The combination of hand-wired transformers and gain reduction circuitry produces a sound quality which is often duplicated, yet seldom achieved by any other compressor \/ limiter. Coupled with the unit’s unparalleled ease of use, this inimitable sound quality has made the 33609 a worldwide studio standard for three decades.\u003c\/p\u003e\n\u003cp\u003eThe hallmark 33609 compression sound is very smooth, and extreme settings may be used with the compression or limiting remaining relatively transparent. After several versions of this classic Neve compressor over the years, today's 33609 provides the best of both worlds: original Neve 33609 sound, with enhanced internal and external I\/O switching compared to the original model. The 33609 also utilises a discrete output stage like the original model, for a slightly warmer sound that is preferred by many professionals over previous iterations. Multiple units can be easily linked for multi-channel operation.\u003c\/p\u003e\n\u003cp\u003eThe 33609 features independent sidechains for the compressor and limiter sections, with similarly independent threshold, recovery and attack controls. The compressor features a selection of ratios from 1.5:1 to 6:1 and a gain make-up control that comes before the limiter. 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The 8801 features a mic preamp with high and low pass filters, a four-band EQ, a compressor, gate, dynamics side chain and an insert point. The order of the signal path can be changed to suit your requirements.\u003c\/p\u003e\n\u003cp\u003eThe Neve 88R is considered one the of best sounding analogue desk ever made and the 8801 - Hand-built and hand-wired in Burnley, England - takes the channel strip and puts in inside a solid 1U rack.\u003c\/p\u003e\n\u003cp\u003eThe preamp section features phantom power, phase reverse, -20dB pad and can handle Mic, Line or work as a DI. The filter section features high pass and low pass filters and an option to route the filters to the sidechain.\u003c\/p\u003e\n\u003cp\u003eThe dynamics section features a compressor with standard threshold, ratio and release controls with the addition of a gain make-up knob. The expander\/gate features threshold, range and release controls. There is also the Hysteresis knob which sets the difference in threshold between the gate opening and closing signals. Pressing this button switches the gate off and the 2:1 ratio expander on.\u003c\/p\u003e\n\u003cp\u003eThe EQ is extremely musical and features four bands. The two middle frequencies are fully parametric with frequency, gain and Q settings, the out bands can switch between shelf and bell shaping with frequency and gain settings. The Q can be switch from wide to narrow. The EQ can be routed to the sidechain.\u003c\/p\u003e\n\u003cp\u003eUsing Neve's Mac and PC compatible Recall software allows instant setting recall for seamless integration.\u003c\/p\u003e\n\u003cp\u003eAn optional digital board offers high-quality analogue to digital conversion up to 192kHz on AES\/EBU and S\/PDIF connection. Wordlock is included of rock-solid clocking.\u003c\/p\u003e\n\u003ch2\u003eNeve 8801 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eComplete channel strip from the revered 88RS console in a single rackspace\u003c\/li\u003e\n\u003cli\u003eHand-built and hand-wired by Neve in Burnley, England\u003c\/li\u003e\n\u003cli\u003eGenuine Neve mic preamp with High and Low Pass Filters\u003c\/li\u003e\n\u003cli\u003e4-band equalization with highly musical, full-range sound\u003c\/li\u003e\n\u003cli\u003e88RS-style compressor and gate\u003c\/li\u003e\n\u003cli\u003eInsert send and return\u003c\/li\u003e\n\u003cli\u003eEQ or filters to sidechain\u003c\/li\u003e\n\u003cli\u003eUSB port for direct connection to Mac or PC\u003c\/li\u003e\n\u003cli\u003eOptional Neve analogue-to-digital converter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response: \u003c\/strong\u003e+\/- 0.2dB (10Hz to 20kHz)+\/- 0.5dB (10Hz to 40kHz)Line Input to Main Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD + Noise:\u003c\/strong\u003e \u0026lt;0.005% Line Input to Main Output (20Hz to 20kHz) using a measurement window of 10Hz to 80kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise: \u003c\/strong\u003eLine Input to Main Output: \u0026lt; 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Top artists all over the world rely on Omnisphere as an essential source of sonic inspiration. This award-winning software brings many different types of synthesis together into one amazing-sounding instrument that will spark a lifetime of exploration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cspan style=\"color: #ff0000;\"\u003eUK version only. We are unable to ship this internationally. This is a BOXED product, not a download.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"fresh-sounds-headertext\"\u003eThousands of Fresh New Sounds, Faster Access, Same Size\u003c\/h4\u003e\n\u003cp class=\"fresh-sounds-subheadertext show-desktop-only\"\u003eTruly massive new factory collection of 18 stunning libraries of thousands and thousands of super creative and inspiring new sounds from the award-winning Spectrasonics Sound Design team.\u003c\/p\u003e\n\u003cdiv class=\"fresh-sounds-feature-item\"\u003e\n\u003ch4\u003eCurated\u003c\/h4\u003e\n\u003cp\u003eRapidly find exactly the sounds you need within the highly curated new libraries, meticulously organised by type of use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fresh-sounds-feature-item\"\u003e\n\u003ch4\u003eRemastered\u003c\/h4\u003e\n\u003cp\u003eAll of the original classic Omnisphere patches have been carefully remastered and refreshed with the latest v3 features and Effects.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fresh-sounds-feature-item\"\u003e\n\u003ch4\u003eOptimized\u003c\/h4\u003e\n\u003cp class=\"show-desktop-only\"\u003eWith new lossless optimisation technology, the stunning Omnisphere 3 sound library actually takes NO MORE hard drive space than Omnisphere 2.\u003c\/p\u003e\n\u003ch4\u003eNew Adaptive Global Controls\u003c\/h4\u003e\n\u003cp class=\"subtext-block-size-changeable show-desktop-only\"\u003eQuickly customize the overall sound of a patch with the new adaptive global controls that allow easy tweaks to the most important sound characteristics:\u003cbr\u003eTone, Ambience, Filter, Envelope, Vibrato \u0026amp; Unison.\u003cbr\u003eThese smart controls automatically analyse the patch, so they always work with musical results…no matter what patch you select.\u003c\/p\u003e\n\u003ch4\u003eNew Patch Mutations\u003c\/h4\u003e\n\u003cp class=\"subtext-block-size-changeable\"\u003eAt the click of a button, Omnisphere 3 can now instantly create fascinating and useful variations of any patch - from Subtle to Extreme! Every mutation you generate is automatically saved and you can easily come back to them later.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003eOmnisphere 3.0 System Requirements\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eAll Users\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e• 2.4 GHz or higher processor\u003c\/li\u003e\n\u003cli\u003e• 8GB of RAM, 16GB or more recommended\u003c\/li\u003e\n\u003cli\u003e• 64GB of free hard drive space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"omni-tech-req-mac\"\u003e\n\u003cp\u003eMac Users\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e• macOS 13 Ventura or higher\u003c\/li\u003e\n\u003cli\u003e• AU, VST3, VST2, AAX capable host software\u003c\/li\u003e\n\u003cli\u003e• Intel and Apple Silicon Native\u003c\/li\u003e\n\u003cli\u003e• 64-bit host\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"omni-tech-req-windows\"\u003e\n\u003cp\u003eWindows Users\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e• Microsoft Windows 10 or higher\u003c\/li\u003e\n\u003cli\u003e• VST3, VST2, AAX capable host software\u003c\/li\u003e\n\u003cli\u003e• 64-bit host\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Spectrasonics","offers":[{"title":"Default Title","offer_id":31539063128110,"sku":"SSPFOMNI","price":289.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/Spectrasonics-Omnisphere-3_0003_Layer2.jpg?v=1761304342"},{"product_id":"api-312-500-series-mic-pre-module","title":"API 312 - 500-Series Mic Pre Module","description":"\u003ch2\u003eAPI 312 - 500-Series Mic Pre Module\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAPI 312\u003c\/strong\u003e is 500 series adaptation of API's original 312 microphone pre-amp. The 312's design is based on Saul Walker’s original designs and includes API’s 2520 op-amp and AP2516 transformer.\u003c\/p\u003e\n\u003cp\u003eThe API-312 is one of API's most sought after and famous mic pre-amps. First introduced in the 1970s, it is well known and respected throughout the recording industry, and is the building block of the modern 3124 rack unit.\u003c\/p\u003e\n\u003cp\u003eBased on API co-founder Saul Walker's original designs, the API 312 Mic Pre combines our 2520 op-amps and proprietary transformers. It delivers the analogue warmth, massive headroom and unmistakable sound for which API is known, in a convenient 500 Series format.\u003c\/p\u003e\n\u003cp\u003eFollowing the success of the hand wired 312 50th Anniversary Edition, this standard production version offers the classic API sound at an affordable price. Like all API products, the 312 is backed by API's unique Five Year Warranty.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAPI's Classic 312 Microphone Pre-amp in a 500 Series module\u003c\/li\u003e\n\u003cli\u003eVintage Style Analogue VU Meter\u003c\/li\u003e\n\u003cli\u003eMaximum 69dB of gain\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design with 2520 Op Amp\u003c\/li\u003e\n\u003cli\u003eProprietary AP2516 Input Transformer\u003c\/li\u003e\n\u003cli\u003e20 dB pad switch\u003c\/li\u003e\n\u003cli\u003e3:1 Output Transformer Tap Selection\u003c\/li\u003e\n\u003cli\u003eSwitchable 48V phantom power\u003c\/li\u003e\n\u003cli\u003ePeak LED\u003c\/li\u003e\n\u003cli\u003eAPI's Five Year Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":32414273896494,"sku":"SAPI312","price":662.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SAPI312.jpg?v=1722598976"},{"product_id":"rupert-neve-designs-rnd-portico-ii-master-buss-processor-black","title":"Rupert Neve Designs RND Portico II - Master Buss Processor - Black","description":"\u003ch2\u003eRupert Neve Designs RND Portico II - Master Buss Processor - Black\u003c\/h2\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRupert Neve Designs Portico II Master Buss Processor\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e features a comprehensive compressor with blend control, limiter, stereo field editor and texture control designed to enable the user to shape the sound of the master bus no matter what the genre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBased around the high voltage, discrete and class-A signal paths made famous in the 5088 Mixer, the Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. Though originally developed for mastering applications, the MBP has quickly become a favourite of mix engineers, tracking engineers, and even FOH engineers. From mixing bass-heavy EDM to a delicate master of a chamber ensemble, it has something to offer everyone – no matter the use or genre.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePowerful 2-channel compressor\/limiter\/stereo field manipulator\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eFull compression sections for both channels, including attack, release, ratio, and threshold controls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide chain inputs with high-pass filters for both compressors\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeed-back\/Feed-forward controls let you select from modern and vintage compression sounds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eTexture control with 2 Silk modes let you add classic Rupert Neve tone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlend controls allow you to mix dry signal back into your compression, preserving transients while adding\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003epunch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eSimple and highly musical 1-knob limiter with Adaptive Release Technology allows for brick-wall limiting\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ethat doesn't distort or affect levels under the threshold\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eStereo Field Editor section includes independent controls for width and depth as well as the width and\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003edepth EQs, allowing you to dial in the perfect stereo field\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003eMic Pre\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMain Output, no load\u003c\/li\u003e\n\u003cli\u003e–3 dB @ 2 Hz\u003c\/li\u003e\n\u003cli\u003e–3 dB @ 160 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eNoise:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eMeasured at Main Output, unweighted, 22Hz-22kHz,\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eTerminated 150 Ohms.\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eWith gain at unity better than –92 dBu\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eWith gain at 66 dB better than –56 dBu\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eEquivalent Input Noise better than –123 dBu\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eGain:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eUnity to +66dB in 6 dB steps,\u003c\/li\u003e\n\u003cli\u003eTrim continuously adjustable from –6dB to +6dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLine Input:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eTrim continuously adjustable from –6dB to +6dB\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eMaximum Output Level:\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eMaximum output from 20 Hz to 40 kHz is +25 dBu.\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom Power:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e48 Volts DC +\/- 1%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eTotal Harmonic Distortion and Noise:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003e@ 1kHz, +20 dBu output: Better than 0.002%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eAs above, Silk Engaged: Better than 0.2% Second Harmonic\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003e@ 20Hz, +20 dBu out Better than 0.004%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003e@ 20Hz, +20 dBu out Better than 0.020%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eIM Distortion: Better than 0.002%\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eSlew rate Better than 4 V\/uS\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eHigh Pass Filter:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency: Continuously Variable from 20 Hz to 250Hz\u003c\/li\u003e\n\u003cli\u003eSlope: 12 dB\/Octave Bessel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default","offer_id":32694145908782,"sku":"SRNDMBP","price":3499.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SRNDP2MASTERBUSSB.jpg?v=1602065126"},{"product_id":"pmc-pmc-6-2","title":"PMC 6-2 Active 3 way monitor with a 2 x 6.5 inch bass units 55mm Soft dome mid-range - Pair","description":"\u003ch2\u003ePMC 6-2 Active 3 way monitor with a 2 x 6.5 inch bass units 55mm Soft dome mid-range - Pair\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe \u003cstrong\u003ePMC6-2\u003c\/strong\u003e is the all new active 3-way studio monitor that provides main-monitor scale, depth, and dynamics, and allows mix decisions to be made quickly, with absolute certainty and without fatigue.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis 3-way active monitor speaker combines two custom 6-inch ultra-long-throw bass-drivers with our radically engineered PMC55 2-inch soft-dome mid-range unit and a precision-built one-inch soft-dome tweeter. The PMC55’s distinctive ‘N-compass’ waveguide enhances the wide dispersion and remarkable mid-range projection of the driver; in combination with the high performance of the tweeter, the result is an ultra-wide and stable image, with a smooth and natural in-room response. Each bass driver is individually powered by a cutting-edge 400W Class-D amplifier and seamlessly integrated by our sophisticated, highly accurate DSP-based crossovers. As with the PMC6, the monitor is configured using rear-panel controls or the browser-based SoundAlign™ software, with comprehensive boundary and EQ options.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe PMC6-2 offers astonishing size-to-performance ratio thanks to its ATL™ bass-loading technology, which results in exceptional LF extension and consistent tonal balance at all listening levels. Our Laminair™ airflow technology, visible in the monitor’s hexagonal vent ducts, further reduces colouration and enhances dynamics and efficiency.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA simple upgrade path converts the PMC6-2 to a full-range XBD system; just add a PMC8.2 SUB and select XBD mode to perfectly dovetail the two units, extending the response down to 25Hz with additional headroom.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eActive 3-way nearfield reference monitor with ATL™ bass loading\u003c\/li\u003e\n\u003cli\u003eFrequency response: 33Hz - 25kHz (- 3dB @1m full space, on-axis)\u003c\/li\u003e\n\u003cli\u003eMax. cont. SPL: 109dB @1m (Half space value calculated as +3dB from full space measurement.\u003cbr\u003eUn-weighted input,20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration)\u003c\/li\u003e\n\u003cli\u003eState-of-the-art Class-D amplifiers: HF 400W, MF 400W, LF 2x 400W\u003c\/li\u003e\n\u003cli\u003eAnalogue \/ AES3 digital input (16\/24-bit, 18 -192kHz sample rate)\u003c\/li\u003e\n\u003cli\u003eDigital ‘through’ output (AES3 24-bit 96kHz)\u003c\/li\u003e\n\u003cli\u003eSoundAlign™ network control interface for single or group EQ \u0026amp; settings\u003c\/li\u003e\n\u003cli\u003eSophisticated DSP crossover, driver protection, EQ, and delay\/polarity options\u003c\/li\u003e\n\u003cli\u003ePMC6-2 + PMC8-2 SUB = PMC6-2 XBD, with LF down to 25Hz \u0026amp; increased headroom\u003c\/li\u003e\n\u003cli\u003eCeiling-mount yoke allows suspension in multi-channel or immersive systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan class=\"label\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan class=\"specs\"\u003eActive 3-way nearfield reference monitor with ATL™ bass loading\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"label\"\u003e\u003cstrong\u003eDrive Unit Complement\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cb\u003eLF\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e2 x PMC 150mm (6”) studio 6 drivers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cb\u003eMF\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ePMC 55mm (2”) soft dome mid-range\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cb\u003eHF\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ePMC 27mm (1”) soft dome tweeter\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cspan class=\"label\"\u003e\u003cstrong\u003eEffective ATL™ Length\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan class=\"specs\"\u003e2m (6.6ft)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"label\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan class=\"specs\"\u003e33Hz - 25kHz (- 3dB) (@1m full space, on-axis)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan class=\"specs\"\u003e+4dBu input signal = 98dB SPL @ 1m\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"label\"\u003e\u003cstrong\u003eMax continuous SPL\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan class=\"specs\"\u003e109dB @1m, \u003c\/span\u003e\u003cspan class=\"label\"\u003e\u003c\/span\u003e\u003cspan class=\"specs\"\u003e(Half space value calculated as +3dB from full space measurement. Unweighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"label\"\u003e\u003cstrong\u003eMax Peak SPL\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan class=\"specs\"\u003e121dB @1m, \u003c\/span\u003e\u003cspan class=\"label\"\u003e\u003c\/span\u003e\u003cspan class=\"specs\"\u003e(Half space value calculated as +3dB from full space measurement. Unweighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"label\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cb\u003eH\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e+\/-50 degrees\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cb\u003eV\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e+60\/-40 degrees (-6dB off axis @10kHz)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cspan class=\"label\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003eXLR switchable between analogue \u0026amp; digital AES3\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cb\u003eAnalogue input\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e- +20\/+24dBu max. input level (selectable)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e- 22K ohm input impedance\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cb\u003eDigital input\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e- 16\/24-bit AES3 signal, left, right or left + right\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e- 18 - 192kHz Sample Rate\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e- 110 ohm input impedance\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cb\u003eExpansion card slot\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e- For future connectivity upgrades\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cspan class=\"label\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e: \u003c\/span\u003eXLR digital AES3 (fixed 24-bit @ 96kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"label\"\u003e\u003cstrong\u003eNetwork\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan class=\"specs\"\u003eRJ45 for use with PMC SoundAlign web interface\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"label\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cstrong\u003eLevel Trim\u003c\/strong\u003e: (+\/-10dB)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e: (20 - 200Hz, 12dB\/Oct)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cstrong\u003eDelay\u003c\/strong\u003e: (0 - 30mS)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cstrong\u003ePhase\u003c\/strong\u003e: (normal or inverted)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cstrong\u003eLF \u0026amp; HF shelving filters\u003c\/strong\u003e: (20Hz - 20kHz, +\/- 10dB, Q 0.707)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cstrong\u003eParametric EQ\u003c\/strong\u003e: (5 bands, 20Hz - 20kHz, +\/- 10dB)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cstrong\u003eUser presets\u003c\/strong\u003e: (3 + factory defaults)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cspan class=\"label\"\u003e\u003cstrong\u003eLatency\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan class=\"specs\"\u003e2.4mS\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan class=\"label\"\u003eAmplifier power per channel\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cb\u003eLF\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e2 x 400Wrms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cb\u003eMF\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e1 x 400Wrms\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cb\u003eHF\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e1 x 400Wrms\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cspan class=\"label\"\u003e\u003cstrong\u003eMains\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan class=\"specs\"\u003e100 - 240VAC auto-switching, 50-60Hz (IEC C14)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"label\"\u003e\u003cstrong\u003ePower consumption (idle)\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan class=\"specs\"\u003e50W\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"label\"\u003e\u003cstrong\u003ePower consumption (max)\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan class=\"specs\"\u003e1500W\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan class=\"label\"\u003eCabinet dimensions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cb\u003eH\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e400mm (15.7”)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cb\u003eW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e430mm (16.9”)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"specs\"\u003e\u003cb\u003eD\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e372mm (14.6”)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cspan class=\"label\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan class=\"specs\"\u003e21.3kg (47lbs) each\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PMC","offers":[{"title":"Default Title","offer_id":40968983052466,"sku":"SPMCPMC62","price":8604.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SPMCPMC62-1.jpg?v=1631782845"},{"product_id":"universal-audio-bock-251-multi-pattern-tube-condenser-microphone","title":"Universal Audio Bock 251 - Multi-Pattern Tube Condenser Microphone","description":"\u003ch2\u003eUniversal Audio Bock 251 \u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eUA Bock 251\u003c\/strong\u003e is Universal Audio’s flagship multi-pattern tube condenser microphone, handbuilt at the UA Custom Shop in Santa Cruz. \u003cbr\u003e\u003cbr\u003eGoing beyond the famed ELAM 251,* considered by many to be the greatest vocal mic ever made, this David Bock-designed masterpiece features hand-sourced components for rich vintage sound with enhancements for performance and consistency. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003cbr\u003e● Large-diaphragm tube studio condenser mic, lovingly handmade at the UA Custom Shop in Santa Cruz, California\u003cbr\u003e● Iconic, \"golden unit\" mic sounds with modern enhancements by David Bock\u003cbr\u003e● Switchable omnidirectional, cardioid, and figure-8 polar patterns \u003cbr\u003e● German-made CK12 capsule and Cinemag transformer\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAdd Handmade Magic to your Studio\u003c\/strong\u003e\u003cbr\u003eThe UA Bock 251 is David Bock's loving interpretation of the classic 251 microphones he studied and maintained as chief technical engineer of the world's top recording studios for two decades. Hand built at UA’s Custom Shop in Santa Cruz, California, the UA Bock 251 mic puts \"golden unit\" sound at the heart of your recordings. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRich Tube Mic Sounds, with Updated Sonics\u003c\/strong\u003e\u003cbr\u003eWith its German-made CK12 capsule and large output transformer, the UA Bock 251 gives you extended low-frequency response down to 10 Hz and higher SPL capabilities versus vintage 251 microphones. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt for a Lifetime of Harmonious Recording\u003c\/strong\u003e\u003cbr\u003eHandwired using premium components, each UA Bock 251 is built and tested to David Bock's exacting specifications. With its vintage-inspired case, robust shock mount and accessories, this mic spares no expense to last a lifetime. \u003cbr\u003e\u003cbr\u003e*The UA Bock 251 product is not affiliated with, sponsored, nor endorsed by any other company. The \"251\" name is used solely to identify the classic mic design that Universal Audio's product is based on. All other trademarks are property of their respective owners. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone Type Tube Condenser\u003c\/li\u003e\n\u003cli\u003ePolar Pattern Multi-pattern\u003c\/li\u003e\n\u003cli\u003eFrequency Range 10 Hz - 18 kHz, ± 2dB\u003c\/li\u003e\n\u003cli\u003eSensitivity -34 dB (19 mV) ref 1V at 1 Pa, 1 kHz\u003c\/li\u003e\n\u003cli\u003eMax SPL 118 dB SPL, 1% THD\u003c\/li\u003e\n\u003cli\u003eOutput Impedance 150 Ohms\u003c\/li\u003e\n\u003cli\u003eRecommended Load Impedance Greater than 1.2K Ohms\u003c\/li\u003e\n\u003cli\u003eAdjustable Controls Polar pattern selector for Cardioid, Omni, Figure-8\u003c\/li\u003e\n\u003cli\u003eConnector Tuchel (mic), 3-Pin XLR (power supply)\u003c\/li\u003e\n\u003cli\u003eIncluded Accessory - UA Bock 251 power supply, 100V, 115V (default), or 230V operation\u003c\/li\u003e\n\u003cli\u003e- Premium vintage-style suitcase\u003c\/li\u003e\n\u003cli\u003eDimensions 8.5” (216 mm) length, 2” (52 mm) diameter\u003c\/li\u003e\n\u003cli\u003eWeight 1.58 lbs (716 g)\u003c\/li\u003e\n\u003cli\u003eShipping Weight 12 lbs (5.4 kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":41651959136434,"sku":"SUNIMICBOCK251","price":3958.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/UA_0000s_0002_Bock_251_Front.jpg?v=1645101128"},{"product_id":"universal-audio-ua-sphere-dlx-mic-system","title":"Universal Audio UA Sphere DLX Mic System","description":"\u003ch2\u003eUniversal Audio UA Sphere DLX Mic System\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eUA Sphere DLX\u003c\/strong\u003e modelling microphone system gives you the sound of classic mics\u003cbr\u003eused by everyone from The Beatles and Beyoncé to Radiohead and Frank Sinatra.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey Benefits\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecord with 38 of the most sought-after microphones ever made\u003c\/li\u003e\n\u003cli\u003eChange mic type, polar pattern, and other characteristics, even after tracking\u003c\/li\u003e\n\u003cli\u003eRecord acoustic guitar, strings, horns, and more in stereo with a single microphone\u003c\/li\u003e\n\u003cli\u003eAdd the ultimate modelling mic to your collection, with dual gold-sputtered diaphragms and the lowest noise of any mic in its class\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eGrab the Keys to the Ultimate Mic Locker\u003c\/strong\u003e\u003cbr\u003eFeaturing 38 legendary mic models of Neumann, Telefunken, AKG, Sony, and more,* the\u003cbr\u003eSphere DLX gives your productions the most sought-after ribbon, condenser, and dynamic microphones ever made.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFind your Perfect Mic in Real Time with Apollo\u003c\/strong\u003e\u003cbr\u003eThe Sphere DLX lets you audition classic mics before, during, and after recording with any interface, in any DAW. And when paired with an Apollo interface, you can\u003cbr\u003edo this with near-zero latency.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eGet Stereo Sound and More from a Single Mic\u003c\/strong\u003e\u003cbr\u003eThanks to its dual capsule design, the Sphere DLX lets you easily record piano, drums, strings, and more in stereo. You can even use different mic models on the left and right channels for a more colorful stereo image. 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The SCM25A MK2 is based around s 6.5\" bass driver, with a ATC 3\" mid-driver and an ATC SH25-76S 1\" soft dome tweeter delivering extended bass response and exceptional mid-range clarity. \u003c\/p\u003e\n\u003cp\u003eThe 3-way monitor features proprietary drive units designed and manufactured by ATC. Low frequencies below 380Hz are handled by a 6.5”\/164mm bass driver, mid-range frequencies between 380Hz \u0026amp; 3.5kHz by the ATC 3”\/75mm soft dome mid-driver. High frequencies above 3.5kHz are handled by ATC’s SH25-76S Dual-Suspension 1”\/25mm soft dome tweeter. This HF driver update is the primary improvement from the Mk1-to-Mk2 model. The enclosure is a ported\/vented type, tuned to 32Hz and featuring a 3”\/75mm diameter port with flared entry \u0026amp; exit to minimise port air noise.\u003c\/p\u003e\n\u003cp\u003eThe SCM25A Pro Mk2 is actively driven by a 3-way class A\/B amp pack mounted in the rear of the cabinet. Each drive unit has its own dedicated power amplifier. Audio input is via a rear panel mounted 3-pin female XLR and power via an IEC mains power inlet. There are user controls for input sensitivity and bass ‘boost’. Crossovers are 4th order Linkwitz-Riley and all-pass filters are included to optimise the phase response through the crossover regions, improving the tonal accuracy, imaging, on and off-axis frequency response. FET peak limiters are included to reduce amplifier ‘hard-clipping’. 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First available as a simple on\/off switch, then with selectable Red and Blue modes and the variable Texture control, Silk exists to enhance and control even and odd order harmonic content in any source material. \u003cbr\u003e\u003cbr\u003eSuper Silk is the latest advancement to this beloved technology: with independent Red, Blue, Harmonics and Zener Drive controls, plus the ability to adjust gain into (and out of) the circuit, harmonic manipulation is taken to a whole new level with the MBT.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default","offer_id":43291733852338,"sku":"SRNDMBT","price":2962.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/RND-Master-Bus-Transformer-Front.jpg?v=1763462933"},{"product_id":"ssl-puredrive-octo-8-mic-pres-conversion-and-usb-soundcard","title":"SSL PUREDRIVE OCTO - 8 Mic Pre's, Conversion and USB Soundcard","description":"\u003ch2\u003eSSL PUREDRIVE OCTO - 8 Mic Pre's, Conversion and USB Soundcard\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSSLPURE DRIVE OCTO\u003c\/strong\u003e harnesses the renowned SuperAnalogue PureDrive™ microphone preamp technology originally featured in Solid State Logic's ORIGIN console, introduces a new DRIVE mode and connectivity, and makes it available in an 8-channel 2U rackmount unit.\u003cbr\u003e\u003cbr\u003eSSL's contemporary-classic recording console, ORIGIN, introduced the PureDrive™ microphone preamplifier. This innovative preamp retains the clarity and punch of previous SSL designs while offering the added versatility of switching its character to a warm, harmonically rich, and driven tone that varies with gain. ORIGIN, along with the PureDrive™ microphone preamp, has made its mark in the world's premier studios. Whether it's capturing the delicate nuances of a piano concerto in PURE mode or imparting warmth on a drum recording when set to DRIVE, the PureDrive™ microphone preamp has become an essential tool in some of the most prestigious studios and recording facilities due to its flexibility and superb sonic signature.\u003cbr\u003e\u003cbr\u003ePURE DRIVE OCTO continues the legacy into rack format, delivering eight microphone preamps with ORIGIN’s renowned PURE and DRIVE modes, but takes it further, adding a new ‘Asymmetric’ DRIVE, advanced digital connectivity, and an onboard USB interface. PURE DRIVE OCTO offers four mic preamp input impedance options, enabling engineers to explore various tonal possibilities or match the mic pre's impedance closely to the microphone. Additionally, each mic pre includes independent +48V phantom power, polarity inversion, and a High Pass Filter. PURE DRIVE OCTO stands as one of the most capable and feature-rich outboard microphone preamplifiers available, introducing a host of new sonic possibilities and workflows for the discerning producer and recording engineer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e3 DRIVE Flavours, 1 Mic Pre\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003ePURE DRIVE OCTO is a testament to SSL's commitment to progressive analogue circuit design. No electro-mechanical components (potentiometers, mechanical switches, relays etc) are used in the critical audio signal path of PURE DRIVE OCTO, increasing product longevity, and allowing impeccable ‘matching’ between all channels – not just a stereo pair. 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Its comprehensive selection of analogue and digital I\/O offers microphone preamps with exceptional performance and flexibility, whether you're tracking a band in a world-class studio or adding warmth to stems in a production scenario. It's also ideal for project studios and on-location sessions where quality cannot be compromised, thanks to its integrated USB sound card.\u003cbr\u003e\u003cbr\u003ePURE DRIVE OCTO features eight rear-mounted combo XLR inputs, four front-panel Hi-Z\/DI instrument inputs with automatic input detection, and three sets of D-sub connectors for line-level inputs, as well as insert send and insert return. PURE DRIVE OCTO’s insert returns\/ADC inputs operate up to full +24 dBu line-level, for interfacing with other professional equipment.\u003cbr\u003e\u003cbr\u003ePURE DRIVE OCTO's versatile digital connectivity features an integrated USB soundcard providing eight channels of audio into your DAW up to 32-Bit\/192 kHz. 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The NDH 30 black edition offer outstanding detail, high-precision stereo imaging with razor-sharp localization.\u003c\/p\u003e\n\u003ch4\u003ePERFECT MONITORING IN NEUMANN QUALITY – EVERYWHERE\u003c\/h4\u003e\n\u003cp\u003eThe NDH 30 was developed with the aim of making the reference sound of a Neumann studio monitor setup, perfectly calibrated via the\u003cspan\u003e \u003c\/span\u003eNeumann MA 1, available everywhere in the form of an easily transportable headphone. At the same time, the NDH 30 forms its own sound reference in terms of headphone reproduction, which has become a key to success with the consumer. Its superior sound characteristics make the NDH 30 the first choice for mixing and mastering. Thanks to its high long-term comfort, it is just as excellently suited to high-precision editing.\u003c\/p\u003e\n\u003cp\u003eIts high-quality construction of spring steel and aluminium as well as its pleasant handling properties are largely the same as those of the NDH 20. However, the NDH 30 is an open-back headphone, which means that its dynamic 38 mm transducers work as acoustic dipoles. This allows their highly refined sound characteristics to unfold optimally: extremely fast transient response, dry bass, uncoloured mids and transparent highs. In other words, the NDH 30 has no sound coloration, but reproduces the signal 1:1.\u003c\/p\u003e\n\u003ch4\u003eUNCOMPROMISING PRECISION\u003c\/h4\u003e\n\u003cp\u003eThe NDH 30 owes its superior linearity, among other things, to frequency-selective absorbers that eliminate the overemphasis in the high frequencies that leads to incorrect mixing decisions in many other headphones. For example, the NDH 30 will accurately reveal whether a voice sounds muffled or needs a de-esser. \u003c\/p\u003e\n\u003cp\u003eThe spatial resolution is impressive. The NDH 30 allows razor-sharp localization in the stereo panorama and makes the depth of the mix evident. 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The introduction of SPOC™ (SPectrally Optimized Conversion) technology and a groundbreaking Digital Signal Processor (DSP) further elevate the audio experience, providing higher resolution, reduced latency, and optimized frequency response for audiophiles and professionals alike. Barefoot’s MEME™ Technology adds another layer of versatility, allowing seamless integration into various applications, making the Footprint03 a true powerhouse in studio monitoring in a small package.\u003cbr\u003e\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eDESIGN\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe goal at Barefoot Sound has always been to push the design limits of what is possible in a compact studio monitor. 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The tweeter’s diaphragm is crafted from a high-quality fabric ring radiator material, while its housing adopts a sturdy aluminum enclosure and a solid aluminium face plug for superior rigidity and resonance control. Further enhancing its capabilities, the new tweeter incorporates Neodymium technology, culminating in a harmonious blend of precision, clarity, and unparalleled fidelity in high-frequency sound reproduction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMIDRANGE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Footprint03 3.5″ midrange driver utilizes an aluminum cone, further contributing to the driver’s rigidity and resonance control, thus enhancing the overall audio fidelity. The inclusion of a larger, high-sensitivity power motor and additional copper shorting rings around the voice coil effectively minimizes harmonic distortion, resulting in pristine and accurate sound reproduction. 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An improved heat-sink system ensures reliable performance even during extended usage, further solidifying the woofer’s durability and dependability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAMPLIFIERS\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Footprint03 features three Class D amplifier modules, each dedicated to a specific driver. The tweeter channel has a 60-watt amplifier, while midrange and woofer drivers are supported by separate 100-watt amplifiers. The amplifiers maintain a total harmonic distortion (THD) of less than 0.005% when delivering maximum power. This configuration ensures a well-balanced, powerful audio performance, optimizing signal levels for each driver and facilitating optimal sound reproduction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNEW TECH \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eINTRODUCING SPOC™\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSPOC™ (SPectrally Optimized Conversion) is introduced to the audio world through the Footprint03. The new Barefoot patented technology incorporates an analog crossover section prior to the analog-to-digital conversion, allowing us to pass the high frequencies into the converter unattenuated. This yields 5-bit higher resolution or a 15 dB signal-to-noise ratio. Exclusive to monitors featuring SpOC, this technology achieves a more transparent signal not found in any other monitor in its class.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDSP\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Barefoot Sound Digital Signal Processor (DSP) in the Footprint03 is at the heart of this cutting-edge technology. DSPs play a critical role in enhancing and optimizing audio signals, elevating the listening experience to unparalleled heights. With a remarkable latency of an impressive 3 ms, this DSP ensures a near-instantaneous response, eliminating any perceptible delay for seamless audio reproduction. By optimizing the drive level, the DSP enhances the low-end frequency response, delivering deeper and more impactful bass. Additionally, distortion is significantly reduced, allowing for enhanced clarity and sonic accuracy. This enables audiophiles and professionals alike to experience every nuance of the sound with pristine detail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMEME™ TECHNOLOGY\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBarefoot Sound’s Multi-Emphasis Monitor Emulation™ technology (MEME) elevates the adaptability of the Footprint03, enabling it to seamlessly integrate into a wide array of applications, including playback rooms, mobile setups, homes, and production environments. MEME provides authentic emulations that faithfully model the performance and unique character of mix cube speakers, the renowned white coned speakers we are all familiar with, and consumer hi-fi speakers. This empowers the mixer with the convenience to effortlessly switch between these iconic monitors for reference purposes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTECH SPECS\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDescription: Tri-amplified 3-way studio monitor with MEME™ Technology\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eControls: Input level stepped attenuator, MEME™ voice select\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAnalog Input: XLR female, Pin 1 ground, Pin 2 positive, Pin 3 negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTRS Male, Tip: Positive, Ring: Negative, Sleeve: Ground\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eInput Impedance = 20k Ohms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eInput Sensitivity (1m) = 90 dB @ -15 dBV (pass band)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAnalog to Digital Conversion: Word Length: 28-bit (56-bit High Precision)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSample Rate: 96 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSignal\/Noise ≥ 100 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrequency Response: 45 Hz–40 kHz (+\/-3 dB), 50 Hz–22 kHz (+\/- 1 dB )\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eBass Response: -3 dB @ 46 Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eQ = 0.707 Slope = 18 dB\/octave\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMAX SPL: Continuous 101 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eCabinet: 10.5 liters total internal volume\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSolid aluminum baffle plate\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePolyurethane acoustic damping throughout\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eCrossover Frequencies: 600 \/ 3900 Hz (Active crossover between drivers)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTweeter: 1″ ring radiator, low distortion motor,\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003erear waveguide chamber. Amplifier: 60W\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMidrange: 3.5″ aluminum cone, aluminum phase plug, Low distortion motor +\/- 3.5 mm linear excursion Amplifier: 100W\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWoofers: 6.5″ aluminum cone with low distortion motor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e+\/- 9.5 mm linear excursion. Amplifier: 100W\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHigh Frequency Amplifier: 60W\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMid Frequency Amplifier: 100W\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLow Frequency Amplifier: 100W\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePower: Mains Voltage Input: 85 VAC to 265 VAC universal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIdle Power Consumption = 12W\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMaximum Power Consumption = 340W\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eWeight: Speaker: \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e17.5 \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003elbs each (12.66 kg)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDimensions HxWxD: 9″ x 13.25″ x 9.25″ (229 x 337 x 235 mm)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Barefoot Sound","offers":[{"title":"Default","offer_id":55403423367542,"sku":"SBARFP03BSK","price":1475.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/FP03-_1-of-1.jpg?v=1742484468"},{"product_id":"ssl-super-9000","title":"SSL Super 9000 SuperAnalogue Channel Strip","description":"\u003ch2\u003eSSL Super 9000 SuperAnalogue Channel Strip\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003eThe S\u003cstrong\u003eSL Super9000\u003c\/strong\u003e is an all-in-one analogue channel strip, combining the best of SuperAnalogue™ technology to deliver the modern SSL sound. First introduced in the legendary SL 9000 J and perfected in the Duality, the Super 9000 Channel Strip offers the ultra-low distortion, exceptional punch, and breathtaking clarity of our SuperAnalogue™ studio consoles in 1 RU.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe 9000 Series made rock and pop mixes sound bigger than ever, while enhancing hip-hop and R\u0026amp;B with deep, extended low-end and shimmering highs. Renowned for making music sound larger than life, with unmatched dynamics and depth, the 9000 Series became the industry standard of its era – setting a milestone in analogue design and paving the way for the development of the Duality and Oracle consoles. Now, the Super 9000 brings that same professional polish – once exclusive to the colossal 9K consoles – straight into your studio.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePrestigious facilities, including Abbey Road and Metropolis Studios (London), Real World Studios (Bath), Record Plant (LA), and Avatar\/Power Station (NY), quickly made the 9000 Series their standard. Top engineers such as Manny Marroquin (Alicia Keys, Rihanna), Michael Brauer (Coldplay, John Mayer), Kevin Shirley (Iron Maiden, Led Zeppelin), and Tony Maserati (Jay-Z, Beyoncé) used SuperAnalogue™ sound to craft genre-defining hits.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eSuperAnalogue\u003c\/b\u003e\u003cb\u003e\u003csup\u003eTM. \u003c\/sup\u003e\u003c\/b\u003e\u003cb\u003eDesign \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003eSuperAnalogue\u003csup\u003eTM\u003c\/sup\u003e technology creates a signal path so transparent and wide bandwidth that nothing is lost, putting the engineer right there in the room with the artist. Key design elements include:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li2\"\u003eSuper-wide audio bandwidth.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eRuler flat frequency response: ±0.1 dB between 20 Hz – 20 kHz.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eUltra-low transient intermodulation distortion.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eNo electrolytic capacitors in the audio path.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eExtremely low noise and harmonic distortion.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eExceptionally low phase shift across the audible spectrum.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003eThe result is unmatched punch, definition, and a larger-than-life sound stage—qualities that define the modern “SSL sound” and are why SuperAnalogue™ consoles remain the professional’s choice for music production.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eDual Mic Amp – SuperAnalogue\u003c\/b\u003e\u003cb\u003e\u003csup\u003eTM\u003c\/sup\u003e\u003c\/b\u003e\u003cb\u003e or VHD\u003c\/b\u003e\u003cb\u003e\u003csup\u003eTM\u003c\/sup\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/span\u003eChoose between two world-class preamps, just like on SSL’s flagship Duality console. Opt for the pristine, high-headroom SuperAnalogue™ preamp for unmatched clarity, or switch to the Variable Harmonic Drive (VHD) circuit to add character and saturation. Shape your tone by dialling in 2nd order harmonics for rich, valve-like warmth, or add 3rd order harmonics for a harder, transistor-style edge. The INPUT FLIP button allows you to move the VHD circuit from the Mic Input to the Line Input, making it easy to add harmonic colour to DAW stems or line-level instruments and sources.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eVariable Harmonic Drive (VHD): \u003cbr\u003e\u003c\/b\u003eVariable Harmonic Drive was created to provide engineers and producers with a single preamp capable of covering a wide tonal spectrum. Initially designed to complement the Duality console’s ultra-accurate SuperAnalogue™ preamp, VHD technology can be found across numerous SSL consoles and rackmount units – over the years becoming many engineers’ secret weapon for adding vibe to recordings.\u003cspan class=\"Apple-converted-space\"\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFull Dynamics Processing \u003c\/b\u003e\u003cbr\u003eThe Super 9000 features SSL’s quintessential modern dynamics section, delivering ultimate control and punch. Built around the high-performance THAT 2181A VCA, the compressor includes a switchable Fast Attack mode and the Peak Detect option—first introduced on the SL 9000 console and carried through to the Duality series. It also incorporates SSL’s classic Expander\/Gate section with variable hysteresis built into the Threshold, plus a HOLD control for precise gate and downward expansion management. Additionally, Super 9000 allows the dynamics section to be moved Pre and Post EQ.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003ePink (292) and Black (242) EQ Circuits \u0026amp; High and Low Pass Filters \u003c\/b\u003e\u003cbr\u003eChoose your SSL EQ: the 292 G-Series ‘Pink Knob’ EQ circuit or the 242 E-Series ‘Black Knob’ EQ circuit. The 292’s variable-Q design delivers smooth, wide boosts and cuts that tighten as you push harder, while its shelves feature a steeper slope and the signature ‘undershoot\/overshoot’ for that renowned SSL musicality. The 242’s constant-Q design, developed in collaboration with Sir George Martin, gives more surgical control when compared to the 292. \u003cspan class=\"s3\"\u003eThe Super 9000 EQ section also features two buttons labelled ‘E Bell\/G÷3’ and ‘Gx3\/E Bell.’ When in 292 mode, these buttons allow the Low-Mid Frequency to be divided by 3 and the High-Mid Frequency to be multiplied by 3, so that the mid-bands can be used to target frequencies normally far outside of their standard range, providing incredible flexibility and range. In 242 mode, these buttons switch the Low Frequency and High Frequency bands between Bell and Shelving modes. \u003c\/span\u003eAs expected from SSL, the EQ can be placed in the dynamics sidechain, and the high-pass (18dB\/oct) and low-pass (12dB\/oct) filters can be fully bypassed or routed to input or sidechain for ultimate control.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFlexible Processing \u0026amp; Routing \u003c\/b\u003e \u003cbr\u003eSuper 9000 includes a balanced insert point for integrating additional outboard gear into the signal path. The insert can be repositioned from its default location (immediately after the input stage) to the output stage, just before the Output Trim. It also features a dedicated external sidechain (key) input, flexible processing re-ordering, and sidechain linking—ideal when using two Super 9000 units as a stereo pair.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eInput Flip control routes the LINE input to the Mic Pre, whilst the rear MIC connection becomes routed through the LINE path – an easy way to process line level DAW returns with saturation\/distortion processing at the mix stage, without having to manually re-patch. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSSL Super 9000 Key Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eDual Mic Pre – Choose between SuperAnalogue™ (9000) \u0026amp; VHD™ (Duality) w\/ +48V, Polarity invert, and Pad. \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e2 Impedance options for the mic pre: 1.3 kΩ and 11 kΩ. \u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDedicated LINE Input with “Input Flip”.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eQuintessential 9000\/Duality Dynamics section.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eHigh-Performance THAT 2181A VCA compressor section.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003ePeak\/Hard Knee or Soft Knee modes.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFAST attack on\/off.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eClassic Gate\/Expander section.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFast attack on\/off.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eHold control.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e4-band SSL EQ with switchable modes.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFully parametric mid-bands.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eSwitchable between G-Series ‘Pink Knob’ 292 and E-Series ‘Black Knob’ 24 circuits.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eHigh and Low Pass filters.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e18 dB per octave HPF \u0026amp; 12 dB per octave LPF.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eInsert point for connecting external devices into the signal path.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eExtensive ‘to sidechain’ functionality.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFilters to Dynamics sidechain.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEQ to Dynamics sidechain.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFlexible process-order routing. \u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFilters to input, Dynamics post-EQ, and Insert to output.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eLine Output Trim.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eSwitchable Input and Output metering.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eExternal sidechain (key) input.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDynamics sidechain link – allows 2 x Super 9000’s compressors to work as a stereo pair (loudest signal wins). Linking via a TS\/TRS jack cable (not included). \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":56502113436022,"sku":"SSSLSUPER9000","price":1190.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SSL_0006_Super9000Front.jpg?v=1761045003"}],"url":"https:\/\/studiocare.com\/collections\/q1-2026.oembed","provider":"Studiocare","version":"1.0","type":"link"}