{"title":"RME","description":"","products":[{"product_id":"rme-adi-6432-madi-to-aes-ebu-format-converter","title":"RME ADI-6432 MADI to AES\/EBU format converter","description":"\u003cp\u003eThe \u003cstrong\u003eRME ADI-6432\u003c\/strong\u003e offers 64 channels of format conversion from MADI to AES and vice versa. Typical applications include two ADI-6432 used as digital multicore, or one unit used as AES\/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24-Bit are supported. Built with 2 units height there is enough space for all connectors and control elements. Of course the unit includes lots of typical RME-features\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRME ADI-6432 Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSupport for up to 192 kHz with MADI and AES\u003c\/li\u003e\n\u003cli\u003eUnique status displays for MADI and AES\u003c\/li\u003e\n\u003cli\u003eSteadyClock for maximum jitter reduction and clock regeneration\u003c\/li\u003e\n\u003cli\u003eCompletely remote controlable via MIDI\u003c\/li\u003e\n\u003cli\u003eTransfer of MIDI data via MADI\u003c\/li\u003e\n\u003cli\u003eTransfer of RS232 data via MADI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe compact unit with 19\" width and 2 unit height serves as format converter MADI to\/from AES schematic view. MADI handles 64 channels of 24-Bit audio at sampling frequencies up to 48 kHz, 32 channels up to 96 kHz, and 16 channels up to 192 kHz. All channels are transferred across a single cable, either coaxial (BNC) or optical network cable. In both cases, cable lengths of more than 100 meters can be achieved. The AES\/EBU channels are provided as 32 AES\/EBU inputs and outputs via D-sub connectors. The ADI-6432 accepts 56 channels and 64 channels as well as 96k frame at its input, and can be set to generate those formats at its output.\u003c\/p\u003e\n\u003cp\u003eRMEs SteadyClock(TM) lets the ADI-6432 use MADI without an additional word clock connection, and guarantees excellent clock quality in every situation. Due to the highly efficient jitter reduction, any clock signal - even AES and word clock - can be improved and refreshed, and subsequently be used as reference clock at the word clock output. Intelligent Clock Control (ICC)     will retain the last valid sample frequency in case of a loss of the input signal.\u003c\/p\u003e\n\u003cp\u003eThe ADI-6432 supplies word clock in Single, Double und Quad Speed, distributes Double Wire 96 kHz signals into the MADI data stream, and even supports the double MADI sample rate (96K frame). The SyncAlign     ® and SyncCheck     ® technologies known from other RME products ensure perfect synchronization and clear detection of errors. Also multiple units can be stacked and operated sample-aligned, using word clock. All settings are stored when the unit is switched off.\u003c\/p\u003e\n\u003cp\u003eA fully automatic input selection between optical and coaxial input offers a useful redundancy mode for critical applications. Extensive status displays give information about lock and sync states, audio content and the physical quality of the incoming signal.\u003c\/p\u003e\n\u003cp\u003eThe front panel features an exciting and detailed sync and audio state display with 97 LEDs. Furthermore every function has its own keys accompanied by clear function LEDs. Especially in a professional application, exact, quick and direct control and display of all incoming and outgoing signals, including MIDI and RS232, becomes indispensable. Errors can be detected at a glance. The control keys can be locked to prevent accidental changing of settings.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSERIAL\/MIDI Extender\u003c\/strong\u003e\u003cbr\u003e16 MIDI channels can be transferred invisibly across MADI, at the full count of 64 audio channels. The same applies to RS232: Be it 9600, 19200 or 115200 Baud, thanks to a 9-pin COM port, the ADI-6432 can be used as an extender for serial cables, with no effect on the audio functionality.\u003c\/p\u003e\n\u003cp\u003eAdditionally the device can be fully remote controlled and configured via MIDI, and all status displays can be queried through MIDI. Each ADI-642 can be given a separate ID, allowing separate remote controllability of various devices with only one MIDI channel.\u003c\/p\u003e\n\u003cp\u003eThe ADI-6432 is compatible to MADI interfaces of companies like Sony, Merging, Lawo, Euphonix, Stagetec, Jünger, Audio Service, AMS and others.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531489132590,"sku":"SRMEADI6432","price":2450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/rm-adi-6432.jpg?v=1578925441"},{"product_id":"rme-ai4s-192-aio-analogue-expansion-board-for-hdsp-9632-hdspe-aio","title":"RME AI4S-192 AIO Analogue Expansion Board for HDSP 9632 \u0026 HDSPe AIO","description":"\u003cp\u003eThe \u003cstrong\u003eRME AI4S-192 AIO\u003c\/strong\u003e is an expansion card for the HDSPe AIO and HDSP 9632 cards. This option provides 4 analogue balanced TRS jack inputs with up to 24bit 192 kHz AD conversion.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531489656878,"sku":"SRMEAI4S192AIO","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/rme-ai4s-192-aio.jpg?v=1578925447"},{"product_id":"rme-ao4s-192-aio-24-192-expansion-board-for-hdsp-9632-hdspe-aio","title":"RME AO4S-192 AIO 24\/192 Expansion Board for HDSP 9632 \u0026 HDSPe AIO","description":"\u003cp\u003eThe \u003cstrong\u003eRME AO4S-192 AIO\u003c\/strong\u003e is an expansion card for the HDSPe AIO and HDSP 9632 cards. This option provides 4 analogue balanced TRS jack outputs with up to 24bit 192 kHz DA conversion.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531489689646,"sku":"SRMEAO4S192AIO","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/rme-ao4s-192-aio.jpg?v=1578925447"},{"product_id":"rme-digiface-dante","title":"RME Digiface Dante Bus-Powered Dante and MADI Audio Interface","description":"\u003ch2\u003eRME Digiface Dante\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRME Digiface Dante\u003c\/strong\u003e is a 256 channel, 192 kHz audio interface build into an compact desktop unit. This interface has USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation. RME made the two BNC sockets for word clock I\/O switchable to MADI I\/O, with up to 64 channels. The total sum of Dante and MADI, 128 channels, are transferred via USB 3.0 and handled via both Dante control software and RME's TotalMix FX, for full and struggle-free control of all audio.\u003c\/p\u003e\n\u003cp\u003eDante is an audio over IP protocol by Audinate. The Digiface Dante is a USB 3.0 from\/to Dante interface, adding an external and fully mobile option to the internally used Dante PCIe card. Digiface Dante uses RME's matured MADIface Series driver for Windows and macOS, with lowest latency and industry leading stability. Equipped with the latest TotalMix FX it can not only route, but also mix as many independent submixes as outputs are available. The included high quality phones output offers a quick listen to any audio channel, but can also be used as line output to provide an additional analog stereo mixdown. Equipped with the largest Dante module 64 channel can be send and received via network.\u003c\/p\u003e\n\u003cp\u003eEquipped with two banks of redundant network ports, the Digiface Dante is more than just an audio interface. It also offers the functionality of a switch, connecting up to 4 network lines, removing the need for further switches to distribute and collect network lines, or offers redundancy operation with 2-port connectivity for both the primary and secondary network.\u003c\/p\u003e\n\u003cp\u003eUsed without USB the Digiface Dante automatically turns into a 64-channel Dante \/ MADI converter. The analog stereo output can be preconfigured to send out a mix of exactly those channels that are needed. Full network redundancy and switch functionality are also available.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531490246702,"sku":"SRMEDIGIFACEDANTE","price":937.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/digiface-dante-c.jpg?v=1578925454"},{"product_id":"rme-digiface-usb","title":"RME Digiface USB - 32x32 ADAT to USB Interface with Headphone Output","description":"\u003ch2\u003eRME Digiface USB 32x32 ADAT to USB Interface with Headphone Output\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRME Digiface USB\u003c\/strong\u003e is an audio interface that uses digital audio data in SPDIF and ADAT format to Windows and Mac computers providing you with 66 I\/O channels (32 in \/ 34 out). The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.\u003c\/p\u003e\n\u003ch2\u003eRME Digiface USB Features\u003c\/h2\u003e\n\u003cp\u003eThe Digiface USB is an extremely compact \u0026amp; portable digital audio interface with 4 optical ADAT \/ SPDIF I\/Os, and an analog high-quality line\/phones output via 6.3 mm TRS jack. Continuing the legacy of RME‘s famous HDSP Digiface, a triple ADAT I\/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I\/O, resulting in 32 channels input and output each when using ADAT optical.\u003c\/p\u003e\n\u003cp\u003eThe analog output hosts channels 33\/34, and can be used freely thanks to TotalMix FX, RME‘s routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).\u003c\/p\u003e\n\u003cp\u003eEach single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.\u003c\/p\u003e\n\u003cp\u003eIts small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. 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The unique device allows for connection and control of up to 8 digital microphones, and converting their signals to ADAT, AES\/EBU, analog and (optional) MADI. Eight individually switchable hi-end sample rate converters offer a flexible clocking and further usage options, especially as the inputs are compatible to AES3 and AES\/EBU too.\u003c\/p\u003e\n\u003cp\u003eWhen developing the DMC-842, RME worked closely with the microphone manufacturers to secure maximum compatibility and best functionality. As a result the DMC-842 is the most flexible and most compatible AES42 interface available - a true milestone for the broad acceptance of the new digital microphone technology.\u003c\/p\u003e\n\u003cp\u003eThe DMC-842 is fully remote controllable, via MIDI, AES and (optional) MADI. The optional I64 MADI Card provides serial pass-through capability from one DMC-842 to the next (up to 8). All up to 64 audio signals are then available at the last device on one single line. Such a way of cascading is also possible with the Micstasy and the ADI-8 QS. The signals passed through the DMC-842 are available at the analog outputs, making an expensive splitter box on stage obsolete.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRME DMC-842 Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFully compatible to AES42\u003c\/li\u003e\n\u003cli\u003e8 XLR AES42 inputs (AES3 compatible)\u003c\/li\u003e\n\u003cli\u003e8 balanced XLR Line outputs\u003c\/li\u003e\n\u003cli\u003e24 bit sample rate conversion switchable per input\u003c\/li\u003e\n\u003cli\u003eDigital Phantom Power switchable per input\u003c\/li\u003e\n\u003cli\u003eSupports Mode 1 and Mode 2\u003c\/li\u003e\n\u003cli\u003e63 dB gain range per channel, even in asynchronous Mode 1\u003c\/li\u003e\n\u003cli\u003eLED level meter with 13 LEDs per channel\u003c\/li\u003e\n\u003cli\u003eM\/S de-\/encoding\u003c\/li\u003e\n\u003cli\u003e4 x AES\/EBU Out via D-sub, 8 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003e2 x ADAT Out, 8 channels @ 96 kHz\u003c\/li\u003e\n\u003cli\u003eOptional MADI I\/O (I64 MADI Card) with serial cascading and digital\/analog return path\u003c\/li\u003e\n\u003cli\u003eMIDI I\/O\u003c\/li\u003e\n\u003cli\u003eFully remote controllable\u003c\/li\u003e\n\u003cli\u003eFuture-proof by flash updates\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531490345006,"sku":"SRMEDMC842","price":2750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/rme-dmc-842.jpg?v=1578925455"},{"product_id":"rme-dtox-16-i","title":"RME DTOX-16-I Breakout Boxes","description":"\u003ch2\u003eRME DTOX-16-I\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eDTOX-16 I connects 16 XLR\u003c\/strong\u003e inputs to two D-sub 25-pin connectors (channels 1-8 and channels 9-16). The breakout panel supports all interfaces using analog 25-pin D-sub inputs as well as the following RME interfaces: M-32 AD, M-16 AD. This unit is perfect for small studios to allows quick and easy connection between rooms and\/or gear when recording. multiple sources at once.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531490410542,"sku":"SRMEDTOX16I","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/16-i.jpg?v=1578925457"},{"product_id":"rme-dtox-16-io-breakout-boxes","title":"RME DTOX-16-IO Breakout Boxes","description":"\u003ch2\u003eRME DTOX-16-IO Breakout Boxes\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRME DTOX-16-IO\u003c\/strong\u003e is a 8 in 8 out each connected to D-sub 25-pin connectors. This breakout panel supports all interfaces using an analog 25-pin D-sub I\/O. These breakout boxes are perfect for studios that need cable runs to adjacent rooms for connecting microphones to a supported interface. This unit is also rackable in order to save space in a recording environment.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531490443310,"sku":"SRMEDTOX16IO","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/rme-dtox-16-io.jpg?v=1578925468"},{"product_id":"rme-dtox-16-o-breakout-boxes","title":"RME DTOX-16-O Breakout Boxes","description":"\u003ch3\u003eRME DTOX-16-O Breakout Boxes\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eDTOX-16 O\u003c\/strong\u003e is a breakout box that features 16 XLR outputs to two D-sub 25-pin connectors (channels 1-8 and channels 9-16). The breakout panel supports all interfaces using an analog 25-pin D-sub output as well as the following RME interfaces: M-32 DA, M-16 DA.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531490508846,"sku":"SRMEDTOX16O","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/products_dtox_16_o_1b.jpg?v=1578925479"},{"product_id":"rme-dtox-32-d-sub-to-xlr-breakout-box","title":"RME DTOX-32 - D-Sub to XLR Breakout Box","description":"\u003ch2\u003eRME DTOX-32\u003c\/h2\u003e\n\u003cp\u003eThe\u003cstrong\u003e DTOX-32\u003c\/strong\u003e is a breakout panel that's an ideal extension for digital multichannel interfaces. The DTOX-32 includes two sets of D-sub to 4 x XLR male and 4 x XLR female each, replacing common breakout cables D-sub to XLR by a professional, solid, stable rack-mounted system. DTOX-32 is pin-compatible to TASCAM (=RME) and Yamaha formats.\u003c\/p\u003e\n\u003cp\u003eThere are two selectable pinout standards for the 25-pin D-sub connectors of the DTOX-32: the TASCAM-compatible one and the YAMAHA-compatible format. If not ordered specifically, the DTOX-32 is set to the factory default TASCAM (RME). The respective format is changed by an internal connector inside panel.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e8 x XLR Output\u003c\/li\u003e\n\n\u003cli\u003e8 x XLR Input\u003c\/li\u003e\n\n\u003cli\u003e2 x D-sub 25-pin connectors\u003c\/li\u003e\n\n\u003cli\u003esupports RME (=Tascam) and Yamaha-Formats (Pinout internal switchable)\u003c\/li\u003e\n\n\u003cli\u003e19\" Rack\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531490574382,"sku":"SRMEDTOX32","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/products_dtox_32_8.jpg?v=1578925457"},{"product_id":"rme-fireface-ufx-ii-60-channel-24-bit-192khz-pro-usb-audio-interface","title":"RME Fireface UFX II - 60 Channel, 24-Bit\/192kHz Pro USB Audio Interface","description":"\u003ch2\u003eRME Fireface UFX II\u003c\/h2\u003e\n\u003cp\u003eThe\u003cstrong\u003e Fireface UFX II\u003c\/strong\u003e is a great rack mountable interface that can provide you with 24-bit 192kHz audio with ease. This interface comes with many unique features, professional DSP effects and great analog circuits with the latest digital converters making this product one of the top computer based audio interfaces on the market.\u003c\/p\u003e\n\u003cp\u003eWith a signal to noise ratio of approximately 116dBA you would never have to worry about recording un-listenable audio again. You will be able to clearly notice any external noise hidden low in your audio mix so you get the best results in your recording process. This interface is perfect for any small studio giving you 30 input and 30 outputs so you can easily record solo artist to a large band without any hassle.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003eWith exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME’s famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities.\u003c\/p\u003e\n\u003cp\u003eWith capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a variety of recording, mixing, and monitoring applications.\u003c\/p\u003e\n\u003cp\u003eThe Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally, impressive is the unit’s channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME’s optional ARC USB remote controller.\u003c\/p\u003e\n\u003cp\u003eRME’s Fireface UFX II incorporates premium AD\/DA converters, optimised analog I\/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. 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75%, non condensing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAnalog\u003cbr\u003eAD, Line In 1-8, rear\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eResolution AD:\u003c\/strong\u003e 24 bit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise ratio\u003c\/strong\u003e (SNR): 113 dB RMS unweighted, 116 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD:\u003c\/strong\u003e \u0026lt; -110 dB, \u0026lt; 0.00032 %\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e \u0026lt; -104 dB, \u0026lt; 0.00063 %\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input level:\u003c\/strong\u003e +19 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput:\u003c\/strong\u003e 6.3 mm TRS jack, electronically balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e 8 kOhm unbalanced, 12 kOhm balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput sensitivity\u003c\/strong\u003e switchable to Lo Gain, +4 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput level\u003c\/strong\u003e for 0 dBFS @ Lo Gain: +19 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVariable gain:\u003c\/strong\u003e 0 to +12 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinimum level\u003c\/strong\u003e for 0 dBFS: +1 dBu, -1.2 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMicrophone In 9-12, front\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput:\u003c\/strong\u003e XLR\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e 3.4 kOhm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise ratio\u003c\/strong\u003e (SNR): 115 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain range:\u003c\/strong\u003e 75 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input level\u003c\/strong\u003e, Gain 0 dB: +18 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input level\u003c\/strong\u003e, Gain 75 dB: -57 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eInstrument In 9-12, front\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput:\u003c\/strong\u003e 6.3 mm TS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e 1 MOhm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise ratio\u003c\/strong\u003e (SNR): 114 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain range:\u003c\/strong\u003e 42 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input level\u003c\/strong\u003e, Gain 8 dB: +21 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input level,\u003c\/strong\u003e Gain 50 dB: -21 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDA, Line Out 3-8, rear\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eResolution:\u003c\/strong\u003e 24 bit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range (DR)\u003c\/strong\u003e: 115 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD:\u003c\/strong\u003e \u0026lt; -110 dB, \u0026lt; 0.00032 %\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e \u0026lt; -104 dB, \u0026lt; 0.00063 %\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum output level:\u003c\/strong\u003e +19 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput:\u003c\/strong\u003e 6.3 mm TRS jack, servo-balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 75 Ohm unbalanced, 150 Ohm balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput level\u003c\/strong\u003e switchable Hi Gain, +4 dBu, -10 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMIDI\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x MIDI I\/O via 5-pin DIN jacks\u003c\/li\u003e\n\u003cli\u003eGalvanically isolated by optocoupled input\u003c\/li\u003e\n\u003cli\u003eHi-speed mode: Jitter and response time typically below 1 ms\u003c\/li\u003e\n\u003cli\u003eSeparate 128 byte FIFOs for input and output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDigital\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClocks: Internal, ADAT, AES, MADI, word clock\u003c\/li\u003e\n\u003cli\u003eLow Jitter Design: \u0026lt; 1 ns in PLL mode, all inputs\u003c\/li\u003e\n\u003cli\u003eInternal clock: 800 ps Jitter, Random Spread Spectrum\u003c\/li\u003e\n\u003cli\u003eJitter suppression of external clocks: \u0026gt; 30 dB (2.4 kHz)\u003c\/li\u003e\n\u003cli\u003eEffective clock jitter influence on AD and DA conversion: near zero \u003c\/li\u003e\n\u003cli\u003ePLL ensures zero dropout, even at more than 100 ns jitter\u003c\/li\u003e\n\u003cli\u003eDigital Bitclock PLL for trouble-free varispeed ADAT operation\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 28 kHz up to 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDigital Inputs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAES\/EBU\u003c\/li\u003e\n\u003cli\u003e1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/li\u003e\n\u003cli\u003eHigh-sensitivity input stage (\u0026lt; 0.3 Vpp) • SPDIF compatible (IEC 60958)\u003c\/li\u003e\n\u003cli\u003eAccepts Consumer and Professional format\u003c\/li\u003e\n\u003cli\u003eLock range: 27 kHz – 200 kHz\u003c\/li\u003e\n\u003cli\u003eJitter when synced to input signal: \u0026lt; 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It provides eight AES inputs (16 channels) and eight AES outputs (16 channels) at 192 kHz sample rate. The card is also equipped with two MIDI I\/O ports, word clock I\/O, and can be used with the optional TCO module for synchronization to LTC and video.\u003c\/p\u003e\n\u003cp\u003eThe HDSPe AES is RMEs reaction to requests from audio professionals for an AES-based solution with the typical RME features and quality. This audio card is a perfect all-in-one solution for professional users in the fields of broadcast, TV, theater, stage\/PA - and in any professional studio.\u003c\/p\u003e\n\u003cp\u003eThe card's mainboard contains word clock I\/O and a 25-pin D-sub connector, providing four AES inputs and four AES outputs via standard digital breakout cable (Tascam pinout). The sensitive word clock input operates on Single, Double and Quad Speed signals automatically. The expansion board adds audio channels 9-16 and a connector for a MIDI breakout Cable with two MIDI I\/Os (four 5-pin DIN connectors). The expansion board does not require a PCIe slot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRME HDSPe AES Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSupport for 192 kHz at full channel count\u003c\/li\u003e\n\u003cli\u003eNative support for Double and Quad Wire transfer\u003c\/li\u003e\n\u003cli\u003eDirect conversion between these formats\u003c\/li\u003e\n\u003cli\u003eSteadyClock for highest jitter suppression and clock regeneration\u003c\/li\u003e\n\u003cli\u003eIntuitive and clearly laid-out user interface\u003c\/li\u003e\n\u003cli\u003eTotalMix: 512 channel mixer with 42 bit internal resolution\u003c\/li\u003e\n\u003cli\u003e48 level meter Peak\/RMS, hardware-computed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe DSP-based TotalMix mixer enables the AES to route and mix all 16 inputs and 16 playback channels to all 16 physical outputs freely, offering extraordinary monitoring capabilities. Up to 8 fully independent stereo submixes can be created. Routings can be copied and pasted, faders ganged and grouped, which, along with the amazing matrix window, turns the AES into a powerful and easy-to-use redistributor, patchbay, router, converter, and splitter. The hardware-based mixer is fully MIDI-controllable. Furthermore, the DSP hardware calculates RMS and peak level meters for all 48 audio channels, with no measurable CPU load.\u003c\/p\u003e\n\u003cp\u003eThe Time Code Option can be used with the HDSPe AES to sync to LTC and video. Thanks to SteadyClock(TM), the TCO not only extracts absolute positions from LTC, but also a very clean low-jitter word clock from LTC and video.\u003c\/p\u003e\n\u003cp\u003eThe card's most important settings are stored on the card itself. Rather than operating in a default mode from the moment the computer is switched on until the driver is loaded, the card will immediately activate the last used sampling rate, master\/slave configuration and AES format, thus eliminating any startup noise or problems in the clock network, both at system start and reboot.\u003c\/p\u003e\n\u003cp\u003eAn optional 19\" breakout box is also available. Its innovative design features XLR I\/Os that can be accessed from the front or rear in a rack, according to the user's choice. BOB-32 provides D-sub connectors with Tascam and Yamaha pinout, therefore can be used with other devices as digital rack breakout box as well.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531491131438,"sku":"SRMEHDSPEAES32","price":720.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/rme-hdspe-aes.jpg?v=1578925468"},{"product_id":"rme-hdspe-madi-pcie-2x64-channel-i-o-pci-express-card","title":"RME HDSPe MADI PCIe 2x64 Channel I\/O PCI Express Card","description":"\u003cp\u003eThe\u003cstrong\u003e RME HDSPe Madi\u003c\/strong\u003e is a PCI Express card audio interface with up to 128 channels of I\/O. The HDSPe MADI is RME's both inexpensive and outstanding PCI Express card with MADI interface. HDSPe MADI is based on the award-winning HDSP MADI card, and represents the new top model of this world-wide successful card line.\u003c\/p\u003e\n\u003cp\u003eThe PCI Express card consequently uses all advantages of the MADI format, the professionals multi-channel audio interface, offering 64 channels of 24-bit audio at a sample rate of up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz. Transmission is done via a single line, either coaxial with BNC plugs or by fiber cable. In both cases more than 100 m cable length can be achieved.\u003c\/p\u003e\n\u003cp\u003eCompared with the HDSP MADI (Standard PCI version), the express card offers some new features: Support of higher samplerates than 96 kHz, more features in TotalMix (phase and inernal loopback per channel, +6 dB gain for the hardware outputs), and the direct support of the Time Code Option. HDSPe MADI provides even lower latencies, making the card the perfect partner for live recording and live mixing applications. The analog monitor output is equipped with the low-latency converter technology of the ADI-8 QS, thus guaranteeing stunning SNR and THD values too.\u003c\/p\u003e\n\u003cp\u003eHDSPe MADI is fully compatible to all devices with MADI interface. In combination with the ADI-648 an 8 x ADAT optical PC interface is realized, unbeatable in price and performance. 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As soon as the current input fails the audio data received from one of the other two inputs is used. 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A genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e36 Inputs \/ 36 Outputs\u003c\/li\u003e\n\u003cli\u003e4 x ADAT I\/O (up to 192 kHz via S\/MUX4)\u003c\/li\u003e\n\u003cli\u003e1 x AES\/EBU I\/O (192 kHz)\u003c\/li\u003e\n\u003cli\u003e1 x SPDIF I\/O (192 kHZ)\u003c\/li\u003e\n\u003cli\u003e2 x MIDI I\/O\u003c\/li\u003e\n\u003cli\u003eTotalMix\u003c\/li\u003e\n\u003cli\u003eoptional: Time Code Option (TCO)\u003c\/li\u003e\n\u003cli\u003eoptional: Expansion Board WCM\u003c\/li\u003e\n\u003cli\u003eoptional: Expansion Board TEB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRME HDSPe RayDAT Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4 x ADAT digital I\/O, supporting 192 kHz via S\/MUX4 operation\u003c\/li\u003e\n\u003cli\u003e1 x SPDIF digital I\/O, 192 kHz-capable\u003c\/li\u003e\n\u003cli\u003e1 x AES\/EBU digital I\/O, 192 kHz-capable\u003c\/li\u003e\n\u003cli\u003e2 x MIDI I\/O, 32 channels high-speed MIDI via breakout cable\u003c\/li\u003e\n\u003cli\u003eUp to 36 inputs and 36 outputs can be used simultaneously!\u003c\/li\u003e\n\u003cli\u003eDIGICheck, RME's unique metering- and analysing tool\u003c\/li\u003e\n\u003cli\u003eTotalMix: 2592 channel mixer with 42 bit internal resolution\u003c\/li\u003e\n\u003cli\u003eNative PCI Express - no PCI to PCI Express bridge used\u003c\/li\u003e\n\u003cli\u003eS\/MUX poured in hardware: 16 channels 24-bit\/96kHz for record and playback on ADAT optical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHDSPe RayDAT includes SteadyClockTM, RME's own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIncluded software:\u003c\/strong\u003e DIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 36 channels, Vector Audio Scope, various other audio analysis tools.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrivers\u003c\/strong\u003e: Windows 2000\/XP\/Vista\/7\/64 (full ASIO multi-client operation of WDM, GSIF 2.1 and ASIO 2.0), Mac OS X Intel (Core Audio and Core MIDI).\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531491852334,"sku":"SRMEHDSPERAYDAT","price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/rme-hdspe-raydat_1.jpg?v=1578925471"},{"product_id":"rme-m-16-da-16-x-madi-adat-channels-to-analogue","title":"RME M-16 DA - 16 x MADI \u0026 ADAT Channels to Analogue","description":"\u003cp\u003eThe \u003cstrong\u003eRME M-16 DA \u003c\/strong\u003eis a 1-channel high-end DA converter from both MADI an ADAT to analogue. 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The unit's unique set of features includes three hardware reference levels up to +24 dBu, MADI I\/O and ADAT input up to 192 kHz, 6.3mm TRS and D-sub outputs, remote control via MIDI, and operation across a wide range of mains voltages, all packed into a 2U enclosure.\u003c\/p\u003e\n\u003cp\u003eThe M-16 DA extends RME's MADI line with multichannel conversion in reference quality - at an unbeatable price\/performance ratio!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRME M-16 DA Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16-channel DA converter, double balanced output, 118 dBA\u003c\/li\u003e\n\u003cli\u003e19\" enclosure with only 2 units height\u003c\/li\u003e\n\u003cli\u003e1 x MADI I\/O, 16 channels@ 192 kHz\u003c\/li\u003e\n\u003cli\u003e4 x ADAT In, 16 Kanäle @ 96 kHz, 8 channels@ 192 kHz\u003c\/li\u003e\n\u003cli\u003eZero Delay MADI I\/O: no delay compensation necessary when stacking units\u003c\/li\u003e\n\u003cli\u003e16 LED level meters with 6 LEDs each\u003c\/li\u003e\n\u003cli\u003eSteadyClock(TM) - pristine sound quality independently from the quality of the external clock signal\u003c\/li\u003e\n\u003cli\u003eSyncCheck® - unique technology to check clock synchronization\u003c\/li\u003e\n\u003cli\u003eNoise suppression on power-on and power-off at the analog outputs\u003c\/li\u003e\n\u003cli\u003eAll settings are stored permanently\u003c\/li\u003e\n\u003cli\u003eFully remote controllable via MIDI and MIDI over MADI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe M-16 DA offers an outstanding DA conversion from MADI and ADAT formats in a compact 19\" unit with only 2U height. 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An extraordinary limiter, conceived and optimised for professional studio, stage, and broadcast applications, offers essential operational safety with its capability to limit an input's overload of up to 17 dB without audible distortion (max. input level + 30 dBu).\u003c\/p\u003e\n\u003cp\u003eThe M-16 AD provides multichannel conversion in reference quality - at an unbeatable price\/performance ratio!\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRME M-16 AD Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16-channel AD converter, fully symmetrical design, 116 dBA\u003c\/li\u003e\n\u003cli\u003e19\" enclosure with only 2 units height\u003c\/li\u003e\n\u003cli\u003e1 x MADI I\/O, 16 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003e4 x ADAT Out, 16 channels @ 96 kHz, 8 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003eZero Delay MADI I\/O: no delay compensation necessary when stacking units\u003c\/li\u003e\n\u003cli\u003eAnalog limiter can be activated\u003c\/li\u003e\n\u003cli\u003e16* LED level meters with 5 LEDs each\u003c\/li\u003e\n\u003cli\u003e16* LEDs to display the Limiter state per channel\u003c\/li\u003e\n\u003cli\u003eSteadyClock(TM) - pristine sound quality independently from the quality of the external clock signal\u003c\/li\u003e\n\u003cli\u003eSyncCheck® - unique technology to check clock synchronization\u003c\/li\u003e\n\u003cli\u003eAll settings are stored permanently\u003c\/li\u003e\n\u003cli\u003eFully remote controllable via MIDI and MIDI over MADI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe M-16 AD offers an outstanding AD conversion to MADI and ADAT formats in a compact 19\" unit with only 2U height. The balanced analog inputs based on RME's reference design from the ADI-8 QS guarantee excellent S\/N and THD specs across a wide analog level range. Three different hardware levels are available. Using up-to-date converter technology, the device not only works up to 192 kHz, but also reaches a real-world signal-to-noise ratio of 116 dBA - on all channels.\u003c\/p\u003e\n\u003cp\u003eSteadyClock(TM) guarantees perfect sound quality through efficient jitter suppression, making the device completely independent from the quality of external clock signals. Intelligent Clock Control not only displays every clock status by means of flashing LEDs, but will also retain the last valid input sample rate in case of failure of the external source. Other renowned RME technologies like SyncCheck allow quick detection of clock problems.\u003c\/p\u003e\n\u003cp\u003eAll M-series converters are fully remote controllable and configurable via MIDI. Each unit's complete status can be monitored, including all the front panel's displays. Individual IDs can be set for each unit, for separated control of multiple units via a single MIDI channel. Control software for Mac and PC is supplied and allows easy remote control, also with MIDI transfer via MADI (MIDI Extender).\u003c\/p\u003e\n\u003cp\u003eM-32 AD and M-16 AD have optical and coaxial MADI inputs. In case of failure of an input signal, the source is switched immediately, if a valid signal is present on the other input.\u003c\/p\u003e\n\u003cp\u003eThe M-16 AD's four ADAT outputs provide simple connectivity with other studio equipment. A combination with RME's HDSPe RayDAT makes a perfect partnership, allowing the transfer of 32 channels into a Mac or PC with regular optical Toslink cables at an unbeatable price. The converter's ADAT input only serves as an optional source for external synchronization.\u003c\/p\u003e\n\u003cp\u003eAll settings are retained when the unit is powered off.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStacking\u003c\/strong\u003e\u003cbr\u003eThe MADI input serves as optional external clock source, but also as MADI pass-through input. Since the M-32 AD uses only 32* channnels of the MADI signal, unused channels of the input signal are fed through to the output. This way, the signals of two or more units can be combined into one MADI stream of 64 channels, with every unit adding its channels to the input signal, resulting in one line at the output of the last unit.\u003c\/p\u003e\n\u003cp\u003eM-32 AD and M-16 AD can be freely combined up to a total of 64 channels. One M-32 AD can be combined with one or two M-16 AD, as can be up to four M-16 AD. 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Its sturdy and bus-powered design makes it as easy to use as reliable in operation.\u003c\/p\u003e\n\u003cp\u003eMADIface USB is therefore both MADI portability at its best as also a perfect desktop solution to connect MADI equipment to any Mac and PC.\u003c\/p\u003e\n\u003cp\u003eThe optical and coaxial input offer RME's Seamless Redundancy operation, switching between the two inputs in real-time if one of the signals fails. The optical and coaxial MADI outputs operate simultaneously. The user can switch between a simple mirrored output mode, or use all four inputs and outputs separately with TotalMix, a low latency 48bit internal mixer and routing matrix. In this extended mode, 128 input signals can be routed and mixed to 128 output channels, but the record\/playback functionality to\/from the computer stays at 64 channels.\u003c\/p\u003e\n\u003cp\u003eSteadyClock as well as RME's well known MADI compatibility ensure hassle-free operation with other devices.\u003c\/p\u003e\n\u003cp\u003eMIDI over MADI technology may be used to remote-control other MADI devices. DIGICheck, an included complete audio analyzing suite, supports the user under Mac OS X and Windows.\u003c\/p\u003e\n\u003cp\u003eIn stand-alone mode the unit automatically operates as repeater, effectively doubling the maximum cable length of 100 m coaxial and 2,000 m optical. As the inputs switch automatically, and both outputs carry the same signal, it also works as active (jitter reducing) optical to coaxial or vice versa converter.\u003c\/p\u003e\n\u003ch2\u003eRME MADIface USB Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e64 input channels \/ 64 output channels\u003c\/li\u003e\n\u003cli\u003e1 x MADI I\/O (optical and coaxial)\u003c\/li\u003e\n\u003cli\u003eTotalMix\u003c\/li\u003e\n\u003cli\u003eNo external power supply required\u003c\/li\u003e\n\u003cli\u003eStand-alone Mode (repeater \/ format converter)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531493687342,"sku":"SRMEMADIFACEUSB","price":624.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/rme-madiface-usb.jpg?v=1578406441"},{"product_id":"rme-micstasy-8-channel-full-range-preamp-ad-converter","title":"RME Micstasy 8 channel Full Range Preamp \u0026 AD converter","description":"\u003cp\u003eThe \u003cstrong\u003eRME Micstasy \u003c\/strong\u003eis an 8-Channel hi-end mic\/line preamp and AD-converter combining typical RME features with a number of previously unseen features. It can be used analogue (Mic\/Line In to Line Out) and digital (Mic\/Line In to Digital Out), with both signal paths operating simultaneously. The Micstasy is also fully remote-controllable via MIDI (also MIDI over MADI).\u003c\/p\u003e\n\u003cp\u003eThe Micstasy's innovative concept allows for amplification and digitization of ALL analogue signal sources. Be it high-level stage signals, typical studio signals, lower level and high-impedance instruments, or dynamic, condenser or ribbon microphones: Micstasy understands them all - in a way that is simply thrilling.\u003c\/p\u003e\n\u003cp\u003eThe signals amplified by the Micstasy are available at the analogue outputs for passing them on, making an expensive splitter box on stage obsolete. All functions can be remote controlled via MIDI and MIDI over MADI, allowing the device to be placed near the microphones, ensuring highest sound quality. Adding the optional MADI Card results in even more options. The I64 MADI Card provides serial pass-through capability from one Micstasy to the next (up to 8). All up to 64 audio signals are then available at the last device on one single line. Such a way of cascading is also possible between Micstasy and ADI-8 QS.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRME Micstasy features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 balanced XLR mic\/line inputs with 85 dB gain range\u003c\/li\u003e\n\u003cli\u003eAnalogue input level from -56.5 dBu up to +30 dBu\u003c\/li\u003e\n\u003cli\u003eHigh-end circuitry with 4 relays per channel, super low-noise microphone front-end\u003c\/li\u003e\n\u003cli\u003eNear click-free gain changes in steps of 0.5 dB\u003c\/li\u003e\n\u003cli\u003eLarge frequency range (200 kHz) with special EMI input filtering\u003c\/li\u003e\n\u003cli\u003e8 balanced TRS line \/ instrument inputs with Hi-Z option\u003c\/li\u003e\n\u003cli\u003e8 balanced XLR line outputs, maximum level +27 dBu\u003c\/li\u003e\n\u003cli\u003e4 x AES\/EBU Out via D-sub, 8 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003e2 x ADAT Out, 8 channels @ 96 kHz (SMUX and SMUX4)\u003c\/li\u003e\n\u003cli\u003eOptional MADI I\/O (I64 MADI Card) with serial cascading and digital return path\u003c\/li\u003e\n\u003cli\u003eSymmetrical hi-pass (Lo Cut) with super-low THD, 18 dB\/oct\u003c\/li\u003e\n\u003cli\u003eLED level meter with 13 LEDs per channel\u003c\/li\u003e\n\u003cli\u003eM\/S de-\/encoding for the digital output\u003c\/li\u003e\n\u003cli\u003eAutoSet: Automatic gain reduction with multiple linking\u003c\/li\u003e\n\u003cli\u003eCurrent state can be stored to 8 user presets\u003c\/li\u003e\n\u003cli\u003eFully remote controllable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531494801454,"sku":"SRMEMICSTASY","price":2800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/rme-micstasy_1.jpg?v=1578925500"},{"product_id":"rme-octamic-ii-8-channel-mic-pre-with-aes-ebu-and-s-pdif","title":"RME Octamic II - 8 Channel Mic Pre with AES\/EBU and S\/PDIF","description":"\u003cp\u003eThe \u003cstrong\u003eRME OctaMic II \u003c\/strong\u003eprovides 8-Channel 192 kHz \/ 24 bit AD conversion with eight hi-class microphone and line pre-amplification channels, featuring a combination of sophisticated components and approved RME technology.\u003c\/p\u003e\n\u003cp\u003eLowest distortion, excellent signal to noise ratio and perfectly linear frequency response transmit and amplify the microphone signals truly unchanged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 x Mic \/ Line Preamp Input (XLR\/TRS Combo)\u003c\/li\u003e\n\u003cli\u003e8 x Line Output (TRS balanced)\u003c\/li\u003e\n\u003cli\u003e8 x AD-converter (up to 192 kHz)\u003c\/li\u003e\n\u003cli\u003e2 x ADAT Output (S\/MUX, up to 96 kHz)\u003c\/li\u003e\n\u003cli\u003e4 x AES\/EBU Output (D-sub, up to 192 kHz)\u003c\/li\u003e\n\u003cli\u003e1 x AES\/SPDIF Sync Input\u003c\/li\u003e\n\u003cli\u003ePhase, Low Cut and Phantom power per channel\u003c\/li\u003e\n\u003cli\u003eClip Hold Memory\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe OctaMic II includes some significant enhancements compared to the OctaMic:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe balanced TRS inputs of the Neutrik Combo XLR jacks are phantom power-free and can be operated as real line inputs too. The improved design of the input circuits allows for a maximum input level of +21 dBu with a convenient gain range from 6 dB up to 60 dB.\u003c\/li\u003e\n\u003cli\u003eImproved signal to noise ratio (SNR) ADC 107.5 dB\u003c\/li\u003e\n\u003cli\u003eImproved THD, especially at higher gains\u003c\/li\u003e\n\u003cli\u003eOptimised heat dissipation by a new and larger housing with improved convection\u003c\/li\u003e\n\u003cli\u003eInternal wide range power supply with line filter, insensitive to voltage fluctuations\u003c\/li\u003e\n\u003cli\u003eSuper-stable, short circuit proof 48 V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRME OctaMic II\u003c\/strong\u003e offers 8 balanced XLR mic \/ line inputs via Neutrik XLR\/TRS combo jacks. Each channel contains switches for 48V phantom power, a low cut filter and phase reversal. Amplification can be set between 6 and 60 dB. LEDs for signal, clip, and activated phantom power give a complete overview on the unit's status. When the special Clip Hold mode is activated, any detected clip-state will cause the corresponding LED to flash once per second. With this, the user gets a long-term peak detection, and no longer needs to constantly watch the LEDs. At the same time momentary overloads are still displayed correctly.\u003c\/p\u003e\n\u003cp\u003eFrontside switches include power on\/off and output level, for a choice of -10 dBV, +4 dBu or Hi Gain (+19 dBu) as reference level. This unusual feature offers two advantages. First, the reference level can be easily switched to match any of RME's current interface devices, from HDSP 9632 through Multiface up to the renowned ADI-8 series converters. Second, the Signal to Noise ratio is optimized, and the Clip-LED will exactly match the ones of the ADI-8 (2 dB below 0 dBFS).\u003c\/p\u003e\n\u003cp\u003eThe balanced line level output signal is available at the back of the unit via 8 stereo TRS jacks. The specially developed, internal hi-performance switch mode power supply lets the OctaMic II operate in the range of 100V to 240V AC. It is short-circuit-proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAD-Conversion\u003c\/strong\u003e\u003cbr\u003eThe 8-Channel AD-conversion of the OctaMic II operates at up to 192 kHz. The digitized signal is available simultaneously at the double ADAT output (S\/MUX, up to 96 kHz), and at a DB-25 connector (4 AES\/EBU outputs, up to 192 kHz). The digital part can be clocked internally (master) and externally via word clock, AES\/EBU and SPDIF.\u003c\/p\u003e\n\u003cp\u003eRME's outstanding SteadyClock(TM) ensures perfect AD-conversion, as jitter on the external sync-sources is nearly completely removed. All settings are done via DIP-switches on the back of the OctaMic II. Analog outputs and both digital outputs operate fully simultaneously. The choice of reference level affects the analog outputs only, the signal\/clip indication and the AD-conversion will react only to the Gain-pots.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531494899758,"sku":"SRMEOCTAMICII","price":1079.17,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/rme-octamic-2.jpg?v=1578925491"},{"product_id":"rme-tco-hdsp-time-code-option-for-hdsp-hdspe-cards","title":"RME TCO-HDSP Time Code Option for HDSP \u0026 HDSPe Cards","description":"\u003cp\u003eThe \u003cstrong\u003eRME TCO-HDSP module\u003c\/strong\u003e is an optional extension for selected RME cards. Placed in a free slot of the computer chassis the TCO will be connected with the HDSP card via a flat ribbon cable.\u003c\/p\u003e\n\u003cp\u003eThe small module provides the HDSP card(s) with a Word Clock input and offers a synchronization to LTC and video. Thanks to SteadyClock(TM), the TCO not only extracts absolute positions from these signals, but also a very clean low-jitter word clock. 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Commonly used Pull-Up- and Pull-Down formats (+\/- 0.1% and +\/- 4%) can be utilised, and PAL and NTSC video formats will be automatically detected and processed.\u003c\/p\u003e\n\u003cp\u003eThe received Time Code can be sent to the audio or video application as ASIO Positioning Protocol (APP) or MTC. An application can send APP or MTC to the TCO, which will generate LTC on hardware level with lowest jitter (no software\/driver routine). Several fly-wheel functions facilitate chase operation (adjustable drop-out length, Continuous- or Jam-Sync).\u003c\/p\u003e\n\u003cp\u003eUnder Windows the TCO provides the SMPTE position as APP (ASIO Positioning Protocol) and as MTC Sync. Under Mac OS X the TCO provides the SMPTE position as MTC Sync only.\u003c\/p\u003e\n\u003cp\u003eThe TCO has a combined switchable Word Clock\/Video input (BNC) as well as an LTC input (BNC). The Word Clock \/Video input on the card can comfortably be terminated (relay-controlled) with a 75 Ohm terminator from the settings dialog.\u003c\/p\u003e\n\u003cp\u003eThe TCO also features an additional LTC output (BNC) with two level settings (configurable via jumper).\u003c\/p\u003e\n\u003cul\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531495063598,"sku":"SRMETCOHDSP","price":275.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/rme-hdsp-tco.jpg?v=1578925483"},{"product_id":"rme-word-clock-module-for-hdsp-9632-1-x-bnc-in-2-x-bnc-out","title":"RME Word Clock Module for HDSP 9632, RayDAT \u0026 AIO BNC 1xBNC In 2xBNC Out","description":"\u003cp\u003eThe \u003cstrong\u003eRME Word Clock Module\u003c\/strong\u003e provides a galvanically isolated word clock input and two word clock outputs on BNC connectors. 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Thanks to several LEDs (power, termination, LOCK) and the highly integrated concept of installation, first operation and usage are simple even for the inexperienced user.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":31531495129134,"sku":"SRMEWMHDSP9632","price":85.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/rme-wordclock-module.jpg?v=1578925483"},{"product_id":"rme-babyface-pro-fs-24-channel-192-khz-bus-powered-professio","title":"RME Babyface Pro FS - 24-Channel  Bus-Powered USB Audio Interface","description":"\u003ch2\u003eRME Babyface Pro FS - 24-Channel  Bus-Powered USB Audio Interface\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRME Babyface Pro FS\u003c\/strong\u003e is a 24-Channel 192 kHz bus-powered professional USB 2.0 Audio Interface. Four years ago the Babyface Pro again demonstrated RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminum, this high-end portable interface incorporated newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.\u003c\/p\u003e\n\u003ch2\u003eRME Babyface Pro FS Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e+19 \/ +4 dBu switch on the bottom adds a direct way to reduce the output level, thus improves SNR for sensitive active monitors, avoids distortion \/ overload, and helps to keep TotalMix FX faders near 0 dB instead of high attenuations.\u003c\/li\u003e\n\u003cli\u003eFull SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity.\u003c\/li\u003e\n\u003cli\u003e3.5 mm TRS phones output power rises from 70 mW to 90 mW. THD of both phones outputs improved by up to 10 dB. Uses same output op-amps as ADI-2 Pro now. Output impedance of 3.5 mm TRS lowered from 2 Ohms to 0.1 Ohms.\u003c\/li\u003e\n\u003cli\u003eMic inputs SNR improved from 112.2 dB to 113.7 dB, TRS Line inputs SNR improved from 114 dB to 116.3 dB (120 dBA). THD Line inputs improved by 8 dB.\u003c\/li\u003e\n\u003cli\u003e6 samples less latency on the AD side by new ADC (5 samples AD, 7 samples DA. It won't get quicker...).\u003c\/li\u003e\n\u003cli\u003eAll the above improvements were achieved without raising the units power consumption.\u003c\/li\u003e\n\u003cli\u003eK-slot for theft protection.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used. The 3.5 mm TRS phones output power rises to 90 mW. THD of both phones outputs improved by up to 10 dB. and uses same output op-amps as ADI-2 Pro now. Finally the output impedance of 3.5 mm TRS was lowered from 2 Ohms to 0.1 Ohms.\u003cbr\u003e\u003cbr\u003eTwo digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.\u003cbr\u003e\u003cbr\u003eBabyface Pro’s incredibly efficient design almost never requires an external power supply – it’s perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.\u003cbr\u003e\u003cbr\u003eThe comprehensive feature set continues with an optical TOSLINK I\/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro’s jack inputs 3 \u0026amp; 4. Record your guitar on the go, with no additional hardware required. MIDI I\/O via an included breakout cable completes the package.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":32004877615150,"sku":"SRMEBABYFACEPROFS","price":607.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SRMEBABYFACEPROFS.jpg?v=1587485889"},{"product_id":"rme-arc-usb-advanced-remote-control","title":"RME ARC USB Advanced Remote Control","description":"\u003ch2\u003eRME ARC USB Advanced Remote Control\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRME ARC USB\u003c\/strong\u003e remote has been designed for direct access to the most frequently used actions and commands of TotalMix FX, being an indispensable tool in the studio's daily applications. Its extremely flexible configuration through TotalMix FX will simplify workflow and greatly increase the usability of the RME interface in most real world situations.\u003cbr\u003e\u003cbr\u003eThe ARC USB is a USB 1.1 (UAC1) MIDI remote control, natively compatible to Windows and Mac OS X. As soon as it is present in the operating system TotaIMix FX will detect it and communicate with it, without disturbing other remote controls. Therefore it is also not necessary to switch the ARC USB on or off within TotalMix FX - it will just work.\u003c\/p\u003e\n\u003ch4\u003eControl several interfaces simultaneously\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eAnd because it communicates with TotalMix FX (via USB) it is compatible to all RME audio interfaces that are detected and supported by TotalMix FX. This goes back to RME interfaces released 2001!\u003cbr\u003e\u003cbr\u003eAs soon as the ARC USB is connected to a computer any button press or wheel turning will cause the respective action performed by TotalMix FX - and therefore also by the RME audio interface.\u003cbr\u003e\u003cbr\u003eWith the UFX+ and UFX II the ARC USB can also be connected directly to these devices, currently the only RME interfaces having an internal USB 1.1 host with matching connector. This way of connecting is handy in stand-alone mode, where the ARC USB is also supported by the UFX+ and UFX II.\u003cbr\u003e\u003cbr\u003eThe ARC USB is bus powered, but draws only little current. Also it uses USB 1.1 as bus standard, which these days is uncritical due to its lower frequency and speed demands. USB 2 cables with 5 meter to 10 meter length, and cheap USB 2 cable extensions that usually make a bus-powered interface fail will work perfectly for the ARC USB. Still at higher lengths RME recommends to use active USB 2 cables (also called extension or repeater cables), which are not expensive and work over lengths of more than 20 meters.\u003cbr\u003e\u003cbr\u003eThe ARC USB can control several interfaces simultaneously, which happens automatically as the Key Commands dialog in TotalMix FX is specific to the currently selected audio interface. Just assign only the functions that are desired for each respective interface. After that the ARC USB keys and the encoder wheel remote the respective interface where they have been assigned to, without the need to further switch or select anything in normal operation.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default","offer_id":32671173967918,"sku":"SRMEARCUSB","price":116.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SRMEARCUSB-front.jpg?v=1600958020"},{"product_id":"rme-fireface-ucx-ii-40-channel-192-khz-advanced-usb-audio-interface","title":"RME Fireface UCX II - 40-Channel, 192 kHz Advanced USB Audio Interface","description":"\u003ch2\u003eRME Fireface UCX II - 40-Channel, 192 kHz Advanced USB Audio Interface\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRME Fireface UCX II\u003c\/strong\u003e is an advanced, 40 channel USB audio interface. The UCX II features 2 combination XLR\/line inputs, 2 Instrument 4 line inputs, 6 Line outputs, headphone output and more.\u003c\/p\u003e\n\u003cp\u003eThe Fireface UCX II comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DIGICheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.\u003c\/p\u003e\n\u003cp\u003eThe additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows\/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Fireface UCX II operates in two different modes: driver-based USB2 and Class Compliant. The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions. No proprietary drivers are required, the device will be directly recognized when the CC firmware is loaded. The natively available features will be limited in comparison to those provided by the RME driver for the UCX II.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul class=\"bulleted-list\"\u003e\n\u003cli\u003e8 x Analog I\/O\u003c\/li\u003e\n\u003cli\u003e2 x XLR\/TRS Mic\/Inst\/Line\u003c\/li\u003e\n\u003cli\u003e2 x Line\/Inst Inputs\u003c\/li\u003e\n\u003cli\u003e1 x Phones Output\u003c\/li\u003e\n\u003cli\u003e1 x AES I\/O\u003c\/li\u003e\n\u003cli\u003e1 x ADAT I\/O\u003c\/li\u003e\n\u003cli\u003e1 x SPDIF I\/O Coax\u003c\/li\u003e\n\u003cli\u003e1 x Word Clock I\/O\u003c\/li\u003e\n\u003cli\u003e1 x MIDI I\/O\u003c\/li\u003e\n\u003cli\u003eClass Compliant Mode\u003c\/li\u003e\n\u003cli\u003eTotalMix FX\u003c\/li\u003e\n\u003cli\u003eARC USB\u003c\/li\u003e\n\u003cli\u003eRME USB 2.0\u003c\/li\u003e\n\u003cli\u003eDC-coupled Outputs\u003c\/li\u003e\n\u003cli\u003eSteadyClock FSDURec\u003c\/li\u003e\n\u003cli\u003eAutoSet Digital Gain Control\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":40637846945970,"sku":"SRMEFIREFACEUCX2","price":995.83,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SRMEFIREFACEUCX2-1.jpg?v=1627659149"},{"product_id":"rme-fireface-ufx-iii-188-channel-24-bit-192khz-pro-usb-3-0-audio-interface","title":"RME Fireface UFX III - 188 Channel, 24-Bit\/192kHz Pro USB 3.0  Audio Interface","description":"\u003ch2\u003eRME Fireface UFX III - 188 Channel, 24-Bit\/192kHz Pro USB 3.0 Audio Interface\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRME Fireface UFX III\u003c\/strong\u003e is a USB 3.0 audio interface capable of handling 96 channels of I\/O. With unprecedented flexibility, compatibility, low latency, the Fireface UFX III is designed to be the core of a multi-channel recording facility.\u003c\/p\u003e\n\u003cp\u003ePacked with professional features, including SteadyClock FS, MADI I\/O (64 channels), a powerful DSP, USB 3.0 (full 94 channel I\/O Class Compliant ready), TotalMix FX, Direct USB Recording, and support for the Advanced Remote Control USB (available separately), the Fireface UFX III is the professional’s preferred tool for multitrack recording, mixing and mastering.\u003c\/p\u003e\n\u003cp\u003eThe Fireface UFX III is based on a newly developed analog and digital board. While the analog board offers, for example, DC-coupled analog outputs as well as new AD and DA converters with improved THD+N value, the digital board also enables interesting new features thanks to updated high-tech components.\u003c\/p\u003e\n\u003ch3\u003eFeatures \u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e12 x Analogue I\/O\u003c\/li\u003e\n\u003cli\u003e4 x XLR\/TRS Mic\/Line\/Instrument\u003c\/li\u003e\n\u003cli\u003e2 x Phones Ouput\u003c\/li\u003e\n\u003cli\u003e1 x AES\/EBU I\/O\u003c\/li\u003e\n\u003cli\u003e2 x ADAT I\/O\u003c\/li\u003e\n\u003cli\u003e2 x SPDIF I\/O\u003c\/li\u003e\n\u003cli\u003e1 x Word Clock I\/O \/ MADI Coaxial\u003c\/li\u003e\n\u003cli\u003e2 x MIDI \/ I\/O\u003c\/li\u003e\n\u003cli\u003eRME USB 3.0\u003c\/li\u003e\n\u003cli\u003eTotalMix FX\u003c\/li\u003e\n\u003cli\u003eARC USB\u003c\/li\u003e\n\u003cli\u003eDURec\u003c\/li\u003e\n\u003cli\u003eClass Compliant Mode\u003c\/li\u003e\n\u003cli\u003eAutoSet Digital Gain Control\u003c\/li\u003e\n\u003cli\u003eDC-coupled Ouputs\u003c\/li\u003e\n\u003cli\u003eIncluding FX\u003c\/li\u003e\n\u003cli\u003eSteadyClock FS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cstrong\u003ePowerful USB 3\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ePerformance\u003c\/h3\u003e\n\u003cp\u003eThe front panel of the Fireface UFX III provides four high-performance XLR\/TRS combo inputs for microphone, instrument and line signals, two stereo headphone jacks with +19 dBu output level, MIDI I\/O, and a USB port. In combination with the DURec function (Direct USB Recording), the USB port allows independent recording of selected input and output signals (up to 80 channels) to a connected USB storage medium.\u003c\/p\u003e\n\u003cp\u003eThe rear panel reveals the full connectivity of the Fireface UFX III. Besides another MIDI I\/O, the two optical ADAT I\/Os, an AES\/EBU I\/O, and eight balanced analog outputs with line level (including XLR stereo monitor outputs) are available. With the new Multi-Mode, the two ADAT I\/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I\/O. Furthermore, the Fireface UFX III offers an optical MADI interface (SC) with 64 bidirectional channels. The Word Clock connectors (BNC) work as additional coaxial MADI input and output if required.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003eComprehensive\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMADI Connectivity\u003c\/h3\u003e\n\u003cp\u003eThe Fireface UFX III opens the doors to a host of RME and 3rd party digital and analog I\/O solutions. Expanding your analog channel count, the ability to route\/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series.\u003c\/p\u003e\n\u003cp\u003eTo further enhance MADI flexibility, the Fireface UFX III boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I\/O (12 analog plus 16 ADAT plus AES), the MADI I\/O is still available via RME’s integrated hardware mixer TotalMix FX. Word Clock I\/O (BNC) can be switched to MADI I\/O (coaxial), and a special split mode even supports the use of both MADI I\/Os simultaneously, with 32 channel each on optical and coaxial.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003ePowerful Applications\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor Mixing, Monitoring and Measurement included\u003c\/h3\u003e\n\u003cp\u003eThe Fireface UFX III comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DIGICheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.\u003c\/p\u003e\n\u003cp\u003eThe additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows\/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. 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The Direct USB Recording converts the Fireface UFX Series both into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks. 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The 12Mic-D is sonically identical to the already existing 12Mic (with 128 AVB channels) and complements the M-Series lineup of professional network audio solutions.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003eTwelve transparent mic preamps\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor exceptional conversion performance\u003c\/h3\u003e\n\u003cp\u003eThe PAD-free microphone input stages have a 75 dB gain range and accept signals of up to +18 dBu. On the converter side, the 12Mic shines with an outstanding signal-to-noise ratio on all channels. All twelve front-facing XLR connections accept microphone and line level signals, whilst the first four connections also accept TRS connectors, with switchable high impedance (Hi-Z) for instruments.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003eMADI \u0026amp; ADAT\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor maximum flexibility\u003c\/h3\u003e\n\u003cp\u003eIn addition to Dante, the 12Mic-D has two separate MADI ports- with coaxial built into the device as standard, and optical MADI available via an optional SFP module - along with three ADAT outputs and a line level headphone output for monitoring all incoming digital and analog signals. With the help of a routing matrix, any of the 12Mic-D’s 204 input channels can be individually routed to any of the 218 output channels.\u003c\/p\u003e\n\u003cp\u003eWhen connected to a Dante network, a combination of both analog and digital channels (such as connected MADI devices) can be transmitted to the network if required. 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By integrating Audinate’s Dante IP Core on a\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003ecustom built RME FPGA platform\u003c\/strong\u003e, RME is not only delivering a highly flexible solution but also gets one step closer to achieving a truly universal Audio Networking experience.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003ePlug \u0026amp; play\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- rapid user interaction\u003c\/h3\u003e\n\u003cp\u003eControl all device states directly from the front panel for convenient, direct access to all features. RME network audio devices can also be fully remote controlled via a web-interface on any network link (including wirelessly over Wi-Fi), allowing for the rapid creation of gain groups, phantom power switching, and routing of signals to headphones for monitoring. The integrated routing matrix allows for quick routing of any analog inputs straight to the headphone output, as well as all digital signals. As such, problem-solving of signals, clocking, connectivity or other issues is both simple and straight-forward!\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":42975670665394,"sku":"SRME12MICD","price":2479.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SRME12MICD-1.jpg?v=1679396704"},{"product_id":"rme-fireface-802-fs-60-channel-192khz-usb-interface","title":"RME Fireface 802 FS - 60 Channel 192kHz USB Interface","description":"\u003ch2\u003eRME Fireface 802 FS - 60 Channel 192kHz USB Interface\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRME Fireface 802 FS\u003c\/strong\u003e is a 60 channel, highly integrated audio interface designed for studio, and live use where high-end audio recording, rock-solid stability and ultra-low latency is required. The 802 FS features 30 I\/O (12 analogue) and benefits from newly developed analogue circuitry with improved performance, as well as a host of professional features.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e30 Input \/ 30 Output channels\u003c\/li\u003e\n\u003cli\u003e12 x Analogue I\/O\u003c\/li\u003e\n\u003cli\u003e4 x Mic\/Instrument Preamp\u003c\/li\u003e\n\u003cli\u003e1 x AES\/EBU I\/O\u003c\/li\u003e\n\u003cli\u003e2 x ADAT I\/O (or 1 x ADAT I\/O plus 1 x SPDIF I\/O)\u003c\/li\u003e\n\u003cli\u003e1 x Word Clock I\/O\u003c\/li\u003e\n\u003cli\u003e1 x MIDI I\/O\u003c\/li\u003e\n\u003cli\u003eSteadyClock FS\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.synthax.co.uk\/rme-totalmix-fx\"\u003eTotalMix FX\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e5 Year Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLike all RME audio interfaces, the Fireface 802 FS benefits from TotalMix FX, RME's digital high-end mixer and signal router. Driven by powerful DSP with integrated EQ, Dynamics and Reverb\/Echo effects at up to 192 kHz, plus a built-in monitoring controller, TotalMix FX offers powerful, flexible control of all audio channels.\u003c\/p\u003e\n\u003cp\u003eThe full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME's app to fully control the 802 FS from the iPad, without any computer. The easy-to-use app includes metering for all 60 channels plus effects bus, different setup screens, and complete control of all features.\u003c\/p\u003e\n\u003ch4\u003eEnhance Your Recording Setup - Discover Unmatched Flexibility\u003c\/h4\u003e\n\u003cp\u003eThe Fireface 802 FS benefits from ultra-low latency operation thanks to RME’s renowned USB driver technology and driver stability. SteadyClock FS jitter suppression, individually switchable reference levels for all inputs and outputs and identical operation on Windows PC and Mac completes the package.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS is based on a newly developed analogue and digital board. While the analogue board offers DC-coupled analogue outputs as well as new AD and DA converters, the digital board also enables interesting new features thanks to updated high-tech components.\u003c\/p\u003e\n\u003cp\u003eThe front panel of the Fireface 802 FS provides four high-performance XLR\/TRS combo inputs for microphone, instrument and line signals and two stereo headphone jacks with +17 dBu output level, to provide high volumes even with hi-impedance headphones.\u003c\/p\u003e\n\u003cp\u003eThe rear panel reveals the full connectivity of the Fireface 802 FS. As well as MIDI and Word Clock I\/O, the Fireface 802 FS is equipped with two optical ADAT I\/Os, an AES\/EBU I\/O, and eight balanced analogue line-level inputs and outputs.\u003c\/p\u003e\n\u003cp\u003eWith the new Multi-Mode, the two ADAT I\/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I\/O. Users will also find a USB A port for connecting directly the optional ARC USB, offering tactile control of TotalMix FX.\u003c\/p\u003e\n\u003ch4\u003eProfessional High-Transparency Preamps\u003c\/h4\u003e\n\u003cp\u003eThe Fireface 802 FS features four crystal-clear preamps with ultra-low latency converters, using the classic technology of the OctaMic II, a high-end preamp providing supreme sonic quality.\u003c\/p\u003e\n\u003cp\u003eAll four preamps deliver extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response, providing a premium solution for transmitting and amplifying any audio input exactly as it is heard, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.\u003c\/p\u003e\n\u003cp\u003eThe four inputs on the front use balanced XLR\/TS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required. Each channel can be individually switched to 48V phantom power or instrument mode. LEDs for signal, clip, TS operation and activated phantom power provide overview on the unit's status.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS continues RME's tradition of designing full-featured, flexible and expandable audio systems. Adding additional preamplifiers or more analogue inputs is easily done via the dual ADAT optical I\/Os on the rear.\u003c\/p\u003e\n\u003ch4\u003eUSB 2 Class Compliant Audio\u003c\/h4\u003e\n\u003cp\u003eThe Fireface 802 FS operates in two different modes: driver-based USB 2 and Class Compliant. The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions. No proprietary drivers are required, the device will be directly recognized when the CC firmware is loaded. The alternative CC mode can be activated via a recessed pushbutton switch directly at the back of the interface.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS offers full USB 2.0 support in Class Compliant Mode. This makes all channels available in driverless operation for Linux, Mac and iPadOS. An iPad Pro with USB C can manage up to 60 channels for recording and playback in TotalMix FX for iPad and on system level.\u003c\/p\u003e\n\u003ch4\u003ePowerful Applications for Mixing, Monitoring and Measurement Included\u003c\/h4\u003e\n\u003cp\u003eThe Fireface 802 FS comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DigiCheck Analyzer allowing to measure and analyse the digital data feed in both directions with maximum precision.\u003c\/p\u003e\n\u003cp\u003eTotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.\u003c\/p\u003e\n\u003cp\u003eThe additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows\/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi.\u003c\/p\u003e\n\u003ch4\u003eDC-Coupled Outputs - CV\/Gate Voltage Control\u003c\/h4\u003e\n\u003cp\u003eMost audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies.\u003c\/p\u003e\n\u003cp\u003eWhilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs.\u003c\/p\u003e\n\u003cp\u003eAll of the Fireface 802 FS line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog\/MOTM\/Synthesizers formats) and other studio hardware.\u003c\/p\u003e\n\u003ch4\u003eARC USB - Plug'n Play Plus\u003c\/h4\u003e\n\u003cp\u003eThe optional available ARC USB connects to your computer via USB and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.\u003c\/p\u003e\n\u003cp\u003eThe ARC USB is a USB 1.1 MIDI remote control for the Fireface 802 FS. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the 802 FS.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":43102754701490,"sku":"SRMEFIREFACE802FS","price":1290.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SRMEFIREFACE802FS-1.jpg?v=1686151403"},{"product_id":"rme-m-32-ad-pro-ii-high-end-32-channel-192-khz-ad-converter-with-madi-and-avb","title":"RME M-32 AD Pro II - High-End 32-Channel 192 kHz AD Converter with MADI and AVB","description":"\u003ch2\u003eRME M-32 AD Pro II\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRME M-32 AD Pro II\u003c\/strong\u003e is a 32-channel high-end converter that has a comprehensive feature set but is also easy to operate. \u003cspan data-mce-fragment=\"1\"\u003eThe unit combines excellent analogue circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art AD conversion - 32 times!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe unit's unique set of features includes analog limiters, three hardware reference levels up to +24 dBu, MADI and ADAT I\/O up to 192 kHz, 6.3 mm TRS and D-sub inputs, remote control via MIDI, and operation across a wide range of mains voltages, all packed into a 2U enclosure. An extraordinary limiter, conceived and optimised for professional studio, stage, and broadcast applications, offers essential operational safety with its capability to limit an input's overload of up to 17 dB without audible distortion (max. input level + 30 dBu).\u003c\/p\u003e\n\u003cp\u003eThe M-32 provides multichannel conversion in reference quality - at an unbeatable price\/performance ratio!\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e32-channel* AD converter, fully symmetrical design, 116 dBA\u003c\/li\u003e\n\u003cli\u003e19\" enclosure with only 2 units height\u003c\/li\u003e\n\u003cli\u003e1 x MADI I\/O, 32 channels @ 96 kHz, 16 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003e4 x ADAT Out, 16 channels @ 96 kHz, 8 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003eAutomatic Delay Compensation: no user operation necessary when stacking units\u003c\/li\u003e\n\u003cli\u003eAnalog limiter can be activated\u003c\/li\u003e\n\u003cli\u003e32* LED level meters with 5 LEDs each\u003c\/li\u003e\n\u003cli\u003e32* LEDs to display the Limiter state per channel\u003c\/li\u003e\n\u003cli\u003eSteadyClock(TM) - pristine sound quality independently from the quality of the external clock signal\u003c\/li\u003e\n\u003cli\u003eSyncCheck(TM) - unique technology to check clock synchronization\u003c\/li\u003e\n\u003cli\u003eAll settings are stored permanently\u003c\/li\u003e\n\u003cli\u003eFully remote controllable via MIDI and MIDI over MADI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe M-32 AD offers an outstanding AD conversion to MADI and ADAT formats in a compact 19\" unit with only 2U height. The balanced analog inputs based on RME's reference design from the ADI-8 QS guarantee excellent S\/N and THD specs across a wide analog level range. Three different hardware levels are available. Using up-to-date converter technology, the device not only works up to 192 kHz, but also reaches a real-world signal-to-noise ratio of 116 dBA - on all channels.\u003c\/p\u003e\n\u003cp\u003eSteadyClock(TM) guarantees perfect sound quality through efficient jitter suppression, making the device completely independent from the quality of external clock signals. Intelligent Clock Control not only displays every clock status by means of flashing LEDs, but will also retain the last valid input sample rate in case of failure of the external source. Other renowned RME technologies like SyncCheck allow quick detection of clock problems.\u003c\/p\u003e\n\u003cp\u003eAll M-series converters are fully remote controllable and configurable via MIDI. Each unit's complete status can be monitored, including all the front panel's displays. Individual IDs can be set for each unit, for separated control of multiple units via a single MIDI channel. Control software for Mac and PC is supplied and allows easy remote control, also with MIDI transfer via MADI (MIDI Extender).\u003c\/p\u003e\n\u003cp\u003eM-32 AD and M-16 AD have optical and coaxial MADI inputs. In case of failure of an input signal, the source is switched immediately, if a valid signal is present on the other input.\u003c\/p\u003e\n\u003cp\u003eThe M-32 AD's four ADAT outputs provide simple connectivity with other studio equipment. A combination with RME's HDSPe RayDAT makes a perfect partnership, allowing the transfer of 32 channels into a Mac or PC with regular optical Toslink cables at an unbeatable price. The converter's ADAT input only serves as an optional source for external synchronization.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput AD\u003c\/strong\u003e: 1\/4\" TRS jack and 25 pin D-sub, servo balanced, completely symmetrical audio path\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput AD\u003c\/strong\u003e: 4 x ADAT optical, 1 x MADI optical\/coaxial\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range AD\u003c\/strong\u003e: 113 dB RMS unweighted, 116 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD AD\u003c\/strong\u003e: \u0026lt; -110 dB (\u0026lt; 0.00032 %)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N AD\u003c\/strong\u003e: \u0026lt; -104 dB (\u0026lt; 0.00063 %)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk AD\u003c\/strong\u003e: \u0026gt; 130 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput level for 0 dBFS\u003c\/strong\u003e: +24 dBu, +19 dBu, +13 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response AD, -0.1 dB\u003c\/strong\u003e: 10 Hz - 23.2 kHz (sf 48 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response AD, -0.5 dB\u003c\/strong\u003e: \u0026lt; 5 Hz - 45 kHz (sf 96 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response AD, -1 dB\u003c\/strong\u003e: \u0026lt; 5 Hz - 80 kHz (sf 192 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSample rates\u003c\/strong\u003e: 44.1, 48, 88.2, 96, 176.4, 192 kHz, variable (Sync\/WC)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJitter\u003c\/strong\u003e: Typical \u0026lt; 1 ns for internal, Word Clock, ADAT and MADI input\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJitter sensitivity\u003c\/strong\u003e: all PLLs operate error-free even at 100 ns\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJitter suppression\u003c\/strong\u003e: \u0026gt; 30 dB (2.4 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply\u003c\/strong\u003e: Internal switching mode PS, 100V - 240V AC, 60 Watt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: (WxHxD) 483 x 88 x 200 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default","offer_id":43568151232690,"sku":"SRMEM32ADPROII","price":2850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SRMEM32ADPROII-1.jpg?v=1704202328"},{"product_id":"rme-m-32-da-pro-ii-high-end-32-channel-192-khz-da-converter-with-madi-and-avb","title":"RME M-32 DA Pro II - High-End 32-Channel 192 kHz DA Converter with MADI and AVB","description":"\u003ch2\u003eRME M-32 DA Pro II\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRME M-32 DA Pro II\u003c\/strong\u003e is a 32-channel high-end DA converter that has a comprehensive feature set but is easy to operate. \u003cspan data-mce-fragment=\"1\"\u003eThe unit combines excellent analogue circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art DA conversion - not less than 32 times!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRME's M-32 DA is a 32-channel high-end DA converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art DA conversion - not less than 32 times!\u003c\/p\u003e\n\u003cp\u003eThe M-series converters have been conceived and optimised for professional studio, stage, and broadcast applications. Combinations of the M-16 DA and M-32 DA converters allow for setups with 16, 32, 48, or 64 channels, according to your individual application or budget. The unit's unique set of features includes three hardware reference levels up to +24 dBu, MADI I\/O and ADAT input up to 192 kHz, 6.3mm TRS and D-sub outputs, remote control via MIDI, and operation across a wide range of mains voltages, all packed into a 2U enclosure.\u003c\/p\u003e\n\u003cp\u003eThe M-32 DA extends RME's MADI line with multichannel conversion in reference quality - at an unbeatable price\/performance ratio!\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e32-channel* DA converter, double balanced output, 118 dBA\u003c\/li\u003e\n\u003cli\u003e19\" enclosure with only 2 units height\u003c\/li\u003e\n\u003cli\u003e1 x MADI I\/O, 32 channels @ 96 kHz, 16 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003e4 x ADAT In, 16 channels @ 96 kHz, 8 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003eAutomatic Delay Compensation: no user operation necessary when stacking units\u003c\/li\u003e\n\u003cli\u003e32* LED level meters with 6 LEDs each\u003c\/li\u003e\n\u003cli\u003eSteadyClock(TM) - pristine sound quality independently from the quality of the external clock signal\u003c\/li\u003e\n\u003cli\u003eSyncCheck(TM) - unique technology to check clock synchronization\u003c\/li\u003e\n\u003cli\u003eNoise suppression on power-on and power-off at the analog outputs\u003c\/li\u003e\n\u003cli\u003eAll settings are stored permanently\u003c\/li\u003e\n\u003cli\u003eFully remote controllable via MIDI and MIDI over MADI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe M-32 DA offers an outstanding DA conversion from MADI and ADAT formats in a compact 19\" unit with only 2U height. The balanced analog outputs based on RME's reference design from the ADI-8 QS guarantee excellent S\/N and THD specs across a wide analog level range. Three different hardware levels are available. Using up-to-date converter technology, the device not only works up to 192 kHz, but also reaches a real-world signal-to-noise ratio of 118 dBA - on all channels. The units have separated driver stages for the TRS and D-sub outputs. The servo-balanced TRS jacks will work up to +21 dBu. When selecting +24 dBu the balanced D-sub connector outputs will provide the higher output level while TRS stays at the +19 dBu setting.\u003c\/p\u003e\n\u003cp\u003eSteadyClockTM guarantees perfect sound quality through efficient jitter suppression, making the device completely independent from the quality of external clock signals. Intelligent Clock Control not only displays every clock status by means of flashing LEDs, but will also retain the last valid input sample rate in case of failure of the external source. Other renowned RME technologies like SyncCheck allow quick detection of clock problems.\u003c\/p\u003e\n\u003cp\u003eAll M-series converters are fully remote controllable and configurable via MIDI. Each unit's complete status can be monitored, including all the front panel's displays. Individual IDs can be set for each unit, for separated control of multiple units via a single MIDI channel. Control software for Mac and PC is supplied and allows easy remote control, also with MIDI transfer via MADI (MIDI Extender).\u003c\/p\u003e\n\u003cp\u003eThe M-series has optical and coaxial MADI inputs. In case of failure of an input signal, the source is switched immediately, if a valid signal is present on the other input.\u003c\/p\u003e\n\u003cp\u003eThe M-32 DA's four ADAT inputs provide simple connectivity with other studio equipment. A combination with RME's HDSPe RayDAT makes a perfect partnership, realizing the transfer of 32 channels from a Mac or PC with regular optical Toslink cables at an unbeatable price.\u003c\/p\u003e\n\u003cp\u003eAll settings are retained when the unit is powered off.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput DA\u003c\/strong\u003e: 4 x ADAT optical, 1 x MADI optical\/coaxial\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput DA\u003c\/strong\u003e: 1\/4\" TRS jack servo balanced, up to +21 dBu. 25 pin D-sub, balanced, up to +24 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range DA (SNR)\u003c\/strong\u003e: 114 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD DA\u003c\/strong\u003e: \u0026lt; -104 dB (\u0026lt; 0.00063%)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N DA\u003c\/strong\u003e: \u0026lt; -100 dB (\u0026lt; 0.001%)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk DA\u003c\/strong\u003e: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response DA, -0.5 dB\u003c\/strong\u003e: 5 Hz - 22 kHz (sf 48 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response DA, -0.5 dB\u003c\/strong\u003e: \u0026lt; 5 Hz - 34 kHz (sf 96 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response DA, -1 dB\u003c\/strong\u003e: \u0026lt; 5 Hz - 50 kHz (sf 192 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput level for 0 dBFS\u003c\/strong\u003e: +24 dBu, +19 dBu, +13 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSample rates\u003c\/strong\u003e: 44.1, 48, 88.2, 96, 176.4, 192 kHz, variable (Sync\/WC)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJitter\u003c\/strong\u003e: Typical \u0026lt; 1 ns for internal, Word Clock, ADAT and MADI input\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJitter suppression\u003c\/strong\u003e: \u0026gt;30 dB (2.4 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJitter sensitivity\u003c\/strong\u003e: all PLLs operate error-free even at 100 ns\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply\u003c\/strong\u003e: Internal switching mode PS, 100V - 240V AC, 60 Watt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: (WxHxD) 483 x 88 x 200 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default","offer_id":43568158310578,"sku":"SRMEM32DAPROII","price":2850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SRMEM32DAPROII-1.jpg?v=1704202581"},{"product_id":"rme-digiface-aes-30-channel-192-khz-usb-bus-powered-interface-with-src","title":"RME Digiface AES - 30-Channel, 192 kHz\nUSB Bus-Powered Interface with SRC","description":"\u003ch2\u003eRME Digiface AES \u003c\/h2\u003e\n\u003cp\u003eThe RME Digiface AES is a 14-in, 16-out channel USB 2.0 audio interface. The Digiface AES features 2 Mic\/Line universal analogue input channels and four analogue output channels (2 XLR, one TRS phones) complementing its digital I\/O selection. \u003cspan data-mce-fragment=\"1\"\u003eWith an excellent set of digital connectivity, SteadyClock FS, full stand-alone operation and built-in parametric EQ, the Digiface AES shines as the perfect all-in-one solution for recording and playback of digital and analog sources, as well as flexible playback\/monitoring via TotalMix FX.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003eBuspower compatibility\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emeets flexible Analog I\/O Performance\u003c\/h3\u003e\n\u003cp\u003eFor the main inputs RME uses the proven mic\/line preamps in XLR combo configuration of the Babyface Pro FS. Two digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 75 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.\u003c\/p\u003e\n\u003cp\u003eOn the back of the Digiface AES there are 2 balanced analog outputs via XLR male to drive power amps, active monitor speakers, or recordings. The headphone output allows additional and independent high quality monitoring, providing sufficient output power and volume on high and low impedance headphones.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003eFull Stand-alone\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eFunctionality\u003c\/h3\u003e\n\u003cp\u003eConvenient, direct access and control of all features and the device is available directly from the front panel. Four keys and the encoder, the high-resolution and clear color display, and a well thought-out menu structure allow for quick changes and configuration of the device.\u003c\/p\u003e\n\u003cp\u003eSix different device setups can be stored into internal memory. With these the interface transforms into totally different devices by the simple click of a button, which is especially useful in stand-alone mode. Furthermore TotalMix FX can also be controlled externally via MIDI.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003ePowerful Applications\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor Mixing, Monitoring and Measurement included\u003c\/h3\u003e\n\u003cp\u003eThe Digiface AES also includes the powerful digital real-time mixer TotalMix FX. It allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.rme-audio.de\/totalmix-fx-remote.html\" title=\"TotalMix Remote\" data-mce-href=\"https:\/\/www.rme-audio.de\/totalmix-fx-remote.html\"\u003eTotalMix Remote\u003c\/a\u003e, enhances the power of RME interfaces by enabling remote control via iOS, PC or Mac. With a straightforward set up process — simply enter the IP address of the computer you would like to control with TotalMix Remote and get going — users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003eVersatile\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eDigital Input and Output Connectivity\u003c\/h3\u003e\n\u003cp\u003eThe comprehensive set of digital I\/Os, centered around an AES\/EBU input and output via XLR, also includes SPDIF coax, SPDIF optical or 8-channel ADAT. All I\/Os can be used simultaneously, turning the unit into a swiss army knife interface that receives and sends all common digital audio formats. An integrated SRC (Sample Rate Converter) can be switched to one of the three inputs to solve clocking issues and to adapt to other sample rates. This allows, for example, the device to be AES clock-synchronized from the main source and to listen to SPDIF independently at the same time. MIDI I\/O via an included breakout cable completes the package.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone\/Line In 1-2, XLR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput\u003c\/strong\u003e: XLR, electronically balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance balanced @ 1 kHz\u003c\/strong\u003e: 2 kOhm, PAD 5,3 kOhm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance unbalanced @ 1 kHz\u003c\/strong\u003e: 1 kOhm, PAD 2,6 kOhm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input level, Gain 0 dB\u003c\/strong\u003e: +8 dBu, PAD +19 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input level, Gain 75 dB\u003c\/strong\u003e: -67 dBu, PAD -56 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain range\u003c\/strong\u003e: 75 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEIN\u003c\/strong\u003e: -129 dBu A-weighted, 60 dB gain,150 Ohm, 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise ratio (SNR)\u003c\/strong\u003e: 113 dB RMS unweighted, 115 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response @ 44.1 kHz, -0,1 dB\u003c\/strong\u003e: 16 Hz – 20,4 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response @ 96 kHz, -0,5 dB\u003c\/strong\u003e: 7 Hz – 45,8 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response @ 192 kHz, -1 dB\u003c\/strong\u003e: 5 Hz – 88 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response PAD @ 44.1 kHz, -0,1 dB\u003c\/strong\u003e: 5 Hz – 20,4 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response PAD @ 96 kHz, -0,5 dB\u003c\/strong\u003e: 2,5 Hz – 45,8 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response PAD @ 192 kHz, -1 dB\u003c\/strong\u003e: 2 Hz – 88 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD\u003c\/strong\u003e: \u0026lt; -110 dB, \u0026lt; 0,0003 %\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N\u003c\/strong\u003e: \u0026lt; -106 dB, \u0026lt; 0,0005 %\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation\u003c\/strong\u003e: \u0026gt; 110 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTRS In 1-2\u003c\/strong\u003e\u003cbr\u003eAs XLR, but:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput\u003c\/strong\u003e: 6.3 mm TRS jack, electronically balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance @ 1 kHz\u003c\/strong\u003e: 12 kOhm balanced, 6 kOhm unbalanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input level, Gain 0 dB\u003c\/strong\u003e: +24 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input level, Gain 75 dB\u003c\/strong\u003e: -51 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response @ 44.1 kHz, -0,1 dB\u003c\/strong\u003e: 2 Hz – 20,3 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response @ 96 kHz, -0,5 dB\u003c\/strong\u003e: 1,5 Hz – 44,3 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response @ 192 kHz, -1 dB\u003c\/strong\u003e: 1 Hz – 70 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDA, Line Out 1-2\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: XLR, electronically balanced\u003c\/li\u003e\n\u003cli\u003eOutput level switchable +19 dBu, +13 dBu, +4 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range (DR) @ +19 dBu\u003c\/strong\u003e: 120 dB (AES17), 123 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range (DR) @ +13 dBu\u003c\/strong\u003e: 114 dB (AES17), 116,5 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range (DR) @ +4 dBu\u003c\/strong\u003e: 114 dB (AES17), 116,5 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response @ 44.1 kHz, -0,5 dB\u003c\/strong\u003e: 0 Hz – 20,7 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response @ 96 kHz, -0,5 dB\u003c\/strong\u003e: 0 Hz – 45 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response @ 192 kHz, -1 dB\u003c\/strong\u003e: 0 Hz – 90 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD\u003c\/strong\u003e: \u0026lt; -110 dB, \u0026lt; 0,0003 %\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N\u003c\/strong\u003e: -110 dB, 0,0003 %\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation\u003c\/strong\u003e: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance\u003c\/strong\u003e: 300 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDA - Stereo Monitor Output Phones (7-8)\u003c\/strong\u003e\u003cbr\u003eas DA, but:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: 6.3 mm TRS jack,unbalanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput level at 0 dBFS, High\u003c\/strong\u003e: +13 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput level at 0 dBFS, Low\u003c\/strong\u003e: +7 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise ratio (SNR) @ High\u003c\/strong\u003e: 120 dB (AES17), 122 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise ratio (SNR) @ Low\u003c\/strong\u003e: 114 dB (AES17), 116,5 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance\u003c\/strong\u003e: 5 Ohm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax power per channel, 32 Ohm load, 0,1% THD\u003c\/strong\u003e: 160 mW\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N @ 32 Ohm Last\u003c\/strong\u003e: -108 dB, 0,0004 %\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x MIDI I\/O via breakout cable with 2 x 5-pin DIN jacks\u003c\/li\u003e\n\u003cli\u003eGalvanically isolated by optocoupled input\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHi-speed mode\u003c\/strong\u003e: Jitter and response time typically below 1 ms\u003c\/li\u003e\n\u003cli\u003eSeparate 128 byte FIFOs for input and output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eClocks\u003c\/strong\u003e: Internal, AES, SPDIF, ADAT\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJitter suppression of external clocks\u003c\/strong\u003e: \u0026gt; 50 dB (\u0026gt; 1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEffective clock jitter influence on AD and DA conversion\u003c\/strong\u003e: near zero\u003c\/li\u003e\n\u003cli\u003eDigital Bitclock PLL for trouble-free varispeed ADAT operation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupported sample rates\u003c\/strong\u003e: 28 kHz up to 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003eDigital Inputs\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/li\u003e\n\u003cli\u003eHigh-sensitivity input stage (\u0026lt; 0.3 Vpp)\u003c\/li\u003e\n\u003cli\u003eSPDIF compatible (IEC 60958)\u003c\/li\u003e\n\u003cli\u003eAccepts Consumer and Professional format\u003c\/li\u003e\n\u003cli\u003eLock range: 27 kHz – 200 kHz\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (\u0026gt; 1 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF coaxial\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x RCA,according to IEC 60958\u003c\/li\u003e\n\u003cli\u003eHigh-sensitivity input stage (\u0026lt; 0.3 Vpp)\u003c\/li\u003e\n\u003cli\u003eAccepts Consumer and Professional format\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLock range\u003c\/strong\u003e: 27 kHz – 200 kHz\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (\u0026gt; 1 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eADAT Optical\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x TOSLINK, Format according to Alesis specification\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard\u003c\/strong\u003e: 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDouble Speed (S\/MUX)\u003c\/strong\u003e: 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQuad Speed (S\/MUX4)\u003c\/strong\u003e: 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003cli\u003eBitclock PLL ensures perfect synchronisation even in varispeed operation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLock Range\u003c\/strong\u003e: 31.5 kHz – 50 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJitter suppression\u003c\/strong\u003e: \u0026gt; 50 dB (\u0026gt; 1 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSRC\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe inputs AES, SPDIF coaxial or SPDIF optical switchable\u003c\/li\u003e\n\u003cli\u003e2 channels, 32 up to 192 kHz\u003c\/li\u003e\n\u003cli\u003eMax. conversion ratio. 1:7 and 7:1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N\u003c\/strong\u003e: -139 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range (DR)\u003c\/strong\u003e: 139 dB (AES17), 142 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLatency\u003c\/strong\u003e: 109 Samples, 2,47 ms @ 44,1 kHz, 1,14 ms @ 96 kHz, 0,57 ms @ 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\n\u003cbr\u003e\u003cbr\u003eDigital Outputs\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eXLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/li\u003e\n\u003cli\u003eOutput impedance 5 Vss\u003c\/li\u003e\n\u003cli\u003eFormat Professional according to AES3-1992 Amendment 4\u003c\/li\u003e\n\u003cli\u003eSingle Wire Mode, Supported sample rates: 28 kHz up to 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF coaxial\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x Cinch, according to IEC 60958\u003c\/li\u003e\n\u003cli\u003eOutput impedance 0,7 Vss\u003c\/li\u003e\n\u003cli\u003eFormat Consumer (SPDIF) according to IEC 60958\u003c\/li\u003e\n\u003cli\u003eSingle Wire Mode, Supported sample rates: 28 kHz up to 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eADAT\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x TOSLINK\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard\u003c\/strong\u003e: 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDouble Speed (S\/MUX)\u003c\/strong\u003e: 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQuad Speed (S\/MUX4)\u003c\/strong\u003e: 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\n\u003cbr\u003e\u003cbr\u003eGeneral\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply\u003c\/strong\u003e: USB bus power or external power supply\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTypical power consumption\u003c\/strong\u003e: 3 Watt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent at 12 V external power\u003c\/strong\u003e: 250 mA (3 Watt)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (BxHxT)\u003c\/strong\u003e: 215 x 44 x 130 mm (8.46\" x 1.73\" x 5.1\")\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 880 g (1.94 lbs)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTemperature range\u003c\/strong\u003e: +5° up to +50° Celsius (41° F up to 122°F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelative humidity\u003c\/strong\u003e: \u0026lt; 75%, non condensing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default","offer_id":43568347578546,"sku":"SRMEDIGIFACEAES","price":1415.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/SRMEDIGIFACEAES-1.jpg?v=1704205081"}],"url":"https:\/\/studiocare.com\/collections\/rme\/brand_rme.oembed?page=2","provider":"Studiocare","version":"1.0","type":"link"}