{"title":"Rupert Neve 500 Series","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRupert Neve Designs bring their 500 Series range to the modular format without compromising on the sound the name is built on. Their preamps carry the transformer coupled, Class A circuitry that defines the Neve sound, with Silk Texture on hand when you want to push the harmonic content further. Equalisation draws on Rupert's classic inductor designs for warm low end and sweet top, while compression comes in both diode bridge and VCA flavours for proper dynamics control. Add tape style saturation to the mix and you have a full channel of genuine Neve engineering, built to slot straight into your existing 500 Series rack.\u003c\/p\u003e","products":[{"product_id":"rupert-neve-design-511","title":"Rupert Neve Design 511","description":"\u003ch2\u003eRupert Neve Design 511\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Design 511\u003c\/strong\u003e is a professional quality mic pre that provides you with flexibility with texture, gain, and filters. Rupert Neve designed the 511 to combine classic sonic's with 500-series value. Incorporating the 517’s powerful preamp, the 5012’s universally useful sweepable high pass filter, and the transformer-saturating power of a variable silk circuit derived from Rupert Neve Designs’ flagship Portico II Channel, the 511 is a Rupert Neve-designed mic pre for the masses.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for 500 Series by Mr. Rupert Neve\u003c\/strong\u003e\u003cbr\u003eRupert Neve: \"While creating functional 500 series modules is relatively simple, designing those modules to equal their non-500 series counterparts with the current, voltage and space restraints is quite challenging. In creating the 511 500-Series Modules, Rupert Neve Design experimented with a number of different transformer and circuit designs to achieve the same presence and sweetness found in the Portico Series of modules. The result of these efforts is that outside of the slightly lowered headroom, the Rupert Neve Design 500 series modules are nearly indistinguishable from standard Portico Series modules, and are perfectly suited for studios of the highest caliber.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Section\u003c\/strong\u003e\u003cbr\u003eInput signals may be derived from Mic or Line sources (make sure 48V is off for line sources!). The input has a 10K Ω non-reactive input resistance that handles a full 22dBu signal without the need for a pad. The pre-amp is a TLA non-reactive design that precludes the loading of microphones with limited driving capability. A primary gain control provides 66dB of gain in 6dB increments for easy recall, with a +\/- 6dB trim for fine adjustment. For condenser microphones and powered DIs, there is +48V phantom power. A transient-optimized HPF continuously covering the range from 20-250Hz is included to tame rumble and proximity effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTexture\u003c\/strong\u003e\u003cbr\u003eOne of the key developments in the 511 is the Red Silk \/ Texture control from the Portico II Channel. Building on the \"Silk\" mode found in the Portico Series mic pre-amplifiers, Texture is designed to adjust the actual amount of harmonic music content from the source material, in effect, providing wide range of tonal options for the preamplifier. Like the original Portico Silk, the Silk Red \/ Texture works by reducing negative feedback on the output transformer and adjusting the frequency response to more closely resemble Mr. Rupert Neve’s vintage designs. With the 511, the Texture control allows these techniques to be pushed further than previous designs, adding about 10 times the desirable THD of the original silk control at its maximum setting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow Noise, Low Distortion Operation\u003c\/strong\u003e\u003cbr\u003eMuch care was given in designing the 511 to produce as little noise and non-harmonic distortion as possible. Carefully implemented signal paths and Class A operation are a large part of the 511’s sweet, whisper quiet performance. For more information, go to Mr. Rupert Neve’s Design Notes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy Transformers?\u003c\/strong\u003e\u003cbr\u003eA complete discussion on transformers is out of place at this point, but it is helpful to review some of the essentials where it will be seen that a design needs to be viewed as a whole, not simply from the point of view of a single component.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":31531495784494,"sku":"SRND511","price":537.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/RND-511-front.psd.jpg?v=1775826651"},{"product_id":"rupert-neve-designs-517","title":"Rupert Neve Designs 517 Mic Pre \/ DI \/ Compressor with Vari-phase - 500 Series","description":"\u003ch2\u003eRupert Neve Designs 517\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 517\u003c\/strong\u003e is a 500 series microphone pre, DI and compressor with Vari-phase. Based on the Portico 5017 Mobile Pre, the 517 provides world-class transformer-coupled micpreamp, compressor and DI circuitry with Vari-phase, “Silk” and DI\/mic blending capabilities. Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal.\u003c\/p\u003e\n\u003cp\u003eThe blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e\n\u003ch2\u003eRND 517 Features\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCompression\u003c\/strong\u003e\u003cbr\u003eFor signals below the “threshold” level that has been set, a compressor provides a linear path allowing signals to be amplified without the gain being adjusted in any way. When signals exceed the “threshold” level, the gain is reduced in a controlled manner that depends on the Ratio that has been set.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003cbr\u003eGAIN range provided is from -6dB to +20 dB. As already noted, when compression has taken place, it may be necessary to increase the overall gain to restore the apparent program level\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeak\u003c\/strong\u003e\u003cbr\u003eWhen engaged, the 543 uses a combination of peak and RMS (average) detection to determine level. When disengaged, it follows just RMS.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSC HPF\u003c\/strong\u003e\u003cbr\u003eIntroduces a HPF at 250Hz to the VCA side chain signal. This allows the compressor to disregard sustained low frequency content.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatio\u003c\/strong\u003e\u003cbr\u003eRange from 1:1 to LIMIT (i.e. 40:1)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003cbr\u003eRange from -30dBu to +20dBU\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttack Time\u003c\/strong\u003e\u003cbr\u003eRange from 20 mS to 75 mS.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease \/ Recovery Time\u003c\/strong\u003e\u003cbr\u003eRange of RELEASE time is 100 mS to 2.5 Seconds.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eGain Range\u003c\/strong\u003e: Continuously variable from 6 dB to +20 dB.\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eThreshold Range\u003c\/strong\u003e: Continuously variable from 36 dB to +22 dB.\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRatio Range\u003c\/strong\u003e: Continuously variable from 1.1:1 to Limit (40:1).\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eAttack Range\u003c\/strong\u003e: Continuously variable from 20mS to 75mS\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRelease Range\u003c\/strong\u003e: Continuously variable from 100mS to 2.5 Seconds.\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFF\/FB\u003c\/strong\u003e: Feed-Forward or Feed-Back VCA control.\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eMaximum Output Level\u003c\/strong\u003e: Maximum output from 20 Hz to 40 kHz is +23 dBu.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":31531495850030,"sku":"SRND517","price":715.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/srnd517.jpg?v=1578925488"},{"product_id":"rupert-neve-designs-535","title":"Rupert Neve Designs 535 Diode Bridge Compressor - 500 Series","description":"\u003ch2\u003eRupert Neve Designs 535\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 535\u003c\/strong\u003e is a 500 series diode bridge compressor that is punchy, thick and versatile. The RND-535 captures the soul of Rupert Neve’s original 2254 compressor while providing modern updates including advanced timing control, significantly lower noise, fully stepped controls throughout, and internal parallel processing capabilities. Originally developed for the dynamics circuit of the acclaimed Shelford Channel, the 535 is outfitted with Rupert Neve Designs’ custom transformers and class-A output amplifiers, all tailor-made for the popular 500-series format.\u003c\/p\u003e\n\u003cp\u003eWhere the VCA compressor found in the 543 and Master Buss Processor provides unmatched clarity, the weighty, harmonically rich tonality of diode bridge compression can be essential in pushing key sources like vocals, electric guitars, bass and drums to the forefront of a mix. Mr. Rupert Neve’s original diode bridge compressors like the 2254 served as an inspiration for the design of the 535.\u003c\/p\u003e\n\u003cp\u003eBy understanding the limitations of the original 2254 topology, painstaking effort was taken to reproduce the unique tone of the 2254 while improving the noise floor, expanding inflexible time constants, adding full wave sidechain detection for improved dynamic response, widening the range of threshold and ratio controls, and raising the headroom of the diode bridge itself. Delivering the powerful sound of these classic designs with enhanced flexibility for the modern age, the 535 is a dynamic tool equipped to make a statement on virtually any track.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":31531495915566,"sku":"SRND535","price":899.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/srnd535.jpg?v=1578925499"},{"product_id":"rupert-neve-designs-542-tape-emulator-with-silk","title":"Rupert Neve Designs 542 Tape Emulator with Silk","description":"\u003ch2\u003eRupert Neve Designs 542\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 542\u003c\/strong\u003e is a tape emulator that's a follow-up to the Portico 5042, the 542 delivers the same thick, musical simulation of tape while drastically enhancing creative control via a number of new features. In addition to the “true tape” circuitry – great for bringing out 3rd-order harmonics – the 542 incorporates a soft-clip circuit that tames the harshest sources and enhances 2nd-order harmonics, a variable and versatile Silk\/Texture circuit for three transformer tones in one, and a wet\/dry control to blend in the perfect amount of saturation.\u003c\/p\u003e\n\u003cp\u003eUnlike digital emulations, the “True Tape” drive circuit works by feeding a custom-designed transformer acting as a “record head”, which in turn is coupled to a correctly equalized replay amplifier. As the voltage rises on the “record head”, saturation increases, and a soft clip circuit engages at higher levels to round off peak transients. The sound of the tape circuit can be further modified with selectable 15 \/ 30 IPS modes and a pre\/post-tape blend control. In addition to the tape circuit, the 542 also has the variable Silk \u0026amp; Texture circuitry found in the Portico II series of modules, which allows the engineer to fine-tune the harmonic ratio and tonality on the output transformer.\u003c\/p\u003e\n\u003ch2\u003eRND 542 Features\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eTape In\u003c\/strong\u003e\u003cbr\u003eSends the signal through the “True Tape” circuitry, which is affected by the saturation, blend and 15 \/ 30 IPS controls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrim\u003c\/strong\u003e\u003cbr\u003eProvides +\/– 12dB adjustment of level on incoming signal levels, prior to the tape circuit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaturation\u003c\/strong\u003e\u003cbr\u003eControls the signal level being sent to the “tape head” circuit. As the saturation level increases, the level on the “record” head rises, and the replay gain is reduced so that the overall output signal level remains more or less constant. In a real tape recorder, you would adjust the record and replay gain controls separately – however, in the 542 the record and replay gain controls are coupled so that the overall signal level only varies as the “Tape” saturation level changes. As you approach maximum saturation setting, the output signal level will drop due to the effect of extreme saturation and soft clip.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e15\/30 IPS\u003c\/strong\u003e\u003cbr\u003eSelects the pre-emphasis \/ de-emphasis, record \/ replay tape characteristic. The 15IPS mode has a significant “head bump” in the low frequencies centered around 60Hz, as well as a more pronounced roll of in the high frequencies. The 30 IPS mode is generally a flatter response through the high-end with a “head bump” around 120Hz. See the frequency plots on pages 10 \u0026amp; 11.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlend\u003c\/strong\u003e\u003cbr\u003eControls the mix of pre and post tape signals. This allows the engineer to dial in a subtle amount of the tape effect, to better control the amount of saturation, tone and soft clipping in the post blend signal. As the signal gets more saturated, dialing back the blend can be a great way to impart the feel of tape, while maintaining a similar level of detail and transparency. NOTE: The blend control does not affect the Silk and Texture controls, as that circuitry is located at the physical output of the unit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoft Clip\u003c\/strong\u003e\u003cbr\u003eA soft clip engages in the “True Tape” circuitry when the drive meter hits 5 (first yellow LED), and becomes more apparent at higher levels. The soft clip can be used as a way to tame overly transient material like drums, and can be controlled further by using the blend control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilk\/Texture\u003c\/strong\u003e\u003cbr\u003ePushing the Silk button engages the Silk Red circuit, and pushing it a second time introduces Silk Blue circuitry. Silk reduces the negative feedback on the output transformer, adding harmonic content as the texture is increased. Silk Blue mode features more saturation in the lows and low mids, whereas Silk Red accentuates the saturation in the high mids and highs.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":31531496177710,"sku":"SRND542","price":660.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/RND-542.jpg?v=1777027335"},{"product_id":"rupert-neve-designs-543","title":"Rupert Neve Designs 543 - 500 Series Compressor","description":"\u003ch2\u003eRupert Neve Designs 543\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 543\u003c\/strong\u003e is a 500 series mono compressor designed to deliver the unobtrusive, musical-sounding dynamic control and brick-wall limiting made famous in the Portico 5043 to the 500 series format. The RND 543 features a fully controllable compressor-limiter with feed-forward \/ feedback modes, Peak \/ RMS detection and a built in side chain high pass filter. With an unrivaled heritage and a tremendous feature set, the 543 yields a combination of rich warmth, flexibility and precision that is sure to resonate in the ears of sound engineers the world over.\u003c\/p\u003e\n\u003ch2\u003eRupert Neve Designs 543 Features\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCompression\u003c\/strong\u003e\u003cbr\u003eFor signals below the “threshold” level that has been set, a compressor provides a linear path allowing signals to be amplified without the gain being adjusted in any way. When signals exceed the “threshold” level, the gain is reduced in a controlled manner that depends on the Ratio that has been set.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003cbr\u003eGAIN range provided is from -6dB to +20 dB. As already noted, when compression has taken place, it may be necessary to increase the overall gain to restore the apparent program level\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeak\u003c\/strong\u003e\u003cbr\u003eWhen engaged, the 543 uses a combination of peak and RMS (average) detection to determine level. When disengaged, it follows just RMS.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSC HPF\u003c\/strong\u003e\u003cbr\u003eIntroduces a HPF at 250Hz to the VCA side chain signal. This allows the compressor to disregard sustained low frequency content.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatio\u003c\/strong\u003e\u003cbr\u003eRange from 1:1 to LIMIT (i.e. 40:1)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003cbr\u003eRange from -30dBu to +20dBU\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttack Time\u003c\/strong\u003e\u003cbr\u003eRange from 20 mS to 75 mS.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease \/ Recovery Time\u003c\/strong\u003e\u003cbr\u003eRange of RELEASE time is 100 mS to 2.5 Seconds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Operation\u003c\/strong\u003e\u003cbr\u003eWhen the LINK switch is engaged on two 543 modules and settings are approximately the same values, GAIN reduction on both channels will be the same to preserve stereo balance and position. This will work properly in link buss enabled 500 series racks, or by hardwiring two 543 modules link busses together in non-compatible racks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDucking\u003c\/strong\u003e\u003cbr\u003eWhen the LINK switch is engaged on two connected 543 modules, the signal passing through the first module may be used to control the amplitude of a second module. For example, the level of music through channel A can be controlled by speech on channel B, i.e. reducing the music level to make a “speech-over” announcement.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeters\u003c\/strong\u003e\u003cbr\u003eTwo Peak LED METERS are provided that show OUTPUT LEVEL and GAIN REDUCTION. Output level meter covers the range from -10 to +22 dBu and above which is regarded as overload. REDUCTION is calibrated in dB covering the range +1 to 22 dBu, reading from right to left,\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eGain Range\u003c\/strong\u003e: Continuously variable from 6 dB to +20 dB.\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eThreshold Range\u003c\/strong\u003e: Continuously variable from 36 dB to +22 dB.\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRatio Range\u003c\/strong\u003e: Continuously variable from 1.1:1 to Limit (40:1).\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eAttack Range\u003c\/strong\u003e: Continuously variable from 20mS to 75mS\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eRelease Range\u003c\/strong\u003e: Continuously variable from 100mS to 2.5 Seconds.\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFF\/FB\u003c\/strong\u003e: Feed-Forward or Feed-Back VCA control.\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 18 Hz to 150 kHz -3 dB.\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk\u003c\/strong\u003e: Better than 90 dB @ 15kHz.\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eTotal Harmonic Distortion and Noise\u003c\/strong\u003e: @ 1kHz, +20 dBu output level, no load.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":31531496210478,"sku":"SRND543","price":657.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/srnd543.jpg?v=1578925500"},{"product_id":"rupert-neve-designs-545","title":"Rupert Neve Designs 545 - 500-Series Primary Source Enhancer","description":"\u003ch2\u003eRupert Neve Designs 545\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 545\u003c\/strong\u003e is a primary source enhancer in a 500 series format that's based around the circuitry in the acclaimed Portico 5045 – which has benefited countless tours, arenas, houses of worship and broadcast stages worldwide – the 545 is a mono device for vocal or instrumental applications, and is compatible with any 500-Series rack. Exceptionally useful at reducing feedback without negatively impacting the sonic integrity of the source, the 545 effectively increases the level of a live microphone signal before feedback occurs by up to 20dB. With simply laid out, easily adjustable controls, the 545 is an invaluable addition to any setup where feedback or reverberation are problematic.\u003c\/p\u003e\n\u003cp\u003eThe 545 shares some traits with conventional \"noise gates\", but operates on a different principle. One common aspect is that both reduce the gain during the absence of signal – or more specifically, both begin to attenuate when the level of a signal falls below a certain user-defined threshold. The 545 senses when someone is speaking or singing into the mic and allows the signal to pass through, and senses when the person has stopped talking or singing and reduces the gain appropriately, reducing the system’s tendency to feed back.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":31531496243246,"sku":"SRND545","price":665.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/srnd545.jpg?v=1578925490"},{"product_id":"rupert-neve-designs-551","title":"Rupert Neve Designs 551 500 Series Inductor EQ","description":"\u003ch2\u003eRupert Neve Designs 551 500 Series Inductor EQ\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 551\u003c\/strong\u003e is a 500 series 3 band EQ the features custom-wound inductors, transformers and class-A gain blocks. The 551 brings the thick, powerful lows and sweet highs of Rupert's classics to the 500-Series format for the very first time. Both the high and low band can be switched from shelf to peak curves and offer 15 dB of boost or cut.\u003c\/p\u003e\n\u003cp\u003eThe high band can be switched from 8 kHz to 16 kHz, and the low band can be selected at 35 Hz, 60 Hz, 100 Hz or 220 Hz. The inductor based Mid Band offers 6 centre frequencies; 200 Hz, 350 Hz, 700 Hz, 1.5 kHz, 3 kHz and 6 kHz. The Mid Band also has a \"Mid Hi Q\" switch to narrow the bandwidth (increase the Q) of the filter.\u003c\/p\u003e\n\u003cp\u003eThe 551's inductor midrange band is ideal for sweetening vocals and instruments while bringing them forward in a mix, and its proportional \"Q\" response makes it well-suited for minimising problematic frequencies. The high frequency band is a hybrid vintage \/ modern design, blending inductor circuitry with capacitor-based topologies to achieve vintage tones with enhanced control. The High Pass filter is a 12dB\/octave design with a fixed 80Hz frequency, and can be used in tandem with the low frequency EQ to add low-end presence without clouding the source material.\u003c\/p\u003e\n\u003cp\u003eAs Rupert originally intended with his most prized classic designs, each EQ section uses low-feedback, class-A discrete electronics to prevent low-level artifacts and harshness from detracting from the tonal shaping. However, this new circuit is a decidedly modern design with updated techniques and components that were simply not available 35 years ago, and should not be considered a \"clone\".\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":31531496276014,"sku":"SRND551","price":749.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/rupert-neve-designs-551.jpg?v=1578925490"},{"product_id":"rupert-neve-designs-rnd-r10","title":"Rupert Neve Designs RND-R10 - Ten Space 500 Series Rack","description":"\u003ch2\u003eRupert Neve Designs RND-R10\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs RND-R10\u003c\/strong\u003e is a 10 slot 500 series chassis that features abundant power and versatile connections, the R10 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks. Power-wise, the R10 has more than 150% the required current for a 10-space chassis to prevent the power rails from failing under a higher-than-expected load. To help monitor and troubleshoot problematic modules, the R10 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double-shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R10 helps your modules realize their fullest potential.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSolid Steel Construction\u003c\/strong\u003e\u003cbr\u003eThe chassis is comprised of solid steel with sliding nuts to accommodate various manufacturers modules. All connectors and fittings are of the highest quality to ensure that the R10 will hold up to many years of use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA New Level of Confidence in the 500 Series\u003c\/strong\u003e\u003cbr\u003eBecause the R10 is built to 500 series specifications, it will work flawlessly with any properly-designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R10 has variable-position screw holes to help make the installation process as smooth as possible. The 500 series VCA buss link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, 5-6, 7-8 or 9-10. Enabling link allows compatible compressor modules like the 543 to share VCA control when their links are enabled. 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To help monitor and troubleshoot problematic modules, the R6 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double-shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R6 helps your modules realize their fullest potential.\u003c\/p\u003e\n\u003cp\u003eWith a plethora of connections available, the R6 backpanel is practically a patchbay on its own. The R6 features 8 channels of balanced I\/O options including DB-25, XLR and TRS that may be used interchangeably. This versatility is especially handy when you are taking the R6 with you to another environment where you are unsure of the cables available, or if you need to convert DB-25, XLR or TRS connections to another format using the THRU functionality on channels 7-8.\u003c\/p\u003e\n\u003cp\u003eThe chassis is comprised of solid steel with bumpers to support the unit in both horizontal and vertical configurations, and features a collapsable handle for portability. All connectors and fittings are of the highest quality to ensure that the R6 will hold up to many years of use.\u003c\/p\u003e\n\u003cp\u003eBecause the R6 is built to 500 series specifications, it will work flawlessly with any properly-designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R6 has variable-position screw holes to help make the installation process as smooth as possible. The 500 series VCA buss link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, or 5-6. Enabling link allows compatible compressor modules like the 543 to share VCA control when their links are enabled. Matching blank panels are also available to cover any empty slots.\u003c\/p\u003e\n\u003ch2\u003eRND R6 Features\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eMassive Connectivity\u003c\/strong\u003e\u003cbr\u003eInterchangeable XLR, TRS, and DB-25 I\/O connections are provided to ensure that you can connect wherever you go with the backpanel patchbay\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSerious Power\u003c\/strong\u003e\u003cbr\u003eEven with modules that overdraw the 500 series specification, the R6 has the reserve power to maintain the voltage\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Monitoring\u003c\/strong\u003e\u003cbr\u003eAn LED Meter monitors the R6 current usage to ensure that you never run short on power. 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In addition to the “true tape” circuitry – great for bringing out 3rd-order harmonics – the 542 incorporates a soft-clip circuit that tames the harshest sources and enhances 2nd-order harmonics, a variable and versatile Silk\/Texture circuit for three transformer tones in one, and a wet\/dry control to blend in the perfect amount of saturation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is a B-Stock item. The unit comes with all of the original packaging and full manufacturer warranty.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnlike digital emulations, the “True Tape” drive circuit works by feeding a custom-designed transformer acting as a “record head”, which in turn is coupled to a correctly equalized replay amplifier. As the voltage rises on the “record head”, saturation increases, and a soft clip circuit engages at higher levels to round off peak transients. The sound of the tape circuit can be further modified with selectable 15 \/ 30 IPS modes and a pre\/post-tape blend control. In addition to the tape circuit, the 542 also has the variable Silk \u0026amp; Texture circuitry found in the Portico II series of modules, which allows the engineer to fine-tune the harmonic ratio and tonality on the output transformer.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eTape In\u003c\/strong\u003e\u003cbr\u003eSends the signal through the “True Tape” circuitry, which is affected by the saturation, blend and 15 \/ 30 IPS controls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrim\u003c\/strong\u003e\u003cbr\u003eProvides +\/– 12dB adjustment of level on incoming signal levels, prior to the tape circuit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaturation\u003c\/strong\u003e\u003cbr\u003eControls the signal level being sent to the “tape head” circuit. As the saturation level increases, the level on the “record” head rises, and the replay gain is reduced so that the overall output signal level remains more or less constant. In a real tape recorder, you would adjust the record and replay gain controls separately – however, in the 542 the record and replay gain controls are coupled so that the overall signal level only varies as the “Tape” saturation level changes. As you approach maximum saturation setting, the output signal level will drop due to the effect of extreme saturation and soft clip.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e15\/30 IPS\u003c\/strong\u003e\u003cbr\u003eSelects the pre-emphasis \/ de-emphasis, record \/ replay tape characteristic. The 15IPS mode has a significant “head bump” in the low frequencies centered around 60Hz, as well as a more pronounced roll of in the high frequencies. The 30 IPS mode is generally a flatter response through the high-end with a “head bump” around 120Hz. See the frequency plots on pages 10 \u0026amp; 11.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlend\u003c\/strong\u003e\u003cbr\u003eControls the mix of pre and post tape signals. This allows the engineer to dial in a subtle amount of the tape effect, to better control the amount of saturation, tone and soft clipping in the post blend signal. As the signal gets more saturated, dialing back the blend can be a great way to impart the feel of tape, while maintaining a similar level of detail and transparency. NOTE: The blend control does not affect the Silk and Texture controls, as that circuitry is located at the physical output of the unit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoft Clip\u003c\/strong\u003e\u003cbr\u003eA soft clip engages in the “True Tape” circuitry when the drive meter hits 5 (first yellow LED), and becomes more apparent at higher levels. 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The RND-535 captures the soul of Rupert Neve’s original 2254 compressor while providing modern updates including advanced timing control, significantly lower noise, fully stepped controls throughout, and internal parallel processing capabilities. Originally developed for the dynamics circuit of the acclaimed Shelford Channel, the 535 is outfitted with Rupert Neve Designs’ custom transformers and class-A output amplifiers, all tailor-made for the popular 500-series format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*This is a B-Stock item. The unit comes with full manufacturer warranty and original packaging.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhere the VCA compressor found in the 543 and Master Buss Processor provides unmatched clarity, the weighty, harmonically rich tonality of diode bridge compression can be essential in pushing key sources like vocals, electric guitars, bass and drums to the forefront of a mix. Mr. Rupert Neve’s original diode bridge compressors like the 2254 served as an inspiration for the design of the 535.\u003c\/p\u003e\n\u003cp\u003eBy understanding the limitations of the original 2254 topology, painstaking effort was taken to reproduce the unique tone of the 2254 while improving the noise floor, expanding inflexible time constants, adding full wave sidechain detection for improved dynamic response, widening the range of threshold and ratio controls, and raising the headroom of the diode bridge itself. 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This versatility is especially handy when you are taking the R6 with you to another environment where you are unsure of the cables available, or if you need to convert DB-25, XLR or TRS connections to another format using the THRU functionality on channels 7-8.\u003c\/p\u003e\n\u003cp\u003eThe chassis is comprised of solid steel with bumpers to support the unit in both horizontal and vertical configurations, and features a collapsable handle for portability. All connectors and fittings are of the highest quality to ensure that the R6 will hold up to many years of use.\u003c\/p\u003e\n\u003cp\u003eBecause the R6 is built to 500 series specifications, it will work flawlessly with any properly-designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R6 has variable-position screw holes to help make the installation process as smooth as possible. The 500 series VCA buss link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, or 5-6. Enabling link allows compatible compressor modules like the 543 to share VCA control when their links are enabled. Matching blank panels are also available to cover any empty slots.\u003c\/p\u003e\n\u003ch2\u003eRND R6 Features\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eMassive Connectivity\u003c\/strong\u003e\u003cbr\u003eInterchangeable XLR, TRS, and DB-25 I\/O connections are provided to ensure that you can connect wherever you go with the backpanel patchbay\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSerious Power\u003c\/strong\u003e\u003cbr\u003eEven with modules that overdraw the 500 series specification, the R6 has the reserve power to maintain the voltage\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Monitoring\u003c\/strong\u003e\u003cbr\u003eAn LED Meter monitors the R6 current usage to ensure that you never run short on power. 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The 551 brings the thick, powerful lows and sweet highs of Rupert's classics to the 500-Series format for the very first time. Both the high and low band can be switched from shelf to peak curves and offer 15 dB of boost or cut.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*This is an ex demo unit. It comes with a full manufacturer warranty and the original packaging \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe high band can be switched from 8 kHz to 16 kHz, and the low band can be selected at 35 Hz, 60 Hz, 100 Hz or 220 Hz. The inductor based Mid Band offers 6 centre frequencies; 200 Hz, 350 Hz, 700 Hz, 1.5 kHz, 3 kHz and 6 kHz. The Mid Band also has a \"Mid Hi Q\" switch to narrow the bandwidth (increase the Q) of the filter.\u003c\/p\u003e\n\u003cp\u003eThe 551's inductor midrange band is ideal for sweetening vocals and instruments while bringing them forward in a mix, and its proportional \"Q\" response makes it well-suited for minimising problematic frequencies. The high frequency band is a hybrid vintage \/ modern design, blending inductor circuitry with capacitor-based topologies to achieve vintage tones with enhanced control. The High Pass filter is a 12dB\/octave design with a fixed 80Hz frequency, and can be used in tandem with the low frequency EQ to add low-end presence without clouding the source material.\u003c\/p\u003e\n\u003cp\u003eAs Rupert originally intended with his most prized classic designs, each EQ section uses low-feedback, class-A discrete electronics to prevent low-level artifacts and harshness from detracting from the tonal shaping. 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Power-wise, the R10 has more than 150% the required current for a 10-space chassis to prevent the power rails from failing under a higher-than-expected load. To help monitor and troubleshoot problematic modules, the R10 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double-shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R10 helps your modules realize their fullest potential.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eThis item is ex-demo and has been racked in our showroom for promotional purposes. It is in excellent condition and features a full warranty.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSolid Steel Construction\u003c\/strong\u003e\u003cbr\u003eThe chassis is comprised of solid steel with sliding nuts to accommodate various manufacturers modules. All connectors and fittings are of the highest quality to ensure that the R10 will hold up to many years of use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA New Level of Confidence in the 500 Series\u003c\/strong\u003e\u003cbr\u003eBecause the R10 is built to 500 series specifications, it will work flawlessly with any properly-designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R10 has variable-position screw holes to help make the installation process as smooth as possible. The 500 series VCA buss link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, 5-6, 7-8 or 9-10. Enabling link allows compatible compressor modules like the 543 to share VCA control when their links are enabled. 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Rupert Neve designed the 511 to combine classic sonic's with 500-series value. Incorporating the 517’s powerful preamp, the 5012’s universally useful sweepable high pass filter, and the transformer-saturating power of a variable silk circuit derived from Rupert Neve Designs’ flagship Portico II Channel, the 511 is a Rupert Neve-designed mic pre for the masses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is a B-Stock, Ex-Demo unit\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for 500 Series by Mr. Rupert Neve\u003c\/strong\u003e\u003cbr\u003eRupert Neve: \"While creating functional 500 series modules is relatively simple, designing those modules to equal their non-500 series counterparts with the current, voltage and space restraints is quite challenging. In creating the 511 500-Series Modules, Rupert Neve Design experimented with a number of different transformer and circuit designs to achieve the same presence and sweetness found in the Portico Series of modules. The result of these efforts is that outside of the slightly lowered headroom, the Rupert Neve Design 500 series modules are nearly indistinguishable from standard Portico Series modules, and are perfectly suited for studios of the highest caliber.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Section\u003c\/strong\u003e\u003cbr\u003eInput signals may be derived from Mic or Line sources (make sure 48V is off for line sources!). The input has a 10K Ω non-reactive input resistance that handles a full 22dBu signal without the need for a pad. The pre-amp is a TLA non-reactive design that precludes the loading of microphones with limited driving capability. A primary gain control provides 66dB of gain in 6dB increments for easy recall, with a +\/- 6dB trim for fine adjustment. For condenser microphones and powered DIs, there is +48V phantom power. A transient-optimized HPF continuously covering the range from 20-250Hz is included to tame rumble and proximity effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTexture\u003c\/strong\u003e\u003cbr\u003eOne of the key developments in the 511 is the Red Silk \/ Texture control from the Portico II Channel. Building on the \"Silk\" mode found in the Portico Series mic pre-amplifiers, Texture is designed to adjust the actual amount of harmonic music content from the source material, in effect, providing wide range of tonal options for the preamplifier. Like the original Portico Silk, the Silk Red \/ Texture works by reducing negative feedback on the output transformer and adjusting the frequency response to more closely resemble Mr. Rupert Neve’s vintage designs. With the 511, the Texture control allows these techniques to be pushed further than previous designs, adding about 10 times the desirable THD of the original silk control at its maximum setting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow Noise, Low Distortion Operation\u003c\/strong\u003e\u003cbr\u003eMuch care was given in designing the 511 to produce as little noise and non-harmonic distortion as possible. Carefully implemented signal paths and Class A operation are a large part of the 511’s sweet, whisper quiet performance. For more information, go to Mr. Rupert Neve’s Design Notes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy Transformers?\u003c\/strong\u003e\u003cbr\u003eA complete discussion on transformers is out of place at this point, but it is helpful to review some of the essentials where it will be seen that a design needs to be viewed as a whole, not simply from the point of view of a single component.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43190874341554,"sku":"SRND511BSK","price":445.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/files\/0002_RND511.jpg?v=1759503159"},{"product_id":"rupert-neve-designs-517-mic-pre-di-compressor-with-vari-phase-500-series-b-stock","title":"Rupert Neve Designs 517 Mic Pre \/ DI \/ Compressor with Vari-phase - 500 Series - B-Stock","description":"\u003ch2\u003eRupert Neve Designs 517\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 517\u003c\/strong\u003e is a 500 series microphone pre, DI and compressor with Vari-phase. Based on the Portico 5017 Mobile Pre, the 517 provides world-class transformer-coupled micpreamp, compressor and DI circuitry with Vari-phase, “Silk” and DI\/mic blending capabilities. Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal.\u003c\/p\u003e\n\u003cp\u003eThe blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). 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Exceptionally useful at reducing feedback without negatively impacting the sonic integrity of the source, the 545 effectively increases the level of a live microphone signal before feedback occurs by up to 20dB. With simply laid out, easily adjustable controls, the 545 is an invaluable addition to any setup where feedback or reverberation are problematic.\u003c\/p\u003e\n\u003cp\u003eThe 545 shares some traits with conventional \"noise gates\", but operates on a different principle. One common aspect is that both reduce the gain during the absence of signal – or more specifically, both begin to attenuate when the level of a signal falls below a certain user-defined threshold. 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