{"title":"Schoeps","description":"","products":[{"product_id":"schoeps-ccm41-lg-compact-microphone-hypercardioid-pattern","title":"Schoeps CCM41 Lg Compact Microphone - Hypercardioid Pattern","description":"\u003cp\u003eThe MK 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is 'drier' and less susceptible to acoustic feedback than any other SCHOEPS microphone type, provided that a loudspeaker is not located directly on the rear axis of the microphone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003esupercardioid pattern very well maintained throughout the frequency range\u003c\/li\u003e\n\u003cli\u003efor music and speech\u003c\/li\u003e\n\u003cli\u003ehigh directivity, comparable to that of a short \"shotgun\" microphone up through midrange frequencies\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIts directivity is highly independent of frequency, so that even sounds arriving off axis and reverberant sound are registered without coloration. Consequently, even distant placement of the microphone produces a very natural sound pickup.This is a real advantage over interference-tube \"shotgun\" microphones, whose directivity is very frequency-dependent - exceeding that of a supercardioid only at higher frequencies.\u003c\/p\u003e\n\u003cp\u003eInterference tube microphones are notoriously sensitive to their position in a room, where the shifting patterns of reflections cause corresponding shifts in sound color. Thus the MK 41 is surprisingly effective and space saving alternatives to shotgun microphones and being small, they can often be placed closer to the sound source. (shotgun microphones)\u003c\/p\u003e\n\u003cp\u003eAn M\/S microphone arrangement can be set up at quite some distance from the sound source if an MK 41 or CCM 41 is used for the \"M\" channel.\u003c\/p\u003e\n\u003cp\u003eCompared to the cardioid MK 4\/ CCM 4, the supercardioid has slightly more rolloff at the low end due to the gradient effect. Its high-frequency linearity both on- and off-axis also gives it a less brilliant sound than the MK 4\/ CCM 4.\u003c\/p\u003e\n\u003cp\u003eSurface finish : matte gray (g) or nickel (ni)\u003c\/p\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":31534734802990,"sku":"SSCHCCM41LG","price":1316.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/sschccm41lg_2_new.jpg?v=1578925742"},{"product_id":"schoeps-ccm4-lg-compact-microphone-cardioid-pattern","title":"Schoeps CCM4 Lg Compact Microphone - Cardioid Pattern","description":"\u003cp\u003eThe CCM 4 is optimized for maximum rejection of rear-incident sound. Typical of the classic cardioid, at 90 degrees to its axis the attenuation is 6 dB, while from the rear (180degrees) it can be as much as 30 dB, depending on the frequency. The random energy efficiency - the ratio of on-axis sensitivity to diffuse sound field efficiency is 4.8 dB. (The higher this figure, the less room sound is picked up by a microphone, and the less susceptible it is to acoustic feedback.)\u003c\/p\u003e\n\u003cp\u003eDue to its directivity, the CCM 4 can be placed 1.7 times farther from the sound source than a pressure transducer of equivalent sensitivity, while maintaining the same proportion of direct and reverberant sound. In the diffuse sound field (distant from a sound source in a room, for instance), this microphone type has flat frequency response except for a slight emphasis around 10 kHz.\u003c\/p\u003e\n\u003cp\u003eIt is ideal for speech as well as for music recordings, with a well-defined sound image free of coloration. When used for X\/Y recording or as a Mid microphone in a Mid-Side configuration, it delivers exceptional results. It is also the capsule intended for use with our ORTF stereo microphone.\u003c\/p\u003e\n\u003cp\u003eThis microphone type has the most general applicability and is the type most widely used\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ecardioid for lateral pickup\u003c\/li\u003e\n\u003cli\u003efor universal application\u003c\/li\u003e\n\u003cli\u003eslight high-frequency emphasis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe CCM 4V was created in answer to requests for a cardioid microphone whose main axis is along the side of the capsule. In addition to its usefulness in the concert hall, this microphone type is of particular value in speech recording, since its slight emphasis around 10 kHz helps to improve intelligibility.\u003c\/p\u003e\n\u003cp\u003eThe directional response is especially well maintained even at higher frequencies, due to the acoustically transparent housing. High frequency emphasis of off-axis sound - typical of most small axial-response cardioids - occurs less with the CCM 4V, but because of its inherent frequency response, it still sounds somewhat brighter overall than the CCM 4.\u003c\/p\u003e\n\u003cp\u003eSurface finish : matte gray (g) or nickel (ni)\u003c\/p\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":31534734835758,"sku":"SSCHCCM4Lg","price":1166.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/sschccm4lg_2_new.jpg?v=1578925742"},{"product_id":"schoeps-ccm5-lg-compact-microphone-switchable-omni-cardioid","title":"Schoeps CCM5 Lg Compact Microphone Switchable Omni\/Cardioid","description":"\u003cp\u003eSchoeps CCM5 Lg Compact Microphone Switchable Omni\/Cardioid\u003c\/p\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":31534734868526,"sku":"SSCHCCM5G","price":1604.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/schoeps-ccm5-lg.png?v=1578925742"},{"product_id":"schoeps-ccm8-lg-compact-microphone-figure-8-pattern","title":"Schoeps CCM8 Lg Compact Microphone -  Figure-8 pattern","description":"\u003cp\u003eThis microphone type is a true dipole transducer, operating with a single diaphragm. The main axis of its bidirectional pickup lies at right angles to its cylindrical axis, and is marked at 0 degrees and 180 degrees with a red and a black dot respectively. When M\/S stereo recordings are made, the 0 bdegrees axis faces to the left, as viewed from behind the microphone setup.\u003c\/p\u003e\n\u003cp\u003eThe \"8\" engraved on the top of the housing should be aligned on its side so as to appear horizontal, at a precise right angle to the Mid capsule. The microphone should be placed directly above or beneath the \"M\" channel microphone, and as close to it as possible.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003epure pressure-gradient transducer with figure 8 pattern\u003c\/li\u003e\n\u003cli\u003edirectional pattern almost completely identical at all frequencies\u003c\/li\u003e\n\u003cli\u003emain axis: radial (pickup perpendicular to the microphone body)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe inherent qualities of a pure pressure gradient transducer are readily observed in this microphone type:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIts sensitivity decreases at low frequencies.\u003c\/li\u003e\n\u003cli\u003eThe directional characteristic and the random energy efficiency are extraordinarily independent of frequency.\u003c\/li\u003e\n\u003cli\u003eProximity effect is present.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe sound quality of the MK 8 or CCM 8 is clear and neutral. As physics would dictate, the frequency response rolls off above 16 kHz.\u003c\/p\u003e\n\u003cp\u003eWhen an MK 8 or CCM 8 is used as a spot microphone, care must be taken to avoid picking up early reflections or unwanted direct sound from its rear, since sound arriving from the back is picked up with full level but reversed in polarity. This could result in partial cancellation of the intended sound, which can lead to comb-filter effects at higher frequencies.\u003c\/p\u003e\n\u003cp\u003eA typical and interesting application of the MK 8\/ CCM 8, for which it is ideally suited, is as the S channel of an M\/S stereophonic system. (As an X\/Y pair, two of them crossed at 90 degrees are also ideal in the Blumlein stereo arrangement.)\u003c\/p\u003e\n\u003cp\u003eNote: Though not specifically designed for such use, the MK 8 capsule can also be used on the Active Tube RC or the variable angle joint GVC; when fully tightened it will rarely be aimed where you intend. On request we will supply an elastic ring which can be slipped over the threads of the RC or GVC so that the final turn of the capsule will place it at the desired angle of rotation.\u003c\/p\u003e\n\u003cp\u003eSurface finish : matte gray (g) or nickel (ni)\u003c\/p\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":31534734901294,"sku":"SSCHCCM8Lg","price":1551.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/sschccm8lg_2_new.jpg?v=1578925742"},{"product_id":"schoeps-cmc62h-stereoset-2-x-cmc6u-2-x-mk2h-matched-2-x-sg20-2-x-b5d-in-wooden-storage-box","title":"Schoeps CMC62H Stereoset: 2 x CMC6U, 2 x MK2H Matched, 2 x SG20, 2 x B5D in Wooden Storage Box","description":"\u003ch2\u003eSchoeps CMC62H Stereoset: 2 x CMC6U, 2 x MK2H Matched, 2 x SG20, 2 x B5D in Wooden Storage Box\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC62H\u003c\/strong\u003e Stereo Microphone Set features two frequency and sensitivity matched CMC6U condenser microphones. The CMC6U microphones are part of the Schoeps modular Collette series and delivers pristine audio reproduction of vocals and instruments in crucial recording applications.\u003c\/p\u003e\n\u003cp\u003eAlso included in the package are two MK2H omnidirectional capsules, SG20 swivel mounts, B5D windscreens and a rugged storage case.\u003c\/p\u003e\n\u003ch2\u003eSchoeps CMC62 ST Includes:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e2 x CMC6-U 12-48 Volt Phantom Power Supply\u003c\/li\u003e\n\u003cli\u003e2 x MK2 Omni-directional Capsule\u003c\/li\u003e\n\u003cli\u003e2 x SG20 Swivel Mounts\u003c\/li\u003e\n\u003cli\u003e2 x B-5D Hollow Foam Windscreen\u003c\/li\u003e\n\u003cli\u003eStorage Case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":31534735097902,"sku":"SSCHCMC62HKIT","price":2365.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/schoeps-cmc62-stereo-set_1.jpg?v=1578493460"},{"product_id":"schoeps-cmc62-stereoset-2-x-cmc6u-2-x-mk2-matched-2-x-sg20-2-x-b5d-in-wood-storage-box","title":"Schoeps CMC62 Stereoset: 2 x CMC6U,2 x MK2 Matched, 2 x SG20, 2 x B5D in Wood Storage Box","description":"\u003ch2\u003eSchoeps CMC62 Stereoset: 2 x CMC6U,2 x MK2 matched, 2 x SG20, 2 x B5D in wood storage box\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC62 ST\u003c\/strong\u003e Stereo Microphone Set features two frequency and sensitivity matched CMC 6U condenser microphones. The CMC 6U microphones are part of the Schoeps modular Collette series and delivers pristine audio reproduction of vocals and instruments in crucial recording applications.\u003c\/p\u003e\n\u003cp\u003eAlso included in the package are two MK2H omnidirectional capsules, A20 suspension mounts, B5 windscreens and a rugged storage case.\u003c\/p\u003e\n\u003ch2\u003eSchoeps CMC62 ST Includes:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e2 x CMC6-U 12-48 Volt Phantom Power Supply\u003c\/li\u003e\n\u003cli\u003e2 x MK2 Omni-directional Capsule\u003c\/li\u003e\n\u003cli\u003e2 x A 20 Elastic Suspension Swivel Shock Mount\u003c\/li\u003e\n\u003cli\u003e2 x B-5D Hollow Foam Windscreen\u003c\/li\u003e\n\u003cli\u003eStorage Case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":31534735130670,"sku":"SSCHCMC62KIT","price":2365.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/schoeps-cmc62-stereo-set.jpg?v=1578493459"},{"product_id":"schoeps-cmit-5u-shotgun-microphone","title":"Schoeps CMIT 5U Shotgun Microphone","description":"\u003cp\u003eLightweight, robust all-metal shotgun microphone with unusually low coloration of off-axis sound with switchable filters with LED indicators\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCMIT 5U Shotgun Microphone Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnusually low coloration of off-axis sound since the pickup angles at low and high frequencies are kept reasonably similar to one another: At medium frequencies the directivity of the CMIT 5 U is higher than one would expect from a microphone of this length, while at high frequencies the pickup pattern is not as narrow as with long shotgun microphones. Thus in active scenes it is easier to cue the boom and keep actors \"on mike.\"\u003c\/li\u003e\n\u003cli\u003eSchoeps sound quality makes the microphone suitable for music recording as well as dialogue.\u003c\/li\u003e\n\u003cli\u003eThe directional pattern and sound quality are consistent in both the horizontal and vertical planes, unlike some other shotgun microphones.\u003c\/li\u003e\n\u003cli\u003eEven greater immunity to wind noise than a Schoeps supercardioid\u003c\/li\u003e\n\u003cli\u003eVery lightweight, robust all-metal housing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThree pushbutton-activated filters allow the microphone to adapt to all recording situations:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-frequency emphasis (+ 5 dB at 10 kHz) enhances speech intelligibility, and compensates for high-frequency loss caused by windscreens;\u003c\/li\u003e\n\u003cli\u003eA steep low-cut filter (18 dB\/oct. below 80 Hz) suppresses wind and boom noise;\u003c\/li\u003e\n\u003cli\u003eA gentle low-frequency rolloff (6 dB\/oct. below 300 Hz) compensates for proximity effect.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePairs of LEDs next to each pushbutton indicate the status of the filters. Even in darkness the user can read the settings and see that the microphone is operational. The settings are retained when the microphone is switched off.\u003c\/p\u003e\n\u003cp\u003eDetail: switchable filters with LED indicators\u003c\/p\u003e\n\u003cp\u003eThe capsule and amplifier of the CMIT 5 U are built as a single unit, unlike microphones of the Schoeps \"Colette\" series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cli\u003epolished wood carrying case\u003c\/li\u003e\n\u003cli\u003eSG 20 stand clamp\u003c\/li\u003e\n\u003cli\u003eW 140 windscreen for moderate wind\u003c\/li\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":31534735589422,"sku":"SSCHCMIT5U","price":1665.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/sschcmit5u_2_new.jpg?v=1578925744"},{"product_id":"schoeps-m100c-miniature-ortf-x-y-stereo-bar","title":"Schoeps M100C Miniature ORTF, X\/Y Stereo Bar","description":"\u003cp\u003eSchoeps M100C Miniature ORTF, X\/Y Stereo Bar\u003c\/p\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":31534735687726,"sku":"SSCHM100C","price":236.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/schoeps-m100c.gif?v=1578925744"},{"product_id":"schoeps-mk2g-omni-flat-capsule-for-collette-series-preamplifiers","title":"Schoeps MK2g Omni Flat Capsule for Collette Series Preamplifiers","description":"\u003cp\u003eThis microphone type has a flat frequency response for frontal sound incidence. This yields a very natural sound when recordings are made within the reverberation radiu, where the direct sound (frontal incidence) predominates over the reverberant sound (random angles of incidence).\u003c\/p\u003e\n\u003cp\u003eThis microphone type can and should be used fairly close to the sound source, the sound image never becomes overly brilliant or sharp and should be directed towards it, since there is some loss of high frequencies in sound arriving off axis.\u003c\/p\u003e\n\u003cp\u003eThe MK 2 capsule has qualities of a measurement microphone and is used in acoustimetric applications, where it has gained a considerable reputation.\u003c\/p\u003e\n\u003cp\u003eFor calibration with B\u0026amp;K devices a mechanical adapter (type AMBK1, from 20 mm to one inch diameter) is available.\u003c\/p\u003e\n\u003cp\u003eSurface finish: matte gray (g) or nickel (ni)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMK2 Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eomnidirectional pattern\u003c\/li\u003e\n\u003cli\u003eflat frequency response\u003c\/li\u003e\n\u003cli\u003ecorrected for the free (near) sound field\u003c\/li\u003e\n\u003cli\u003efor use close to the sound source (frontal sound incidence)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":31534735786030,"sku":"SSCHMK2G","price":618.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/sschmk2g_2_new.jpg?v=1578925746"},{"product_id":"schoeps-mk2hg-free-field-omni-capsule-for-collette-series-preamplifiers","title":"Schoeps MK2Hg Free Field Omni Capsule for Collette Series Preamplifiers","description":"\u003cp\u003eEven from its appearance alone, this microphone type distinguishes itself from the other SCHOEPS pressure transducers: the typical grill is absent, and the sound inlet (surrounded by a gold-plated ring) is smaller than that of other types. These special design features lead to a frequency response that rises only above 6 kHz.\u003c\/p\u003e\n\u003cp\u003eThis microphone type would be used in the near field only if a slight high-frequency emphasis were desired. It resembles the MK 2S\/ CCM 2S, though the high-frequency emphasis of the MK 2H\/ CCM 2H is audibly less pronounced and begins around an octave higher. The primary application for this capsule is at a greater distance from the sound source, e.g. near the reverberation radius, when recording a large orchestra.\u003c\/p\u003e\n\u003cp\u003eThis microphone type is particularly designed for the recording of classical music, a field in which it is highly acclaimed. The choice between the MK 2H\/ CCM 2H and the equally well liked MK 2S\/ CCM 2S is essentially a matter of personal preference\u003c\/p\u003e\n\u003cp\u003eSurface finish : matte gray (g) or nickel (ni)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMK2Hg Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eomnidirectional pattern\u003c\/li\u003e\n\u003cli\u003eflat frequency response\u003c\/li\u003e\n\u003cli\u003ecorrected for the free (near) sound field\u003c\/li\u003e\n\u003cli\u003efor use close to the sound source (frontal sound incidence)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":31534737260590,"sku":"SSCHMK2HG","price":618.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/10400222_800.jpg?v=1578925746"},{"product_id":"schoeps-mk41g-supercardiod-capsule-for-collette-series-preamplifiers","title":"Schoeps MK41g Supercardiod Capsule for Collette Series Preamplifiers","description":"\u003ch2\u003eSchoeps MK41g Supercardiod Capsule for Collette Series Preamplifiers\u003c\/h2\u003e\n\u003cp\u003eThe MK 41 and the CCM 41 are strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is drier and less susceptible to acoustic feedback than any other SCHOEPS microphone type, provided that a loudspeaker is not located directly on the rear axis of the microphone.\u003c\/p\u003e\n\u003cp\u003eIts directivity is highly independent of frequency, so that even sounds arriving off axis and reverberant sound are registered without coloration. Consequently, even distant placement of the microphone produces a very natural sound pickup.This is a real advantage over interference-tube 'shotgun' microphones, whose directivity is very frequency-dependent - exceeding that of a supercardioid only at higher frequencies. Interference-tube microphones are notoriously sensitive to their position in a room, where the shifting patterns of reflections cause corresponding shifts in sound color. Thus the MK 41 and CCM 41 are surprisingly effective and space-saving alternatives to shotgun microphones and being small, they can often be placed closer to the sound source. (shotgun microphones)\u003c\/p\u003e\n\u003cp\u003eAn M\/S microphone arrangement can be set up at quite some distance from the sound source if an MK 41 or CCM 41 is used for the 'M' channel.\u003c\/p\u003e\n\u003cp\u003eCompared to the cardioid MK 4\/ CCM 4, the supercardioid has slightly more rolloff at the low end due to the gradient effect. Its high-frequency linearity both on- and off-axis also gives it a less brilliant sound than the MK 4\/ CCM 4.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMK41 Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003esupercardioid pattern very well maintained throughout the frequency range\u003c\/li\u003e\n\u003cli\u003efor music and speech\u003c\/li\u003e\n\u003cli\u003ehigh directivity, comparable to that of a short 'shotgun' microphone up through midrange frequencies\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":31534737293358,"sku":"SSCHMK41G","price":618.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/sschmk41g_2_new.jpg?v=1578925746"},{"product_id":"schoeps-mk4g-cardioid-capsule-for-collette-series-preamplifiers","title":"Schoeps MK4g Cardioid Capsule for Collette Series Preamplifiers","description":"\u003cp\u003eThe MK 4 and CCM 4 are optimized for maximum rejection of rear-incident sound. Typical of the classic cardioid, at 90 degrees to its axis the attenuation is 6 dB, while from the rear (180 degrees ) it can be as much as 30 dB, depending on the frequency. The random energy efficiency - the ratio of on-axis sensitivity to diffuse sound field efficiency -is 4.8 dB. (The higher this figure, the less 'room sound' is picked up by a microphone and the less susceptible it is to acoustic feedback.)\u003c\/p\u003e\n\u003cp\u003eDue to its directivity, the MK 4\/ CCM 4 can be placed 1.7 times farther from the sound source than a pressure transducer of equivalent sensitivity, while maintaining the same proportion of direct and reverberant sound. In the diffuse sound field (distant from a sound source in a room, for instance), this microphone type has flat frequency response except for a slight emphasis around 10 kHz.\u003c\/p\u003e\n\u003cp\u003eIt is ideal for speech as well as for music recordings, with a well-defined sound image free of coloration. When used for X\/Y recording or as a Mid microphone in a Mid-Side configuration, it delivers exceptional results. It is also the capsule intended for use with our ORTF stereo microphone (MSTC 64 or STCg).\u003c\/p\u003e\n\u003cp\u003eThis microphone type has the most general applicability and is the type most widely used.\u003c\/p\u003e\n\u003cp\u003eSurface finish : matte gray (g) or nickel (ni)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ecardioid pattern well maintained throughout the frequency range\u003c\/li\u003e\n\u003cli\u003efor universal application\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":31534737326126,"sku":"SSCHMK4G","price":618.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/mk4g-2.jpg?v=1578925746"},{"product_id":"schoeps-mk8g-figure-8-capsule-for-collette-series-bodies","title":"Schoeps MK8g Figure-8 capsule for Collette series bodies","description":"\u003ch2\u003eSchoeps MK8g Figure-8 capsule for Collette series bodies\u003c\/h2\u003e\n\u003cp\u003eThis microphone type is a true dipole transducer, operating with a single diaphragm. The main axis of its bidirectional pickup lies at right angles to its cylindrical axis, and is marked at 0 degrees and 180 degrees with a red and a black dot respectively. When M\/S stereo recordings are made, the 0 degrees axis faces to the left, as viewed from behind the microphone setup.\u003c\/p\u003e\n\u003cp\u003eThe \"8\" engraved on the top of the housing should be aligned on its side so as to appear horizontal, at a precise right angle to the Mid capsule. 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(As an X\/Y pair, two of them crossed at 90 degrees are also ideal in the Blumlein stereo arrangement.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMK8 Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003epure pressure gradient transducer with figure 8 pattern\u003c\/li\u003e\n\u003cli\u003edirectional pattern almost completely identical at all frequencies\u003c\/li\u003e\n\u003cli\u003emain axis: radial (pickup perpendicular to the microphone body)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":31534737358894,"sku":"SSCHMK8G","price":705.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/mk8__40330.jpg?v=1578925746"},{"product_id":"schoeps-tr-200-lg","title":"Schoeps TR 200 Lg Desk stand for CCM-L with swivel at both ends, 200mm","description":"\u003ch2\u003eSchoeps TR 200 Lg - Single\u003c\/h2\u003e\n\u003cp\u003eThe Schoeps TR 200 Lg is a 200mm desk stand for CCM-L with swivel joint at both ends. Requires K 5 LU adapter cable. 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If has a warm, clear sonic character with smoothly rolled-off diffuse-field response. The design of the V4 U includes a capsule head with adjustable tilt angle.\u003c\/p\u003e\n\u003cp\u003eThe V4 U unites the outstanding technical characteristics typical of SCHOEPS with a timeless, classic design. The look of the V4 U is based on the Schoeps CM 51\/3 from 1951. But the V4 U is a thoroughly modern studio microphone. 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Through modern electronic design, these outstanding electrical properties have been achieved:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ehigh maximum SPL: 135 dB-SPL with the MK 4 (0.5% THD or less)\u003c\/li\u003e\n\u003cli\u003every low current consumption: 2.0 mA at 48 Volts\u003c\/li\u003e\n\u003cli\u003eoperates on 48 V or 12 V phantom power, reliable operation even if powering is somewhat marginal\u003c\/li\u003e\n\u003cli\u003every high immunity from RF interference with the SCHOEPS RFI Shield; high immunity to cable-induced hum and other interference (field tested with Audio Limited A 10, etc.)\u003c\/li\u003e\n\u003cli\u003eflat frequency response\u003c\/li\u003e\n\u003cli\u003every low distortion\u003c\/li\u003e\n\u003cli\u003econstant output impedance across the audio frequency range\u003c\/li\u003e\n\u003cli\u003ebalanced, direct-coupled, class-A output circuit\u003c\/li\u003e\n\u003cli\u003eoutput is filtered in the ultrasonic range to prevent interference, e.g. from camera autofocus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA complete Colette-series microphone consists of an MK capsule and a CMC amplifer. All capsules and active accessories of the Colette system are compatible with the CMC 1.\u003cbr\u003e\u003cbr\u003eThe CMC 1 works with standard 12-Volt or 48-Volt phantom powering. 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SG 20, premium case.","description":"\u003ch2\u003eSchoeps CMC 1 U Miniature Microphone Amplifier, incl. SG 20, premium case.\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 1\u003c\/strong\u003e is a new, small Colette microphone amplifier, about one-third the length and 53% lighter than the CMC 6. It is compatible with all components of the Colette system and can be used in place of the CMC 6 without compromise, for all applications in which the size and weight of the microphone play a role.\u003cbr\u003e\u003cbr\u003eAt SCHOEPS, “uncompromising miniaturization” means that the electrical characteristics of the CMC 1 are equal to, or even better than, those of the CMC 6. Through modern electronic design, these outstanding electrical properties have been achieved:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ehigh maximum SPL: 135 dB-SPL with the MK 4 (0.5% THD or less)\u003c\/li\u003e\n\u003cli\u003every low current consumption: 2.0 mA at 48 Volts\u003c\/li\u003e\n\u003cli\u003eoperates on 48 V or 12 V phantom power, reliable operation even if powering is somewhat marginal\u003c\/li\u003e\n\u003cli\u003every high immunity from RF interference with the SCHOEPS RFI Shield; high immunity to cable-induced hum and other interference (field tested with Audio Limited A 10, etc.)\u003c\/li\u003e\n\u003cli\u003eflat frequency response\u003c\/li\u003e\n\u003cli\u003every low distortion constant output impedance across the audio frequency range\u003c\/li\u003e\n\u003cli\u003ebalanced, direct-coupled, class-A output circuit\u003c\/li\u003e\n\u003cli\u003eoutput is filtered in the ultrasonic range to prevent interference, e.g. from camera autofocus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA complete Colette-series microphone consists of an MK capsule and a CMC amplifer. All capsules and active accessories of the Colette system are compatible with the CMC 1.\u003cbr\u003e\u003cbr\u003eThe CMC 1 works with standard 12-Volt or 48-Volt phantom powering. Power consumption is lower at 12 Volts--an advantage for battery-powered operation\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eVariant of the CMC 1 U with miniature Lemo output connector\u003c\/li\u003e\n\u003cli\u003eK 5 LU (5 m cable with XLR-3M plug) and SGC stand adapter are included\u003c\/li\u003e\n\u003cli\u003eFully equal alternative to the well-known CMC 6\u003c\/li\u003e\n\u003cli\u003eCompatible with all available MK capsules and active Colette accessories, e.g. CUT 60 or RC\u003c\/li\u003e\n\u003cli\u003eCompatible with all accessories of the CCM series, e.g. TR L oder STA\u003c\/li\u003e\n\u003cli\u003eRecommended accessories for boom use are the same as for CCM microphones, e.g. MINIX CCM LU or Rycote INV-5.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency range \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e20 Hz-20 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eSensitivity \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003esee corresponding capsule\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum output voltage \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e1,8 V (5 dbV) with 1kΩ load\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum sound pressure level (THD \u0026lt; 0.5 %) \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e135 dB-SPL (P48) with MK 4\u003c\/li\u003e\n\u003cli\u003e131 dB-SPL (P12) with MK 4\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eLow cut filter \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e20 Hz, 12dB\/oct\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eOutput impedance \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e50 Ω +\/- 1 Ω (8 Hz - 50 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eMinimum recommended load impedance \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e1 kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eCommon mode rejection ratio (at 1 kHz) \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026gt; 55 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum cable length \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026gt; 400 m \/ ~1300 ft\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eSCHOEPS RFI Shield \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eYes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003ePowering standard \/ Valid range \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eP48 \/ 30-52 V\u003c\/li\u003e\n\u003cli\u003eP12 \/ 11-13 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eCurrent consumption \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e2mA (P48)\u003c\/li\u003e\n\u003cli\u003e3 mA (P12)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eOutput \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLemo, analog, 1 channel\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eLength \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e25.5 mm \/ ~1 ''\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eDiameter \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e20 mm \/ 0.8''\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eWeight \u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e28 g \/ ~1 oz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":40638158045362,"sku":"SSCHCMC1U","price":615.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SSCHCMC1U-1.jpg?v=1631112652"},{"product_id":"schoeps-cmc64v-stereoset-2-x-cmc6u-2-x-mk4v-matched-2-x-sg20-2-x-b5d-in-wooden-storage-box","title":"Schoeps CMC64V Stereoset","description":"\u003ch2\u003eSchoeps CMC64V Stereoset\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC64V\u003c\/strong\u003e is a stereo set of CMC6 microphone amplifiers, MK4 cardioid capsules, B5 pop screens and SG20 stand clamps. The Schoeps CMC64 provides a flat frequency response, high sound quality and optimal rejection of rear-incident sound.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eThe MK4 Capsule\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThe MK 4 is Schoeps' best-selling capsule. It offers the highest sound quality, flat frequency response, optimal rejection of rear-incident sound, and a directional pattern that remains constant throughout the audio frequency range. In the diffuse sound field it shows only a mild rise around 10 kHz; the sonic impression thus remains free of coloration even when sound is arriving from all sides at once. The sonic impression is thus free of coloration whether sound is arriving at the front or at the sides of the microphone, as well as for diffuse sound (reverberation) in a room.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eThe CMC6 Amplifier\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThe Schoeps CMC 6 Amplifier is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognises the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/span\u003e\u003c\/p\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":40969706143922,"sku":"SSCHCMC64VKIT","price":2365.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0256\/2988\/4462\/products\/SSCHCMC64VKIT-1.jpg?v=1649844077"}],"url":"https:\/\/studiocare.com\/collections\/schoeps\/microphones_large-diaphragm-condenser-microphones.oembed","provider":"Studiocare","version":"1.0","type":"link"}