News
RSS-
Mark Gittins joins us on Tuesday 10 November for an evening on immersive mixing, with the Neumann team. Free tickets, 40 seats.Read now -
An Evening with Gentry Studer and SPL
Gentry Studer joins us on Thursday 29 October for a talk from SPL and an hour-long mastering walkthrough. Free to attend, thirty seats.Read now -
An Evening with Tom Longworth at Studiocare, Liverpool
Tom Longworth broke down his mix of “All I Ever Asked” by Rachel Chinouriri featuring Sombr at our Liverpool masterclass, after a talk from PMC.Read now -
When does a patchbay make sense?
Read nowThere is a specific groan that comes with wiring the back of a rack. A patchbay is how you stop earning it. In the latest journal entry, we cover what a patchbay actually does, how normalling works (with diagrams), how to choose the right one, and the one phantom power habit that saves your gear. Have a read, and get in touch if you're sizing one up.
-
Open back or closed back? The Sennheiser HD 490 vs HD 480
Read nowWhen should you reach for open-back headphones, and when closed? A hands-on look at the difference, using Sennheiser's HD 490 and HD 480 as a clean example of each.
-
Why a three-way monitor makes sense
Read nowWhy does a third driver matter? A plain look at how speaker crossovers work, what a dedicated midrange driver buys you, and three industry-standard three-way monitors worth knowing.
-
Ribbon, Dynamic or Condenser? A plain guide.
Read nowThe best EQ is the right microphone. A plain guide to ribbon, dynamic and condenser mics, how each one works, and which to reach for on vocals, drums, guitars and horns.
-
A quick guide to choosing a mic preamp
Read nowTransformer, transformerless or valve? A plain look at the three families of mic preamp, what each one does to your sound, and how to start choosing the one that fits the records you love.
-
Why Analogue Compression Still Earns Its Rack Space
Read nowPlugins can do almost anything, so why are compressors selling more than ever? A look at how analog compression shapes the way an artist performs, and why committing to a tone beats keeping every option open.